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ARCH.2003.34, Rendition: 807107
This image displays an open book or scrapbook with two newspaper clippings mounted on a dark, textured page.
The top clipping is from “THE CHRISTIAN SCIENCE MONITOR”, dated “SATURDAY, SEPTEMBER 3, 1960”. It features a large, monochrome pencil drawing titled “THE BEACH AT DUNKIRK” by Jean-Baptiste-Camille Corot (1796-1875). The artwork, credited to the Fogg Art Museum, Harvard University, Cambridge, Mass., depicts a coastal landscape with a windmill, a fence, scattered figures, and buildings under a lightly sketched sky.
Below the drawing, an article by Dorothy Adlow discusses Corot’s art and the generosity of American collectors, specifically mentioning that John S. Newberry, class of 1929, lent 32 French drawings from his personal collection to Harvard University for display. The article notes that “The Beach at Dunkirk” is a compact, early work by Corot, produced after his first trip to Italy, and praises his precise, lyrical draftsmanship.
The bottom clipping is from “THE BOSTON HERALD, MONDAY, SEPT. 7, 1959” and is titled “Harvard Plans New House for College Dean”. It includes a photograph labeled “DEAN’S RESIDENCE”, showing an architectural model or drawing of a modern, two-story brick house with large windows, set in a landscaped yard with trees. The article details Harvard’s plans to build Forbes House at DeWolfe and Grant streets in Cambridge as the official residence for the dean of Harvard College. It notes that the house is designed to honor Alexander Forbes, director emeritus of the Harvard Medical School and former director of the Fogg Museum. The new house will be constructed next to the existing Quincy House.
The scrapbook page itself appears to be part of a larger collection, with another newspaper clipping visible on the left page edge. The overall presentation suggests a curated collection of notable cultural and institutional news from Harvard University in the late 1950s and early 1960s.
The image appears to be a scanned page from a newspaper, specifically "The Christian Science Monitor," dated Saturday, September 3, 1960. The page is divided into several sections containing articles, images, and a pencil drawing.
Top Section:
Middle Section:
Bottom Section:
This image shows a page from a scrapbook or collection of newspaper clippings. The page is dated Saturday, September 3, 1960, and includes articles and images from "The Christian Science Monitor."
At the top, there is a pencil drawing titled "The Beach at Dunkirk" by Jean-Baptiste-Camille Corot, accompanied by a description of the artist and the artwork. The description mentions the dimensions of the drawing and Corot's style of depicting architectural subjects and figures.
Below the drawing, there is an article and a photograph of a building labeled "Dean's House" at Harvard University. The article is titled "Harvard Plans New House for College Dean" and discusses the plans for a new house for the dean of Harvard College, named Forbes House, in honor of Edward Waldo Forbes, the director emeritus of Harvard's Fogg Art Museum.
The article mentions that the building will be a two-story wood and brick contemporary residence and will be located near the new Quincy House, which will open in the fall. It also notes that the building is designed by The Architects Collaborative under the direction of Benjamin F. Thompson.
Additionally, there is a small photograph of a man labeled "Forbes" and a brief mention of his background and contributions to Harvard University.
The overall layout of the page includes various newspaper clippings and images arranged in a scrapbook-like manner.
The image shows a page of a book that appears to be a newspaper clipping book. It is dated Saturday, September 3, 1960. The page is filled with newspaper clippings and a drawing. The clippings are from "The Christian Science Monitor." There are three main clippings on the page. The top clipping is a drawing titled "The Beach at Dunkirk" by Jean-Baptiste Corot. Below it, there is a clipping about Harvard planning a new house for College Dean. The third clipping is about the U.S. ambassador to the Philippines. The clippings are pasted on the page, and some of them have annotations or comments written on them. The page has a black border, and the newspaper clippings are pasted on a black background.
The image is a collage of newspaper clippings and drawings. The top of the collage shows a drawing of a beach with a windmill and a bridge, with the text "THE BEACH AT DUNKIRK" and the name "Jean-Baptiste-Camille Corot" below it. The bottom of the collage shows a drawing of a house with the text "DEAN'S HOUSE" and a description of the plans for a new house for the College Dean. The collage also includes newspaper clippings about Harvard University, including one about a new house for the College Dean and another about the Fogg Museum.
The image depicts a page from a publication titled "The Christian Science Monitor," dated Saturday, September 3, 1960. The page features a mix of text and illustrations, providing a glimpse into historical content and design from that era.
The page combines historical news about a significant architectural project at Harvard University with an appreciation for art, as exemplified by the Corot illustration. It reflects the style and content typical of mid-20th-century newspapers, emphasizing both current events and cultural heritage.
The image shows a scrapbook page with newspaper clippings from "The Christian Science Monitor," dated Saturday, September 3, 1960, and from The Boston Herald, dated Monday, September 7, 1959.
At the top, there is a pencil drawing titled "The Beach at Dunkirk" by Jean-Baptiste-Camille Corot. The drawing depicts a simple beach scene with some figures, buildings, a windmill, and barrels.
Below the drawing, there is an article titled "Harvard Plans New House for College Dean," with a photograph showing the design study plans for Forbes House. Forbes House is to be built at DeWolfe and Grant streets in Cambridge as the official residence for the dean of Harvard College. The photograph shows a modern-style design of a two-story wood and brick residence.
The articles discuss the plans for the new residence, its location near the Charles River, and the significance of the Forbes family's legacy. There is also mention of individuals involved, including Dean Howard W. Johnson and other family members related to the project. The page captures a blend of art appreciation and architectural development related to Harvard University in that era.
This image shows a scrapbook page with newspaper clippings. At the top, there is an article from "The Christian Science Monitor" dated Saturday, September 3, 1960. It includes a pencil drawing labeled “The Beach at Dunkirk” by Jean-Baptiste-Camille Corot. Below this is text discussing the artwork and its significance.
The middle portion of the page features another clipping, showing a photograph of modern architecture labeled "Dean's Residence." The design for the building, referred to as Forbes House, is described as a future residence for the dean of Harvard College at DeWolfe and Grant Streets in Cambridge, Massachusetts.
The lower section contains articles from "The Boston Herald," dated Monday, September 7, 1959. These articles discuss plans for the new house, mentioning educational and architectural details, its purpose, and connection to the Fogg Museum and Harvard College.
The scrapbook page seems to focus on art and architecture, emphasizing cultural relevance and institutional planning.
This image is of an open newspaper, "The Christian Science Monitor," dated Saturday, September 3, 1959. The visible articles and images are mostly about historical and educational topics. There is a pencil drawing by Jean-Baptiste-Camille Corot on the top right, captioned "The Beach at Dunkirk." Below is an article titled "Harvard Plans New House for College Dean" with an associated image showing an architectural rendering or photograph of a building, presumably the one in discussion. The clipping discusses this new building in honor of an emeritus director of the Fogg Museum. On the left side, there is a portion of another article; however, the content is not fully visible. The rest of the newspaper page is obscured by the frame/language that it is presented in, which is dark and contrasts with the off-white color of the newspaper's pages.