Archives Scrapbooks

This image displays an open, vintage newspaper clipping scrapbook, showing two pages bound together. The visible clippings are from June 1960 and focus on the life, work, and legacy of the American artist Fitz Hugh Lane.

The left-hand page is from the Gloucester (Mass.) Times, dated June 4, 1960. Its main headline reads: “Famous Gloucester Artist Finally Gets a Headstone” by Paul Kenton.

Key details from this article include:

• The story centers on Fitz Hugh Lane (1804–1865), a renowned 19th-century marine painter from Gloucester, who was buried in an unmarked grave.
• After a 96-year wait, friends and local art organizations finally placed a granite headstone on his grave at Oak Grove Cemetery.
• The stone was donated by Joseph O. Stevens, a longtime friend and fellow artist.
• The article includes three black-and-white photographs:
  1. A reproduction of Lane’s painting “Treach Water Cove, from Dillow’s Neck,” described as a characteristic work.
  2. An exterior view of Lane’s studio home, nicknamed “The Stone Jug.”
  3. A photo of the newly placed headstone inscribed: “FITZ HUGH LANE / PAINTER / GLOUCESTER, / 1804 — 1865.”

The article also mentions Lane’s artistic legacy, including over 24 oil paintings in the Boston Museum of Fine Arts and over 100 drawings. It notes his association with Luminism and his reputation as a “meticulous, self-taught” painter.

The right-hand page is from the Worcester (Mass.) Sunday Telegram, dated June 5, 1960, and continues the story under the same headline. It references a Harvard senior’s discovery of Lane’s unmarked grave, which led to the campaign to place the headstone. The text also describes Lane’s artistic style and his growing posthumous recognition — including a recent exhibition at the Metropolitan Museum and plans for future shows.

Below this, another article begins with the headline: “Moderns Have Their Day at the...” (partially cut off), discussing modern art exhibitions and artists like Picasso, Léger, and Mondrian, indicating the scrapbook’s broader interest in art.

Physical features of the scrapbook:

• The pages are aged and yellowed.
• The clippings are taped or pasted into a dark, possibly black, binder or scrapbook.
• Small agency stickers from “New England Newsfili Agency, Inc.” are visible in the top corners of both pages, bearing circulation codes.
• A metal binding ring is visible between the pages, holding the scrapbook together.

Overall, the image captures a historical moment in art preservation — the memorialization of a previously forgotten American artist — documented in local newspapers and collected for posterity.

The image shows a collection of newspaper clippings pasted onto a black page. The clippings appear to be historical articles, likely focusing on art and historical events, dated from the late 1950s and early 1960s. The articles are labeled with dates and locations, such as "Gloucester, Mass." and "Worcester, Mass." The text discusses famous artists, including Fitz Hugh Lane, and mentions events such as Lane getting a headstone. There are also images accompanying the articles, such as a photograph of a building and a headstone. The clippings seem to be part of a scrapbook or a collection of historical and artistic memorabilia.

This image shows an open scrapbook or album with newspaper clippings pasted on the pages. The left page contains an article titled "Famous Gloucester Artist Finally Gets a Headstone," accompanied by three black-and-white photographs. The top photo shows a painting labeled "Fresh Water Cove, from Dolliver's Neck," the middle photo is of a building labeled "The Stone Jug" Lane's studio home, and the bottom photo is of a headstone that reads "Fitz Hugh Lane Painter Gloucester 1804-1865" with the caption "Stone just placed on Lane's grave."

The right page contains another article titled "Moderns Have Their Day at the," with a photograph of a man in formal attire, identified as "Fitz Hugh Lane, 1st published photograph." The article discusses modern art and its place in the art world. The clippings are from newspapers dated June 4, 1960, as indicated by the small label on the left page. The scrapbook appears to be curated by the New England Newsclip Agency, Inc., with additional labels indicating the source of the clippings.

The image shows a scrapbook page with a headline that reads "Famous Gloucester Artist Finally Gets a Headstone." The page has various newspaper clippings and photographs pasted on it. The clippings include articles about the artist, Fitz Hugh Lane, and his life and work. There are also photographs of Lane's studio home, his grave, and a stone placed on his grave. The page appears to be a tribute to the artist and his legacy.

The image appears to be a page from a scrapbook or a collection of newspaper clippings. The page contains several articles and photographs related to Fitz Hugh Lane, a famous Gloucester artist. Here is a detailed description of the image:

The page is divided into three main sections:

1. The top left section contains a photograph of a house with the caption "The Stone Jug" Lane's studio home.

2. The top right section has a photograph of a gravestone with the inscription "Fitz Hugh Lane 1804-1865" and the caption "Stone just placed on Lane's grave."

3. The bottom section contains two articles about Fitz Hugh Lane:

• The first article is titled "Famous Gloucester Artist Finally Gets a Headstone" and discusses the unveiling of a headstone for Lane's grave.

• The second article is titled "Moderns Have Their Day at the Cape" and compares the art of Lane and other artists.

The articles and photographs are arranged in a collage-like fashion, with some overlapping and cutting across each other. The overall tone of the page seems to be celebratory and commemorative, highlighting the legacy and recognition of Fitz Hugh Lane as a notable artist.

In summary, the image depicts a scrapbook page or newspaper clipping collection focusing on the life and work of the famous Gloucester artist Fitz Hugh Lane, featuring photographs of his studio home, gravestone, and articles about his recognition and comparison with other artists.

The image shows an open book or scrapbook page featuring a collection of newspaper clippings and photographs related to the artist Fitz Hugh Lane. The page is titled "Famous Gloucester Artist Finally Gets a Headstone" and is dated June 4, 1960, from the Gloucester Times (c) Circ. 9,273. The content is centered around the placement of a headstone for Fitz Hugh Lane, a renowned Gloucester artist, at his grave.

Key Elements in the Image:

1. Headline and Caption:

   • The main headline reads: "Famous Gloucester Artist Finally Gets a Headstone."
   • A subheading or caption at the top mentions the New England Newspaper Agency, Inc., and the publication details.

2. Photographs:

   • Top Left: A photograph of a scenic coastal view, labeled as "LANE PAINTING: 'Fresh Water Cove from Dolliver's Neck,' characteristic of Lane painting, in the Boston Museum of Fine Arts M. and M. Katolik Collection." This image shows a serene landscape with sailboats and a rocky coastline, likely one of Lane’s famous works.
   • Bottom Left: A photograph of a house labeled "The Stone Jug" Lane's studio home, showing a historic building with a sign that reads "FITZ HUGH LANE" and "GLOUCESTER 1846." This appears to be the artist's former studio or residence.
   • Bottom Center: A close-up photograph of a stone headstone placed on Lane’s grave, with the inscription "FITZ HUGH LANE 1804-1886." The caption below reads: "Stone just placed on Lane's grave."

3. Article Text:

   • The central portion of the page contains an article by Paul Kenton, detailing the story of Fitz Hugh Lane’s legacy, his works, and the recent placement of his headstone. The article discusses:
     • Lane’s significance as a Gloucester native and artist.
     • The history of his grave and the efforts to honor him with a proper headstone.
     • Descriptions of Lane’s paintings, including the one depicted in the top photograph.
     • The process of placing the headstone and the contributions of local organizations and individuals.

4. Additional Clipping:

   • To the right of the main article, there is another clipping titled "Moderns Have Their Day at the Cape" by Paul Winter, which discusses modern art exhibitions and artists, including a mention of Cape Ann Winter, a painter associated with Rockport. This clipping is less directly related to Fitz Hugh Lane but provides context about the art scene in the region.

5. Layout and Design:

   • The page is well-organized, with a mix of text, photographs, and captions. The layout is typical of a scrapbook or archival collection, preserving historical news articles and images.
   • The photographs are placed strategically to complement the article’s narrative, providing visual context for Lane’s life, work, and legacy.

Summary:

The image captures a historical moment—the placement of a headstone for Fitz Hugh Lane, a celebrated Gloucester artist—through a combination of newspaper clippings, photographs, and descriptive text. It highlights Lane’s artistic contributions, his legacy, and the community’s efforts to honor him posthumously. The inclusion of additional art-related content adds depth to the broader cultural context of the time.

This image shows scrapbook pages with newspaper clippings adhered to a black background. The main headline reads, "Famous Gloucester Artist Finally Gets a Headstone," suggesting the article is about commemorating the artist Fitz Henry Lane with a gravestone.

There are several photographs: the first depicts a painting titled "Fresh Water Cove, from Dolliver's Neck," showcasing an artistic representation of boats and a coastal landscape. Another shows "The Stone Jug," which is Lane's studio home. The third image displays a headstone placed on Lane's grave, inscribed with his name and years of life (1804–1865).

The articles contain text discussing Lane's artistic contributions and legacy, including his works in the Gloucester area. Additional clippings discuss modern art exhibits and activities on Cape Ann. The scrapbook appears to be a historical record of Lane's life, his work, and his recognition within the art world.

The image shows an old scrapbook spread opened to two dark pages filled with black‑and‑white newspaper clippings. The left page features a large headline that reads something like “Famous Gloucester Artists Finally Gets a Headstone.” Below it are several clipped photos and captions: a harbor scene with sailboats, a stone building labeled as Lane’s studio home, and a small photo of a grave marker with a caption about it being placed on Lane’s grave. There are tiny date stamps clinging to the top corners of the page. The right page continues with more newspaper text and another small image of a man in a portrait on the edge, along with additional clippings and captions. The overall look is vintage, with torn edges and taped attachments, giving the impression of a DIY archival scrapbook about a Gloucester artist.

The image shows an open scrapbook with various newspaper clippings pasted on the pages. The clippings include articles with headings, subheadings, and body text, along with some accompanying photographs relating to the articles' subjects. One of the articles prominently displayed on the left page has the headline "Famous Gloucester Artist Finally Gets a Headstone," dated June 4, 1950. Below this article is a photo captioned "The 'Sloop John B.' Lowell's Studio," showing a building, and another captioned "Stone 'Just Short' of Arnold's Grave," with an image of a gravestone.

The surrounding articles appear to be related to cultural and historical topics, and the overall appearance suggests the scrapbook may be of historical significance or a compilation of memories related to specific events or personalities. The scrapbook is resting on a dark, flat surface, and its pages and clippings are aged and yellowed, indicative of its vintage quality.

This image shows an open scrapbook or album page with several newspaper clippings pasted on it. The main headline across the top reads: "Famous Gloucester Artist Finally Gets a Headstone." The article is by Paul Kenyon and discusses the artist Fitz Hugh Lane, a 19th-century painter from Gloucester, Massachusetts.

There are multiple smaller clippings on the page, including:

• A photograph captioned "LANE PAINTING - 'Fresh Water Cove, from T-Iliver's Neck,' a characteristic Lane painting, in the Boston Museum of Fine Arts."
• Another photo labeled "The Stone Jug: Lane's studio home."
• A close-up image titled "Stone Jug placed on Lane's grave."
• A small photo of Fitz Hugh Lane in the upper right corner.
• A partial clipping with the headline "Moderns Have Their Day."

The page also includes additional text about Lane's life, his contributions to art, and the efforts taken to properly mark his grave with a headstone in 1960, as evidenced by a handwritten date "Jun 4 1960." The overall theme focuses on honoring and preserving the legacy of Fitz Hugh Lane as an important artist in Gloucester history.