Archives Scrapbooks

This image displays a page from a scrapbook, featuring two newspaper clippings from The Christian Science Monitor, mounted on a dark background. The clippings are dated Thursday, May 5, 1960, and May 13, 1960, and both relate to an exhibition of drawings by the Dutch master Rembrandt van Rijn at Harvard University’s Fogg Art Museum.

Left Clipping: “Noah’s Ark” (May 5, 1960)

This clipping focuses on a large wash drawing titled “Noah’s Ark”, dated circa 1660. The article, written by Dorothy Atlow, describes the drawing and the special exhibition “Rembrandt Drawings from American Collections” held at the Pierpont Morgan Library in New York City and then displayed at Harvard’s Fogg Museum.

The article notes that Rembrandt depicted people, not animals, entering the Ark, with the central figure likely representing Noah himself, turning toward the Ark. The drawing, executed in reed pen and brown ink, is praised for its mastery, movement, and tension. It was loaned to the exhibition by Mr. and Mrs. H. Silver.

Right Clipping: “Self-Portrait” & Event Notice (May 13, 1960)

This clipping features two distinct items:

1. Event Announcement: A notice for a talk on Bernard Berenson by the Italian Historical Society of Mass., held in cooperation with Harvard University at the Hotel Vendome, Boston. The talk was scheduled for Thursday, May 19, 1960, at 8:00 p.m. Prof. Freedberg of the Fogg Art Museum was to address the society, with Dr. John J. Santoro, Mrs. Lillian Cook (who would present James Borz, a bass baritone), and Mr. Henry A. Sasserno also participating.

2. Artwork Reproduction: Below the text is a reproduction of Rembrandt’s “Self-Portrait”, also a wash drawing (dated 1634–36, executed in pen, brown ink, and India ink). The portrait, shown in a three-quarter view, is described in the left article as “striking self-characterization” and was loaned by the Art Institute of Chicago (Clarence Buckingham Collection).

Overall Presentation:

The entire page is a curated collection of cultural events and art reviews from early 1960, with a clear focus on Rembrandt’s drawings on display at Harvard. The newspaper clippings are taped or glued to the page, with visible aging and slight discoloration. The juxtaposition of fine art coverage with a local historical society event suggests the scrapbook may have belonged to a culturally engaged individual interested in both art and history.

The overall aesthetic is archival and academic, preserving a snapshot of mid-20th-century cultural life centered on university museums and scholarly presentations.

This image appears to be a page from a scrapbook or a collection of historical documents and news clippings. The page contains several distinct items:

1. The Christian Science Monitor Newspaper Clipping: At the upper left, there's a clipping from The Christian Science Monitor dated Thursday, May 5, 1960, with a headline and some text.

2. Drawing of "Noah's Ark": Below the Christian Science Monitor clipping, there is a black-and-white reproduction of a drawing titled "Noah's Ark" by Rembrandt van Rijn, dated c. 1660. This drawing is described in the accompanying text, which mentions its exhibition in a special exhibition at the Pierpont Morgan Library in New York City. The text also discusses the drawing's historical context and significance.

3. Drawing of a Self-Portrait: At the bottom right, there is another black-and-white reproduction of a drawing titled "Self-Portrait" by Rembrandt van Rijn, dated c. 1634-36. This self-portrait is also described in the text, which provides details about its exhibition at the Fogg Art Museum in Cambridge, Mass., through May 28.

4. Italian News Weekly Clipping: On the right side of the page, there is a clipping from the Italian News Weekly dated May 13, 1960, with the headline "Historical Society to Hear Talk on Bernard Berenson." This clipping mentions a meeting of the Italian Historical Society of Massachusetts, which will feature a talk on Bernard Berenson, a renowned art historian.

The page seems to be a collection of articles and images related to Rembrandt van Rijn's works and their exhibitions, as well as information about a historical society meeting featuring Bernard Berenson. The items are arranged in a way that suggests they were cut out and pasted onto the page for reference or personal interest.

This image is a page from a scrapbook or collection of clippings, dated May 5, 1960, as indicated by the handwritten note at the top. The page contains articles and images from "The Christian Science Monitor" and "Italian News," both from Boston, Massachusetts.

1. Top Left Section: A wash drawing titled "Noah's Ark" by Rembrandt van Rijn, dated around 1660. The drawing shows a group of people entering a large structure, presumably the Ark, with one person pointing towards it. The article accompanying this image discusses the exhibition of Rembrandt drawings from American collections at the Fogg Art Museum in Harvard University.

2. Top Right Section: An announcement from the Italian Historical Society of Massachusetts about a regular meeting on May 19, 1960, at the Hotel Vendome in Boston. The meeting will feature a movie about the work of Bernard Berenson, with addresses by Prof. Freedberg and assistance from Dr. John J. Santuosso. The event will also include a musical performance by Mr. James Berg.

3. Bottom Right Section: A wash drawing titled "Self-Portrait" by Rembrandt van Rijn. The article describes this as an early drawing executed around 1634-36, showing Rembrandt's mastery in manipulating the reed pen to create contours, movement, and tension.

The page is neatly arranged with the clippings glued onto a dark background, and the text is legible, providing detailed information about the exhibitions and the upcoming historical society meeting.

The image shows a scrapbook page with various clippings, including a drawing of a man, a drawing of a house, and a newspaper article about an exhibition. The drawing of the man is titled "Self-Portrait" and is done in a wash drawing style. The drawing of the house is titled "Noah's Ark" and is also done in a wash drawing style. The newspaper article is about an exhibition of Rembrandt drawings at Harvard University. The article mentions that the exhibition includes two beautiful drawings, one of which is titled "Noah's Ark." The article also mentions that the exhibition will be on display until May 28th.

A page of an old book contains several clippings of newspaper articles and photographs. The clippings are arranged in a way that suggests they are part of a scrapbook or collection. The clippings include a drawing of a building with people and a man in a hat, a picture of a man's face, and a newspaper clipping with the text "Historical Society To Hear Talk on Bernard Berenson." The clippings are attached to the book's page with tape.

The image depicts a page from a book or catalog, showcasing two historical wash drawings by Rembrandt van Rijn. The page is divided into two main sections, each featuring a detailed illustration and accompanying text.

Left Section:

• Illustration: A black-and-white wash drawing titled "Noah's Ark" by Rembrandt van Rijn, dated around 1600. The drawing depicts a dramatic scene with figures, possibly Noah and his family, inside the ark. The style is characteristic of Rembrandt's early work, with dynamic lines and shading that convey movement and tension.
• Text: The accompanying text provides context about the drawing, noting its recent display in a special exhibition at the Pierpont Morgan Library in New York City. It highlights the drawing as part of the Fogg Art Museum's collection and emphasizes its significance in Rembrandt's early career. The text also mentions that the drawing was part of an exhibition titled "Rembrandt Drawings from America," which showcased works from the Dutch Golden Age (circa 1600–1660).

Right Section:

• Illustration: Another black-and-white wash drawing titled "Self-Portrait" by Rembrandt van Rijn. This self-portrait shows the artist in a contemplative pose, with a focus on his facial features and expression. The style is consistent with Rembrandt's early self-portraits, characterized by expressive lines and subtle shading.
• Text: The text describes the self-portrait as an early example of Rembrandt's self-representation, dated around 1634–36. It notes that the drawing is executed in pen and brown ink, with a height of three-quarter view. The text also mentions that two other self-portraits by Rembrandt are present in the Cambridge collection, one lent by Mr. and Mrs. Louis Demeny.

Additional Elements:

• Headings and Labels: The top of the page includes a header from The Christian Science Monitor, dated Thursday, May 5, 1960, indicating that this page may have been part of a newspaper clipping or archival collection.
• Footnotes: At the bottom of each illustration, there are notes attributing the source of the images to the Art Institute of Chicago and the Fogg Art Museum, Harvard University, Cambridge, Mass.
• Visual Layout: The page is well-organized, with clear separation between the two illustrations and their respective descriptions. The text is concise and informative, providing historical and artistic context for each drawing.

Overall Impression:

The page serves as a historical and artistic documentation, combining visual art with scholarly commentary. It highlights Rembrandt's early mastery of wash drawing techniques and provides insight into his creative process and self-representation during his formative years. The inclusion of exhibition details and source attributions suggests that this page is part of a curated collection or exhibition catalog.

This image appears to be a scrapbook page containing a collection of clippings, primarily from newspapers or periodicals, revolving around art and historical topics. It features text articles, illustrations, and photographs. The main focus of the page includes:

1. A wash drawing titled "Noah's Ark" by Rembrandt van Rijn (circa 1660) in the top left, showcasing a biblical scene with figures and architectural elements. Below this drawing, an article elaborates on the historical and artistic significance of this piece and others attributed to Rembrandt.

2. A self-portrait drawing by Rembrandt van Rijn on the bottom right. This wash drawing captures a figure appearing to don period attire, accompanied by an article discussing its importance and exhibition details.

3. A news clipping in the top right corner, detailing a historical talk or event related to Bernard Berenson, scheduled to be held by the Italian Historical Society of Massachusetts.

4. The date "Thursday, May 5, 1960," and a reference to "The Christian Science Monitor" are visible, indicating this page could date to that time.

Overall, this scrapbook page is dedicated to documenting significant art history topics, particularly related to Rembrandt's work, and local historical events.

This is an image of a scrapbook or journal page with various items mounted on it. In the top left, there is a sketch depicting what appears to be an outdoor scene with a group of figures gathered around a large, arched structure, which may be a building or a shelter. A handwritten note above this sketch reads "Thursday, May 5, 1949."

On the right side of the page, newspaper cuttings from different sources are pasted. At the top, there's a portion of an article from "The Christian Science Monitor," but the headline and main body of the article are obscured by other elements. Below this is an excerpt from an article titled "Historical Society To Hear Talk on Bernard Berenson," which contains details about a talk to be given at the Italian Historical Society of America on Bernard Berenson, a significant figure in the field of art history.

Below the handwritten note and to the left of the newspaper clippings is another article, with the visible headline "Noah's Ark: A Wash Drawing by Rembrandt van Rijn." The article describes an exhibition including the mentioned artwork by Rembrandt, noting that it's displayed at the Fogg Museum of Harvard University.

At the bottom right is an image with the caption "SELF-PORTRAIT: A Wash Drawing by Rembrandt van Rijn," and it refers to a specific artwork. The piece appears to be an artist's impression of a figure executed with loose, expressive strokes. The article beside this image likely contains further information about the work shown and the exhibition it's part of.

The arrangement of these items indicates the page is likely used for personal record-keeping, learning, or as a memory collage related to art and historical events. The mixture of personal notes, sketches, and collected articles suggests a strong interest in art and culture by the creator of the scrapbook.

The image shows a scrapbook page containing three newspaper clippings and one small notice pasted on black paper.

1. The top left clipping features a drawing titled "Noah's Ark: A Wash Drawing by Rembrandt van Rijn, c. 1660." It depicts a monochromatic sketch of biblical figures near a large wooden structure resembling an ark. The text below the drawing discusses Rembrandt's "Noah's Ark," its artistic style, and background information about the drawing.

2. Below this, there is a small block of text continuing the explanation about Rembrandt's work and the art exhibition where these pieces are shown, mentioning the Fogg Art Museum at Harvard University.

3. On the right side, near the top of the page, there's a small clipped note from "The Christian Science Monitor," dated Thursday, May 5, 1960, and a small note from "Italian News Boston, Mass." dated May 13, 1960, from the New England Newsclip Agency.

4. Below those, another clipping titled "Historical Society To Hear Talk on Bernard Berenson" announces a meeting on May 19 at the Hotel Vendome in Boston featuring a talk by Prof. Freedberg of Harvard University about Bernard Berenson, an expert in art.

5. The bottom right clipping shows another monochromatic wash drawing titled "Self-Portrait: A Wash Drawing by Rembrandt van Rijn." It features a portrait of a man, presumably Rembrandt, in rich tonal contrasts with dark and light areas.

The overall layout suggests the scrapbook page is focused on Rembrandt artworks and related art talks or exhibitions from the 1960s.

• A scrapbook page with several newspaper clippings and two small art reproductions.
• The dominant item is a grayscale wash drawing of a street scene with a domed building and a group of people, captioned as “Noah’s Ark: A Wash Drawing by Rembrandt van Rijn, c. 1660.”
• To the bottom right is a second wash drawing labeled “Self-Portrait: A Wash Drawing by Rembrandt van Rijn.”
• The left column contains a printed article about the Rembrandt drawings, while the top right clipping mentions a Historical Society talk about Bernard Berenson.
• A small note at the very top notes a date (Thursday May 5, 1960) and “The Christian Science Monitor.”