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woman is from the Meta and Paul J. Sachs

The image shows a scanned page from a newspaper, specifically from "The Providence Sunday Journal" dated April 3, 1960. The page is titled "Great Show of Rembrandt Drawings Coming to Cambridge" and is written by Bradford F. Swan. The main content of the article is about an upcoming exhibition of Rembrandt drawings at Harvard's Fogg Museum in Cambridge, Massachusetts, which is described as the largest exhibition of Rembrandt drawings ever offered in the country.

The page includes four black and white illustrations of Rembrandt's drawings. The captions for the illustrations are as follows:

1. "Three Studies of a child and one of an old woman is from the Meta and Paul J. Sachs Collection, Fogg Museum, Harvard University."
2. "Portrait of a Man, also from Fogg Museum, shows Rembrandt's technique with broad point of reed pen, heightened with bistre washes."
3. "Explosive effect of sudden discovery has been captured by the artist's whipping pen strokes in this drawing, 'The Daughters of Cecrops Discovering the Infant Erichthonius,' lent to the exhibition by an anonymous collector."
4. "Woman Carrying a Child Down Stairs is from Morgan Library collection. Model is thought to be Saskia, Rembrandt's wife."

The article discusses the significance of the exhibition, the wide range of Rembrandt's drawings, and the notable lenders of the artworks to the exhibition. It highlights the depth and richness of Rembrandt's technique, particularly his use of pen and bistre wash. The article also mentions that the exhibition will be available until May 29 and that it presents an opportunity not likely to be repeated for some time.

Here's a description of the image:

This is a newspaper clipping, likely from "The Providence Sunday Journal," dated April 3, 1960. The headline announces "Great Show of Rembrandt Drawings Coming to Cambridge." The article, written by Bradford F. Swan, discusses an upcoming exhibition of Rembrandt's drawings at Harvard's Fogg Museum.

The article is illustrated with images of several Rembrandt drawings:

• Three Studies of a child and one of an old woman: This is from the Meta and Paul J. Sachs Collection at the Fogg Museum, Harvard University.
• Portrait of a Man: This is also from the Fogg Museum and shows Rembrandt's technique with broad strokes of reed pen, heightened with bistre washes.
• The Daughters of Cecrops Discovering the Infant Erichthonius: It is described as having an explosive effect of sudden discovery, captured by the artist's whipping pen strokes, lent to the exhibition by an anonymous collector.
• Woman Carrying a Child Down Stairs: This drawing from the Morgan Library collection is thought to be a model of Rembrandt's wife, Saskia.

The article highlights the variety and quality of the drawings in the exhibition, noting loans from various institutions and private collectors. It also mentions Rembrandt's skill in conveying depth and immensity with minimal means.

The image shows a newspaper clipping from The Providence Sunday Journal dated April 3, 1960. The page is labeled "W-18" and features an article titled "Great Show of Rembrandt Drawings Coming to Cambridge" by Bradford F. Swan.

At the top of the clipping, there are four illustrated sketches attributed to Rembrandt. The captions beneath identify them as follows (from left to right):

1. Three studies of a child and one of an old woman, from the Meta and Paul J. Sachs Collection, Fogg Museum, Harvard University.
2. Portrait of a Man, also from Fogg Museum, showing Rembrandt's technique with broad point of reed pen, heightened with bistre washes.
3. Drawing titled "The Daughters of Cecepus Discovering the Infant Erichthonius," depicting an explosive effect of sudden discovery with figures in dynamic poses.
4. Woman Carrying a Child Down Stairs, from Morgan Library collection. The model is thought to be Saskia, Rembrandt's wife.

The article discusses an art show featuring Rembrandt drawings, mentioning its significance, the variety of expressions shown in the drawings, and the exceptional quality and rarity of the works. It highlights the upcoming exhibition set to open in Cambridge on May 29 and notes the drawings' strong appeal to art collectors and the general public. The article emphasizes the impact and enduring value of Rembrandt's drawings, suggesting that this exhibition will be an important cultural event.

This image is a page from the Providence Sunday Journal, dated April 3, 1960. The page is titled "Great Show of Rembrandt Drawings Coming to Cambridge" and is written by Bradford F. Swan. It discusses an upcoming exhibition of Rembrandt drawings at Harvard's Fogg Museum in Cambridge, Massachusetts.

The page features four black-and-white reproductions of Rembrandt's drawings:

1. Three Studies of a Child and One of an Old Woman: This drawing is from the Meta and Paul J. Sachs Collection at the Fogg Museum, Harvard University. It shows a series of sketches of children and an older woman.

2. Portrait of a Man: This drawing is also from the Fogg Museum and showcases Rembrandt's technique with a broad point of reed pen, heightened with bistre washes. The man is depicted wearing a wide-brimmed hat.

3. The Daughters of Cecrops Discovering the Infant Erichthonius: This drawing captures an explosive effect of sudden discovery with Rembrandt's characteristic whipping pen strokes. It is lent to the exhibition by an anonymous collector.

4. Woman Carrying a Child Down Stairs: This drawing is from the Morgan Library collection. The model is thought to be Saskia, Rembrandt's wife.

The article provides details about the exhibition, noting that it is the largest show of Rembrandt drawings ever seen in the country. It mentions the variety of means of expression in these drawings, the economy of the means of expression, and the depth and richness of the drawings. The exhibition consists of 77 drawings owned in the U.S.A. and Canada, lent by 13 private collectors and eight institutions. The article also highlights the extraordinary attraction the exhibition had in New York and the large number of visitors it attracted.

The image is a newspaper clipping from The Providence Sunday Journal dated April 3, 1960. The headline reads "Great Show of Rembrandt Drawings Coming to Cambridge."

The article discusses an upcoming exhibition of Rembrandt drawings that will be available to New Englanders starting April 27 at Harvard's Fogg Museum. The exhibition will feature approximately 75 drawings, including some rarely seen pieces. The show is notable for its wide range of subjects and styles, showcasing Rembrandt’s versatile artistic techniques.

The article highlights several specific drawings that will be part of the exhibition:

1. Three studies of a child and one of an old woman from the Meta and Paul J. Sachs Collection at the Fogg Museum, Harvard University.
2. A portrait of a man, noted for its broad point of red pen and bistre washes, from the Fogg Museum.
3. An explosive effect of sudden discovery captured in a drawing of whipping pen strokes, titled "The Daughters of Cecrops Discovering the Infant Erichthonius," from the Morgan Library collection.
4. A drawing of a woman carrying a child down stairs, from the Morgan Library, identified as being of Saskia, Rembrandt’s wife.

The text also mentions that the exhibition will be a significant event, as it is rare for such a comprehensive collection of Rembrandt’s works to be displayed together. The show is expected to attract many visitors and is described as a major cultural event for the area. The exhibition runs from May 29 to June 26 in Cambridge, Massachusetts.

Description of Image

This image shows a newspaper clipping from The Providence Sunday Journal, dated April 3, 1960, preserved in what appears to be a scrapbook or archival album with a black binding visible at the bottom.

Article Content

The headline reads: "Great Show of Rembrandt Drawings Coming to Cambridge"

The article is written by Bradford F. Swan and discusses an exhibition of Rembrandt drawings that was coming to Harvard's Fogg Museum in Cambridge, Massachusetts.

Illustrations

The article features four Rembrandt drawings reproduced across the top:

1. "Three Studies of a child and one of an old woman" - from the Meta and Paul J. Sachs Collection, Fogg Museum, Harvard University

2. "Portrait of a Man" - also from Fogg Museum, showing Rembrandt's technique with broad point of reed pen, heightened with bistre washes

3. "The Daughters of Cecrops Discovering the Infant Erichthonius" - described as capturing the "explosive effect of sudden discovery" through whipping pen strokes, lent by an anonymous collector

4. "Woman Carrying a Child Down Stairs" - from Morgan Library collection, with the model thought to be Saskia, Rembrandt's wife

The page is labeled W-18 in the upper left corner, indicating its section and page number in the newspaper.

The image is a newspaper clipping from the Providence Sunday Journal dated April 3, 1960. The article, titled "Great Show of Rembrandt Drawings Coming to Cambridge," discusses an exhibition of Rembrandt's drawings that is about to be showcased in Cambridge.

Key points from the article include:

1. Exhibition Details:

   • The exhibition is a rare opportunity to see Rembrandt's drawings in a single location.
   • It will open on April 27, 1960, at Harvard's Fogg Museum in New England.

2. Drawings and Their Significance:

   • The exhibition includes studies of a child and an old woman from the Meta and Paul J. Sachs Collection at the Fogg Museum.
   • There is a portrait of a man, also from the Fogg Museum, which highlights Rembrandt's technique with broad point of a pen and bistre wash.
   • Other significant drawings include "Explosive effect of sudden discovery" and "Woman Carrying a Child Down Stairs," both from Morgan Library and Collection, known for their powerful and expressive qualities.

3. Exhibition Highlights:

   • The exhibition consists of 77 drawings, which are well-preserved and include works from various periods in Rembrandt's career.
   • These drawings are loaned from several private collectors and eight institutions, including the Morgan Library and the Fogg Museum.

4. Artistic Style:

   • The article mentions Rembrandt’s distinctive use of pen and ink, which reveals his mastery in capturing dynamic expressions and emotional depth.
   • Specific sketches and drawings are described, such as "The Daughters of Cleopatra Discovering a Deposition from the Cross," and "Three Studies of a Man," demonstrating Rembrandt’s ability to convey both the essence and the detail of his subjects.

5. Audience Appeal:

   • The exhibition is expected to attract a high percentage of young students, indicating its educational and artistic value.

The newspaper clipping captures the excitement and importance of the Rembrandt exhibition, emphasizing its historical and artistic significance.