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ARCH.2003.34, Rendition: 807073
This image shows an open page from a scrapbook or archival album, containing two preserved newspaper clippings mounted on a dark, textured background (likely the page of a photo album or binder).
This is a clipping from the Sunday Telegram, Worcester, Mass., dated March 13, 1960.
The article discusses the acquisition of the famous 1779 oil painting “The Battle of La Hogue” by American painter Benjamin West. The piece was commissioned by the First Lord Grosvener for the House of Commons and later acquired by the National Gallery of Art in Washington, D.C., for its “Mellon Collection.” The article describes the painting’s dimensions (five by seven feet) and subject — a decisive 1692 naval battle during the Nine Years’ War, fought off the coast of Normandy, which secured British control of the English Channel.
The article also mentions a bronze figure of Mercury (created in the 18th century) that was recently acquired by the National Gallery of Art, which was once mounted on a famous ancient Roman statue of Mercury discovered in Rome.
An illustration of the painting “The Battle of La Hogue” is included above the article.
Additional smaller sections on this page reference:
A small note on the top-left of the clipping reads: “New England Newspaper Agency, Inc. Box 3676, Boston 6, Mass. 02106” and “Circ. 104,390”. A handwritten note dated “MAR 13 1960” and signed “Anne Moffett” appears below it.
This is a smaller clipping from a French newspaper or publication, dated 4/9/60 (“4 Avril 1960”). The heading at the top reads “France – Amérique,” indicating it covers Franco-American cultural events.
It is written entirely in French and announces two events:
Concert de l’Orchestre Lamoureux — A large ensemble of the Père Lachaise Conservatory will give a grand concert under the direction of Igor Markevitch on Sunday, April 10, at 10:30 a.m. at Symphony Hall, Boston.
Conférence de M. Henri Stern — Professor Henri Stern, formerly of the Collège de France and now at the École des Études Avancées in Yerres, will give a lecture on “The Birth of the French Eighteenth Century,” on Friday, April 14, at 4:00 p.m., in the George Chase Christian Room at the Museum of Fine Arts, Cambridge. He will speak about “La France du XVIIIe siècle, rapport de timbre, Les cartes de croquis de Saint-Aubin.”
This page is a cultural artifact from March–April 1960, documenting two significant art events: one about a major American historical painting entering the U.S. national collection, and another about French cultural events in Boston. The handwritten annotations, such as “Anne Moffett,” suggest a personal or institutional archival effort — possibly from a museum professional, journalist, or art historian. The juxtaposition of American and French cultural news implies an interest in transatlantic art and music events during that period.
The clippings have yellowed with age and are affixed with tape to the dark album page. The layout is typical of a personal scrapbook, with notes and dates added by hand, enhancing its historical character and evidentiary value. The overall tone is scholarly and cultural.
This image shows a page from a scrapbook or collection of clippings, dated March 13, 1960. The page contains a variety of items, including a newspaper clipping with an article and images about art and artists, and a separate smaller clipping in French regarding a concert and a conference.
The main article, titled "Benjamin West Mural in Capital," discusses a mural by Benjamin West, a renowned American painter. The article mentions the mural's acquisition by the National Gallery of Art and provides details about the painting, including its historical context and the artist's life and works.
Additionally, there is a small image at the top of the page that appears to be a painting titled "The Battle of La Hogue" by Benjamin West. Below the image, the article mentions that the famous oil painting was acquired by the National Gallery of Art.
The smaller French clipping on the right side of the page is about a concert by the Orchestra Lamoureux and a conference by Mr. Henri Stern. It provides details about the concert's date, time, and location, as well as information about the conference, including the topic of discussion and the venue.
The image appears to be a personal collection of news clippings and relevant information, possibly related to the interests or research of the person who compiled it. The clippings are affixed to a black page with a simple layout, and the date and source of the clippings are marked at the top of the page.
This image shows a page from a scrapbook or collection, containing a newspaper clipping and a note.
Newspaper Clipping:
Note:
The overall theme of the page seems to be related to art and cultural events, with a focus on Benjamin West's painting and a concert in Boston.
A scrapbook page contains a newspaper clipping of an article about Benjamin West, an American painter. The article is titled "Benjamin West Mural in Capital," and it is written by Walter Merkel. The article is about the acquisition of a famous oil painting by the National Gallery of Art. The article is placed on a black page with a black border. On the left side, there is a piece of paper with a picture of a battle and the words "The Battle of La Hogue by Benjamin West."
The image is a page from a book or magazine that features a collection of historical documents, newspaper clippings, and articles. The page has a black background and is divided into two sections. The top section features a black-and-white image of a battle scene, possibly from the American Revolution, with a caption that reads "The Battle of La Hogue" by Benjamin West. The bottom section has several newspaper clippings and articles, including one about an art exhibit at the Athenaeum and another about a concert by the L'Orchestre Lamoureux.
The image shows an open book or catalog page featuring a newspaper clipping from the Worcester Telegram dated March 13, 1960, titled "Art And Artists". The article is about a notable painting titled "The Battle of La Hogue" by Benjamin West, which was acquired by the National Gallery of Art. The article provides detailed information about the painting, including its historical significance, the artist, and its acquisition.
Title and Artist:
Historical Context:
Description of the Painting:
Acquisition by the National Gallery:
Additional Content on the Page:
In summary, the image depicts a page from an art-related catalog or archive, featuring a newspaper article about Benjamin West's painting "The Battle of La Hogue" and a typed label or program for a concert by the Lamoureux Orchestra. The combination of historical news and administrative text suggests a scholarly or archival context.
The image shows a page of a scrapbook or an album with newspaper cuttings affixed to it. The scrapbook page is dated "MAR 13 1960" in what appears to be handwritten script at the top. Featured prominently on the page is an article or segment titled "Art And Artists" with a headline that reads "Benjamin West Mural in Capital." Below the headline is a reproduction of a work of art titled "THE BATTLE OF LA HOGUE" by BENJAMIN WEST. The visual part of the article is slightly faded, suggesting age, and showcases an artwork depicting a dynamic scene that looks to be from a historical battle with figures and horses.
To the right of this larger article, there's a smaller clipping apparently detailing events in Boston, with references to a concert and a conference, albeit details are not very visible due to the size of the clipping in the image.
The page itself is pasted onto a larger black background, perhaps as part of a larger archival or memory project. Some details might be obscured due to the angle and the condition of the paper, thus requiring closer inspection to fully read the textual content.
This is an image of a scrapbook page containing newspaper clippings.
Left: The prominent section is an article titled "Art and Artists: Benjamin West Mural in Capital." It includes a picture of Benjamin West's artwork titled "The Battle of La Hogue" and describes its historical context, artistic significance, and acquisition by the National Gallery of Art.
Top Left: The clipping is marked with a stamp indicating it is from the Sunday Telegram in Worcester, Massachusetts, dated March 13, 1960.
Right: Another small clipping in French appears to reference cultural events in Boston. This clipping discusses a concert by the Orchestre Lamoureux and a "conférence" by Monsieur Henri Stern.
All clippings are affixed to a dark page, highlighting them against the black background.
A page from a scrapbook or album with several newspaper clippings mounted on a dark page.
The image shows a scrapbook page with two newspaper clippings pasted onto it. The page background is black, and the clippings are arranged on the left and right sides of the page.
On the left side, there is a larger clipping featuring a headline titled "Benjamin West Mural in Capital" from the "Art And Artists" section, authored by Walter Merkel. Above this clipping is a black and white reproduction of the painting "The Battle of La Hogue" by Benjamin West. The caption beneath the picture notes that the artwork was acquired by the National Gallery of Art. The article discusses Benjamin West's notable painting "The Battle of La Hogue," its historical significance, and other art-related subjects including exhibitions and artists.
In the top left corner, there is a small label from the "New England Newsclip Agency, Inc." with an additional note indicating "Sunday Telegram Worcester, Mass." and a date stamp: "MAR 13 1960."
On the right side of the page, there is a smaller newspaper clipping in French titled "Boston," dated "4/9/60" (April 9, 1960) with sections about a concert by "l'Orchestre Lamoureux" and a lecture by "M. Henri Stern." The clipping appears to have been cut from a French publication as it is written in French.
Overall, the scrapbook page captures historical art-related content from the early 1960s, focusing primarily on Benjamin West's work and related cultural events.