Archives Scrapbooks

This image shows an open scrapbook or album, with two pages displayed side-by-side against a neutral gray background. The pages are bound in a dark, possibly leather or faux-leather, cover.

Left Page:

The left page features a newspaper clipping from the Worcester Telegram, dated Sunday, January 3, 1960, with a circulation of 104,590. The article is titled “European Graphic Art at Museum” by Walter Merkel, and it discusses several art exhibitions in the Boston area.

Key details from the article:

• Headline Image: At the top of the clipping is a black-and-white woodcut illustration titled “COMPETING CATS” BY GERHARD MARCKS. The artwork depicts two stylized cat figures in a confrontational stance, rendered in a woodcut style with strong lines and textures.
• Exhibitions Covered:
  • A major exhibition of European graphic art (prints) at the Worcester Art Museum, featuring works by artists like Klee, Kandinsky, Beckmann, Chagall, Kirchner, Grosz, and Dufy, drawn from the Bahnam Mappen Collection. The show ran from December 26, 1959, to February 7, 1960.
  • A Boston Show at the Museum of Fine Arts, featuring 15th-century works.
  • A Courbet Show at the Philadelphia Museum of Art, including works like “Seated Figure Against Curved Wall” and “Head of a Horse.”
  • A Pigment Pattern exhibition at the Fogg Art Museum, Harvard University, featuring works by artists like Paul Klee and Onore Macnabre.
  • A Portraits in Show exhibition at the Springfield Museum of Fine Arts.
• “Eye Hold” Section: Highlights Gerhard Marcks’ woodcut “Competing Cats,” describing its humorous and “eye-hold” qualities. It notes the cat’s grip on a rat and the comical, tense expression.
• “Sense of Humor” Section: Mentions the artist’s use of humor evident in the cat’s expression and the “philosophical” look of the rat.

A small piece of yellow tape or paper with handwritten text ("Jan 3 - 1960") is affixed to the top left of the newspaper clipping, likely for dating. A small pink sticky note is visible at the bottom left corner.

Right Page:

The right page contains a typed, single-spaced document on white paper, appearing to be an academic or institutional memo or report. The visible text starts mid-sentence and continues for several paragraphs.

Key topics in the text:

• A discussion on the power of science and a critique of political leaders’ misunderstanding of scientific truths.
• A memorial tribute to Wilhelm Koehler and Chandler Post, former Department of Fine Arts faculty members at Harvard. It notes Koehler’s devotion to teaching and his systematic survey of Carolingian manuscripts. Chandler Post is described as having died unexpectedly in a Munich hospital while preparing a volume on Spanish painting.
• It mentions a major gift to Harvard (the “Encomienda de Isabel la Catolica”) made in Post’s memory, with a condition that the use of his villa and library encourage humane scholarship.
• A concluding paragraph provides statistics on the Department of Fine Arts: 50 graduate students (26 men, 27 women), 34 of whom are new that year. It notes that students have filled nearly 50 important museum positions and over 50 teaching positions, and that there is also one dealer, one art critic, and one conservator among them.

The page is numbered “2” in the top right corner, suggesting it is part of a longer document. The typing appears to be from a typewriter or early word processor, with justified text alignment.

Overall Impression:

This appears to be a curated collection of materials—likely from a scholar, art historian, or student—documenting art exhibitions in the Boston area in early 1960 (left page) and institutional news, memorials, and program statistics from Harvard's Department of Fine Arts (right page). The juxtaposition suggests someone tracking both contemporary art events and academic developments in the field. The scrapbook format implies personal or professional archival purposes, possibly for research or commemoration.

The image appears to be a page from a scrapbook or a collection of documents. It contains several pieces of paper, some of which seem to be clippings from newspapers or magazines, and others that look like handwritten notes or typed documents.

In the upper left corner, there is a clipping from the "Sunday Telegram" dated January 3, 1960, with the headline "European Graphic Art at Museum" and a caption about a woodcut titled "Competing Cats" by Gerhard Marcks. The text discusses an exhibition of European graphic art at the Worcester Art Museum.

To the right of the newspaper clipping, there are handwritten notes and typed text on a piece of paper. These notes appear to be related to the topic of the newspaper clipping, discussing the significance of the exhibition and the works of art shown. The handwriting is in English and seems to be a personal or academic reflection on the art pieces.

The overall appearance of the page suggests it is part of a collection of information gathered by someone for research, study, or personal interest. The content focuses on European graphic art and its representation in a museum exhibition.

This image depicts an open scrapbook page with clippings and typed notes related to art and artists. The left side of the page features a newspaper clipping from the "Sunday Telegram," dated January 3, 1960, from Worcester, Massachusetts. The article is titled "Art And Artists: European Graphic Art at Museum" by Walter Merkel and discusses an exhibition at the Worcester Art Museum. There is also a woodcut illustration titled "Competing Cats" by Gerhard Marcks, which is part of the exhibition.

The right side of the page contains two typed pages with text. The top page discusses the power of science and its achievements, mentioning the first satellite and scientific research. The bottom page appears to be a memorial or obituary for three individuals associated with the Fogg Art Museum and the Department of Fine Arts at Harvard University. It mentions Wilhelm Koehler, Chandler Post, and Bernard Berenson, detailing their contributions and the impact of their deaths.

The scrapbook page is neatly organized, with the newspaper clipping and typed pages taped or pasted onto a dark-colored background. There is also a small label at the top left corner of the page with information about the newspaper clipping agency and the date.

The image appears to be a page from a scrapbook or a collage of newspaper clippings. The clippings are arranged in a somewhat haphazard manner, with some overlapping and others neatly placed. The clippings are from various newspapers, as indicated by the different fonts and styles.

The clippings cover a range of topics, including art exhibitions, scientific research, and historical events. One clipping is about an exhibition of European graphic art at the Worcester Art Museum, featuring works by artists such as Henry Moore and Pablo Picasso. Another clipping discusses the importance of scientific research and its impact on society.

The clippings are dated, with some from the early 20th century and others from the mid-20th century. The page also includes a few handwritten notes, possibly by the person who created the scrapbook. Overall, the image provides a glimpse into the interests and concerns of the person who compiled the clippings, showcasing their appreciation for art, science, and history.

The image shows a page from a book or magazine with two columns of text. The left column contains an article about an exhibition of European graphic art at the Worcester Art Museum. The right column contains an article about the recent deaths of three professors at Harvard University's Department of Fine Arts. The page also includes a small newspaper clipping with the headline "European Graphic Art at Museum" and a date of January 3, 1960.

The image depicts an open book, likely a newspaper or a publication, with two visible pages. The left page shows a newspaper clipping dated January 3, 1960, from the Worcester Telegram, a publication from Worcester, Massachusetts. The clipping is titled "Art And Artists" and features an article about "European Graphic Art at Museum". The article discusses an exhibition at the Worcester Art Museum, highlighting works by notable artists such as Klee, Kandinsky, Beckmann, and Chirico. It also mentions a "Boston Show" and a "Courbet Show", detailing the museum's acquisitions and exhibitions, including pieces by Henry Moore, André Breton, and Pablo Picasso. The article includes a graphic illustration of a whimsical, surrealistic design titled "COMPETING CATS BY GERIARD MARCKS", described as a graphic art show at the Worcester Art Museum.

The right page contains typed text, possibly from a formal document or letter. The content discusses scientific progress, emphasizing the power of science and its role in advancing human understanding. It references historical milestones, such as the first satellite, and critiques the idea of pursuing scientific research solely for military purposes. The text also touches on the importance of verifying scientific statements and applying them universally.

The overall scene suggests a juxtaposition of artistic and intellectual discourse, with the left page focusing on art exhibitions and the right page delving into scientific and philosophical themes. The book appears to be part of an archive or collection, as indicated by the visible spine and the structured layout of the pages.

The image displays a page, seemingly from a scrapbook or album, with various newspaper clippings pasted onto it. The primary clipping features an article titled "Art And Artists" with a subtitle "European Graphic Art at Museum." It is dated January 3, 1960, from a publication called "Sunday Telegram Worcester, Mass."

In the center of the clipping is a reproduction of an artwork titled "COMPETING CATS" by Gerhard Marcks, representing a woodcut that is mentioned as being part of a graphic art show at the Worcester Art Museum.

The article discusses different art exhibitions and shows, including a Boston show and a section about pigment patterning, as related to "The Fogg Art Museum, Harvard University." It addresses various aspects of European graphic art and exhibitions in different art museums, mentioning names such as Klee, Kandinsky, Beckmann, and Kirchner, along with topics like "Courbet Show" and art collection details.

Alongside the main clipping, to the right, is a partial view of another article discussing the impact of sciences and the recent passing of key figures in the Fine Arts Museum concerning various topics such as history and culture.

The layout and arrangement suggest that someone was collecting articles related to art and museums, possibly for personal interest or research.

This image depicts a scrapbook page containing cut-out newspaper articles. The main feature is an article titled "Art And Artists: European Graphic Art at Museum," written by Walter Merkel, with the date "JAN 3 - 1960" stamped. There is an image at the top with the caption "Competing Cats" by Gerhard Marcks, describing it as a woodcut in a graphic art exhibition at the Worcester Art Museum.

The article discusses graphic artworks of various European artists like Kirchner, Kandinsky, Beckmann, and others, displayed at different venues such as Boston and Philadelphia. It also mentions the significance of these pieces, techniques like woodcuts used by artists, and the evolution of European graphic art.

On the right side of the page is another column or article, unrelated to the graphic art discussion, with small text and references to names like Wilhelm Koehler and Chandler Post. The bottom of this section appears to focus on dedication to art education and the influence of art scholars.

The entire page is clipped and mounted on dark paper, suggesting archival preservation.

• A scrapbook page laid flat in a dark-album sleeve. You can see binder rings at the left edge.
• The main clipping on the left is a large article titled “European Graphic Art at Museum” with a subheading “Art And Artists.” It features an illustration labeled “COMPETING CATS” BY GERHARD MARCKS, described as a woodcut in a graphic art show at the Worcester Art Museum.
• The left clipping contains several columns of text about European graphic art and various artists; the paper is yellowed and has a small torn pink margin on the edge, giving it a vintage look.
• Above the main clipping is a small, separate snippet from a newspaper dated JAN 3, 1960, with headers like “Sunday Telegram” and “WORCESTER, Mass.”
• On the right side, there are two smaller cream-colored clipping excerpts attached to the page. The upper one has text begun with “The m them food and health” and discusses science and knowledge. The lower-right clipping continues with more surrounding text about art/history and individuals (e.g., mentions at Harvard and Bernard Berenson).
• Overall, the page appears to document a historical interest in European graphic art, with vintage newspaper clippings and a prominent woodcut illustration.

This image shows a scrapbook page with three newspaper or magazine clippings pasted on it. The largest clipping is from the "Sunday Telegram, Worcester, Mass." dated January 3, 1960. It features an article titled "European Graphic Art at Museum" by Walter Merkel. The article discusses an exhibition of European graphic art at the Worcester Art Museum, mentioning various artists and artworks, including woodcuts by Gerhard Marcks, whose work "Competing Cats" is illustrated at the top of the clipping.

To the right of the main article, there are two smaller clippings. The larger of the two is a column of text discussing the Department of Fine Arts, mentioning the death of three men important to the Fogg Art Museum and the contributions of Bernard Berenson to art and art history. It also mentions academic programs, museum positions, and faculty information.

Above this is a smaller clipped piece of text about the power of science and scientific research, touching on historical perspectives, with references to political reactions to scientific advances.

The page appears to be preserved in a black scrapbook with some minor yellowing and wear on the clippings, indicating age. The layout is neat, with the clippings affixed securely, possibly with glue or tape.