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ARCH.2003.34, Rendition: 807063
This image displays a curated archival page, likely from a scrapbook or a press clipping file, meticulously assembled with newspaper clippings, typed memos, and a photograph, all dating from late 1959 to early 1960. The page is bound on the left side with a visible metal spiral binding, suggesting it’s part of a larger collection.
The content centers on the American press reception of the “Sarastro Show,” an art exhibition featuring Indian sculpture that toured major U.S. museums, including the National Gallery of Art in Washington, D.C., and the Boston Museum of Fine Arts, curated by Dr. Benjamin Rowland.
Key items on the page include:
A black-and-white photograph in the upper left of a standing Buddha statue, identified in the caption as being “on display at the Boston Museum of Fine Arts.” The photo is credited to “Boston Globe” and is part of a feature by Dr. Rowland discussing the spread of Gandhara Buddhist art from 5th–4th century B.C. It notes the lecture was part of the “National Gallery of Art” series and mentions speaker “Benjamin Rowland.” The clipping is dated Jan 17, 1960, and bears a handwritten signature “Anne Moffett” at the top.
A typed press memo from “AMERICAN Press Clipping Service Inc.” dated Jan 27, 1960, addressed to “Dr. Rowland, Washington, D.C.” It confirms an article was written for the “Sunday” (likely the Sunday Standard-Times, New Bedford, Mass., as seen at top left) concerning the “Evening Star” article about “Indian Art” to be displayed at the National Gallery of Art on January 28, 1960. It also notes the sculpture show will travel to the Boston Museum through February 28.
A typed memo from “Buckles’s Press Clipping Bureau,” dated Nov 28, 1959, from Washington, D.C., notifying Dr. Rowland about his article in The Evening Star titled “Indian Art” appearing Nov 29, 1959, concerning “Gandhara art and sculpture.”
A newspaper clipping titled “Art and Artists: Sarasota Show Rouses Deluge of Criticism,” by Walter Meckel, dated Feb 7, 1960. It features a photo caption “EXAMPLE OF SILVER WORK BY PAUL REVERE” and discusses the critical reception of art shows in different cities, including a scathing review of a Boston Museum show of 100 works of “modernist art” and the “Sarastro Show” of “Classical Collection in the complete art ‘Indigenous to Far East’” that was being displayed in Boston, with a quote from Dr. Rowland defending the art’s historical significance.
A handwritten note in red ink at the bottom right corner reads “Sarastro Show Rouses Deluge of Criticism.” Above it, another clipping from “Sunday Telegraph, WORCESTER, Mass., Circ. 104,500” dated Feb 7, 1960, also notes the Sarastro Show.
The collection collectively documents the promotion, scheduling, and critical reception of Dr. Rowland’s Indian art exhibition across U.S. museums in 1959–1960. The page is a professional press kit or archive, highlighting the cultural significance of the exhibition and the mixed reviews it received.
Overall, the image is a rich archival artifact capturing a moment in mid-20th-century art history, showcasing how art exhibitions were publicized, tracked through press clippings, and critiqued in the American media.
The image is a scan of a vintage page from a scrapbook or newspaper clipping collection. Here are the details:
Left Side:
Center:
Right Side:
The overall layout suggests that this page is part of a collection of clippings related to art exhibitions, lectures, and cultural events, likely from the mid-20th century. The items are organized and annotated, indicating they were collected and possibly used for research or personal interest in the field of art and cultural history.
The image is a page from a scrapbook or collection of newspaper clippings related to art and cultural events. The clippings are from various newspapers and dates, including January 17, 1960, and November 28, 1959.
Left Side:
Middle Section:
Right Side:
The page also includes some handwritten notes and labels, such as "Anne Moffett" and "Indian Art," indicating the topics or sources of the clippings. There is also a business card for "Burkelle's Press Clipping Bureau" from New York.
The image shows a collection of newspaper clippings and a photograph on a black background. The clippings are from various newspapers, including the New England Standard-Times, Worcester Telegram, and Sarasota Herald-Tribune. The clippings cover a range of topics, including art exhibitions, art lectures, and art news. The photograph is of a statue of a person, possibly a deity or a historical figure. The clippings and photograph are arranged in a collage-like manner, with some overlapping and others placed side by side. The image appears to be a collection of materials related to art and culture, possibly from a personal or professional archive.
The image appears to be a collage of newspaper clippings and articles. The clippings are arranged on a black background and include:
The clippings appear to be from various newspapers and date from the 1950s and 1960s. The collage seems to be showcasing different art-related news and events from that era.
The image depicts a page from a scrapbook or archive, showcasing a collection of newspaper clippings and related materials. The page is divided into several sections, each containing different types of content:
The page serves as a curated collection of news articles and photographs related to art exhibitions, lectures, and critiques from 1959–1960. It highlights significant cultural events, including Indian art exhibitions, historical art displays (e.g., Paul Revere's works), and controversial art shows that sparked debate among critics and the public. The inclusion of stamps and dates indicates that this is part of a larger archive or scrapbook documenting art-related news and events from that era.
The image presents a scrapbook page featuring various newspaper clippings, showcasing a diverse range of content. The page is divided into two columns, with the left column containing three clippings and the right column featuring four clippings.
In summary, the scrapbook page showcases a variety of newspaper clippings related to art, including exhibitions, lectures, and criticism. The clippings provide insight into the art world of the 1960s, highlighting notable events, artists, and exhibitions.
This image is a photograph of a scrapbook page featuring newspaper clippings about art. The page is open to a black background, with the left side showing a clipping of a statue and the right side displaying a clipping of a silver cup.
The statue clipping is from the Sunday Standard-Times, New Bedford, Mass., dated January 17, 1960. It features a photo of a statue with a caption describing its discovery in India. The clipping also includes a handwritten note with the date "Jan 17 1960" and a stamp that reads "New England Family Service, Inc."
The silver cup clipping is from the Evening Star, Washington, D.C., dated February 7, 1960. It features a photo of a silver cup with a caption describing its creation by Paul Revere. The clipping also includes a handwritten note with the date "Feb 7 /1960" and a stamp that reads "WORCESTER, Mass."
In addition to these two main clippings, there are several smaller clippings on the page, including one from the Press Clipping Bureau, Washington, D.C., dated November 28, 1959, and another from the same source, dated November 29, 1959. These clippings appear to be related to art exhibitions or events.
Overall, this image suggests that the scrapbook is a collection of newspaper clippings related to art, with a focus on specific pieces or exhibitions. The use of handwritten notes and stamps adds a personal touch to the scrapbook, suggesting that it was created by someone who was interested in art and wanted to preserve these clippings for future reference.
The image is a photograph of a black scrapbook page with various newspaper clippings and articles attached to it. The page is open, revealing the contents on the right-hand side.
The clippings are arranged in a collage style, with some overlapping or placed side by side. The articles appear to be from different publications and dates, ranging from January 17, 1960, to February 7, 1960. The topics covered include art, artists, and exhibitions.
One clipping features a black-and-white photograph of a statue of a man with long hair and a robe, accompanied by an article discussing Indian art. Another clipping shows a silverwork piece by Paul Revere, along with an article titled "Sarasota Show Rouses Deluge of Criticism." A third clipping contains an article about art lectures.
The background of the image is a plain gray color, which helps to highlight the contents of the scrapbook page. Overall, the image suggests that the scrapbook is a collection of memorabilia related to art and culture, possibly compiled by someone who is interested in these subjects.
The image presents a collection of newspaper clippings and other materials, arranged on a black background. The clippings are yellowed with age and feature various articles and advertisements.
Overall, the image suggests that the person who compiled this collection was interested in art and culture, particularly in the mid-20th century. The inclusion of newspaper clippings, advertisements, and images of artworks indicates a desire to document and preserve information about artistic events and exhibitions.