Archives Scrapbooks

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Fogg Art Museum Scrapbooks, February 1958-December 1960

ARCH.2003.34, Rendition: 807052

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The image shows a page from a scrapbook or binder, with several newspaper clippings attached to it. The clippings are held in place by transparent tape. The page has a dark gray background, and the clippings are in a yellowed paper condition, indicating they might be from an older publication.

On the left side of the page, there is a yellowed clipping from "Allen's Press Clipping Bureau," which was established in 1888. The text on this clipping is about an architect named for an arts center. It mentions Le Corbusier, a renowned French architect, who was commissioned to design the Visual Arts Center for Harvard University. The article provides details about the commission, the architect's involvement in international projects, and the location of the planned building.

On the right side of the page, there is another yellowed clipping from "American Press Clipping Service," dated November 30, 1959, from the "Time" magazine. The article is titled "Corbu at Harvard" and discusses Le Corbusier's arrival in the United States to oversee the construction of the Visual Arts Center. The article highlights the contrast between Le Corbusier's modernist style and the reception he received in the U.S., where he was initially met with skepticism but ultimately embraced by the architectural community.

The page appears to be part of a collection of articles and clippings related to architecture, specifically focusing on the work of Le Corbusier at Harvard.

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This image shows an open scrapbook or binder with two newspaper clippings attached to a dark gray page.

  1. Left Clipping:

    • The clipping is from the "Medford Mail Tribune" dated November 30, 1959.
    • It is labeled with a yellow sticky note that reads "Allen's Press Clipping Bureau Established 1888" and includes locations such as Portland, Seattle, San Francisco, Los Angeles, and Medford, Oregon.
    • The article is titled "Architect Named for Arts Center" and discusses Le Corbusier, an internationally famous French architect, accepting a commission to design the new Visual Arts Center for Harvard University. The center is funded by a gift of $1,500,000 from Mr. and Mrs. Alfred S. V. Carpenter.
  2. Right Clipping:

    • The clipping is from "TIME" magazine, dated November 30, 1959.
    • It is labeled with a white sticky note that reads "Tel. WOrth 2-3797 AMERICAN Press Clipping Service Inc. 119 Nassau Street New York 38, N.Y. From Anne Dott TIME NOV 30 1959."
    • The article is titled "Corbu at Harvard" and discusses Le Corbusier's involvement in designing the Visual Arts Center for Harvard University. It mentions his rivals, such as Ludwig Mies van der Rohe, and describes Le Corbusier's visit to the site and his plans for the center.

Both clippings are related to Le Corbusier's commission to design the Visual Arts Center for Harvard University. The page appears to be part of a collection of press clippings, possibly for archival or research purposes.

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This image displays an open, dark gray archival scrapbook or press clipping album, containing two newspaper clippings from November 30, 1959. The page is mounted in a protective display case, as evidenced by the clear acrylic supports visible at the top and bottom right.

Left Clipping (Yellow Header):

  • Source: “Allen’s PRESS CLIPPING BUREAU” (Established 1888), with offices listed in Portland, Seattle, San Francisco, Los Angeles, and Medford, Oregon.
  • Headline: “Architect Named For Arts Center”
  • Date: Handwritten “NOV 30 1959” under the bureau’s info.
  • Content: Announces that Le Corbusier, the internationally famous French architect, has been commissioned to design the new Visual Arts Center for Harvard University. The article notes this will be the first building designed by Le Corbusier for construction in the United States. The center will be built on Quincy Street in Cambridge, adjacent to the Fogg Art Museum and the Harvard Faculty Club. The project results from a $1,500,000 gift from Mr. and Mrs. Alfred S. V. Carpenter.

Right Clipping (White):

  • Source: “AMERICAN Press Clipping Service Inc.” located at 119 Nassau Street, New York 38, N.Y.
  • Date: “NOV 30 1959”
  • From: Handwritten note “From Anne Dort”
  • Headline: “Corbu at Harvard”
  • Content: This article expands on Le Corbusier’s appointment. It contrasts him with Frank Lloyd Wright (now gone) and Ludwig Mies van der Rohe as leading international architects. It refers to him as “Corbu” and highlights his “skin-and-bones style” (Manhattan’s Seagram building) and “prickly, Swiss-born” nature. The article describes his visit to Harvard, where he was welcomed with an impromptu reception featuring a 16-foot effigy of himself. A quote from Le Corbusier is included: “What spirit! One atmosphere mends!” He discusses his philosophy, stating his structures “must grow from the inside out” and that “a beautiful seashell is not a façade; it is a shell,” emphasizing organic architectural form.

Both clippings document the significant event of Le Corbusier’s commission for Harvard’s Visual Arts Center, marking his first U.S. building project. The scrapbook page is part of a curated historical collection, likely assembled by or for “Anne Dort,” preserving media coverage of this landmark architectural moment.

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The image shows a scrapbook with two newspaper clippings and a note. The clipping on the left is about the architect named for the Arts Center. It is dated November 30, 1959, and has a signature on it. The clipping on the right is about a person named Frank Lloyd Wright. It is also dated November 30, 1959, and has a signature on it. The note on the right is about a person named Le Corbusier. It is also dated November 30, 1959, and has a signature on it.

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The image shows a collection of newspaper clippings, articles, and press releases bound together in a folder. The clippings appear to be related to architecture, construction, and urban development. Some of the key details are:

  • There is a clipping from the Medford Mail Tribune dated November 30, 1959, about Le Corbusier being named architect for the Visual Arts Center in Medford, Oregon.

  • There is a clipping from the American Press Clipping Service dated November 30, 1959, about Frank Lloyd Wright being named for the title of world's dean of international architects.

  • There are several clippings about the proposed construction of a Visual Arts Center designed by Le Corbusier in Medford, Oregon. The clippings mention a gift of $1,000,000 from Mr. and Mrs. P. Carpenter, Arts Center results from a gift of $1,500,000 from Mr. and Mrs. P. Carpenter, and that the Visual Arts Center will be the first building designed by Le Corbusier in the United States.

  • There is a clipping from TIME magazine dated November 30, 1959, about Le Corbusier's plans for the Visual Arts Center in Medford, Oregon.

So in summary, the clippings appear to be related to the construction of a Visual Arts Center in Medford, Oregon designed by the famous architect Le Corbusier, with funding from a $1,000,000 gift from Mr. and Mrs. P. Carpenter.

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The image depicts a page from a press clipping bureau archive, showcasing two newspaper clippings attached to a black folder. The folder appears to be part of an organized collection, likely used for archiving news articles for research or reference purposes.

Left Clipping:

  • Source: "Allen's Press Clipping Bureau," established in 1933, with offices in Portland, Los Angeles, San Francisco, and other cities.
  • Headline: "Architect Named For Arts Center"
  • Date: November 30, 1959
  • Content: The article announces that Le Corbusier, a renowned French architect, has been commissioned to design the new Visual Arts Center for Harvard University. Key details include:
    • The center will be the first building designed by Le Corbusier in the United States.
    • It will be constructed on land near the Fogg Art Museum and the Harvard Graduate School of Design.
    • The project is funded by a gift of $1,000,000 from Mrs. Alfred S. V. Carpenter.
    • Le Corbusier is described as a leading figure in modern architecture, known for his innovative designs and influence on the International Style.

Right Clipping:

  • Source: "Allen’s Press Clipping Bureau," same as the left clipping.
  • Headline: "Corbu at Harvard"
  • Date: November 30, 1959
  • Content: This article provides further details about Le Corbusier’s involvement with Harvard. Key points include:
    • Le Corbusier’s design for the Visual Arts Center was praised for its originality and alignment with his architectural philosophy.
    • The article highlights his concept of architecture as a "biological art," emphasizing functionality and aesthetic simplicity.
    • Corbusier’s design is described as a bold and innovative structure, featuring elements such as a cantilevered form and a unique spatial arrangement.
    • The article quotes Corbusier’s enthusiasm for the project and his belief in the transformative potential of architecture.

Folder Details:

  • The folder is labeled with a yellow sticker from "Allen’s Press Clipping Bureau," indicating it is part of an organized archive.
  • The page is numbered "36" and includes a reference code "Tel. 2-3797" and "Word: 2-3797."
  • The folder appears to be part of a larger collection, as suggested by the visible spine and additional pages on either side.

Overall Context:

The image illustrates the use of press clipping bureaus in the mid-20th century to systematically collect and organize news articles for archival and research purposes. The clippings focus on a significant architectural announcement involving a prominent figure, Le Corbusier, and his design for a major cultural institution at Harvard University. The folder’s structure and labeling suggest it is part of a curated archive, likely intended for historical or academic reference.

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The image depicts a gray scrapbook or photo album with a newspaper clipping and a press clipping in the center, both featuring black text on a white background. The clipping on the left is from Allen's Press Clipping Bureau, established in 1938, and is titled "Architect Named For Arts Center." It reports that Le Corbusier, an international-by-famous French architect, has accepted a commission to design the new Visual Arts Center for Harvard University. The clipping on the right is from American Press Clipping Service, Inc., and is dated November 30, 1959. It discusses Corbu at Harvard, mentioning that Corbu is a Swiss-born architect who has been ranked by the fact that U.S. clients have fought his U.S. commissions. The clipping also mentions that Corbu's work is characterized by a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been noted. Architecture students will be glad to hear that Corbu's work is not only of high quality but also of a high diplomatic eminence. Corbu is from Paris in Germany, and he was given a four-diy inspection of the site (adjacent to the Page Art Museum) was given long been

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This image appears to be a page from a scrapbook or photo album, featuring a collection of newspaper clippings and other paper ephemera. The page is dark gray with a vertical seam down the center, suggesting it may be a bound book.

On the left side of the page, there are two yellowed newspaper clippings. The top clipping is from the "Allen's Press Clipping Bureau" and features a headline that reads "Architect Named For Arts Center." The article discusses the appointment of Le Corbusier as the architect for the new Visual Arts Center at Harvard University. The second clipping is from the "Medford Mail Tribune" and provides more information about the center's design and construction.

To the right of these clippings, there is a white piece of paper with handwritten notes in black ink. The text appears to be a list of names and addresses, including "American Press Clipping Service Inc." and "119 Nassau Street New York 38, N.Y."

Below this, there is another newspaper clipping from the "New York Times" dated November 30, 1959. The article discusses the work of architect Frank Lloyd Wright and his contributions to modern architecture.

Overall, this image suggests that the owner of the scrapbook or photo album was interested in architecture and design, particularly in the mid-20th century. The clippings provide a glimpse into the architectural trends and developments of the time, and the handwritten notes may indicate that the owner was researching or collecting information on specific architects or buildings.

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The image depicts a dark gray scrapbook or binder with two newspaper clippings attached to the page.

Clipping 1:
The left clipping is yellowed and features a headline that reads "Architect Named For Arts Center." The article discusses Le Corbusier's appointment as the architect for the new Visual Arts Center at Harvard University. The clipping is dated November 30, 1959, and includes details about the center's design and construction.

Clipping 2:
The right clipping is white and appears to be a continuation of the same article. It is also dated November 30, 1959, and provides additional information about Le Corbusier's work on the Visual Arts Center. The clipping is from the "TIME" magazine.

Additional Details:
Both clippings are attached to the page using a small piece of tape. The page itself is dark gray and has a smooth texture. The background of the image is a light gray color, suggesting that the scrapbook or binder is being displayed on a table or other surface. Overall, the image provides a glimpse into the history of the Visual Arts Center at Harvard University and the role that Le Corbusier played in its design.

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The image presents a black binder with two newspaper clippings attached to it.

The binder is open, revealing its dark gray interior. The left clipping features a yellow background with blue text at the top that reads "Allen's Press Clipping Bureau" and "Established 1909." Below this, in smaller blue text, are the locations "Portland - San Francisco - Los Angeles" and "Medford Mail Tribune, Medford, Oregon." The main article is titled "Architect Named For Arts Center" and discusses Le Corbusier being commissioned to design the new Visual Arts Center for Harvard University. The right clipping has a white background with black text and is titled "Corbu of Harvard." It appears to be an article about Le Corbusier's work.

Both clippings have handwritten notes on them. The left clipping has a note that reads "NOV 30 1959," while the right clipping has a note that reads "FROM: Louise Bout TIME NOV 30 1959." Additionally, there is a small piece of paper attached to the top-right corner of the right clipping with the handwritten number "2" and some illegible text.

The background of the image is a plain gray color, suggesting that it may be a digital scan or photograph of the binder and its contents. Overall, the image appears to be a collection of newspaper clippings related to Le Corbusier's work, possibly from an archive or library.