Archives Scrapbooks

The image shows a page from a scrapbook or binder, with several newspaper clippings attached to it. The clippings are held in place by transparent tape. The page has a dark gray background, and the clippings are in a yellowed paper condition, indicating they might be from an older publication.

On the left side of the page, there is a yellowed clipping from "Allen's Press Clipping Bureau," which was established in 1888. The text on this clipping is about an architect named for an arts center. It mentions Le Corbusier, a renowned French architect, who was commissioned to design the Visual Arts Center for Harvard University. The article provides details about the commission, the architect's involvement in international projects, and the location of the planned building.

On the right side of the page, there is another yellowed clipping from "American Press Clipping Service," dated November 30, 1959, from the "Time" magazine. The article is titled "Corbu at Harvard" and discusses Le Corbusier's arrival in the United States to oversee the construction of the Visual Arts Center. The article highlights the contrast between Le Corbusier's modernist style and the reception he received in the U.S., where he was initially met with skepticism but ultimately embraced by the architectural community.

The page appears to be part of a collection of articles and clippings related to architecture, specifically focusing on the work of Le Corbusier at Harvard.

This image shows an open scrapbook or binder with two newspaper clippings attached to a dark gray page.

1. Left Clipping:

   • The clipping is from the "Medford Mail Tribune" dated November 30, 1959.
   • It is labeled with a yellow sticky note that reads "Allen's Press Clipping Bureau Established 1888" and includes locations such as Portland, Seattle, San Francisco, Los Angeles, and Medford, Oregon.
   • The article is titled "Architect Named for Arts Center" and discusses Le Corbusier, an internationally famous French architect, accepting a commission to design the new Visual Arts Center for Harvard University. The center is funded by a gift of $1,500,000 from Mr. and Mrs. Alfred S. V. Carpenter.

2. Right Clipping:

   • The clipping is from "TIME" magazine, dated November 30, 1959.
   • It is labeled with a white sticky note that reads "Tel. WOrth 2-3797 AMERICAN Press Clipping Service Inc. 119 Nassau Street New York 38, N.Y. From Anne Dott TIME NOV 30 1959."
   • The article is titled "Corbu at Harvard" and discusses Le Corbusier's involvement in designing the Visual Arts Center for Harvard University. It mentions his rivals, such as Ludwig Mies van der Rohe, and describes Le Corbusier's visit to the site and his plans for the center.

Both clippings are related to Le Corbusier's commission to design the Visual Arts Center for Harvard University. The page appears to be part of a collection of press clippings, possibly for archival or research purposes.

This image displays an open, dark gray archival scrapbook or press clipping album, containing two newspaper clippings from November 30, 1959. The page is mounted in a protective display case, as evidenced by the clear acrylic supports visible at the top and bottom right.

Left Clipping (Yellow Header):

• Source: “Allen’s PRESS CLIPPING BUREAU” (Established 1888), with offices listed in Portland, Seattle, San Francisco, Los Angeles, and Medford, Oregon.
• Headline: “Architect Named For Arts Center”
• Date: Handwritten “NOV 30 1959” under the bureau’s info.
• Content: Announces that Le Corbusier, the internationally famous French architect, has been commissioned to design the new Visual Arts Center for Harvard University. The article notes this will be the first building designed by Le Corbusier for construction in the United States. The center will be built on Quincy Street in Cambridge, adjacent to the Fogg Art Museum and the Harvard Faculty Club. The project results from a $1,500,000 gift from Mr. and Mrs. Alfred S. V. Carpenter.

Right Clipping (White):

• Source: “AMERICAN Press Clipping Service Inc.” located at 119 Nassau Street, New York 38, N.Y.
• Date: “NOV 30 1959”
• From: Handwritten note “From Anne Dort”
• Headline: “Corbu at Harvard”
• Content: This article expands on Le Corbusier’s appointment. It contrasts him with Frank Lloyd Wright (now gone) and Ludwig Mies van der Rohe as leading international architects. It refers to him as “Corbu” and highlights his “skin-and-bones style” (Manhattan’s Seagram building) and “prickly, Swiss-born” nature. The article describes his visit to Harvard, where he was welcomed with an impromptu reception featuring a 16-foot effigy of himself. A quote from Le Corbusier is included: “What spirit! One atmosphere mends!” He discusses his philosophy, stating his structures “must grow from the inside out” and that “a beautiful seashell is not a façade; it is a shell,” emphasizing organic architectural form.

Both clippings document the significant event of Le Corbusier’s commission for Harvard’s Visual Arts Center, marking his first U.S. building project. The scrapbook page is part of a curated historical collection, likely assembled by or for “Anne Dort,” preserving media coverage of this landmark architectural moment.

The image shows a scrapbook with two newspaper clippings and a note. The clipping on the left is about the architect named for the Arts Center. It is dated November 30, 1959, and has a signature on it. The clipping on the right is about a person named Frank Lloyd Wright. It is also dated November 30, 1959, and has a signature on it. The note on the right is about a person named Le Corbusier. It is also dated November 30, 1959, and has a signature on it.

The image shows a collection of newspaper clippings, articles, and press releases bound together in a folder. The clippings appear to be related to architecture, construction, and urban development. Some of the key details are:

• There is a clipping from the Medford Mail Tribune dated November 30, 1959, about Le Corbusier being named architect for the Visual Arts Center in Medford, Oregon.

• There is a clipping from the American Press Clipping Service dated November 30, 1959, about Frank Lloyd Wright being named for the title of world's dean of international architects.

• There are several clippings about the proposed construction of a Visual Arts Center designed by Le Corbusier in Medford, Oregon. The clippings mention a gift of $1,000,000 from Mr. and Mrs. P. Carpenter, Arts Center results from a gift of $1,500,000 from Mr. and Mrs. P. Carpenter, and that the Visual Arts Center will be the first building designed by Le Corbusier in the United States.

• There is a clipping from TIME magazine dated November 30, 1959, about Le Corbusier's plans for the Visual Arts Center in Medford, Oregon.

So in summary, the clippings appear to be related to the construction of a Visual Arts Center in Medford, Oregon designed by the famous architect Le Corbusier, with funding from a $1,000,000 gift from Mr. and Mrs. P. Carpenter.

The image depicts a page from a press clipping bureau archive, showcasing two newspaper clippings attached to a black folder. The folder appears to be part of an organized collection, likely used for archiving news articles for research or reference purposes.

Left Clipping:

• Source: "Allen's Press Clipping Bureau," established in 1933, with offices in Portland, Los Angeles, San Francisco, and other cities.
• Headline: "Architect Named For Arts Center"
• Date: November 30, 1959
• Content: The article announces that Le Corbusier, a renowned French architect, has been commissioned to design the new Visual Arts Center for Harvard University. Key details include:
  • The center will be the first building designed by Le Corbusier in the United States.
  • It will be constructed on land near the Fogg Art Museum and the Harvard Graduate School of Design.
  • The project is funded by a gift of $1,000,000 from Mrs. Alfred S. V. Carpenter.
  • Le Corbusier is described as a leading figure in modern architecture, known for his innovative designs and influence on the International Style.

Right Clipping:

• Source: "Allen’s Press Clipping Bureau," same as the left clipping.
• Headline: "Corbu at Harvard"
• Date: November 30, 1959
• Content: This article provides further details about Le Corbusier’s involvement with Harvard. Key points include:
  • Le Corbusier’s design for the Visual Arts Center was praised for its originality and alignment with his architectural philosophy.
  • The article highlights his concept of architecture as a "biological art," emphasizing functionality and aesthetic simplicity.
  • Corbusier’s design is described as a bold and innovative structure, featuring elements such as a cantilevered form and a unique spatial arrangement.
  • The article quotes Corbusier’s enthusiasm for the project and his belief in the transformative potential of architecture.

Folder Details:

• The folder is labeled with a yellow sticker from "Allen’s Press Clipping Bureau," indicating it is part of an organized archive.
• The page is numbered "36" and includes a reference code "Tel. 2-3797" and "Word: 2-3797."
• The folder appears to be part of a larger collection, as suggested by the visible spine and additional pages on either side.

Overall Context:

The image illustrates the use of press clipping bureaus in the mid-20th century to systematically collect and organize news articles for archival and research purposes. The clippings focus on a significant architectural announcement involving a prominent figure, Le Corbusier, and his design for a major cultural institution at Harvard University. The folder’s structure and labeling suggest it is part of a curated archive, likely intended for historical or academic reference.

This image shows two newspaper clippings mounted on a dark-colored page, possibly from a scrapbook or a clipping collection. Each clipping is aligned vertically with the text readable. The left clipping has a bright yellow header with "Allen's PRESS CLIPPING BUREAU" printed in black, indicating that it originated from a service that provided press clippings. The header includes several locations, including San Francisco, Los Angeles, Portland, and Seattle. The date "NOV 6 1959" is stamped in red on both the header and the article, which is titled "Architect Named For Arts Center." There is additional red text stamped on the clipping, but it's not fully legible.

The right clipping has a white background with black text. The top right corner shows handwritten numbers "36" and "2-3797" along with "Tel. Worth 2-3797". Just below this, there's another label stating "AMERICAN Press Clipping Service 119 Nassau Street New York 38, N.Y." and "From Anne Don", with the date stamp "NOV 30 1959." The article heading isn't fully visible, but it appears to refer to an architectural topic related to "Corbu at Harvard." Excerpts from the article mention "Le Corbusier," an international architect familiar with French design and his involvement with a project in New York, as well as commentary on his previous work.

Both clippings are preserved using photo corners, and there appears to be a wire or string bookmark located at the top edge of the page. The clippings provide historical reference to architectural developments and personalities of the time, and someone likely compiled them for research, reference, or personal interest.

The image shows two newspaper clippings mounted on a black scrapbook page. The clippings are from Allen's Press Clipping Bureau and the American Press Clipping Service, both dated November 30, 1959.

The left clipping, titled "Architect Named For Arts Center," announces that Le Corbusier, a French architect, has accepted a commission to design the new Visual Arts Center for Harvard University. It mentions that the center will be the first building designed by Le Corbusier for construction in the United States. The center results from a donation of $1,500,000 by Mr. and Mrs. Alfred S. Carpenter. The article also notes Le Corbusier's background as a painter, sculptor, and writer.

The right clipping, titled "Corbu at Harvard," discusses Frank Lloyd Wright and contrasts his style with that of Le Corbusier. It describes Le Corbusier (referred to as "Corbu") as cozy about his plans for the center and highlights the architectural style of the Visual Arts Center at Harvard. The article also mentions a reception hosted by Corbu at the Fog Art Museum in Paris before his arrival at Harvard. The style of the new building is characterized by large-scale sculptural forms and glass-curtain walls and is noted for its artistic and architectural significance.

This image shows a scrapbook or archival page with two newspaper clippings adhered to black paper.

1. Left Clipping:

   • It contains a yellow header from "Allen's Press Clipping Bureau," providing details such as its establishments in San Francisco, Los Angeles, and Medford, Oregon.
   • The article headline reads "Architect Named for Arts Center" and discusses the appointment of an architect, likely a notable figure. It mentions work related to international arts and is dated "November 10, 1959."

2. Right Clipping:

   • The header has details of the "American Press Clipping Service Inc." from New York.
   • The article headline reads "Corbu at Harvard" and discusses an architectural figure, presumably Le Corbusier. It appears to analyze contributions to architecture and has a discussion of a U.S. project. The date listed is "November 30, 1959."

Both clippings appear to focus on architectural achievements and figures, providing a glimpse into architectural developments and discussions from 1959.

The image shows a dark scrapbook page with two clipped newspaper items attached near the top center.

• Left clip: a yellow clipping from Allen’s Press Clipping Bureau. It includes a headline about an architect and an article titled “Architect Named For Arts Center,” with a list of cities (Portland, Seattle, San Francisco, Los Angeles, etc.) and a handwritten date stamp (Nov 30, 1959).
• Right clip: a longer black-and-white clipping, likely about Le Corbusier, with a heading that appears to read “Corbu at Harvard.” It looks like a Time magazine reprint, with a date stamp (Nov 30, 1959) at the bottom and a small “From Time” note at the top.

The clips are affixed to a plain dark page in a binder or album, with metal fasteners visible along the right edge.