Archives Scrapbooks

This image displays a curated collection of vintage print materials, primarily from art publications, arranged on a dark surface, likely for archival or display purposes.

The central and most prominent item is an open article titled “Two University Exhibits” from Harvard Crimson, Tuesday, November 17, 1959. It details exhibitions at Harvard’s Busch-Reisinger Museum (through December 26) and the Fogg Museum. The article focuses on the work of modernists like Modigliani and Expressionists like Kokoschka, featuring critical commentary on their styles and the exhibitions' curation.

To the right is a spread from Art Journal, Vol. XX, No. 1, page 34, showcasing high-quality black-and-white photographic reproductions of artwork, each accompanied by a caption:

• Fig. 3: Mille Master, Christ Between David and Jeremiah, Bob Jones.
• Fig. 4: Lawrence, Sarah Ingersoll, Rhode Island 5 of 9 — a portrait of a woman in period dress.
• Fig. 5: Stuart, Thomas Jefferson, Fogg — a portrait of Thomas Jefferson.
• Fig. 6: Cannable, Thompson Brothers, Fogg — a group portrait of four men.

These images are paired with detailed catalog-style entries for various artworks, including sculptures, paintings, drawings, and decorative objects, with information on artist, title, medium, dimensions, date, and provenance. Exhibitions listed include “Amherst Chinese Art” and “Cooper Union Design in Germany Today.”

Below this arrangement lies a separate clipping from The New Yorker, March 26, 1960. It features a poem titled “MODIGLIANI’S DEATH MASK” by John Updike, published by the Fogg Museum, Cambridge. The poem poetically describes the eerie, lifeless expression of Modigliani’s mask, contrasting its stillness with the vitality of life. The clipping shows slight discoloration, suggesting age.

The overall presentation suggests a scholarly or personal collection focused on 20th-century art criticism, museum exhibitions, and artistic legacy, particularly centered on Modigliani and American academic institutions like Harvard. The materials appear yellowed with age, adding to the historical character of the display.

This is an image of a book or magazine page that appears to be from the Art Journal, specifically showing an article about two university art exhibits. The left side of the page contains a detailed text review of the exhibits, discussing various pieces of art and artists, including works by Modigliani, Kokoschka, and others. The right side of the page features several illustrations and photographs of art pieces and artists, such as a portrait of a young woman, a portrait of Thomas Jefferson, and a painting of children fishing. Additionally, there is a note about Modigliani's death mask displayed at the Fogg Museum, Cambridge, with a poem by John Updike. The book is partially open, and there is a label at the bottom of the page that reads "MODIGLIANI'S DEATH MASK" and includes a note from The New Yorker dated 3/26/60. The pages are aged, with some wear and discoloration, indicating that the book is likely a historical document.

This image shows a scrapbook or collection of clippings and notes related to art exhibitions and art criticism. The items are arranged on a black background. Here is a detailed description of each element:

1. Top Left Clipping:

   • This is an article titled "Two University Exhibits" from the Harvard Crimson, dated Tuesday, November 17, 1959.
   • The article discusses exhibitions at Harvard's art museums, specifically at the Busch Reisinger and the Fogg.
   • It mentions a chronological survey of German graphic work from the late 19th century to about 1930, and a collection of 32 pencil drawings by Amedeo Modigliani.

2. Top Center Clipping:

   • This is a page from an art journal, likely discussing various artworks and exhibitions.
   • It includes images and descriptions of different artworks, such as "Christ Between David and Jeremiah" by Bob Jones, "Sarah Ingestre" by Lawrence, and a portrait of Thomas Jefferson by Stuart.
   • The page also lists various exhibitions and their dates, such as "Chinese Art" at Amherst and "Works from Private Collections" at Boston University.

3. Bottom Center Clipping:

   • This is a poem titled "MODIGLIANI'S DEATH MASK" by John Updike, published in The New Yorker on March 26, 1960.
   • The poem describes the death mask of Amedeo Modigliani, housed at the Fogg Museum in Cambridge.
   • The text is accompanied by a handwritten note that says "The New Yorker, 3/26/60."

The overall arrangement suggests a collection of materials related to art exhibitions, particularly those featuring works by Amedeo Modigliani and other artists, along with critical commentary and poetry.

The image depicts a collage of various pages, likely from a magazine or journal, with articles and images related to art exhibitions. The top left corner features a page with text discussing "Two University Exhibits" and mentions the Busch-Reisinger Museum and the Fogg Museum. The text describes the exhibits, highlighting the works of artists such as Modigliani and Kokoschka.

Adjacent to this text, there are several images. One image shows a portrait of a woman in a flowing dress, likely from the Fogg Museum exhibit. Another image features a detailed drawing of a man, possibly Modigliani's work. There is also a photograph of a bust of a man, possibly a sculpture or a portrait.

Below these images, there is a poem titled "Modigliani's Death Mask" by John Updike, published in The New Yorker on March 26, 1960. The poem reflects on the mask of the deceased artist, capturing themes of mortality and artistic legacy.

The collage includes additional pages with more text and images, though they are less prominent. These pages seem to discuss various art exhibitions, artists, and artworks, providing a comprehensive overview of the art scene during that period. The overall layout is chaotic yet informative, showcasing the diversity and richness of the art world.

This image is a collage of various pages from an art journal, featuring a mix of articles, advertisements, and illustrations. The central focus is a collage of art works, including a portrait of a woman, a drawing of two men, and a photograph of a woman holding a baby. The collage is accompanied by a poem titled "Modigliani's Death Mask," which describes the mask as "an enlarging illusion" and "an effect of litter." The collage also includes advertisements for art exhibitions and a photograph of a painting titled "Man with Viol."

The image shows an open book or catalog, likely from an art exhibition or museum archive, featuring a detailed page layout with text and accompanying illustrations. Here's a breakdown of the visual elements:

Text Content:

1. Title and Context:

   • The top of the page is titled "Two University Exhibits", indicating that the content discusses art exhibitions held at universities.
   • The text mentions the Busch-Reininger Gallery and the Fogg Museum, suggesting these are the venues for the exhibitions.
   • The page discusses modern graphic art, referencing works from the late German graphic century, including artists like Louis Black, Alfred Kubin, and Max Reinhardt.

2. Exhibition Details:

   • The text describes two exhibits: one at the Busch-Reininger Gallery and another at the Fogg Museum.
   • It highlights the works of Alfred Kubin, noting his significant contributions to modern graphic art and his influence on later artists.
   • The Fogg Museum exhibit is praised for its display of Amedeo Modigliani's drawings, which are described as "well-congratulated" and noted for their artistic merit.

3. Exhibition Schedule:

   • The Fogg Museum exhibit is scheduled from April 11–May 30, with specific dates for painting (April 11–May 14) and drawings (April 25–May 14).
   • The Modigliani exhibit is noted to have taken place in 1919, and the text reflects on its historical significance.

4. Modigliani's Death Mask:

   • At the bottom of the page, there is a handwritten note titled "MODIGLIANI'S DEATH MASK", attributed to the Fogg Museum, Cambridge.
   • The note describes the death mask as "the shell of a soul, lodged in death," and includes poetic observations about its appearance and meaning. It is signed "John Updike" and dated 3/26/60.

Illustrations:

1. Top Right Section:

   • Fig. 3: Depicts Milo Mooser, Christ Between David and Jeronah, a painting by Bob Jones. The artwork shows a religious scene with figures in historical or biblical attire.
   • Fig. 4: Shows Sarah Ingersoll Rhoads, a portrait by an unnamed artist. The subject is a woman in period clothing, standing with one hand on a table.

2. Middle Right Section:

   • Fig. 5: Displays a portrait of Thomas Jefferson, likely a historical or commemorative piece.
   • Fig. 6: Illustrates a Contable, Thompson Brothers Fishing, Smith, which appears to be a fishing or maritime scene, possibly depicting a boat or fishing activity.

3. Exhibition Listings:

   • The right side of the page lists various exhibitions and collections, including:
     • Harvard Clinic Art Exhibition (April 11–May 30).
     • Berkeley Art Gallery Medieval Collections (April 25–May 14).
     • Colorado Springs Fine Arts Center (April 25–May 14).
     • International Drawings from Colby Art Gallery (September 20–October 14).
     • Cooper Union Design in Germany Today (September 20–October 22).
     • Montreal Museum of Fine Arts: Japanese Painting (May 15–June 8, 1960).

Layout and Design:

• The page is structured with a mix of typed text and handwritten notes, indicating a curated or archival document.
• The illustrations are placed strategically to complement the text, providing visual context for the discussed artworks and exhibitions.
• The handwritten note at the bottom adds a personal or reflective touch, contrasting with the formal, typed content.

Overall Impression:

The image depicts a well-organized page from an art catalog or exhibition guide, combining textual descriptions of exhibitions, artist biographies, and historical context with visual representations of artworks. The inclusion of a handwritten note by John Updike adds a layer of personal commentary, enriching the document's narrative. The layout is professional and informative, typical of museum or academic publications.

This image depicts a scrapbook or collage-style arrangement of pages, clippings, and images, originating mainly from publications and documents about exhibits and art. The content includes:

1. Newspaper or Article Sections:

   • The left side features text discussing two university exhibits at Harvard University's Fogg Museum and Busch-Reisinger Museum, dated 1929. It seems to describe art exhibitions and specific works by artists like Modigliani.

2. Clippings and Imagery:

   • At the top right, several black-and-white reproductions of artwork are visible, including portraits and possibly classical or Renaissance imagery. Faces and the art styles suggest historical artworks.

3. Highlighted Modigliani Reference:

   • A small clipping titled "Modigliani’s Death Mask" is present at the bottom right corner with what might be a poem or a poetic reflection. It is attributed to a publication, "The New Yorker," and dated 3/26/60.

4. Visible Toning and Damage:

   • The materials show discoloration, slight stains, tape residue, and some wear and tear, consistent with their age.

The overall image gives the impression of preserved archival material related to art history, curated for reference or memory in a scrapbook.

This image shows a page of a scrapbook or album with various cut-outs and articles affixed to it. The layout includes excerpts from what appears to be an exhibition catalog or informational text about artworks and exhibitions. There are references to "Two University Exhibits" and "Modigliani's Death Mask," indicating a focus on art and artists. The articles detail different art historical topics, discussing figures, movements, or specific pieces. The text includes dates, titles, and descriptive passages, which suggest an academic or curatorial source. In addition to textual content, the page incorporates black and white images of art and artefacts. One can see reproductions of paintings and other imagery that is likely relevant to the art or artists under discussion. The portion labeled "MODIGLIANI'S DEATH MASK" displays poetic text beneath the title, hinting at a eulogy or artistic tribute to the mentioned artist. The overall impression is of a curated collection of information and visuals, possibly compiled by an individual interested in art history or involved in an educational or research capacity related to this subject.

The image shows a scrapbook or album page with several cut-out newspaper articles and magazine clippings pasted onto dark grey paper. There are two main sections of text:

1. On the left side, there is a newspaper clipping titled "Two University Exhibits," describing exhibitions of German graphic work and artworks including female nudes and self-portraits, and mentioning the Bush Reisinger and Fogg galleries. The article praises the exhibits and discusses specific artists and their styles.

2. Attached to the right is a magazine page featuring black-and-white photographs of various artworks, including portraits, drawings, and paintings. The images depict figures, some in classical poses, and one is a photo of a bust. The text accompanying the images discusses "Nineteenth and Twentieth Centuries Painting and Drawing" and lists several artists and exhibitions.

At the bottom right, there is a small separate clipping titled "MODIGLIANI'S DEATH MASK," a poem or prose piece from the Fogg Museum in Cambridge. It reflects on the shell of a doll's head and describes emotions and imagery associated with it. There is handwriting at the bottom that reads "The New Yorker 3/20/60."

The page has some visible brown stains and aging marks on the clippings. The publication names mentioned include the Art Journal.

The image shows a vintage scrapbook/page spread with clipped articles and images about art exhibits. On the left is a yellowed newspaper clipping headed “On Exhibit” and “Two University Exhibits,” filled with dense columns of text. The right side features a black-and-white collage of small images and listings, including portraits and a full-length figure, and a block of exhibition text. At the bottom center there is a small card titled “MODIGLIANI’S DEATH MASK” from the Fogg Museum in Cambridge, with a short poem or note. The overall look is a mid-20th-century art journal or museum scrapbook with taped or pasted clippings.