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The image appears to be a page from an art journal or catalog, featuring an article titled "Two University Exhibits." The article discusses two art exhibitions held at Harvard and the Fogg Art Museum in December 1959.

Article Summary:

1. Harvard Exhibit:

   • Focuses on modern graphics, particularly German graphic works from the late nineteenth century.
   • Highlights artists like Oskar Kokoschka, who rebelled against early Expressionist geometry, and Max Reinhardt, known for his theatrical designs.
   • Mentions specific works like Kokoschka's "Couple" and August Macke's "Lady in a Green Hat."
   • Notes the influence of Cubism on Mediolan's work and his use of mixed media.

2. Fogg Art Museum Exhibit:

   • Features 32 pencil drawings by the modern Italian artist Americo Modigliani.
   • Highlights Modigliani's unique style and the emotional depth of his work.
   • Mentions specific drawings like "Young Man" and "Portrait of a Woman."
   • Notes the influence of Cubism and African art on Modigliani's work.

Images and Captions:

• Top Right: A photograph of a woman in a long dress, titled "A Young Woman Standing, 1916."
• Middle Right: A portrait of a woman, titled "Portrait of a Woman, 1916."
• Bottom Right: A drawing of a couple, titled "Couple, 1916."
• Bottom Center: A poem titled "Modigliani's Death Mask" by John Updike, published in The New Yorker on March 26, 1960.

Additional Information:

• The article is written by Jan Strassbourg.
• The page includes a list of exhibitions and collections where Modigliani's works have been shown, including the Museum of Modern Art and the Art Institute of Chicago.

The overall tone of the article is analytical and appreciative, highlighting the significance of the exhibited works and their artists.

The image displays a page from the November 17, 1959, issue of the Harvard Crimson, the student newspaper of Harvard University. The page features an article titled "On Exhibit: Two University Exhibits," which discusses art exhibitions at Harvard and Radcliffe.

Article Summary:

Title: Two University Exhibits

Content:

1. Exhibitions Overview:

   • Both Harvard's art museums are showcasing modern artworks through December 26.
   • The Fogg Museum is displaying a collection of works by the German art group known as "Brücke" from 1905 to 1913.
   • The Busch-Reisinger Museum is exhibiting works by the Austrian artist Oskar Kokoschka.

2. Brücke Exhibition at the Fogg:

   • The Brücke artists, including Ernst Ludwig Kirchner, were pioneers of German Expressionism.
   • Their work is characterized by vivid colors, emotionally charged themes, and a somewhat primitive aesthetic.
   • The exhibition includes 32 drawings and prints, offering a glimpse into the intense and dynamic artistic style of the group.

3. Oskar Kokoschka at the Busch-Reisinger:

   • Kokoschka's work is noted for its intense emotional expression and dynamic use of brushstrokes.
   • The exhibition features his portraits and lithographs, with a special emphasis on his powerful and sometimes disturbing depictions of human figures.
   • The article highlights a particularly notable piece, "Three Female Nudes," which exemplifies his expressive style.

4. Mention of Amedeo Modigliani:

   • The article also briefly touches on the recent acquisition of a death mask of Amedeo Modigliani by the Fogg Museum.
   • The mask is a cast of the artist's face, taken after his death.

Exhibitions Section:

• Details of Exhibitions:
  • Lists various artworks on display, including pieces by notable artists and their respective details like medium, size, and dates.
  • Highlights specific pieces from the collections, such as works by Kirchner, Erich Heckel, and more.

Modigliani's Death Mask:

• Additional Note:
  • A small section discusses the shell of Modigliani's death mask, describing its acquisition and significance.

Visual Elements:

• Photographs:
  • The page includes images of various artworks, such as:
    • A woodcut by Ernst Ludwig Kirchner titled "Moonrise."
    • A drawing of a woman by Oskar Kokoschka.
    • Sculpture and decorative objects from the exhibitions.
    • A photograph of dancers by Thomas Brothers.
    • A portrait of a woman by Stuart Davis.
    • A depiction of a man and woman by an unidentified artist.

The article provides a comprehensive look at the exhibits, highlighting the importance and unique aspects of the artworks displayed at the Harvard museums.

The image is a collection of pages from a 1959 Harvard Crimson newspaper, specifically from November 17, 1959. The pages cover articles related to art exhibitions at Harvard's museums.

Main Article: "Two University Exhibits"

Location and Duration:

• The exhibits are at the Busch-Reisinger Museum, running through December 26.

Exhibitions:

1. German Graphic Works from the Busch-Reisinger Collection:

   • This exhibition showcases a chronological survey of German graphic work from 1493 to 1930.
   • It includes prints from artists such as Albrecht Dürer, Lucas Cranach the Elder, and Käthe Kollwitz.
   • The collection features a significant number of prints from Louis Black's donation, including works by Otto Dix and Max Beckmann.
   • The exhibit also includes a piece by Oskar Kokoschka, "Self-Portrait with Skeleton Arm," which is noted for its expressive style.

2. Amedeo Modigliani:

   • This exhibition highlights the work of Amedeo Modigliani, an Italian artist known for his distinctive portraits and nudes.
   • The exhibit includes drawings and paintings, such as "Female Nude," which exemplify Modigliani’s unique style.
   • The article mentions that Modigliani's work is characterized by elongated features and a distinctive use of line.

Additional Sections:

• Illustrations and Descriptions:

  • The pages feature images of various artworks from the exhibitions, such as:
    • "Christ Between David and Jeremiah" by Master of the Christ in the Sepulchre.
    • "Self-Portrait" by Rembrandt.
    • "Portrait of a Young Woman" by Tullio Lombardo.
    • "The Fogg Museum's Portrait of a Woman" by Modigliani.
    • Various sculptures and drawings by Modigliani, including "Portrait of a Woman" and "Seated Lady."

• Poetry:

  • A poem titled "Modigliani's Death Mask" by John Updike is included, describing the mask as a "doll's head" and highlighting its eerie and poignant qualities.

Exhibitions List:

• The bottom of the page lists several other art exhibitions happening at the time, including:
  • "American Art: April 11-May 30" at the Fogg Museum.
  • "English Prints: April 11-May 30" at the Fogg Museum.
  • "Sculpture and Decorative Objects" at the Fogg Museum.
  • "American Paintings and Sculpture" at the Arthur M. Sackler Museum.
  • "English Drawings" at the Arthur M. Sackler Museum.
  • "Italian Paintings" at the Arthur M. Sackler Museum.
  • "American Paintings and Sculpture" at the Arthur M. Sackler Museum.

The pages provide a comprehensive overview of the art scene at Harvard in late 1959, emphasizing the significant contributions of German and Italian artists to the university's collections.

The image contains a page from an art journal or newspaper, dated November 17, 1959. The page includes an article and several illustrations related to two university exhibits at Harvard's art museums, specifically at the Busch-Reisinger Museum, which ran through December 26.

Article: "Two University Exhibits"

• Harvard's Art Museums: The article discusses two exhibitions showcasing modern graphics.
  • Busch-Reisinger Museum: This exhibit features a chronological survey of German graphic work from the 19th century to the 1930s. It includes works by notable artists such as Otto Dix and Max Beckmann.
  • Fogg Museum: This part of the exhibit includes works by Louis Black and a collection of fine prints by Kokoschka, Corinth, and others. It also features the works of the famous Italian artist Amedeo Modigliani, including his drawings and paintings.

Highlights of the Exhibits:

• Louis Black's Work: The article mentions Black's "Self-Portrait: Where I Was Sick" and his graphic style, which is noted for its "magical creation of depth and volume."
• Kokoschka's Contribution: A collection of prints by Kokoschka, donated to the museum, is highlighted.
• Modigliani's Artwork: The article pays special attention to Modigliani's contributions, including his "Femme Nude" and "Portrait of a Young Woman." It also mentions Modigliani's influence by Cubism and his unique style.
• German Expressionism: The article mentions the work of Max Beckmann, characterized by its "temperamentous and convincing" quality.

Illustrations:

• Artworks: Several images of artworks from the exhibits are included, showcasing various styles and periods. These include:
  • A drawing titled "Portrait of a Young Woman" by Modigliani.
  • A painting by Master Christof David and Jeronimus Bosch.
  • Various other pieces by artists such as Tulla, Castellani, and others, spanning different mediums and techniques.

Additional Notes:

• Death Mask of Modigliani: There is a small section titled "Modigliani's Death Mask" from the Fogg Museum, Cambridge, describing the mask as an "enlarging illusion" that captures Modigliani's features in death.
• Exhibitions Listing: The page includes a section listing other exhibitions, including those at the Amherst Museum, the California Palace of the Legion of Honor, and the Museum of Modern Art, among others.

Conclusion:

The page provides a detailed overview of significant art exhibits at Harvard's museums, emphasizing the contributions of various modern artists and the historical context of their works. It also includes a small article on Modigliani's death mask and lists other concurrent art exhibitions.

The image shows a newspaper clipping from the Art Journal dated November 17, 1959. The article discusses two university exhibits at the Busch Reisinger Museum and the Fogg Museum at Harvard University.

The article is titled "Two University Exhibits" and details the exhibits of modern graphics and works by German graphic artists from the early 20th century. Key points include:

1. Harvard's Busch Reisinger Museum Exhibit:

   • The exhibition includes a selection of fine prints by artists such as Otto Dix, Max Beckmann, and others.
   • The show highlights the works of Louis Black, who is noted for his expressive geometric forms.
   • A piece by Otto Dix, "Kokotte," is celebrated for its realistic portrayal, despite its modernist origins.

2. Fogg Museum Exhibit:

   • The Fogg Museum focuses on the works of Amadeo Modigliani.
   • The exhibit includes Modigliani's "Portrait of a Woman," which is praised for its delicate and expressive qualities.
   • The article mentions Modigliani’s influence on Cubist treatment and his artistic temperament.

Additionally, the clipping includes small images and captions of various artworks, such as:

• "Maître, Christ David et Jérémie, Bob Jones"
• "Tullio, Boy of a Young Woman"
• "Lambert, Portrait of a Young Woman"
• "Schmidt, Nymph and Twentieth Century"
• Various other works and descriptive notes on their mediums and dates.

The text also includes a poem by John Updike, titled "Modigliani's Death Mask," which appears to be a humorous take on the artist's mask.

Overall, the clipping provides a detailed overview of the exhibitions and artistic influences being showcased at Harvard's museums during that period.

The image shows two pages of a publication, likely a newspaper or magazine, from Tuesday, November 17, 1959. The left page features an article titled "Two University Exhibits" with a subheading mentioning that the exhibits are at the Busch Reisinger and Fogg Museums through December 26. The article discusses various art exhibits, including German graphic work from 1919 to 1933, drawings by Picasso, and works by artists such as Karl Schmidt-Rottluff, Otto Dix, and Amedeo Modigliani. The text is accompanied by several black-and-white photographs of artworks, including a portrait by Modigliani and a sculpture.

The right page includes several sections. The top section features an article titled "Modigliani's Death Mask" with a photograph of the mask. Below it, there are various other articles and photographs, including one about an exhibit at the Museum of Modern Art, another about the artist Stuart Davis, and a piece about the artist John Graham. The bottom of the page includes a note about an exhibition at the Fogg Museum, with a photograph of a sculpture, and a poem titled "The New Yorker" dated March 26, 1960, handwritten at the bottom.

The image shows a scrapbook or magazine page with various cutouts and clippings related to art exhibitions and Modigliani.

On the left side, there is a typed article titled "Two University Exhibits" which discusses art exhibits at Harvard's museums, including the Busch Reisinger and the Fogg Museum, with a focus on modern graphics, drawings, and the works of artists like Louis Confort Tiffany and Modigliani. The article mentions specific exhibitions and artworks displayed, along with some analysis of the artists' styles.

Adjacent to the article, on the right side of the page, there are several black and white photographs of artworks and artists. These include:

• A photograph featuring a group scene with a man, two children, and a woman.
• A portrait of a woman labeled "Fig. 4" showing a lady reportedly from Los Angeles.
• Smaller portrait photographs of artists or portraits of working artists.
• Several other smaller images are included, each with captions listing the artists' names and exhibitions.

At the bottom right corner of the page, there is a small typed poem titled "Modigliani's Death Mask" from the Fogg Museum, Cambridge, by John Updike. The poem reflects on the death mask of Modigliani, describing its delicate and eerie qualities. It includes a handwritten note indicating it was from "The New Yorker, 3/26/60."

Overall, the page centers on art, artists, and exhibitions with a focus on Modigliani and related modernist figures.

This image shows an open journal or magazine laid flat, presenting an article alongside several images and illustrations. The title of the article is "Two University Exhibits" and it appears in the column "On Exhibit," suggesting that the piece discusses artistic or historical displays possibly linked to university collections.

The left-hand page of the journal features two columns of text. There is a visible stain at the top left corner that has seeped through to the other side of the page, likely from a liquid drop. Small printed text, possibly excerpts or descriptions, accompany the column text, some aligned horizontally while others are vertical.

The right-hand page contains a variety of images. These include reproductions of artworks, notably a large printed piece showing figures dressed in traditional or historical costumes. Below this, there is a smaller image showing a photograph of a woman in period dress. Beneath that image is another smaller photograph labeled "Dr. Dupont, Senate Instruction, Paris."

On the bottom right of the page, there is a small image showing two individuals seated with books, one of them wearing a pith helmet, suggesting a colonial or expeditionary context. Additionally, a detached caption or excerpt reading "MODIGLIANI'S DEATH MASK" is attached near the bottom of the spread, with some writing beneath it which includes the date "3/29/60".

Moreover, it's worth noting that the magazine seems to be of a historical nature, judging by the paper quality, the style of photography, and the types of illustrations present. The overall content seen here suggests a focus on art exhibitions and historical artifacts.

The image shows an open book or catalog, likely from an art exhibition or museum publication, featuring detailed descriptions and illustrations of various artworks. The layout is structured into two main sections, with text on the left and visual content on the right.

Left Page: Textual Descriptions

• Title: "Two University Exhibits" is prominently displayed at the top, indicating the content pertains to art exhibitions at universities.
• Content: The left page contains a detailed article or essay discussing art exhibitions, likely from the Busch-Reininger collection at Harvard. It references artists such as Louis Black, Max Reinhardt, and others, discussing their works, styles, and themes. The text is dense and scholarly, with references to specific artworks, techniques, and historical context.
• Key Elements:
  • Mentions of artists like Louis Black, Max Reinhardt, and Amedeo Modigliani.
  • Descriptions of exhibitions, including the Busch-Reininger collection and the Harvard Art Museums.
  • Analysis of artistic styles, such as Expressionism, Cubism, and Futurism.
  • References to specific works and their significance, such as Modigliani's drawings and Kokoscha's expressive figures.

Right Page: Visual Content

• Illustrations: The right page features a series of black-and-white illustrations and photographs of artworks, accompanied by captions and details.
• Artworks Illustrated:
  1. Top Left: A detailed sketch or drawing labeled "Tullo, Boat of a Young Woman, 1900." The artwork depicts a boat with a female figure, and the caption includes measurements and materials (e.g., "tempera, panel").
  2. Top Right: A portrait labeled "Fig. 4. Lawrence, Sophie Ingersoll, Rhode Island School of Design, Providence." The illustration shows a woman in a dress, with detailed notes on the medium and dimensions.
  3. Middle Left: A sculpture titled "Sculpture and Decorative Objects" by Joseph and The Gage Collection, with notes on materials and dimensions.
  4. Middle Right: A portrait labeled "Fig. 5. Stuart, Thomas Jefferson, Fogg." This is a detailed engraving or print of Thomas Jefferson.
  5. Bottom Left: A group scene labeled "Fig. 6. Constable, Thompson Brothers, Fishing, Smith." This depicts a group of people in a natural setting, likely a landscape or fishing scene.
  6. Bottom Right: A poem titled "MODIGLIANI'S DEATH MASK," attributed to Fogg Museum of Art, Cambridge. The poem describes Modigliani's death mask, with a reflective and poetic tone.

Additional Details

• Publication Information: The bottom of the right page includes a reference to "The New Yorker, 3/26/60," suggesting the catalog or publication is from March 26, 1960.
• Exhibition Information: The bottom right corner mentions "AMERICAN COLLEGE ART EXHIBITS," indicating the content is related to university or college-level art exhibitions.
• Layout: The book is well-organized, with clear headings, subheadings, and detailed annotations, making it suitable for academic or curatorial use.

Overall Impression

The image depicts a scholarly and artistic publication, likely from an art museum or university catalog, focusing on art exhibitions, artist biographies, and detailed descriptions of artworks. The combination of textual analysis and visual illustrations provides a comprehensive overview of the featured artists and their works.

The image shows a page from a magazine featuring an article about two university exhibits. The page has a black border and is filled with text and images. The text on the left side of the page describes the exhibits, while the text on the right side lists the names of the artists and their works. The images on the page include a portrait of a woman, a painting of a man, and a drawing of a woman. The article is titled "Two University Exhibits" and was published in the "Art Journal" in 1960.