Archives Scrapbooks

This image displays several clipped newspaper and magazine articles, mounted or arranged on a dark, likely black, binder or presentation board. These clippings appear to be from the late 1950s, centered on art exhibitions at two Harvard University museums: the Busch-Reisinger Museum and the Fogg Museum.

Here's a detailed breakdown of the visible content:

1. Main Article: "Two University Exhibits"
(From the Harvard Crimson, Tuesday, November 17, 1959)
This is the largest clipping, occupying the left side of the board. It reviews concurrent exhibitions at Harvard:

• At the Fogg Museum: Features 32 pencil drawings by Amedeo Modigliani, described as a "handsome, well-organized" show. Critic Ian Strausfogel praises Modigliani's evolution from early "Expressionist" styles to his later mature period (post-1917) characterized by "a controlled line" and "lyricism."
• At the Busch-Reisinger: Highlights the work of German artist Max Beckmann, with a particular focus on his "Self-Portrait: When I Was Sick." It also mentions the inclusion of works by Oscar Kokoschka and Louis Corinth.

2. Clipping from "Art Journal"
(Page 34, likely from 1959)
This article, positioned to the right of the Crimson clipping, focuses on the Modigliani exhibit. It lists specific works on display, including:

• Bust of a Young Woman (1910, bronze)
• Man with Viol. (ca. 1909, oil)
• Three Girls (1909, pencil, pen, ink, watercolor)
• A Portrait of a Woman (1919, pencil, charcoal, ink)
• Red Boy with Straw Hat (1918, colored pencil, ink)

It also lists other works by Modigliani and other artists in the "Nineteenth and Twentieth Centuries" section of the exhibition, as well as a list of "Exhibitions" currently running at other institutions.

Accompanying this text are several small black-and-white photos:

• Fig. 4: A portrait of Sarah Ingraham, Rhode Island 8 of 10 by Lawrence (1946).
• Fig. 5: A portrait of Thomas Jefferson by Stuart (Fogg).
• Fig. 6: A drawing of Cannibals by Thompson Brothers (Fogg).
• A photo of Christ Between David and Jeremiah by an unknown Master (1914, tempera).

3. Clipping: "Modigliani's Death Mask"
(From The New Yorker, March 26, 1960)
This smaller clipping, located at the bottom right, features a poem titled "Modigliani's Death Mask" by John Updike, published in The New Yorker. The poem reflects on the sculpted death mask of the artist, preserved at the Fogg Museum, Cambridge.

Overall Impression

This collection of clippings serves as a personal scrapbook or research file documenting the critical reception of a significant Modigliani exhibition at the Fogg Museum in late 1959. It captures the scholarly and public attention the show received and provides insight into the curation and critical discussion of early 20th-century art at Harvard during that era. The inclusion of multiple sources (a student newspaper, an art journal, and a major literary magazine) suggests a comprehensive effort to archive the event.

The arrangement appears to be for archival or personal reference, with the clippings glued or taped onto the board. The paper shows signs of aging, with some yellowing and a small water stain on the Harold Crimson clipping.

The image appears to be a collection of pages from an art journal or a magazine related to art exhibitions. The visible pages include a detailed article about two university art exhibits, discussing various artworks such as etchings, drawings, and paintings. The article mentions works by artists like Modigliani, Kokoschka, and others, and provides insights into the artists' techniques and styles. Additionally, there are several black-and-white illustrations of artworks, including portraits of women and a group of people, as well as a close-up of a death mask from the Fogg Museum, Cambridge, with a poem by John Updike titled "Modigliani's Death Mask." The presence of these items suggests that the document is likely part of an archive or a collection focused on art history or museums.

This image is a black-and-white photograph showing a scrapbook page with various clippings and notes. The scrapbook page appears to be about art exhibitions and includes the following elements:

1. Article Clippings:

   • There is a clipping from "The Harvard Crimson" dated Tuesday, November 17, 1959, titled "Two University Exhibits." The article discusses art exhibitions at the Busch Reisinger and the Fogg museums at Harvard.
   • Another clipping from "Art Journal XX" features several black-and-white images of artworks and descriptions of various exhibitions.

2. Artwork Images:

   • The "Art Journal XX" clipping includes black-and-white reproductions of several artworks. These include:
     • A religious painting with a figure in the center holding a scroll, surrounded by other figures.
     • A portrait of a woman in a long dress.
     • A bust of a man.
     • A landscape painting with figures in the foreground.

3. Poem or Quotation:

   • At the bottom of the page, there is a printed piece titled "MODIGLIANI'S DEATH MASK," which appears to be a poem or a written piece about Modigliani's death mask. It is attributed to John Updike and includes a handwritten note mentioning "The New Yorker, 3/26/60."

4. Notes and Annotations:

   • There are handwritten notes and annotations around the clippings, possibly adding personal comments or additional information about the exhibitions and artworks.

The overall theme of the page is centered around art exhibitions, particularly those featuring works by Modigliani and other artists, with a mix of textual descriptions and visual reproductions.

The image shows a page from a magazine featuring an article about two university exhibits. The page has a black border and is filled with text and images. The text on the left side of the page describes the exhibits, while the text on the right side lists the names of the artists and their works. The images on the page include a portrait of a woman, a painting of a man, and a drawing of a woman. The article is titled "Two University Exhibits" and was published in the "Art Journal" in 1960.

The image shows an open book, likely a magazine or journal, with several pages displayed. The pages contain text and illustrations, including black and white photographs, drawings, and paintings. The text discusses two university exhibits at the Busch-Reisinger Museum at Harvard University, showcasing modern graphic works and sculptures. The exhibits feature works by artists such as Amedeo Modigliani, Oscar Kokoschka, and Max Beckmann, among others. The text provides descriptions and analysis of the artworks, highlighting their artistic styles, techniques, and themes. The illustrations complement the text, providing visual examples of the artworks being discussed.

The image shows an open book or catalog, likely from an art exhibition or museum publication, featuring detailed descriptions and illustrations of various artworks. The layout is structured into two main sections, with text on the left and visual content on the right.

Left Page: Textual Descriptions

• Title: "Two University Exhibits" is prominently displayed at the top, indicating the content pertains to art exhibitions at universities.
• Content: The left page contains a detailed article or essay discussing art exhibitions, likely from the Busch-Reininger collection at Harvard. It references artists such as Louis Black, Max Reinhardt, and others, discussing their works, styles, and themes. The text is dense and scholarly, with references to specific artworks, techniques, and historical context.
• Key Elements:
  • Mentions of artists like Louis Black, Max Reinhardt, and Amedeo Modigliani.
  • Descriptions of exhibitions, including the Busch-Reininger collection and the Harvard Art Museums.
  • Analysis of artistic styles, such as Expressionism, Cubism, and Futurism.
  • References to specific works and their significance, such as Modigliani's drawings and Kokoscha's expressive figures.

Right Page: Visual Content

• Illustrations: The right page features a series of black-and-white illustrations and photographs of artworks, accompanied by captions and details.
• Artworks Illustrated:
  1. Top Left: A detailed sketch or drawing labeled "Tullo, Boat of a Young Woman, 1900." The artwork depicts a boat with a female figure, and the caption includes measurements and materials (e.g., "tempera, panel").
  2. Top Right: A portrait labeled "Fig. 4. Lawrence, Sophie Ingersoll, Rhode Island School of Design, Providence." The illustration shows a woman in a dress, with detailed notes on the medium and dimensions.
  3. Middle Left: A sculpture titled "Sculpture and Decorative Objects" by Joseph and The Gage Collection, with notes on materials and dimensions.
  4. Middle Right: A portrait labeled "Fig. 5. Stuart, Thomas Jefferson, Fogg." This is a detailed engraving or print of Thomas Jefferson.
  5. Bottom Left: A group scene labeled "Fig. 6. Constable, Thompson Brothers, Fishing, Smith." This depicts a group of people in a natural setting, likely a landscape or fishing scene.
  6. Bottom Right: A poem titled "MODIGLIANI'S DEATH MASK," attributed to Fogg Museum of Art, Cambridge. The poem describes Modigliani's death mask, with a reflective and poetic tone.

Additional Details

• Publication Information: The bottom of the right page includes a reference to "The New Yorker, 3/26/60," suggesting the catalog or publication is from March 26, 1960.
• Exhibition Information: The bottom right corner mentions "AMERICAN COLLEGE ART EXHIBITS," indicating the content is related to university or college-level art exhibitions.
• Layout: The book is well-organized, with clear headings, subheadings, and detailed annotations, making it suitable for academic or curatorial use.

Overall Impression

The image depicts a scholarly and artistic publication, likely from an art museum or university catalog, focusing on art exhibitions, artist biographies, and detailed descriptions of artworks. The combination of textual analysis and visual illustrations provides a comprehensive overview of the featured artists and their works.

This image appears to be a collage or scrapbook page containing text, photographs, illustrations, and clippings related to art exhibitions.

• Upper left section: Contains a newspaper article titled "Two University Exhibits," discussing displays at Harvard and the Fogg Museum focused on European and American artists, including Modigliani. There are brown stains visible on the paper.
• Middle section: Contains images and captions of artworks, including portraits of individuals and illustrations with historical or religious themes. There are detailed descriptions of each artwork.
• Lower right corner: Displays a poem or snippet titled "Modigliani's Death Mask" attributed to John Updike, with noticeable coffee stains on the paper beneath.
• Right-hand column: Contains black-and-white images with captions including details of the subjects or artworks depicted.
• The overall color scheme is neutral, with white and yellowed papers on a black background, suggesting an archival preservation or personal collection format.

It appears to be documenting art-related content, likely for personal reference or research.

This image shows an open journal or magazine laid flat, presenting an article alongside several images and illustrations. The title of the article is "Two University Exhibits" and it appears in the column "On Exhibit," suggesting that the piece discusses artistic or historical displays possibly linked to university collections.

The left-hand page of the journal features two columns of text. There is a visible stain at the top left corner that has seeped through to the other side of the page, likely from a liquid drop. Small printed text, possibly excerpts or descriptions, accompany the column text, some aligned horizontally while others are vertical.

The right-hand page contains a variety of images. These include reproductions of artworks, notably a large printed piece showing figures dressed in traditional or historical costumes. Below this, there is a smaller image showing a photograph of a woman in period dress. Beneath that image is another smaller photograph labeled "Dr. Dupont, Senate Instruction, Paris."

On the bottom right of the page, there is a small image showing two individuals seated with books, one of them wearing a pith helmet, suggesting a colonial or expeditionary context. Additionally, a detached caption or excerpt reading "MODIGLIANI'S DEATH MASK" is attached near the bottom of the spread, with some writing beneath it which includes the date "3/29/60".

Moreover, it's worth noting that the magazine seems to be of a historical nature, judging by the paper quality, the style of photography, and the types of illustrations present. The overall content seen here suggests a focus on art exhibitions and historical artifacts.

The image shows a scrapbook or magazine page with various cutouts and clippings related to art exhibitions and Modigliani.

On the left side, there is a typed article titled "Two University Exhibits" which discusses art exhibits at Harvard's museums, including the Busch Reisinger and the Fogg Museum, with a focus on modern graphics, drawings, and the works of artists like Louis Confort Tiffany and Modigliani. The article mentions specific exhibitions and artworks displayed, along with some analysis of the artists' styles.

Adjacent to the article, on the right side of the page, there are several black and white photographs of artworks and artists. These include:

• A photograph featuring a group scene with a man, two children, and a woman.
• A portrait of a woman labeled "Fig. 4" showing a lady reportedly from Los Angeles.
• Smaller portrait photographs of artists or portraits of working artists.
• Several other smaller images are included, each with captions listing the artists' names and exhibitions.

At the bottom right corner of the page, there is a small typed poem titled "Modigliani's Death Mask" from the Fogg Museum, Cambridge, by John Updike. The poem reflects on the death mask of Modigliani, describing its delicate and eerie qualities. It includes a handwritten note indicating it was from "The New Yorker, 3/26/60."

Overall, the page centers on art, artists, and exhibitions with a focus on Modigliani and related modernist figures.

The image shows a page from a vintage scrapbook or album filled with newspaper clippings and small photos about art exhibits. On the left is a tall, column-style article titled something like “Two University Exhibits” with dense text and smaller side notes. On the right is a collage of black-and-white images: at the top a detailed image of art or medallions, next to a full-length portrait of a woman in a gown, and below a circular image (likely a profile bust) plus a small group portrait. There are also blocks of captioned text describing the exhibits. At the bottom center is a separate small card titled “MODIGLIANI’S DEATH MASK” with a tiny image and a note that looks like a citation from The New Yorker (3/26/60). The pages have an aged, yellowed look and are mounted on a dark background, giving a vintage, archival feel.