Archives Scrapbooks

The image appears to be a page from a scrapbook or a collection of news clippings and announcements related to Harvard University and its affiliates. The page includes several items:

1. Header: At the top is the title "The Harvard Foundation for Advanced Study and Research Newsletter," dated September 30, 1959. The address is listed as 17 Dunster Street, Cambridge 38, Massachusetts, with a phone number provided.

2. Article: Below the header, there is an article about appointments and news from the Fine Arts and Fogg Art Museum. It mentions the appointment of Associate Professor Sidney J. Freedberg as Chairman and Assistant Professor Joachim Gaehde as Head Tutor. It also notes the return of Professor John Coolidge from a sabbatical in Europe and the award of a Fulbright Research Grant to Associate Professor Seymour Slive.

3. News Clippings:

   • On the left side, there is a clipping from the "Union Leader" in Manchester, N.H., dated October 27, 1959. It announces that the Fogg Director (likely referring to Professor John Coolidge) will speak at a Currier gallery event on October 28.
   • On the right side, there is a clipping from the "Harvard Crimson" dated October 6, 1959. It reports on the relocation of a Henry Moore statue from the Fogg Museum to the Leverett House Courtyard. The statue commemorates the death of G. David Thompson, Jr., who was killed in an automobile accident the previous year.

The page gives a snapshot of the events and appointments related to Harvard University during the late 1950s.

This image is a page from a scrapbook or document collection, featuring clippings and printed materials related to Harvard University, focusing on art and academic developments.

At the top, there's a header for "The Harvard Foundation for Advanced Study and Research Newsletter," dated September 30, 1959. The newsletter includes information about the Fine Arts and Fogg Art Museum, mentioning appointments, faculty activities, and an upcoming exhibition.

Below the newsletter header, there are two newspaper clippings:

1. On the left, a clipping titled "Fogg Director To Speak Here" from the New England Newsclip Agency, Inc., dated October 27, 1959. It announces a lecture by Elizabeth H. Jones, chief conservator of the Fogg Art Museum, on the topic of "Paintings—Inside and Out."

2. On the right, a clipping from the Harvard Crimson, dated October 6, 1959, titled "University to Relocate Henry Moore Statue In Leverett Courtyard." It includes a photograph of a modern, abstract sculpture and discusses the plans to move the statue to a new location.

The page is mounted on dark gray or black paper, and the clippings are neatly arranged, suggesting a curated collection of relevant news items.

The image is a photograph of a scrapbook page, likely from the late 1950s, featuring several newspaper clippings and announcements related to the Harvard Foundation for Advanced Study and Research. The page is dominated by a large, formal letterhead at the top, which reads "THE HARVARD FOUNDATION FOR ADVANCED STUDY AND RESEARCH" with an emblem and the address "17 Dunster Street, Cambridge 38, Massachusetts." Below the letterhead, there is a title "NEWSLETTER" dated September 30, 1959.

Below the title, there are several smaller clippings and announcements:

1. Fine Arts and Fogg Art Museum Announcement: This clipping announces the appointment of Associate Professor Sidney J. Freedberg as Chairman and Assistant Professor Joachim Gaiche as Director of the Fogg Museum. It also mentions that Professor John Coolidge, the previous Director, has returned from sabbatical in Europe and will be working on a research grant in Europe.

2. Fogg Museum Exhibition Announcement: This clipping informs about the opening of the Fogg Museum's first exhibition of the year on November 4, which will run through December 12. The exhibition features selections from the Collection of Stefa and Leon Brillouin, including high lights of the show, thirty-two drawings, watercolors, and pastels by the late Italian artist Amedeo Modigliani. Additionally, there will be works by Picasso, Dufy, and Utrillo.

3. University to Relocate Henry Moore Statue: This clipping discusses the relocation of a Henry Moore statue to the Leverett Courtyard. The statue, which commemorates the death of G. David Thompson Jr., who was killed in an automobile accident, will be placed in the Fogg Museum until construction is completed in the Leverett Courtyard.

4. Fogg Director to Speak Here: This clipping announces that the Fogg Museum Director will be speaking at the Currier Gallery’s second morning Coffee Hour on October 28. The talk is titled "Paintings and Our Minds" and will be given by Miss Jones, a modern conservator of paintings. The article provides a brief biography of Miss Jones, mentioning her education at Radcliffe College and her graduate work at the Courtauld Institute in London.

5. Additional Clippings: There are a few more small clippings and announcements, but they are less prominent and harder to read due to their size and the quality of the photograph.

The scrapbook page appears to be a collection of news and announcements relevant to the Harvard Foundation and its associated art museum, the Fogg Art Museum, showcasing appointments, exhibitions, and significant events.

The image shows a spread from a newsletter or magazine, featuring several articles and announcements. The top left corner displays a Harvard Foundation for Advanced Study and Research newsletter from September 30, 1959. The articles include updates on the Fogg Art Museum, with information about a new director and an upcoming exhibition. There is also an announcement about the relocation of a Henry Moore statue in the Leverett Courtyard. Additionally, there is an article about a lecture by Miss Jones, a conservator at the Fogg Museum, discussing her role and responsibilities. The image captures a glimpse into the cultural and academic activities of the time, focusing on art, education, and university events.

The image depicts a collection of historical documents and newsletters related to The Harvard Foundation for Advanced Study and Research, dated September 30, 1959. The documents are neatly organized and displayed on a black surface, likely part of an archive or exhibit. Here's a detailed description:

Top Section:

• Header:
  • The topmost document is a newsletter titled "The Harvard Foundation for Advanced Study and Research Newsletter."
  • It includes the Harvard crest logo and the name of the Executive Director, Gordon Huggins, and the Editor, Katharine Copeland.
  • The address is listed as 17 Dunster Street, Cambridge, Massachusetts, with the university extension number 9-7100.

Middle Section:

• Fine Arts and Fogg Art Museum Update:
  • This section announces several key appointments and events:
    • Associate Professor Sidney J. Freedberg has been appointed Chairman and Assistant Professor at the Fine Arts and Fogg Art Museum.
    • Professor Joachim Gadché, Head Tutor of the Department, has returned from a sabbatical in Europe and will spend most of his time in Vienna, also receiving a Fulbright Research Grant.
    • Professor John Coolidge, Director of the Fogg Museum, has returned from Russia.
    • An upcoming exhibition at the Fogg Museum is announced for November 4 to December 12, titled "Selections from the Collection of Siza Brilhouin." The exhibition will feature thirty-two drawings, watercolors, and pastels by the late Italian artist Amedeo Modigliani, along with works by Picasso, Dufy, and Utrillo.

Left Section:

• New England News Agency Clipping:
  • A newspaper clipping from the New England News Agency, Inc., dated October 27, 1959, reports on a speech by Miss H. Jones, the Chief Conservator at the Fogg Art Museum.
  • The article is titled "Fogg Director To Speak Here" and provides details about her upcoming lecture on Wednesday, October 28, at the Fogg Art Museum's second morning coffee hour and lecture.
  • Miss Jones will discuss the role of the conservator in art, emphasizing the importance of expertise in recognizing artists' materials and techniques. The lecture will illustrate her points with examples from her work.

Right Section:

• University Announcement:
  • A printed notice announces the relocation of the Henry Moore Statue in the Leverett Courtyard.
  • The statue, a lifelike representation of Henry Moore, was previously located in the Fogg Museum's House Court and is now being moved to Leverett House Courtyard.
  • The notice explains that the statue was commissioned to commemorate the death of G. David Thompson, who was killed in an automobile accident the previous year.
  • The relocation is set to occur this spring, following construction work.

Additional Details:

• Date and Source:
  • The documents are dated September 30, 1959, and are part of an archive or exhibit, as indicated by the label "HARVARD OFFICE, Tuesday, October 6, 1959" visible on the right side of the image.
• Visual Layout:
  • The documents are arranged vertically, with the newsletter at the top, followed by the Fine Arts update, the newspaper clipping on the left, and the university announcement on the right.
  • The materials appear to be preserved in a folder or display case, suggesting they are part of a historical archive or exhibition.

Overall Context:

The image captures a snapshot of academic and artistic activities at Harvard University in 1959, highlighting key appointments, exhibitions, lectures, and commemorative actions. The documents reflect the institution's engagement with art, conservation, and memorializing significant figures.

The image shows a page from an old newsletter, with a newspaper clipping and a letter on it. The newsletter is from the Harvard Foundation for Advanced Study and Research, dated September 30, 1959.

• Newsletter
  • The newsletter is titled "THE HARVARD FOUNDATION FOR ADVANCED STUDY AND RESEARCH NEWSLETTER" in black text on a white background.
  • It has a red shield logo with the words "VERITAS" and "1850" in white text.
  • The date "September 30, 1959" is written below the title.
• Newspaper Clipping
  • The clipping is from the Boston Globe, dated October 27, 1959.
  • It reports on the Fogg Art Museum's first exhibition of the year, which will open on November 4.
  • The exhibition features selections from the Collection of Stefana and Leon Brullium, including 32 drawings, watercolors, and pastels by Italian artists, Amedeo Modigliani.
  • Also included are works by Picasso, Dufy, and Utrillo.
• Letter
  • The letter is addressed to the Union Leader in Manchester, N.H.
  • It is signed by Miss Elizabeth H. Jones, Chief Conservator of the Fogg Art Museum at Harvard University.
  • The letter announces that Miss Jones will speak at the Currier Gallery's second morning coffee hour and lecture on Wednesday, October 28.
  • The lecture will be on the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the second role, the conservator, and the tools of his profession, and the

The image presents a page from a scrapbook or photo album, featuring a collection of newspaper clippings and a newsletter. The page is divided into two sections: the top section contains a newsletter from the Harvard Foundation for Advanced Study and Research, while the bottom section features three newspaper clippings.

Newsletter:

• The newsletter is dated September 30, 1959.
• It announces the appointment of Sidney J. Freedberg as Chairman and Assistant Professor of the Fine Arts and Fogg Art Museum.
• The newsletter also mentions the upcoming exhibition of the Fogg Museum, which will open on November 4, 1959, and run through December 12, 1959.

Newspaper Clippings:

• The first clipping is from the Union Leader (m) & (e) Manchester, N.H. Independent Circ. 48,294, dated October 27, 1959.
• The second clipping is from the Harvard Crimson, dated October 6, 1959, and features a photo of a statue.
• The third clipping is from an unknown source, dated October 6, 1959, and discusses the relocation of the Henry Moore statue to Leverett Courtyard.

Overall:

• The image provides a glimpse into the academic and cultural activities at Harvard University in the late 1950s.
• The newsletter and newspaper clippings offer insights into the appointments, exhibitions, and events that took place during this period.
• The image is a valuable resource for researchers and historians interested in the history of Harvard University and its cultural institutions.

The image is a photograph of a black binder containing various newspaper clippings and a newsletter, displayed on a gray surface.

The binder is open to a page with several items attached to it. At the top, a white newsletter titled "THE HARVARD FOUNDATION FOR ADVANCED STUDY AND RESEARCH NEWSLETTER" is visible, dated September 30, 1959. The newsletter features a red shield logo with the year "1636" and the number "7451" in its center. Below this, a typed article discusses the appointments of professors at the Fine Arts and Fogg Art Museum.

Underneath the newsletter are three newspaper clippings. The leftmost clipping, from the Union Leader, is dated October 27, 1959, and has the headline "Fogg Director To Speak Here." The middle clipping appears to be a continuation of the same article. The rightmost clipping, from the Harvard Crimson, is dated October 9, 1959, and features a photograph of a statue accompanied by the headline "University to Relocate Henry Moore Statue In Leverett Courtyard."

The background of the image is a plain gray surface, likely a table or countertop. The overall atmosphere suggests that the binder is being showcased or displayed for educational or archival purposes.

The image presents a collection of newspaper clippings and a newsletter, arranged on a dark gray background resembling a scrapbook or photo album. The items are organized in a collage style, with the top section featuring a white newsletter titled "THE HARVARD FOUNDATION FOR ADVANCED STUDY AND RESEARCH NEWSLETTER" in black and red text. Below this, three newspaper clippings are displayed:

Newsletter:

• Title: THE HARVARD FOUNDATION FOR ADVANCED STUDY AND RESEARCH NEWSLETTER
• Date: September 30, 1959
• Content: Discusses various topics related to the Harvard Foundation, including appointments, research grants, and exhibitions.

Newspaper Clippings:

• Left Clipping:
  • Title: Fogg Director To Speak Here
  • Date: October 27, 1959
  • Content: Announces a lecture by Miss Elizabeth H. Jones, chief conservator of Harvard University, on paintings, oil, and art conservation.
• Right Clipping:
  • Title: University to Relocate Henry Moore Statue In Leverett Courtyard
  • Date: October 6, 1959
  • Content: Reports on the relocation of a Henry Moore statue to the Leverett Courtyard, commemorating the death of G. David Thompson, Jr.

Overall, the image appears to be a collection of news and updates from Harvard University, specifically related to the Fogg Museum and its activities in 1959.

The image is a page from a scrapbook or collection of news clippings and announcements related to the Harvard Foundation for Advanced Study and Research, dated September 30, 1959. The page contains several pieces of information:

1. Harvard Foundation Newsletter:

   • The top section is a header from a newsletter issued by the Harvard Foundation for Advanced Study and Research. It includes the foundation's address: 17 Dunster Street, Cambridge 38, Massachusetts, and the date: September 30, 1959.

2. Fine Arts and Fogg Art Museum:

   • Sidney L. Freedberg has been appointed Chairman and Assistant Professor Joachim E. Wolff has been appointed Director of the Fogg Museum.
   • Professor John Coolidge has returned from a sabbatical in Europe and plans to visit Russia.
   • Seymour Slive has been awarded a Fulbright Research Grant and will spend the year in Europe working on a book about Frans Hals.
   • The Fogg Museum will open its first exhibition of the year on November 4, titled "Selections from the Collection of Seita and Leon Brillouin," featuring works by Modigliani, Picasso, Degas, and others.

3. Fogg Director to Speak Here:

   • A newspaper clipping announces that the director of the Currier Gallery of Art will give a coffee hour and lecture on October 27, 1959, at the YWCA in Nashua, NH. The director, Miss Elizabeth H. Jones, will discuss her role and the responsibilities of a museum director.

4. University to Relocate Henry Moore Statue:

   • Another newspaper clipping reports that Harvard University plans to relocate the Henry Moore statue from the Fogg Museum to Leverett Courtyard. The statue, titled "Nuclear Energy," commemorates the discovery of nuclear fission and will be moved due to construction.

The clippings provide insights into the activities and announcements related to the Harvard Foundation and the Fogg Art Museum during that period.