Archives Scrapbooks

The image is a newspaper clipping from the Boston Sunday Herald, dated May 24, 1959. The main article is titled "Events in Art" and discusses an exhibition of self-portraits at the Fogg Museum in Cambridge, Massachusetts. The article explores the significance of self-portraits in the art world, highlighting their role in revealing the artist's personality and creative process. It mentions notable artists such as Rembrandt, Dürer, and Van Gogh, and discusses the psychological and technical aspects of self-portraiture.

The article also references a concurrent exhibition of drawings by Jacques Goldstein at the Harvard Cooperative Society. Additionally, it covers the "Art Nouveau" exhibition at the Fogg Museum, which showcases the work of American artists influenced by European Art Nouveau.

Accompanying the article are three images of self-portraits:

1. A painting by Gustave Courbet, a French painter of the 1800s.
2. A photographic self-portrait of Max Beckmann, done in 1927.
3. A terra cotta sculpture by Pierre Sintenis, created in 1933.

The article provides a detailed analysis of the exhibitions and the artists' works, offering insights into the artistic movements and the cultural significance of self-portraiture.

The image is a page from a newspaper, specifically the Boston Sunday Herald from May 24, 1959. The page features an article titled "Self Portraits" and "Exhibition of Self-Portraits at Fogg Museum, Cambridge" by Robert Taylor.

The article discusses an exhibition of self-portraits held at Harvard's Fogg Museum, spanning from 1850 to 1950. It highlights the historical and artistic evolution of self-portraiture, starting from the Renaissance period through to the 20th century. The text is divided into several sections:

1. Introduction: It briefly mentions the significance of self-portraits, noting their importance in art history and the artists' reflections on their own identities.

2. Early Self-Portraits: It touches on notable early self-portraits by artists such as Courbet, Rembrandt, and Velázquez.

3. Evolution and Styles:

   • Romantic Era: Discusses the romantic movement and its impact on self-portraiture.
   • Art Nouveau: Highlights the distinctive styles of this period, including works by artists like Gauguin and the Symbolist movement.
   • Modern Era: Mentions the shift towards more candid and less idealized depictions of the artist.

4. Goldstein Drawings: Features a section on smaller works from the collection, emphasizing their stylistic and thematic significance.

5. Art Nouveau and Contemporary Art: Discusses specific works and artists from the Art Nouveau movement and mentions the Busch-Reisinger Museum's collection.

The newspaper page includes several black-and-white photographs of self-portraits by various artists, including:

• A self-portrait of Gustave Courbet
• A self-portrait of Max Beckmann
• Terra Cotta sculptures by Renee Sintenis
• Other portraits from the Fogg Museum’s collection.

The layout and design of the page effectively combine text with visual elements to provide a comprehensive overview of the exhibition and its significance in the history of art.

The image is a page from a newspaper, specifically the Boston Sunday Herald, dated May 24, 1959. The page is dedicated to art, featuring an article titled "Events in Art" with a subheading about an exhibition of self-portraits at the Fogg Museum in Cambridge. The article discusses the significance of self-portraits and highlights various artists and their works, including Gustave Courbet, Max Beckmann, and Renee Sintenis.

The layout of the page includes text and images. On the left side, there is a large article text that takes up most of the space. On the right side, there are three images of self-portraits:

1. A self-portrait by Gustave Courbet from the 1800s, showing an older man with a beard.
2. A self-portrait by Max Beckmann from 1921, showing a man in a suit and tie.
3. A terra cotta self-portrait by Renee Sintenis from 1931, showing a woman with short hair.

Each image is accompanied by a caption that provides details about the artwork and the artist. The page is designed with a clear separation between the text and images, making it easy to read and understand the content.

The image is a page from the May 24, 1959, edition of The Boston Sunday Herald, specifically page 10, featuring an article titled "Events in Art." The article, written by Robert Taylor, covers an exhibition of self-portraits at Harvard's Fogg Art Museum.

Key Points in the Article:

1. Exhibition Overview:

   • The exhibition titled "The Self-Portrait: 1850-1950" showcases a range of self-portraits and will run through May 30 at the Fogg Art Museum.
   • Self-portraiture is described as a fascinating art form that has evolved significantly over the centuries.

2. Historical Context:

   • The article mentions the historical development of self-portraiture, starting from the Renaissance era.
   • It highlights that artists like Gustave Courbet (an example of whose work is shown) played a significant role in the evolution of this genre.

3. Notable Artists and Works:

   • Gustave Courbet: A French painter from the 1800s, noted for his realistic self-portraits.
   • Max Beckmann: His self-portrait from 1941 is featured, coming from Harvard's Busch-Reisinger Museum.
   • Rene Sintenis: Known for her terra cotta sculpture, her self-portrait from 1931 is also highlighted.

4. Goldstein Drawings:

   • The exhibition includes three drawings by the 19th-century German artist Moritz Goldstein, adding to the variety of media represented.

5. Art Nouveau Section:

   • The article briefly touches on the "Art Nouveau" style, mentioning its characteristics and influence on various forms of art and design, particularly in the late 19th and early 20th centuries.
   • It notes that the Isabella Stewart Gardner Museum in Boston has notable examples of this style.

Images Included:

1. Gustave Courbet:

   • A self-portrait of Gustave Courbet, a French painter from the 1800s.

2. Max Beckmann:

   • A self-portrait of Max Beckmann, created in 1941.

3. Rene Sintenis:

   • A terra cotta self-portrait sculpture by Rene Sintenis from 1931.

Additional Notes:

• The article emphasizes the diverse interpretations and techniques of self-portraiture, reflecting the changing styles and personal expressions of artists over a century.
• The text also includes a brief mention of the "Art Nouveau" movement, which is described as having a significant impact on decorative arts and architecture.

Overall, the page provides an insightful look into the self-portraiture exhibition at the Fogg Art Museum, highlighting key artists and art movements of the period.

The image is a page from the Boston Sunday Herald, dated May 24, 1959, featuring an article and images related to an exhibition of self-portraits at Harvard's Fogg Museum in Cambridge.

Main Article: "Events in Art"

Title: "Exhibition of Self-Portraits at Fogg Museum, Cambridge"
Author: Robert Taylor

Summary of the Article:

The article discusses the exhibition titled "The Self-Portrait: 1850-1950," which ran from March 28 through May 31 at the Fogg Museum. The exhibition included 140 self-portraits from the 19th and 20th centuries, highlighting the evolution of self-portraiture as a significant artistic tradition.

• Historical Context: The self-portrait has been a crucial part of artistic practice, especially since the Renaissance. The article notes that the 19th century saw a rise in self-portraits, often reflecting personal and artistic identities.
• Artists and Styles: The article mentions various artists and styles:
  • Gustave Courbet: Known for his realistic self-portraits.
  • Edgar Degas: Focused on capturing the essence of the self.
  • Max Beckmann: Highlighted for his expressive and emotionally charged self-portraits.
  • Rene Sintenis: Known for his terra cotta sculptures, including self-portraits.
  • Art Nouveau: A movement that influenced self-portraiture with its distinctive stylistic elements.

Additional Notes:

• The article includes a brief mention of "Art Nouveau" and its impact on self-portraits.
• It also discusses the broader context of self-portraiture, including the works of artists like Helen Sickert and August E. Brinckmann.

Images:

• Top Right: A self-portrait by Gustave Courbet.
• Middle Right: A self-portrait by Max Beckmann from 1927, displayed at Harvard’s Busch-Reisinger Museum.
• Bottom Right: A terra cotta sculpture self-portrait by Rene Sintenis from 1931.

Other Sections:

• Goldstein Drawings: The page also includes a small section on Goldstein drawings, noting their historical significance and the exhibition of these works at the Fogg Museum.

The page provides a comprehensive overview of the self-portrait exhibition, showcasing its historical depth and the diversity of artistic expressions it encompasses.

The image is a page from the Boston Sunday Herald, dated May 24, 1959, featuring an article titled "Events in Art" with a focus on an exhibition of self-portraits at the Fogg Museum in Cambridge. The article is authored by Robert Taylor.

Main Content:

1. Exhibition of Self-Portraits at Fogg Museum:

   • The exhibition showcases self-portraits from 1850 to 1950, spanning a century of artistic self-representation.
   • The article discusses the evolution of self-portraiture, highlighting the differences between romantic and classical styles, and the introduction of Art Nouveau influences.
   • It mentions the use of various mediums and techniques, such as oil paintings, drawings, and sculptures, and the unique perspectives each artist brings to their self-portrait.

2. Art Nouveau Influence:

   • The article notes the influence of Art Nouveau on self-portraits, particularly in the work of artists like Gustav Klimt.
   • It highlights the stylistic changes that occurred around the turn of the 20th century, influenced by the Art Nouveau movement.

3. Goldstein Drawings:

   • A separate section mentions an exhibition of Goldstein drawings, which are smaller and more intimate in nature.
   • These drawings are noted for their distinctive style and the mood they evoke.

Images:

The page includes several self-portraits:

• Gustave Courbet: A French painter from the 19th century.
• Max Beckmann: A self-portrait from 1927, sourced from Harvard’s Busch-Reisinger Museum.
• An unnamed artist: A formal portrait in a suit.
• Renee Sintenis: A terra cotta sculpture, noted for its use in a 1931 portrait.

Additional Notes:

• The article also briefly discusses the broader context of the art world, including the work of Helen Seigel at the Portland Art Museum and the exhibitions at the Busch-Reisinger Museum, such as those by Augustus Saint-Gaudens and other sculptors.

This page provides a detailed look at the historical and artistic significance of self-portraits and the diverse ways artists have represented themselves over the past century.

The image shows a page from an old newspaper or magazine, specifically "THE BOSTON SUNDAY HERALD, MAY 17, 1959," featuring an article about art. The text includes various titles such as "SELF PORTRAITS," "Events in Art," and "Art Nouveau." The article discusses an exhibition of self-portraits at the Fogg Museum in Cambridge, Massachusetts.

There are clippings of artworks associated with the article, accompanied by captions. The visible text descriptions accompanying the art pieces seem to indicate the origin of the artworks or something about the artists and exhibitions mentioned. There is also a snippet of an article at the bottom mentioning the "Goldstein Drawings" and a piece titled "TERRA COTTA," though the specifics are obscured.

The page itself is a bit yellowed and worn, indicating age and giving the impression of a historical document. The layout suggests an interest in providing cultural information about art events and exhibits relevant at the time of publication.

The image shows a newspaper or magazine page featuring an article titled "SELF PORTRAITS" and "Events in Art," specifically focusing on an exhibition of self-portraits at the Fogg Museum in Cambridge. The page is dated May 24, 1959, from The Boston Sunday Herald.

The left side of the page contains a lengthy article discussing the exhibition of self-portraits dating from 1850 to 1950, emphasizing the artistic and historical significance of this collection. The article mentions Harvard's Fogg Art Museum and includes detailed text about the exhibition, artists, and the artistic styles involved.

The right side of the page features three black-and-white photos of self-portraits:

1. A painting or portrait at the top (artist not identifiable here).
2. A man dressed formally in a tuxedo, identified as a self-portrait of Max Beckmann, done in 1927. This is noted to be from Harvard’s Busch-Reisinger Museum.
3. A sculpture in terra cotta, described as a portrait made by Renee Sintenis in 1931.

The layout includes both textual content and visual examples, highlighting the diversity and evolution of self-portrait art over a century.

The image depicts a page from a newspaper or magazine, specifically from The Boston Sunday Herald dated May 24, 1959. The page is titled "SELF PORTRATS" and features an article discussing an exhibition of self-portraits held at Harvard's Fogg Museum in Cambridge. The article is authored by Robert Taylor and provides an in-depth exploration of the history and significance of self-portraits in art.

Layout and Content:

1. Headline and Introduction:

   • The top of the page has a bold headline: "Events in Art", followed by the subheading: "EXHIBITION OF SELF-PORTRAITS AT FOGG MUSEUM, CAMBRIDGE".
   • The article begins with an introduction that highlights the fascination with self-portraits as a field of art, noting that the exhibition has drawn significant attention.

2. Main Article:

   • The article discusses the evolution of self-portraits from the 19th century to the mid-20th century, emphasizing their role in exploring personal identity, emotions, and artistic expression.
   • It references notable artists and their self-portraits, such as Gustave Courbet and Max Beckmann, and touches on themes like romanticism, realism, and modernism in self-portraiture.

3. Visual Elements:

   • Top Right: A black-and-white photograph of a man smoking a pipe, identified as a self-portrait from Harvard's Busch-Reisinger Museum, dated 1927, by Max Beckmann.
   • Middle Right: Another black-and-white photograph of a man in formal attire, also from the Busch-Reisinger Museum.
   • Bottom Right: A close-up of a sculptural bust, described as a TERRA COTTA sculpture used by Renée Sintenis in a 1931 self-portrait.

4. Additional Text:

   • The article includes references to other artists and their works, such as Courbet, Beckmann, and Sintenis, and discusses the techniques and materials used in self-portraiture.
   • There is mention of an exhibition titled "THE SELF-PORTRAIT: 1850-1950", which was attracting attention at the time and would continue through May 30.

5. Footer:

   • At the bottom of the page, the source is clearly stated: "BOSTON SUNDAY HERALD. MAY 24, 1959-16".

Overall Context:

The page combines textual analysis with visual examples to illustrate the theme of self-portraiture in art. It serves as a historical document, offering insights into the artistic practices and cultural significance of self-portraits during the mid-20th century. The inclusion of photographs and sculptures provides a tangible connection to the artists and their works discussed in the article.

The image shows a newspaper clipping with a black-and-white photograph of a man smoking a pipe and a headline that reads "Events in Art." The article is about an exhibition of self-portraits at the Fogg Museum in Cambridge. The article is written by Robert Taylor and published in The Boston Sunday Herald on May 24, 1959. The article discusses the evolution of self-portraits from the Renaissance to the 20th century and highlights the works of artists such as Max Beckmann, Helen Stiel, and Auguste Rodin. The article also mentions the exhibition of self-portraits at the Fogg Museum, which features works by artists such as Gustave Courbet and Max Beckmann.