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This image displays a newspaper clipping mounted on a dark page, likely from a scrapbook or portfolio. The clipping is from "The Boston Sunday Herald," dated May 24, 1959, and features an article titled “Events in Art: EXHIBITION OF SELF-PORTRAITS AT FOGG MUSEUM, CAMBRIDGE” by Robert Taylor.

The article describes “THE SELF-PORTRAIT: 1850-1950,” an exhibition organized by graduate students in Harvard’s fine arts department at the Fogg Art Museum, which was running through May 30. The text explores the history and evolution of self-portraiture as an artistic genre, from the Renaissance to the 20th century, and discusses works by artists including Gustave Courbet, Henri-Jean Guillaume, and Max Beckmann.

Accompanying the article are three black-and-white photographic reproductions of self-portraits:

1. Top right: A monochrome portrait of a man with dark, wavy hair, looking slightly upwards and to his left, holding a cigarette. The caption identifies this as a self-portrait by Gustave Courbet (a French painter of the 1800s).

2. Middle right: A full-length portrait of a bald man in a dark suit and white bow tie, with a solemn, slightly surreal expression. The caption reads: “FROM HARVARD’S Busch-Reisinger Museum comes this self-portrait of Max Beckmann, done in 1927.”

3. Bottom right: A close-up of a textured, stylized sculpture of a human head, appearing to be made of terra cotta. The caption identifies it as: “TERRA COTTA sculpture was medium used by Renee Sintenis in this 1931 portrait.”

The layout places the article on the left and the three images vertically aligned on the right side. The paper is visibly aged, with slight yellowing and wear along the edges, indicating it is a historical document.

In essence, this image captures a mid-20th century newspaper article covering a significant art exhibition on self-portraiture, offering both critical commentary and visual examples of how artists have represented themselves over a century.

This image appears to be a page from a newspaper or magazine, specifically from "The Boston Sunday Herald" dated May 24, 1959. The page is titled "SELF PORTRAITS" and discusses an exhibition of self-portraits at the Fogg Museum in Cambridge, Massachusetts, from 1850 to 1950.

On the right side of the page, there are three portraits:

1. The top portrait is of Gustave Courbet, a French painter from the 1800s, smoking a pipe.
2. The middle portrait is of Max Beckmann, a German expressionist painter, from Harvard's Busch-Reisinger Museum, dated 1927.
3. The bottom portrait is a terracotta sculpture of a man, identified as the medium used by Renee Sintenis in a 1931 portrait.

The left side of the page contains an article titled "Events in Art" with a subheading "EXHIBITION OF SELF-PORTRAITS AT FOGG MUSEUM, CAMBRIDGE" by Robert Taylor. The article discusses the exhibition, the differences between contemporary self-portraiture and traditional approaches, and the diverse range of self-portraits exhibited at the Fogg Museum. It also mentions other exhibitions in the Harvard Square area, such as "Art Nouveau" at the Busch-Reisinger Museum and works by Nathan Goldstein at the Gropper Galleries.

This image is a scanned newspaper article from "The Boston Sunday Herald," dated May 24, 1959. The page is titled "SELF PORTRAITS" and discusses an exhibition called "THE SELF-PORTRAIT: 1850-1950" held at Harvard's Fogg Art Museum. The exhibition was organized by graduate students in Harvard's fine arts department and was on display until May 30.

The article, written by Robert Taylor, is titled "Events in Art" and focuses on the exhibition of self-portraits at the Fogg Museum in Cambridge. It delves into the history and significance of self-portraiture, comparing traditional and contemporary approaches. The text mentions artists such as Gustave Courbet, Max Beckmann, and others, and discusses the shift from objective self-description to more personal styles in the 20th century.

The page includes three images:

1. A black-and-white portrait of Gustave Courbet, a French painter from the 1800s, smoking a pipe.
2. A black-and-white photograph of Max Beckmann, a self-portrait done in 1927, showing him in formal attire, standing with his hands clasped.
3. A terra cotta sculpture portrait by Renee Sintenis, created in 1931.

The article also touches on other art exhibitions in the area, such as Nathan Goldstein's drawings and Helen Siegl's woodcuts. It mentions the stylistic influences and the unique characteristics of various artists' self-portraits, providing a comprehensive overview of the exhibition and its context within the art world.

The image shows a newspaper clipping with a black-and-white photograph of a man smoking a pipe and a headline that reads "Events in Art." The article is about an exhibition of self-portraits at the Fogg Museum in Cambridge. The article is written by Robert Taylor and published in The Boston Sunday Herald on May 24, 1959. The article discusses the evolution of self-portraits from the Renaissance to the 20th century and highlights the works of artists such as Max Beckmann, Helen Stiel, and Auguste Rodin. The article also mentions the exhibition of self-portraits at the Fogg Museum, which features works by artists such as Gustave Courbet and Max Beckmann.

The image is a spread from a magazine or newspaper, featuring an article about an exhibition of self-portraits at Harvard's Fogg Art Museum, along with several photographs of notable figures. The article is titled "Events in Art" and is dated May 24, 1959. The exhibition, titled "Self-Portraits: 1850-1950," showcases a collection of self-portraits spanning a century, highlighting the evolution of self-description and personal style in art.

The article discusses the significance of self-portraits in art history, noting how they reflect the changing attitudes and styles of artists over time. It mentions the exhibition's organization by graduate students in Harvard's art department and its continuation through May 30.

The spread includes several photographs of notable figures, each accompanied by a brief description. The first photograph is of Gustave Courbet, a French painter from the 1800s, described as one of the most fascinating figures in the exhibition. The second photograph is of Max Beckmann, with a self-portrait from 1927. The third photograph is of Augusta B. Haseltine, a talented artist known for her watercolors and terra cotta sculptures. The fourth photograph is of Renée Sintenis, a sculptor known for her terra cotta sculptures.

The article provides insights into the artists' techniques, styles, and the significance of their self-portraits in their respective artistic careers. It also highlights the exhibition's role in showcasing the evolution of self-portraiture and the artists' personal styles over the past century.

The image depicts a page from a newspaper or magazine, specifically from The Boston Sunday Herald dated May 24, 1959. The page is titled "SELF PORTRATS" and features an article discussing an exhibition of self-portraits held at Harvard's Fogg Museum in Cambridge. The article is authored by Robert Taylor and provides an in-depth exploration of the history and significance of self-portraits in art.

Layout and Content:

1. Headline and Introduction:

   • The top of the page has a bold headline: "Events in Art", followed by the subheading: "EXHIBITION OF SELF-PORTRAITS AT FOGG MUSEUM, CAMBRIDGE".
   • The article begins with an introduction that highlights the fascination with self-portraits as a field of art, noting that the exhibition has drawn significant attention.

2. Main Article:

   • The article discusses the evolution of self-portraits from the 19th century to the mid-20th century, emphasizing their role in exploring personal identity, emotions, and artistic expression.
   • It references notable artists and their self-portraits, such as Gustave Courbet and Max Beckmann, and touches on themes like romanticism, realism, and modernism in self-portraiture.

3. Visual Elements:

   • Top Right: A black-and-white photograph of a man smoking a pipe, identified as a self-portrait from Harvard's Busch-Reisinger Museum, dated 1927, by Max Beckmann.
   • Middle Right: Another black-and-white photograph of a man in formal attire, also from the Busch-Reisinger Museum.
   • Bottom Right: A close-up of a sculptural bust, described as a TERRA COTTA sculpture used by Renée Sintenis in a 1931 self-portrait.

4. Additional Text:

   • The article includes references to other artists and their works, such as Courbet, Beckmann, and Sintenis, and discusses the techniques and materials used in self-portraiture.
   • There is mention of an exhibition titled "THE SELF-PORTRAIT: 1850-1950", which was attracting attention at the time and would continue through May 30.

5. Footer:

   • At the bottom of the page, the source is clearly stated: "BOSTON SUNDAY HERALD. MAY 24, 1959-16".

Overall Context:

The page combines textual analysis with visual examples to illustrate the theme of self-portraiture in art. It serves as a historical document, offering insights into the artistic practices and cultural significance of self-portraits during the mid-20th century. The inclusion of photographs and sculptures provides a tangible connection to the artists and their works discussed in the article.

This image shows a newspaper clipping mounted on a black background, likely preserved in a scrapbook. The headline reads "SELF PORTRAITS," and the article discusses an exhibition of self-portraits held at Harvard's Fogg Museum featuring works from 1850–1950, organized by graduate students in the university's fine arts department.

The featured article from "The Boston Sunday Herald" (dated May 24, 1959) is titled "Events in Art: Exhibition of Self-Portraits at Fogg Museum, Cambridge," written by Robert Taylor. It explores the art of self-portraits, highlighting various techniques and styles on display, as well as contrasting Romantic and modern aesthetics in portrait art.

Accompanying the article are three images of self-portraits. The top image appears to be a black-and-white reproduction of a painting. The second image shows a portrait of an individual wearing formal attire, identified as belonging to Harvard's Busch-Reisinger Museum. The third image shows a terra-cotta sculpture, captioned as a medium used by artist Renée Sinitsin in 1931.

The text and visuals reflect an interest in the historical and artistic significance of self-portraiture during the time.

The image shows a page from an old newspaper or magazine, specifically "THE BOSTON SUNDAY HERALD, MAY 17, 1959," featuring an article about art. The text includes various titles such as "SELF PORTRAITS," "Events in Art," and "Art Nouveau." The article discusses an exhibition of self-portraits at the Fogg Museum in Cambridge, Massachusetts.

There are clippings of artworks associated with the article, accompanied by captions. The visible text descriptions accompanying the art pieces seem to indicate the origin of the artworks or something about the artists and exhibitions mentioned. There is also a snippet of an article at the bottom mentioning the "Goldstein Drawings" and a piece titled "TERRA COTTA," though the specifics are obscured.

The page itself is a bit yellowed and worn, indicating age and giving the impression of a historical document. The layout suggests an interest in providing cultural information about art events and exhibits relevant at the time of publication.

The image shows a newspaper or magazine page featuring an article titled "SELF PORTRAITS" and "Events in Art," specifically focusing on an exhibition of self-portraits at the Fogg Museum in Cambridge. The page is dated May 24, 1959, from The Boston Sunday Herald.

The left side of the page contains a lengthy article discussing the exhibition of self-portraits dating from 1850 to 1950, emphasizing the artistic and historical significance of this collection. The article mentions Harvard's Fogg Art Museum and includes detailed text about the exhibition, artists, and the artistic styles involved.

The right side of the page features three black-and-white photos of self-portraits:

1. A painting or portrait at the top (artist not identifiable here).
2. A man dressed formally in a tuxedo, identified as a self-portrait of Max Beckmann, done in 1927. This is noted to be from Harvard’s Busch-Reisinger Museum.
3. A sculpture in terra cotta, described as a portrait made by Renee Sintenis in 1931.

The layout includes both textual content and visual examples, highlighting the diversity and evolution of self-portrait art over a century.