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The image is a newspaper clipping from the Boston Globe, dated Sunday, May 17, 1959. The article is titled "By Their Own Hand" and is located on page 17 of the magazine section.

The article discusses an exhibition titled "The Self-Portrait, 1850-1950," which was on display at the Fogg Art Museum. The exhibition featured 26 examples of self-portraits selected from a collection of 90, sourced from various Harvard collections. The selection was curated by Dr. Seymour Slive.

The clipping includes three images of self-portraits by different artists:

1. A self-portrait by J. A. D. Ingres, depicted on the left side.
2. A self-portrait by Paul Cezanne, depicted on the right side.
3. A self-portrait by James McNeill Whistler, depicted at the bottom center.

The article provides a brief overview of the exhibition and highlights these notable self-portraits.

The image displays a newspaper clipping from the Boston Globe, dated Sunday, May 17, 1959. The headline of the article is "By Their Own Hand," and it is featured on page 17 in the magazine section. The article discusses an exhibition titled "The Self-Portrait: 1850-1950" at the Fogg Art Museum of Harvard, which features self-portraits from various Harvard collections, with some pieces on loan.

The clipping includes three images of self-portraits by different artists:

1. The first self-portrait is by J. A. D. Ingres, showing him in an upright pose, dressed in formal attire with a somber expression.
2. The second self-portrait is by an unidentifiable artist, presented as a smaller, sketch-like image of an older man with a beard and hat.
3. The third self-portrait is by James McNeill Whistler, showing him in a three-quarter view, with distinctive features and a thoughtful gaze. This image is placed next to the name "Paul Cezanne," which seems to be a misalignment in the newspaper layout, as the portrait clearly corresponds to Whistler.

The clipping is preserved in what appears to be an archival sleeve or frame, possibly for protection and display purposes.

The image shows a page from the Boston Globe newspaper, dated Sunday, May 17, 1959, specifically from the magazine section, page 17.

The article is titled "By Their Own Hand." It features a focus on an exhibition titled "The Self-Portrait: 1850-1950," which was currently on display at the Fogg Art Museum of Harvard University. The article mentions that the exhibition comprises 60 self-portraits from various Harvard collections, with five additional pieces on loan.

The page includes three black-and-white photographs:

1. On the left side, there is a portrait of J.A.D. Ingres.
2. In the center, a sketch or drawing of a man is shown.
3. On the right side, there are two smaller images. The top one is labeled "James McNeill Whistler," and the bottom one is labeled "Paul Cézanne," depicting their self-portraits.

The layout of the article and images suggests an exploration of self-portraits over a century, highlighting the artistic evolution and contributions of these notable artists.

The image shows a newspaper clipping from the Boston Globe, dated Sunday, May 17, 1959, specifically from the magazine section on page 17. The article is titled "By Their Own Hand" and discusses the exhibition titled "The Self-Portrait: 1850-1950," which was currently at the Fogg Art Museum of Harvard.

The clipping features three self-portraits by different artists:

1. A formal portrait of J. A. D. Ingres.
2. A sketchy, detailed self-portrait of an unidentified artist wearing a hat and coat.
3. A self-portrait by James McNeill Whistler, shown in a more dramatic and stylized manner, and another self-portrait by Paul Cézanne.

The text accompanying the images states that the exhibition includes works from various Harvard collections, augmented by five on loan. The clipping is framed within a dark border, giving it the appearance of being preserved in a display case.

The image shows a framed page from the Boston Globe magazine section, dated Sunday, May 17, 1959. The page is titled "By Their Own Hand" and is page 17.

The article features a discussion on an exhibition titled "The Self-Portrait: 1850-1950," which was being held at the Fogg Art Museum of Harvard. The exhibition included 130 self-portraits from various Harvard collections, augmented by five on loan.

The page includes three images:

1. The first image on the left is a portrait of J. A. D. Ingres.
2. The middle image is a sketch of an older man, likely a self-portrait by an unidentified artist.
3. The image on the right is a self-portrait by James McNeill Whistler, with another self-portrait by Paul Cézanne placed below it.

The text and images together suggest a focus on self-portraits as an art form, showcasing significant works from the late 19th and early 20th centuries.

The image is a newspaper clipping from the Boston Globe, dated Sunday, May 17, 1959. The article is titled "By Their Own Hand" and appears on page 17 in the magazine section.

The article discusses an exhibition titled "The Self-Portraits: 1850-1950," which was held at the Fogg Art Museum at Harvard University. The exhibition features self-portraits by various artists, with around 90 pieces drawn from Harvard's collections and an additional five pieces on loan.

The clipping includes images of several self-portraits:

1. J. A. D. Ingres: A detailed self-portrait of the artist.
2. James McNeill Whistler: A self-portrait of the artist, showing a frontal view.
3. Paul Cézanne: A self-portrait of the artist.
4. An additional sketch or drawing of an older man, which is not labeled with a specific artist's name.

The article provides historical context and information about the exhibition, highlighting the significance of self-portraiture in art.

The image shows a newspaper clipping titled "By Their Own Hand" from the Boston Globe, Sunday, May 17, 1959, magazine section, page 17. The article discusses an exhibition titled "The Self-Portrait: 1850-1950" at the Fogg Art Museum of Harvard. It mentions that the exhibition comprises 26 examples out of about 90 from various Harvard collections, augmented by five on loan.

The clipping features three portraits with captions:

1. On the left, a photograph of an individual labeled "J. A. D. Ingres."
2. In the middle, a sketch labeled "Paul Cezanne."
3. On the right, a photograph labeled "James McNeill Whistler."

The faces in the portraits are blurred or obscured. The clipping itself is pasted or attached to a dark-colored surface or folder.

This image shows a page from a magazine or a newspaper article titled "By Their Own Hand." The featured section appears to be part of a special edition, as indicated by the text at the top, which mentions "Magazine Section." The date mentioned is Sunday, May 17, 1959.

The article discusses "The Self-Portrait: 1850-1950," highlighting it as the title of an exhibition currently at the Fogg Art Museum of Harvard. It mentions that there are 76 examples of self-portraits from various Harvard collections, augmented by five on loan. Portraits of artists and their names are visible below this text. The lower section of the page includes two more artistic works, which are also tagged with names.

There is a black folder or portfolio in the background, which partially obscures the top of the page, and suggests that this article may have been saved or is part of a collection. The overall tone of the image is aged, indicated by the yellowing of the paper and the vintage look of the text and photographs.

The image depicts a framed page from a newspaper or magazine, specifically from the Boston Globe dated Sunday, May 17, 1959. The page is titled "By Their Own Hand" and is part of the magazine section, as indicated by the text "page 17, magazine section" at the top.

Key Elements:

1. Title and Context:

   • The headline, "By Their Own Hand," suggests a focus on self-portraits or works created by artists themselves.
   • A caption below the title provides additional context: "The Self-Portrait: 1850-1950" is the title of an exhibition currently at the Fogg Art Museum of Harvard. On view are 26 examples of some 50 from various Harvard collections, augmented by five on loan.

2. Visual Content:

   • The page features three black-and-white illustrations of notable artists:
     • Left: A portrait labeled "J. A. D. Ingres." This appears to be a formal portrait of the French Neoclassical painter Jean-Auguste-Dominique Ingres.
     • Center: A sketch or drawing labeled "Paul Cézanne." This depicts the French Post-Impressionist painter Paul Cézanne, shown in a more casual pose with a hat and pipe.
     • Right: A portrait labeled "James McNeill Whistler." This shows the American-born, British-based artist James McNeill Whistler in a dramatic, stylized pose.

3. Design and Layout:

   • The page has a clean, vintage aesthetic typical of mid-20th-century print media.
   • The text is neatly typeset, and the illustrations are arranged in a balanced, symmetrical layout.
   • The overall tone is informative, aiming to highlight an art exhibition and its featured artists.

4. Framing:

   • The page is housed in a dark, rectangular frame, suggesting it is part of an archive, exhibition, or collection. The frame adds a sense of preservation and importance to the historical document.

Summary:

The image showcases a page from the Boston Globe magazine section, dated May 17, 1959, discussing an exhibition titled "The Self-Portrait: 1850-1950" at the Fogg Art Museum. The page features portraits and illustrations of three renowned artists—J. A. D. Ingres, Paul Cézanne, and James McNeill Whistler—and provides context about the exhibition, emphasizing self-portraits from the period. The layout and design reflect the formal and informative style of mid-20th-century print journalism.

The image shows a newspaper clipping with a headline that reads "By Their Own Hand." The clipping is placed on a black folder that is open, with the clipping resting on the right side. The clipping has a photo of a man on the left side, and on the right side, there are two photos of two different men. The clipping also has text that reads "The Self-Portrait: 1850-1950" and mentions an exhibition at the Fogg Art Museum.