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The image shows two newspaper clippings mounted on a gray background.

1. The left clipping is titled "Rembrandt Painting Certified as Genuine By Fogg Expert." It discusses the authentication of a painting by Rembrandt, specifically "An Old Man Writing," which was initially identified as a Rembrandt in 1927. The painting was last seen in Vienna in November 1938 and was not available for purchase at that time. The article mentions that the painting was examined by a Fogg expert who confirmed its authenticity. The painting is described as being on copper and illuminated by an unusual light, making it a significant work in the Nineteenth Century. The clipping includes a handwritten note stating "Howard Cannon 11/24/59."

2. The right clipping is titled "On Exhibit Currently (Today) Aubrey Beardsley!" and discusses an exhibition of Aubrey Beardsley's works at Lamont through May 6. The article highlights Beardsley's success as an illustrator and his technical mastery, which made him a significant figure in the nineteenth century. It mentions his illustrations for "The Yellow Book" and his mastery of line, comparable to Ingres. The article also notes Beardsley's unconventional lifestyle and the controversial nature of his work, which often depicted erotic and grotesque subjects. The exhibition includes a variety of Beardsley's works, such as drawings for "The Yellow Book," "Salome," and "Lysistrata," as well as paintings by Burne-Jones and Albert Moore. The article concludes by emphasizing Beardsley's influence on late Victorian art and his technical accomplishments.

Both clippings appear to be from a newspaper and provide insights into the art world, focusing on the authentication of a Rembrandt painting and the exhibition of Aubrey Beardsley's works.

The image shows two newspaper clippings, one on the left and one on the right, each discussing an art exhibit.

Left Clipping:

• Title: "Rembrandt Painting Certified as Genuine By Fogg Expert"
• The article describes how an old painting, "The Three Crosses," previously attributed to Rembrandt's school, has been confirmed as an authentic work by Rembrandt himself. The piece was acquired by the Fogg Museum and was verified by Professor Jakob Rosenbaum, who examined it in Vienna. The painting, an oil on copper, is a copy of a work by Rembrandt that was lost in a fire. The article mentions that the painting was purchased from a family in Vienna.

Right Clipping:

• Title: "On Exhibit: Aubrey Beardsley"
• The article discusses an exhibition of Aubrey Beardsley's works at the Lamont Lower Level through May 8. Beardsley, an English illustrator, is praised for his distinctive contributions to the Art Nouveau movement. The article highlights his technical skill and unique style, which often depicted grotesque and erotic themes. Beardsley's limited emotional range is noted, but his influence on other artists, such as Toulouse-Lautrec, is acknowledged. The exhibition includes a variety of his works, such as drawings for "Salome" and illustrations for "The Yellow Book," as well as some Japanese prints that influenced his style.

Both clippings are pasted onto a dark background, with handwritten notes and dates, indicating that these articles were likely saved as references or for research purposes.

The image shows a page from a newspaper or a magazine featuring two distinct articles.

Top Left Article:
The headline reads, "Rembrandt Painting Certified as Genuine by Fogg Expert." The article describes an original copy of Rembrandt's work, "An Old Scholar Writing by Candlestick," which was thought to be a fake. The original was discovered in Vienna, where it had been in the possession of a family for years. The painting was authenticated by an art expert, and the article details the provenance and the historical context of the work.

Top Right Section:
This section is titled "On Exhibit: Aubrey Beardsley" and is dated May 1992. The article discusses Aubrey Beardsley, focusing on his artwork and artistic style, particularly his works exhibited in the Lamont collection. Beardsley is noted for his grotesque and decorative drawings, which are often compared to the Art Nouveau movement of the 1890s. The article highlights his mastery in line work and his ability to create striking and evocative images of characters and scenes that are both stylized and humorous.

The text in this section provides insights into Beardsley's life and work, emphasizing his influence on modern art and his distinctive style that combined decorative elements with a sense of the macabre. It also mentions his technical skill and the enduring appreciation of his artwork.

Additionally, there is a small note indicating the presence of the original text being in the handwritten section of the page, which appears to be part of the article’s original publication.

The image appears to be a page from an old newspaper or magazine with two distinct articles clipped into it.

1. Left Article:

   • Title: "Rembrandt Painting Certified as Genuine By Fogg Expert"
   • Content: This article discusses a painting attributed to Rembrandt, titled "An Old Scholar Writing by Candlelight," which was initially thought to be a forgery. However, an expert from the Fogg Museum certified it as genuine. The painting was found in Vienna in November 1887, and its authenticity was debated until a recent confirmation. The text mentions a scholar, Jakob Rosenberg, who verified the painting's authenticity by comparing it to another work by Rembrandt and noting the unusual lighting effect that is characteristic of the master's style.

2. Right Article:

   • Title: "On Exhibit: Aubrey Beardsley"
   • Content: This article reviews an exhibition of Aubrey Beardsley's work, which was on display in May 1929. The article provides a critical analysis of Beardsley's art, focusing on his role as a significant draftsman of the nineteenth century. It describes Beardsley's unique style, which combines the grotesque with an unconventional and often decadent theme. The text praises Beardsley's technical skill but notes some weaknesses in his compositions and subject matter. It also mentions Beardsley's influence and the contemporary relevance of his work, particularly in relation to the Art Nouveau movement. The article concludes with a reflection on Beardsley's artistic career and its significance, noting the impact of his works on subsequent artists.

The layout and the style of the articles suggest they are from an earlier period, likely the early 20th century.

The image contains two articles related to art:

1. Left Article: "Rembrandt Painting Certified as Genuine By Fogg Expert"

   • The headline indicates that a painting attributed to Rembrandt has been authenticated as genuine by an expert from the Fogg Museum.
   • The painting, titled "An Old Scholar Writing by Candlelight," was previously believed to be a copy or a forgery but has now been confirmed as an original.
   • The painting was created in 1652 and depicts a scholar in an interior setting, illuminated by a candle.
   • The article mentions that the painting was bought by an American collector in 1927 and has been part of his private collection ever since.

2. Right Article: "On Exhibit Aubrey Beardsley"

   • The article is about an exhibit of Aubrey Beardsley's work, which ran from May 1 to May 8 at the Lower Level of Lamont Library.
   • Beardsley, a significant illustrator and artist of the late 19th century, is known for his distinctive black-and-white sketches.
   • The exhibit highlights Beardsley's technical skill, his mastery of line, and his ability to create intricate and imaginative works.
   • The article notes Beardsley's use of grotesque and unconventional subject matter, which was both innovative and controversial for his time.
   • The exhibit includes various works, such as illustrations for books like "Salomé" and "The Yellow Book," and highlights his technical accomplishments and stylistic influences.
   • The article also mentions the limited emotional attachment in Beardsley's work, contrasting it with the more expressive styles of artists like Toulouse-Lautrec.

The articles provide insights into the authentication of a Rembrandt painting and an exhibition showcasing the works of Aubrey Beardsley, emphasizing their artistic significance and historical context.

The image contains two distinct articles about art, each detailing a different artist and their works.

Left Article: "Rembrandt Painting Certified as Genuine By Fogg Expert"

This article discusses the authentication of a Rembrandt painting by an expert from the Fogg Museum. The original copy of Rembrandt's "An Old Scholar" was written by Cornelis Anslo and was believed to have been lost after being taken to various locations. The painting resurfaced in Vienna in 1921.

The expert, Alan Burroughs, a staff member at the Fogg Museum, examined the painting and determined it was the original, not a copy. This conclusion was based on several factors, including the painting's condition and the use of a unique manuscript illuminated by unusual lighting. Burroughs was in Vienna to study X-ray techniques for analyzing artworks.

Right Article: "On Exhibit" (Aubrey Beardsley)

This article reviews an exhibition of Aubrey Beardsley's work at the Louvre Gallery, marking a significant interest in his art since the late 19th century. Beardsley, known for his striking black-and-white illustrations, was a major figure in the Art Nouveau movement.

The exhibition showcases Beardsley’s masterful line work, grotesque, and sometimes erotic subject matter. It includes a variety of his pieces, such as illustrations from "Salome" by Oscar Wilde and works for "The Yellow Book." Despite some critics finding his work unsettling, the article praises his technical skill and unique vision.

The article also notes that Beardsley’s influence extended to his contemporaries and mentions his lasting impact on illustration and graphic arts. The exhibition features both celebrated and lesser-known works, offering a comprehensive look at Beardsley's artistic range and legacy.

The image shows two newspaper clippings mounted on a black album page.

The clipping on the left is titled "Rembrandt Painting Certified as Genuine By Fogg Expert." It discusses the authentication of a painting attributed to Rembrandt titled "An Old Scholar Writing by Candlelight." The painting was recently identified by the Fogg Art Museum as genuine after being virtually unknown for years. Alfred R. Bader, the owner, first saw the painting in Vienna and later confirmed its authenticity with the help of Charles Rosenberg, a professor of Fine Arts at Fogg. The painting is described as an oil on copper surface depicting a philosopher copying a manuscript, illuminated by an unusual candlelight effect. The painting dates back to 1627 and remained in Vienna until Bader purchased it.

The clipping on the right is an article or review about an exhibition of works by Aubrey Beardsley, a commercial artist from late 19th-century England. It notes his career achievements and evaluates his artistic style, which mixes technical skill with imaginative grotesque subjects including women, men, gnomes, and dwarfs. The review mentions Beardsley's work "Salome" as an example of his skill but also critiques his overall approach as lacking conviction and emotional depth. Beardsley's designs for "The Yellow Book" are highlighted, and the article mentions other artists included in the exhibit as well. The review concludes with a nuanced assessment of Beardsley's artistic legacy.

Handwritten notes are visible on the left clipping, with a date "Alvin, 9/9/59," and on the right clipping, a date "Quincy, May 1, '09" is written at the top. The right clipping is signed or attributed to "Pablo" at the bottom.

This image shows a page from a book or a document, with two columns of text. The left column has a bold title "Rembrandt Painting Certified as Genuine By Fogg Expert" and an attached small note with handwritten text that appears to be related to cataloging or referencing, which is partly obscured by the angle of the photograph. The right column features a separate article with the title "On Exhibit by Aubrey Beardsley."

The content of both articles seems to relate to art and exhibitions, discussing topics such as the authentication of a Rembrandt painting and the work of Aubrey Beardsley, respectively. The right column mentions the dates "May 1/1919" at the top, which could indicate the date of the exhibition or when the note was written.

The background and edges of the image are dark, possibly indicating that the page is part of a larger book or folder, and the lighting focuses mainly on the text areas. The photo has a slight shadow over the top left side, slightly obscuring some text on the left-hand column.

The image shows an open book displaying a page titled "Rembrandt Painting Certified as Genuine By Fogg Expert". The page contains a detailed description and analysis of a Rembrandt painting, likely titled "An Old Scholar Writing by Candlelight", which was recently identified by the Fogg Art Museum. The text provides historical context, discussing the painting's authenticity, its rediscovery, and its significance in the art world.

Key Elements in the Image:

1. Title and Context:

   • The page is titled "Rembrandt Painting Certified as Genuine By Fogg Expert", indicating that the Fogg Art Museum has authenticated the painting as a genuine work by Rembrandt.
   • The painting is described as "An Old Scholar Writing by Candlelight", which was previously unknown in various art circles since Rembrandt painted it in 1627.

2. Content Overview:

   • The text begins by discussing the painting's rediscovery and the efforts of experts to confirm its authenticity.
   • It mentions that the painting was brought to Vienna, where it remained in the hands of one family until it was acquired by Alfred R. Bader, a collector and professor of fine arts.
   • The painting is noted for its unique qualities, such as the use of copper as a support and the unusual lighting effect created by an illuminated manuscript.

3. Exhibition Information:

   • The page also references an exhibition titled "On Exhibit Orvuse May 1, 1939", featuring the work of Aubrey Beardsley. This suggests that the book may be part of an art catalog or exhibition guide, as it includes commentary on both Rembrandt and Beardsley.
   • A section titled "Aubrey Beardsley" discusses Beardsley's artistic career, his technical skills, and his influence on the art world. It highlights his unique style, particularly his grotesque and imaginative subjects, and compares his work to that of other artists like Albrecht Dürer and Utamaro.

4. Visual Layout:

   • The page is formatted with a clean, structured layout, typical of art catalogs or exhibition guides.
   • There is a handwritten note in the top-left corner, which appears to be a marginal annotation or reference, reading "Rembrandt Painting Certified as Genuine By Fogg Expert".
   • The text is dense and scholarly, with detailed descriptions and comparisons, indicating it is intended for art historians, collectors, or enthusiasts.

5. Additional Notes:

   • The page includes a signature or stamp at the bottom right, reading "PAULO", which may indicate the cataloger or contributor.
   • The overall tone is academic and informative, providing insights into both Rembrandt's work and Beardsley's contributions to art.

Summary:

The image depicts a page from an art catalog or exhibition guide that discusses the authentication of a Rembrandt painting, "An Old Scholar Writing by Candlelight", by the Fogg Art Museum. The page also includes commentary on the work of Aubrey Beardsley, highlighting his unique style and influence. The layout is formal and scholarly, with handwritten annotations and a structured presentation of information.

The image depicts a page from a book or a catalog, likely related to art or an exhibition. The page is divided into two main sections.

On the left side, there is a piece of paper with a title at the top that reads "Rembrandt Painting Certified as Genuine By Fogg Expert." Below this title, there is a paragraph of text that provides information about the painting. The text is written in a formal and descriptive manner, discussing the painting's authenticity and its certification by an expert from the Fogg Art Museum. The paragraph includes details about the painting's history, its certification process, and the expert's opinion on its authenticity.

On the right side of the page, there is another piece of paper with a title at the top that reads "On Exhibit: Aubrey Beardsley." Below this title, there is a longer paragraph of text that provides a detailed description of Aubrey Beardsley's work and artistic style. The text discusses Beardsley's career, his mastery of line and composition, and his influence on the art world. It also mentions specific works and techniques associated with Beardsley, such as his use of black and white illustrations and his unique style that combined elements of the grotesque and the elegant.

The overall layout of the page suggests that it is a catalog or exhibition guide, providing information about two different artists and their works. The text is written in a formal and informative tone, aimed at educating the reader about the artists and their contributions to the art world. The page likely serves as a resource for visitors to an exhibition or for those interested in learning more about Rembrandt and Aubrey Beardsley.