Archives Scrapbooks

This image shows the inside of a dark, likely black or charcoal-gray, archival-style scrapbook or portfolio, opened to display two aged newspaper clippings mounted on the left and right pages.

Here is a detailed description of each clipping:

Left Clipping:

• Headline: “Rembrandt Painting Certified as Genuine By Fogg Expert”
• Content: This article discusses the authentication of an original oil painting on copper by Rembrandt, titled “An Old Scholar Writing by Candlelight.” It was identified as genuine by Jakob Rosenberg from the Fogg Art Museum after being deemed dubious for years. The piece was purchased by Alfred R. Bader of the art firm Bader & Bader in Vienna, where it had remained in one family’s possession until his acquisition.
• Handwritten Note: In the upper right corner of this clipping, there is a handwritten inscription in cursive: “Harold G. Cummer / Oct. 9, 1959.” This likely indicates who saved the clipping and when.

Right Clipping:

• Handwritten Header: At the top, in pencil or light ink, someone has written: “On Exhibit Curisau May 1, 1959.” “Curisau” appears to be a misreading or miscopying of “Curisau” — possibly meant to be “Curtis” (as in the Curtis Galleries) or “Curisau” is a misinterpretation, though it's unclear.
• Headline: “Aubrey Beardsley” – with a sub-head: “Lower Level of Lamont through May 8”
• Content: This is a detailed review of an Aubrey Beardsley exhibition, written by “—PAOLO” (possibly a pseudonym). The article praises Beardsley’s technical skill, formal arrangements, and mastery of line, comparing him to Ingres and Toulouse-Lautrec. It notes his “grotesque women, debauched men, cavorting gnomes and malevolent dwarfs,” and his focus on “stylish colors for The Yellow Book.” The reviewer offers a nuanced critique: while admiring his imagination and technical assurance, they find much of his work “incomplete,” “insufficiently inventive,” and sometimes “lifeless and hollow.” The review mentions his Pre-Raphaelite influences and notes the inclusion of works by Utagawa — a Japanese print-maker — to demonstrate Beardsley’s technical breadth, though the reviewer finds Utagawa’s emotion lacking in comparison.
• Tone: The review is analytical and somewhat critical, acknowledging Beardsley’s brilliance while pointing out limitations in his vision and execution.

Overall Context:

The two clippings are from May 1959, as indicated by the handwritten date on the left clipping and the exhibit dates on the right. They represent contrasting art-world events: one celebrating the authentication of a major Old Master painting, the other reviewing a modernist/exoticist exhibition of a controversial fin-de-siècle draftsman. The scrapbook appears to belong to Harold G. Cummer, who collected these reviews, possibly as a collector, curator, or academic interested in both historical and modern art.

The scrapbook’s pages show some wear, and the clippings are yellowed with age — typical of mid-20th-century paper — suggesting they have been preserved for decades as archival material.

This is a fascinating artifact of art historical reception from the late 1950s, offering insight into how major artworks and artists were evaluated and displayed at that time.

This image appears to be a scanned or photographed page from a book or a collection of documents. The page is divided into two sections, each containing a piece of printed text.

• Left Side: The text mentions a Rembrandt painting that was certified as genuine by an expert from the Fogg Art Museum. It discusses the painting "An Old Scholar Writing by Candlelight," which is attributed to Rembrandt and was originally painted in 1627. The story includes details about how the artwork was discovered, its authenticity, and the circumstances of its ownership.

• Right Side: This section is an article or review about the artist Aubrey Beardsley. The text discusses Beardsley's career as a commercial artist in late 19th-century England, highlighting his success and the diverse range of his work, including caricatures, line mastery, and formal arrangements. It also critiques some of his works, noting his strengths and limitations, particularly his handling of perspective and color. The text is signed by "PABLO," and references other artists and art movements, such as the Pre-Raphaelites and Japanese print-making.

Both sections are bordered by what looks like handwritten notes or annotations, such as "November 9, 1959" and "Howard Gunson," suggesting that the document has been used or referenced by someone named Howard Gunson on that date. The overall appearance and content are typical of documents from the early to mid-20th century, possibly related to an art exhibition or a collection of art-related articles.

This image shows an open scrapbook or collection with two cut-out newspaper articles pasted on dark pages.

The left page contains a smaller article titled "Rembrandt Painting Certified as Genuine By Fogg Expert." This article discusses the authentication of an original Rembrandt painting, "An Old Scholar Writing by Candlelight," and its acquisition by Alfred R. Bader from an attic in Vienna. The article includes details about the painting’s history, composition, and verification by art experts from the Fogg Art Museum.

The right page features a longer article titled "On Exhibit Aubrey Beardsley," discussing an exhibition of Aubrey Beardsley's works at the Lower Level of Lamont through May 6. The article provides an overview of Beardsley’s career as a commercial artist, his technical skills, and his artistic style. It critiques his work, noting both his strengths and weaknesses, and concludes with observations about the exhibition and the influence of Beardsley’s contemporaries on his art. The article is signed "Pablo."

Both articles appear to be from a period newspaper, given the font style and layout. There is some handwritten text on the left article that reads "Harvard Crimson 9/1/1959," indicating the source of the article.

The image depicts a page from a book or a catalog, likely related to art or an exhibition. The page is divided into two main sections.

On the left side, there is a piece of paper with a title at the top that reads "Rembrandt Painting Certified as Genuine By Fogg Expert." Below this title, there is a paragraph of text that provides information about the painting. The text is written in a formal and descriptive manner, discussing the painting's authenticity and its certification by an expert from the Fogg Art Museum. The paragraph includes details about the painting's history, its certification process, and the expert's opinion on its authenticity.

On the right side of the page, there is another piece of paper with a title at the top that reads "On Exhibit: Aubrey Beardsley." Below this title, there is a longer paragraph of text that provides a detailed description of Aubrey Beardsley's work and artistic style. The text discusses Beardsley's career, his mastery of line and composition, and his influence on the art world. It also mentions specific works and techniques associated with Beardsley, such as his use of black and white illustrations and his unique style that combined elements of the grotesque and the elegant.

The overall layout of the page suggests that it is a catalog or exhibition guide, providing information about two different artists and their works. The text is written in a formal and informative tone, aimed at educating the reader about the artists and their contributions to the art world. The page likely serves as a resource for visitors to an exhibition or for those interested in learning more about Rembrandt and Aubrey Beardsley.

The image shows a page from an old book, likely a magazine or newspaper, featuring two articles about art. The left article is titled "Rembrandt Painting Certified as Genuine By Fogg Expert," and it discusses the authentication of an old Rembrandt painting by an expert from the Fogg Art Museum. The article mentions the painting's history, its restoration, and the expert's confirmation of its authenticity. The right article is titled "On Exhibit: Aubrey Beardsley," and it provides a review of an exhibition featuring the works of Aubrey Beardsley, a renowned illustrator and artist. The review discusses Beardsley's artistic style, his technical skills, and the impact of his works on the art world.

The image shows an open book displaying a page titled "Rembrandt Painting Certified as Genuine By Fogg Expert". The page contains a detailed description and analysis of a Rembrandt painting, likely titled "An Old Scholar Writing by Candlelight", which was recently identified by the Fogg Art Museum. The text provides historical context, discussing the painting's authenticity, its rediscovery, and its significance in the art world.

Key Elements in the Image:

1. Title and Context:

   • The page is titled "Rembrandt Painting Certified as Genuine By Fogg Expert", indicating that the Fogg Art Museum has authenticated the painting as a genuine work by Rembrandt.
   • The painting is described as "An Old Scholar Writing by Candlelight", which was previously unknown in various art circles since Rembrandt painted it in 1627.

2. Content Overview:

   • The text begins by discussing the painting's rediscovery and the efforts of experts to confirm its authenticity.
   • It mentions that the painting was brought to Vienna, where it remained in the hands of one family until it was acquired by Alfred R. Bader, a collector and professor of fine arts.
   • The painting is noted for its unique qualities, such as the use of copper as a support and the unusual lighting effect created by an illuminated manuscript.

3. Exhibition Information:

   • The page also references an exhibition titled "On Exhibit Orvuse May 1, 1939", featuring the work of Aubrey Beardsley. This suggests that the book may be part of an art catalog or exhibition guide, as it includes commentary on both Rembrandt and Beardsley.
   • A section titled "Aubrey Beardsley" discusses Beardsley's artistic career, his technical skills, and his influence on the art world. It highlights his unique style, particularly his grotesque and imaginative subjects, and compares his work to that of other artists like Albrecht Dürer and Utamaro.

4. Visual Layout:

   • The page is formatted with a clean, structured layout, typical of art catalogs or exhibition guides.
   • There is a handwritten note in the top-left corner, which appears to be a marginal annotation or reference, reading "Rembrandt Painting Certified as Genuine By Fogg Expert".
   • The text is dense and scholarly, with detailed descriptions and comparisons, indicating it is intended for art historians, collectors, or enthusiasts.

5. Additional Notes:

   • The page includes a signature or stamp at the bottom right, reading "PAULO", which may indicate the cataloger or contributor.
   • The overall tone is academic and informative, providing insights into both Rembrandt's work and Beardsley's contributions to art.

Summary:

The image depicts a page from an art catalog or exhibition guide that discusses the authentication of a Rembrandt painting, "An Old Scholar Writing by Candlelight", by the Fogg Art Museum. The page also includes commentary on the work of Aubrey Beardsley, highlighting his unique style and influence. The layout is formal and scholarly, with handwritten annotations and a structured presentation of information.

This image appears to show two newspaper clippings pasted onto a black background, likely part of a scrapbook or archival collection.

1. Left Clipping:

   • The clipping is about a Rembrandt painting titled "Old Soldier Writing by Candlelight." It mentions that the painting was authenticated as genuine by an expert from the Fogg Art Museum. The painting, originally held by Alfred R. Rauden of Vienna, was sold to Professor Jakob Rosenberg for the Museum.
   • It briefly describes the painting as a copper etching showing a philosopher seated by a candle.
   • Handwritten text includes "Howard Gunman" and "Ohio 9/59."

2. Right Clipping:

   • The clipping discusses an exhibition of works by Aubrey Beardsley in the lower level of Lamont Library with annotations noting it took place in "May '59" as "On Exhibit."
   • Aubrey Beardsley is described as an Art Nouveau illustration artist celebrated for his imaginative, decadent style and technical mastery. Specific works, drawing techniques, and influences such as Toulouse-Lautrec are mentioned.
   • The article critiques Beardsley’s artistic contributions, both praising his skills and addressing perceived limitations in emotional attachment to his work.
   • The term "Pablo" is written at the end of the clipping, possibly indicating the author of the critique.

Overall, this image captures documentation of historical art-related articles.

• A black scrapbook page with two old newspaper clippings pasted on it.
• Left clip: a small rectangular piece with a bold headline reading “Rembrandt Painting Certified as Genuine By Fogg Expert,” followed by a block of text. There is some handwritten note in pencil along its right edge.
• Right clip: a longer vertical article titled “On Exhibit Aubrey Beardsley” (Aubrey Beardsley) with dense columns of text describing the artist and his work.
• The clippings appear aged, yellowed, and slightly browned around the edges. There are dark ink stains or blotches on the black page and some wear along the clip edges, suggesting this is a vintage or archival display.

This image shows a page from a book or a document, with two columns of text. The left column has a bold title "Rembrandt Painting Certified as Genuine By Fogg Expert" and an attached small note with handwritten text that appears to be related to cataloging or referencing, which is partly obscured by the angle of the photograph. The right column features a separate article with the title "On Exhibit by Aubrey Beardsley."

The content of both articles seems to relate to art and exhibitions, discussing topics such as the authentication of a Rembrandt painting and the work of Aubrey Beardsley, respectively. The right column mentions the dates "May 1/1919" at the top, which could indicate the date of the exhibition or when the note was written.

The background and edges of the image are dark, possibly indicating that the page is part of a larger book or folder, and the lighting focuses mainly on the text areas. The photo has a slight shadow over the top left side, slightly obscuring some text on the left-hand column.

The image shows two newspaper clippings mounted on a black album page.

The clipping on the left is titled "Rembrandt Painting Certified as Genuine By Fogg Expert." It discusses the authentication of a painting attributed to Rembrandt titled "An Old Scholar Writing by Candlelight." The painting was recently identified by the Fogg Art Museum as genuine after being virtually unknown for years. Alfred R. Bader, the owner, first saw the painting in Vienna and later confirmed its authenticity with the help of Charles Rosenberg, a professor of Fine Arts at Fogg. The painting is described as an oil on copper surface depicting a philosopher copying a manuscript, illuminated by an unusual candlelight effect. The painting dates back to 1627 and remained in Vienna until Bader purchased it.

The clipping on the right is an article or review about an exhibition of works by Aubrey Beardsley, a commercial artist from late 19th-century England. It notes his career achievements and evaluates his artistic style, which mixes technical skill with imaginative grotesque subjects including women, men, gnomes, and dwarfs. The review mentions Beardsley's work "Salome" as an example of his skill but also critiques his overall approach as lacking conviction and emotional depth. Beardsley's designs for "The Yellow Book" are highlighted, and the article mentions other artists included in the exhibit as well. The review concludes with a nuanced assessment of Beardsley's artistic legacy.

Handwritten notes are visible on the left clipping, with a date "Alvin, 9/9/59," and on the right clipping, a date "Quincy, May 1, '09" is written at the top. The right clipping is signed or attributed to "Pablo" at the bottom.