Archives Scrapbooks

This image appears to be a scanned or photographed page from a book or a collection of documents. The page is divided into two sections, each containing a piece of printed text.

• Left Side: The text mentions a Rembrandt painting that was certified as genuine by an expert from the Fogg Art Museum. It discusses the painting "An Old Scholar Writing by Candlelight," which is attributed to Rembrandt and was originally painted in 1627. The story includes details about how the artwork was discovered, its authenticity, and the circumstances of its ownership.

• Right Side: This section is an article or review about the artist Aubrey Beardsley. The text discusses Beardsley's career as a commercial artist in late 19th-century England, highlighting his success and the diverse range of his work, including caricatures, line mastery, and formal arrangements. It also critiques some of his works, noting his strengths and limitations, particularly his handling of perspective and color. The text is signed by "PABLO," and references other artists and art movements, such as the Pre-Raphaelites and Japanese print-making.

Both sections are bordered by what looks like handwritten notes or annotations, such as "November 9, 1959" and "Howard Gunson," suggesting that the document has been used or referenced by someone named Howard Gunson on that date. The overall appearance and content are typical of documents from the early to mid-20th century, possibly related to an art exhibition or a collection of art-related articles.

This image shows an open scrapbook or collection with two cut-out newspaper articles pasted on dark pages.

The left page contains a smaller article titled "Rembrandt Painting Certified as Genuine By Fogg Expert." This article discusses the authentication of an original Rembrandt painting, "An Old Scholar Writing by Candlelight," and its acquisition by Alfred R. Bader from an attic in Vienna. The article includes details about the painting’s history, composition, and verification by art experts from the Fogg Art Museum.

The right page features a longer article titled "On Exhibit Aubrey Beardsley," discussing an exhibition of Aubrey Beardsley's works at the Lower Level of Lamont through May 6. The article provides an overview of Beardsley’s career as a commercial artist, his technical skills, and his artistic style. It critiques his work, noting both his strengths and weaknesses, and concludes with observations about the exhibition and the influence of Beardsley’s contemporaries on his art. The article is signed "Pablo."

Both articles appear to be from a period newspaper, given the font style and layout. There is some handwritten text on the left article that reads "Harvard Crimson 9/1/1959," indicating the source of the article.

The image depicts a page from a book or a catalog, likely related to art or an exhibition. The page is divided into two main sections.

On the left side, there is a piece of paper with a title at the top that reads "Rembrandt Painting Certified as Genuine By Fogg Expert." Below this title, there is a paragraph of text that provides information about the painting. The text is written in a formal and descriptive manner, discussing the painting's authenticity and its certification by an expert from the Fogg Art Museum. The paragraph includes details about the painting's history, its certification process, and the expert's opinion on its authenticity.

On the right side of the page, there is another piece of paper with a title at the top that reads "On Exhibit: Aubrey Beardsley." Below this title, there is a longer paragraph of text that provides a detailed description of Aubrey Beardsley's work and artistic style. The text discusses Beardsley's career, his mastery of line and composition, and his influence on the art world. It also mentions specific works and techniques associated with Beardsley, such as his use of black and white illustrations and his unique style that combined elements of the grotesque and the elegant.

The overall layout of the page suggests that it is a catalog or exhibition guide, providing information about two different artists and their works. The text is written in a formal and informative tone, aimed at educating the reader about the artists and their contributions to the art world. The page likely serves as a resource for visitors to an exhibition or for those interested in learning more about Rembrandt and Aubrey Beardsley.

The image shows a page from an old book, likely a magazine or newspaper, featuring two articles about art. The left article is titled "Rembrandt Painting Certified as Genuine By Fogg Expert," and it discusses the authentication of an old Rembrandt painting by an expert from the Fogg Art Museum. The article mentions the painting's history, its restoration, and the expert's confirmation of its authenticity. The right article is titled "On Exhibit: Aubrey Beardsley," and it provides a review of an exhibition featuring the works of Aubrey Beardsley, a renowned illustrator and artist. The review discusses Beardsley's artistic style, his technical skills, and the impact of his works on the art world.

The image shows an open book displaying a page titled "Rembrandt Painting Certified as Genuine By Fogg Expert". The page contains a detailed description and analysis of a Rembrandt painting, likely titled "An Old Scholar Writing by Candlelight", which was recently identified by the Fogg Art Museum. The text provides historical context, discussing the painting's authenticity, its rediscovery, and its significance in the art world.

Key Elements in the Image:

1. Title and Context:

   • The page is titled "Rembrandt Painting Certified as Genuine By Fogg Expert", indicating that the Fogg Art Museum has authenticated the painting as a genuine work by Rembrandt.
   • The painting is described as "An Old Scholar Writing by Candlelight", which was previously unknown in various art circles since Rembrandt painted it in 1627.

2. Content Overview:

   • The text begins by discussing the painting's rediscovery and the efforts of experts to confirm its authenticity.
   • It mentions that the painting was brought to Vienna, where it remained in the hands of one family until it was acquired by Alfred R. Bader, a collector and professor of fine arts.
   • The painting is noted for its unique qualities, such as the use of copper as a support and the unusual lighting effect created by an illuminated manuscript.

3. Exhibition Information:

   • The page also references an exhibition titled "On Exhibit Orvuse May 1, 1939", featuring the work of Aubrey Beardsley. This suggests that the book may be part of an art catalog or exhibition guide, as it includes commentary on both Rembrandt and Beardsley.
   • A section titled "Aubrey Beardsley" discusses Beardsley's artistic career, his technical skills, and his influence on the art world. It highlights his unique style, particularly his grotesque and imaginative subjects, and compares his work to that of other artists like Albrecht Dürer and Utamaro.

4. Visual Layout:

   • The page is formatted with a clean, structured layout, typical of art catalogs or exhibition guides.
   • There is a handwritten note in the top-left corner, which appears to be a marginal annotation or reference, reading "Rembrandt Painting Certified as Genuine By Fogg Expert".
   • The text is dense and scholarly, with detailed descriptions and comparisons, indicating it is intended for art historians, collectors, or enthusiasts.

5. Additional Notes:

   • The page includes a signature or stamp at the bottom right, reading "PAULO", which may indicate the cataloger or contributor.
   • The overall tone is academic and informative, providing insights into both Rembrandt's work and Beardsley's contributions to art.

Summary:

The image depicts a page from an art catalog or exhibition guide that discusses the authentication of a Rembrandt painting, "An Old Scholar Writing by Candlelight", by the Fogg Art Museum. The page also includes commentary on the work of Aubrey Beardsley, highlighting his unique style and influence. The layout is formal and scholarly, with handwritten annotations and a structured presentation of information.

The image shows a page from an old book or scrapbook, featuring a newspaper clipping about the artist Aubrey Beardsley. The clipping is titled "Rembrandt Painting Certified as Genuine By Fogg Expert" and discusses Beardsley's work in relation to Rembrandt's style.

• Newspaper Clipping
  • The clipping is from a newspaper article and is titled "Rembrandt Painting Certified as Genuine By Fogg Expert".
  • It discusses the authenticity of a Rembrandt painting and its certification by a Fogg expert.
  • The article also mentions Aubrey Beardsley, an English artist known for his work in the Art Nouveau style.
• Book or Scrapbook
  • The clipping is pasted into a book or scrapbook, which appears to be old and worn.
  • The book or scrapbook has a dark cover and is bound with a black ribbon.
  • The clipping is placed on a page with other clippings and notes, suggesting that the book or scrapbook was used to collect and preserve information about art and artists.
• Background
  • The background of the image is a plain gray color, which helps to highlight the clipping and the book or scrapbook.
  • The overall atmosphere of the image is one of nostalgia and appreciation for art and history.

In summary, the image shows a newspaper clipping about Aubrey Beardsley's work, pasted into an old book or scrapbook. The clipping discusses Beardsley's style and its relation to Rembrandt's work, and is surrounded by other clippings and notes that suggest the book or scrapbook was used to collect and preserve information about art and artists.

The image presents a black scrapbook page featuring two newspaper clippings, one on the left and one on the right. The left clipping is titled "Rembrandt Painting Certified as Genuine By Fogg Expert" and discusses a Rembrandt painting that was certified as genuine by the Fogg Art Museum. The right clipping is titled "On Exhibit Currently May 1st" and reviews an exhibition of Aubrey Beardsley's work at the Lamont Gallery.

Key Features:

• Left Clipping:
  • Title: "Rembrandt Painting Certified as Genuine By Fogg Expert"
  • Discusses a Rembrandt painting certified as genuine by the Fogg Art Museum
  • Provides details about the painting's history and authentication process
• Right Clipping:
  • Title: "On Exhibit Currently May 1st"
  • Reviews an exhibition of Aubrey Beardsley's work at the Lamont Gallery
  • Discusses Beardsley's artistic style and technique
  • Mentions the exhibition's dates and location

Summary:

The image showcases two newspaper clippings on a black scrapbook page, providing insights into the art world. The left clipping discusses the authentication of a Rembrandt painting, while the right clipping reviews an exhibition of Aubrey Beardsley's work. Both clippings offer valuable information about the artists and their works, making the image a fascinating glimpse into the world of art history.

The image presents a collection of two vintage newspaper clippings, one featuring an article about a Rembrandt painting and the other discussing Aubrey Beardsley, displayed on a dark gray background.

Newspaper Clipping 1: Rembrandt Painting

• The clipping is titled "Rembrandt Painting Certified as Genuine By Fogg Expert."
• It describes the discovery of a Rembrandt painting that was certified as genuine by an expert from the Fogg Art Museum.
• The article provides details about the painting's history, including its creation date and previous ownership.

Newspaper Clipping 2: Aubrey Beardsley

• The clipping is titled "On Exhibit Overseas May 11-29 Aubrey Beardsley!"
• It discusses the work of Aubrey Beardsley, a British artist known for his illustrations and designs.
• The article highlights Beardsley's unique style and his influence on the art world.

Background

• The background of the image is a dark gray color, which provides a neutral backdrop for the newspaper clippings.
• There are some faint marks and stains visible on the background, suggesting that the clippings may have been handled or stored in a way that caused them to become soiled.

Overall, the image appears to be a collection of vintage newspaper clippings related to art and artists, presented in a simple yet effective way.

The image depicts a black book with two newspaper clippings pasted on its pages. The first clipping, titled "Rembrandt Painting Certified as Genuine By Fogg Expert," is situated in the top-left corner of the page. It discusses the authentication of a Rembrandt painting by an expert at the Fogg Art Museum.

The second clipping, located on the right side of the page, is titled "Aubrey Beardsley" and features a review of an exhibition showcasing the artist's work. The review praises Beardsley's unique style and technique, describing his drawings as "original and imaginative" and his technical approach as "off-hand" and "insufficiently inventive." However, it also notes that Beardsley's work lacks design and is often inconsistent.

Overall, the image appears to be a collection of newspaper clippings related to art and artists, specifically focusing on the authentication of a Rembrandt painting and a review of an Aubrey Beardsley exhibition.

The image shows two newspaper clippings mounted on a gray background.

1. The left clipping is titled "Rembrandt Painting Certified as Genuine By Fogg Expert." It discusses the authentication of a painting by Rembrandt, specifically "An Old Man Writing," which was initially identified as a Rembrandt in 1927. The painting was last seen in Vienna in November 1938 and was not available for purchase at that time. The article mentions that the painting was examined by a Fogg expert who confirmed its authenticity. The painting is described as being on copper and illuminated by an unusual light, making it a significant work in the Nineteenth Century. The clipping includes a handwritten note stating "Howard Cannon 11/24/59."

2. The right clipping is titled "On Exhibit Currently (Today) Aubrey Beardsley!" and discusses an exhibition of Aubrey Beardsley's works at Lamont through May 6. The article highlights Beardsley's success as an illustrator and his technical mastery, which made him a significant figure in the nineteenth century. It mentions his illustrations for "The Yellow Book" and his mastery of line, comparable to Ingres. The article also notes Beardsley's unconventional lifestyle and the controversial nature of his work, which often depicted erotic and grotesque subjects. The exhibition includes a variety of Beardsley's works, such as drawings for "The Yellow Book," "Salome," and "Lysistrata," as well as paintings by Burne-Jones and Albert Moore. The article concludes by emphasizing Beardsley's influence on late Victorian art and his technical accomplishments.

Both clippings appear to be from a newspaper and provide insights into the art world, focusing on the authentication of a Rembrandt painting and the exhibition of Aubrey Beardsley's works.