Archives Scrapbooks

This image shows a scrapbook page, likely from a personal collection or archive, mounted on a dark, textured background. The page features an article from The Harvard Crimson, dated Wednesday, May 13, 1959.

The article, titled “On Exhibit: Two Masters”, is a critical review comparing the artistic legacies of Paul Cézanne and Pablo Picasso, focusing on an exhibition at the Fogg Museum (now part of the Harvard Art Museums).

Key Points from the Article:

• Cézanne’s Influence: The article opens with an anecdote about Picasso boasting that he had acquired a “Cézanne’s Mont Saint-Victoire,” highlighting Cézanne’s towering influence on Picasso.
• Exhibition Content: The Fogg Museum displayed several Cézannes alongside Picasso’s later works, including a notable drawing and “Head with Pipe.” Both artists shared a focus on formal structure and emotional control.
• Artistic Comparison: The author, Paul W. Schwartz, suggests that while both artists are masters, Cézanne’s work is more “direct and complete,” grounded in the inner architecture of the subject. Picasso, by contrast, is more “singular and juggle an ingenuity, a coquetry, a sense of invention” — more self-consciously inventive and theatrical.
• Tone & Judgment: Schwartz is ambivalent about Picasso’s later works, calling them “dry” and “more decorative than substantial,” while holding Cézanne in higher regard as a foundational and emotionally resonant figure. Yet, he acknowledges Picasso’s enduring power: “To painters interested in substance, he has always been the King.”

Physical Details:

• The newspaper clipping is carefully cut and taped to the page.
• A small, vertical photographic insert (partially visible on the left) appears to show a winter landscape or tree scene—perhaps an illustration from the exhibition.
• The overall layout suggests thoughtful preservation and commentary, possibly by a student, art historian, or enthusiast.

This clipping captures a moment in mid-20th century art criticism, reflecting contemporary attitudes toward two of the most pivotal figures in modern art — Cézanne, the bridge between Impressionism and Cubism, and Picasso, the relentless innovator of the 20th century.

The image shows a page from a newspaper, specifically "The Harvard Crimson," dated Wednesday, May 13, 1959. The article is titled "On Exhibit: Two Masters" and discusses an art exhibition at the Fogg Museum. The text focuses on the works of Cezanne and Picasso, comparing their styles and discussing the exhibits. The article mentions Cezanne's "Mont Saint-Victoire" and Picasso's "Small Composition" and "Head with Pipe." The text is written in a formal, analytical style, evaluating the artistic merits of the pieces.

Additionally, there is a photograph of a snowy landscape, partially visible on the left side of the page, which seems to be a separate image or a bookmark. The overall layout of the page is organized, with the article text aligned to the right and the photograph to the left.

This image shows a scrapbook page with two newspaper clippings from "The Harvard Crimson" dated Wednesday, May 13, 1959. The clippings are about an exhibition titled "Two Masters" at the Fogg Museum. The text discusses the exhibition of works by Picasso and Cézanne, focusing on their paintings of Mont Saint-Victoire. The article mentions that Picasso had recently acquired a site made famous by his predecessor and mentor with a number of late and exemplary canvases. It also discusses the transition from Cézanne to Picasso and the aesthetic development of their works. The article is signed by Paul W. Schwartz. There is also a small image of a tree on the left side of the page.

The image depicts a page from an old newspaper, specifically "The Harvard Crimson," dated Wednesday, May 13, 1959. The page is folded, and the edges are slightly worn, suggesting it has been preserved for a long time. The page features an article titled "Two Masters" written by Paul W. Schwartz, which discusses the works of two artists, Picasso and Cezanne.

The article is positioned on the right side of the page, with a photograph of a painting by Picasso on the left side. The photograph is in black and white and shows a painting with abstract, geometric shapes and a palette of muted colors. The painting appears to be a still life or landscape, but the specific subject is not clearly discernible due to the abstract style.

The article itself is written in a formal, academic tone and provides an analysis of the artistic styles and influences of Picasso and Cezanne. The author discusses the evolution of Picasso's work from his early period to his later, more abstract style, and compares it to the more traditional, representational style of Cezanne.

The article also touches on the philosophical and emotional aspects of the artists' works, suggesting that their paintings evoke a sense of wonder, excitement, and contemplation in the viewer. The author concludes by stating that both artists are masters of their craft and that their works continue to inspire and influence contemporary artists.

Overall, the image provides a glimpse into the art world of the mid-20th century and the critical reception of the works of Picasso and Cezanne. The article serves as a historical document, showcasing the evolving perspectives on modern art and the enduring legacy of these two iconic artists.

The image depicts a page from a book or magazine featuring an article titled "Two Masters" by Paul W. Schwartz, dated May 13, 1959. The article discusses an art exhibition at the Fogg Museum featuring works by Cézanne and Picasso. The page contains a blend of text and images, with the article text on the right side and an image of a tree silhouette on the left. The article provides a comparative analysis of the two artists' works, highlighting their distinct styles and the impact of their paintings on the viewer. The text is printed in a black font on a white background, with some sections highlighted in bold or italicized for emphasis. The overall design is clean and straightforward, with a focus on the content of the article.

The image depicts an open book or magazine page from The Harvard Crimson, dated Wednesday, May 13, 1950. The page features an article titled "On Exhibit: Two Masters", which discusses an art exhibition at the Fogg Museum. The article appears to be a review or commentary on the exhibition, focusing on the works of Paul Cézanne and Pablo Picasso.

Key Details from the Image:

1. Header Information:

   • The top of the page displays the publication name, The Harvard Crimson, along with the date, Wednesday, May 13, 1950.

2. Article Title:

   • The main heading is "On Exhibit: Two Masters", indicating the focus on two prominent artists.

3. Content Overview:

   • The article discusses an exhibition at the Fogg Museum, where several weeks prior, Pablo Picasso phoned his dealer, Kahnweiler, expressing great excitement about a newly acquired painting by Cézanne.
   • The painting in question is "Mont Sainte-Victoire", described as "The Original" and a significant work by Cézanne. Picasso is quoted as exclaiming triumphantly about this acquisition.
   • The article delves into the artistic significance of Cézanne's work, highlighting its influence on Picasso and the broader art world. It also compares Cézanne's and Picasso's styles, discussing their respective contributions to modern art.

4. Artistic Analysis:

   • The text provides insights into Cézanne's techniques, such as his use of color, form, and composition. It mentions how Cézanne's work represents a transition from academic traditions to more expressive and subjective forms of art.
   • The article also touches on Picasso's admiration for Cézanne, noting how Cézanne's influence shaped Picasso's own artistic development.

5. Visual Layout:

   • The page is formatted in a traditional newspaper or magazine style, with dense text organized into paragraphs. There are no visible images or illustrations accompanying the text, suggesting that the focus is purely on the written analysis.

6. Author Attribution:

   • The article is signed by Paul W. Schwartz, indicating the author of the piece.

Contextual Clues:

• The article reflects a mid-20th-century perspective on art criticism, emphasizing the influence of Cézanne on modern art and Picasso's role in continuing and evolving these ideas.
• The tone is analytical and appreciative, highlighting the significance of both artists in shaping the trajectory of modern art.

In summary, the image shows a page from The Harvard Crimson featuring an art review that explores the exhibition of Cézanne's "Mont Sainte-Victoire" at the Fogg Museum, with a focus on its impact on Picasso and the broader art world. The article is a blend of art criticism and historical commentary, written by Paul W. Schwartz.

This image shows a newspaper clipping from "The Harvard Crimson," dated Wednesday, May 13, 1959. The article appears to be from an arts or culture section and is titled "Two Masters," discussing an exhibit featuring works by Picasso and another artist. The page is inside a dark album or scrapbook, and the newspaper clipping is mounted on a black backing page with a clear protective overlay partially covering the article. On the left side of the image, there's a sliver of the preceding page visible, obscured by the overlay, while the clipping on the right is fully visible, containing columns of text with a legible discussion of an art exhibition. The newspaper has aged, showing some discoloration consistent with paper of that era.

This image shows a scrapbook page containing a newspaper clipping from The Harvard Crimson, dated Wednesday, May 13, 1959. The clipping features an article titled "Two Masters," discussing an exhibition at an art museum that includes works by Paul Cézanne and Pablo Picasso. The article explores the relationship between the two artists, focusing on Cézanne's influence on Picasso's artistic development and their distinct approaches to painting. It mentions Cézanne's "Mont Sainte-Victoire" as a significant work and touches on the symbolic and stylistic elements in their art.

The page is black, and the clipping is neatly attached. There is a photograph partially visible on the left side, featuring what appears to be a wintry or wooded scene, though it is mostly obscured.

The image shows a scrapbook page with two newspaper clippings pasted on it. The clippings are from an issue of "The Harvard Crimson" dated Wednesday, May 13, 1959. The title of the article is "Two Masters: On Exhibit at Fogg Museum."

The article discusses an exhibition at the Fogg Museum featuring works related to Cézanne’s Mont Saint-Victoire. It mentions that Picasso’s dealer, Kahnweiler, had purchased the original Mont Saint-Victoire painted by Cézanne, and compares Picasso's and Cézanne's artistic approaches and styles. The article examines the thematic and stylistic elements of both artists' works and comments on the significance of their artistic contributions. It is signed by Paul W. Schwartz.

The page is affixed to a black scrapbook album, and there is a slight glimpse of another page or image behind it on the left side.

• The image shows a scrapbook or binder page with dark gray/black backing.
• At the top are two small newspaper clippings mounted side by side. They are from The Harvard Crimson, dated Wednesday, May 13, 1959.
• The left clipping is titled “Two Masters” and discusses Picasso and Cezanne, referencing the Fogg Museum and Mount Saint-Victoire.
• The right clipping continues the article with text beginning something like “Cezanne was susceptible. Nevertheless, he stopped in the nick of time.”
• The pages have a yellowed, aged look, with rough, cut edges. The overall presentation gives an archival, vintage feel.