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ARCH.2003.34, Rendition: 807014
This image displays a vintage newspaper clipping from the Boston Sunday Globe, dated May 10, 1959 (page A-35), mounted within a dark, possibly black, binder or album with a textured surface.
The article, titled “This Week in the Art World,” focuses on a feature called “Real Treats in Store For Gallery Trotters.” It is written by Edgar J. Driscoll Jr.
The piece centers on an exhibit at the Fogg Museum at Harvard University titled “The Self Portrait: 1890-1960” — a collection of 31 paintings, sculptures, drawings, and prints by famous artists spanning three decades.
The article discusses the art of self-portraiture, noting its enduring appeal and psychological depth. It mentions notable artists who contributed works to the exhibition, including Ingres, Courbet, Picasso, Degas, Matisse, Bonnard, Chagall, Rouault, Modigliani, Kollwitz, Beckmann, and American artists such as Georgia O’Keeffe, Max Weber, and Leonard Baskin. It contrasts historical, objective depictions (like those by Courbet or Van Gogh) with modern, more introspective portrayals.
The text also references works from the Renaissance and earlier masters like Titian, Leonardo, and Dürer, before returning to analyze specific pieces within the exhibit — including intimate, psychological self-portraits by Rouault, Chagall, and others. The article concludes by encouraging readers to see the show before it ends.
A small, black-and-white portrait of the author, Edgar J. Driscoll Jr., is positioned to the left of the headline.
The clipping itself shows signs of age — yellowed paper, slightly frayed edges — and is affixed with glue or paste to the binder page, leaving a visible border around the article. The binding is slightly open, revealing the depth of the album and the page’s texture.
This clipping is essentially a preserved piece of art criticism from 1959, documenting a significant historical exhibition focused on self-portraiture — offering both commentary and cultural context from that era.
The image shows a page from a publication, specifically from the "Boston Sunday Globe" dated May 10, 1959. The article is titled "This Week in the Art World: Real Treats in Store For Gallery Trotters" and is written by Edgar J. Driscoll Jr. The content discusses an exhibition titled "The Self Portrait: 1850-1950" at the Fogg Museum at Harvard University. The article highlights the variety of self-portraits from different artists, including French, English, German, Mexican, and American artists, and it spans various artistic movements from the 19th to the 20th century. The article mentions specific artists like Ingres, Cezanne, and Rembrandt and describes their approaches to self-portraiture. Additionally, it provides context about the exhibition's focus on how artists portrayed themselves and their inner feelings. The page is pasted onto a dark-colored background, possibly a book or a portfolio, with a small photograph of the author, Edgar J. Driscoll Jr., at the top left corner. The text appears to be printed in a standard font, and the overall context suggests it is a historical piece of art criticism and museum exhibition information.
The image shows a page from the "Boston Sunday Globe," dated May 10, 1959. The page is titled "This Week in the Art World" and the article is headlined "Real Treats in Store For Gallery Trotters." The article is written by Edgar J. Driscoll Jr. and discusses an exhibition at the Fogg Museum at Harvard University titled "The Self Portrait: 1850-1950." The exhibition features 31 paintings, sculptures, drawings, and prints by various famous artists from the 19th and 20th centuries, including Ingres, Courbet, Pissarro, Degas, Le Gros, Fantin-Latour, Cézanne, Matisse, Rouault, Chagall, and Soutine, among others. The article goes on to describe the different styles and approaches of self-portraits, ranging from objective to subjective, and provides a brief overview of the historical context of self-portraits in art. The article is accompanied by a small photograph of Edgar J. Driscoll Jr.
The image shows a newspaper clipping that is placed on top of a black-colored book that is open. The newspaper clipping is titled "This Week in the Art World: Real Treats in Store For Gallery Trotters." The clipping has a picture of a man, probably the author of the article, and a text that reads "By EDGAR J. DRISCOLL JR." The clipping also has a text that reads "Boston Sunday Globe, May 10, 1959 A-95."
A newspaper clipping is pasted on the inside of a black book. The clipping has the headline "This Week in the Art World Real Treats in Store For Gallery Trotters" with a picture of a man in the upper left corner. The clipping has some text written in black font. The book is open and is placed on a gray surface. The book has a black cover with a white border.
The image depicts the back cover of a newspaper or magazine, specifically from the Boston Sunday Globe, dated May 10, 1959, and identified as page A-35. The cover features an article titled "Real Treats in Store For Gallery Trotters" by Edgar J. Driscoll Jr. The article discusses the art of self-portraiture, exploring its historical and contemporary significance.
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The image portrays a well-structured article from a historical newspaper, focusing on the art of self-portraiture. It combines visual and textual elements to provide readers with insights into the artistic practice, its historical significance, and contemporary relevance. The inclusion of a photograph adds a personal touch, likely illustrating a key point or artist discussed in the article. The design and content reflect the journalistic style of the era, emphasizing clarity and accessibility.
The image depicts a page from a book or magazine, featuring an article titled "Real Treats in Store For Gallery Trotters" by Edgar J. Driscoll Jr. The article is dated May 10, 1959, and appears to be a review of an art exhibition at the Fogg Museum at Harvard University.
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The image presents a well-organized and informative article about an art exhibition at the Fogg Museum at Harvard University. The use of a clear and concise writing style, along with the inclusion of a photo of the author, adds to the overall professionalism of the piece.
The image presents a page from an old newspaper, specifically the Boston Sunday Globe, dated May 10, 1959. The page is divided into two sections: the left side features a column of text, while the right side contains a large, blank space.
In summary, the image presents a page from an old newspaper, specifically the Boston Sunday Globe, dated May 10, 1959. The page is divided into two sections, with a column of text on the left side and a large, blank space on the right side. The text discusses an art exhibit at Harvard University's Fogg Museum, featuring self-portraits by famous artists over the years. The article highlights the unique aspect of self-portraiture as a form of art and showcases the works of various artists, including Rembrandt, Van Gogh, and Picasso.
The image depicts a black book or folder with a newspaper clipping attached to its upper-left corner. The clipping is from the Boston Sunday Globe, dated May 19, 1939, and features an article titled "Real Treats in Store For Gallery Trotters" by Edgar J. Driscoll Jr. The article discusses the art world, specifically highlighting the Fogg Museum's exhibition of self-portraits by famous artists.
The clipping is yellowed and appears to be aged, suggesting that it has been preserved for many years. The book or folder beneath the clipping is black and has a smooth, matte finish. It is positioned against a plain gray background, which provides a neutral contrast to the dark color of the book.
Overall, the image presents a nostalgic and cultural artifact, offering a glimpse into the art world of the past. The inclusion of the newspaper clipping adds a layer of historical significance, while the black book or folder provides a sense of mystery and intrigue.
The image presents a newspaper clipping from the Boston Sunday Globe, dated May 10, 1959, with the headline "This Week in the Art World: Real Treats in Store For Gallery Trotters" by Edgar J. Driscoll Jr. The article is partially visible, featuring a photograph of the author and discussing an exhibit at the Fogg Museum at Harvard University titled "The Self Portrait: 1500-1900." The clipping is placed on top of a black book or folder, which appears to be empty.
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