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ARCH.2003.34, Rendition: 806987
This image appears to be a page from a newspaper or magazine, dated February 18, 1959, in Baltimore, Maryland. The page is titled "A Man Who Wouldn't Wait" and is an article by Robert G. Breen. The headline suggests the story is about a man who pursued his love for painting despite initial career commitments.
The article includes a photograph at the top of the page showing a man presenting a painting to two children, identified as Lee Yale Goldman and Deborah Schanaper. The man in the photograph is James N. Rosenberg, as mentioned in the caption. The text below the photograph attributes Rosenberg's energy to his low blood pressure and six hours of painting daily.
The article delves into James N. Rosenberg's life, detailing his career as a corporation lawyer and his transition to painting as a profession. It highlights his exhibition at the Art Gallery of the Chizuk Amuno Social and Educational Center in Pikesville, titled "Painter's Harvest," which showcased his works up to the 85th year of his career.
The text also describes Rosenberg's philanthropic efforts and his exhibition plans, stating that the paintings would be exhibited in Israel first, followed by the Baltimore Museum of Art and then loaned to the Art Gallery of the Chizuk Amuno Congregation. The article concludes with Rosenberg's views on contemporary abstract art, questioning its ability to communicate effectively.
The page also contains a label at the top, which appears to be a library stamp or sticker, indicating the page's source or cataloging information. The article is well-structured and provides a rich narrative about James N. Rosenberg's life and career.
This image is a page from a newspaper dated February 18, 1959, from Baltimore, MD. The main article is titled "A Man Who Wouldn't Wait" and is written by Robert G. Breen. The article discusses James N. Rosenberg, an artist who transitioned from a career in law to become a professional painter later in life.
At the top of the page, there is a photograph showing James N. Rosenberg holding a painting and showing it to two children, Lee Yale Goldman and Deborah Schanaper. The caption under the photo reads: "The artist and two admirers: James N. Rosenberg shows a few of his paintings to Lee Yale Goldman and Deborah Schanaper. Mr. Rosenberg attributes his sprightliness to his low blood pressure, and six hours daily at the easel."
The article details Rosenberg's decision to become an artist despite the risks and challenges, his views on art and culture, and his contributions to various art institutions. It also mentions his involvement in humanitarian work, particularly with the American Jewish Joint Distribution Committee. The text is accompanied by several subheadings, including "He Wasn't Daunted," which highlight specific aspects of Rosenberg's life and career.
This image shows an open, vintage magazine or newspaper clipping, likely from the Baltimore Sun (Morning), dated February 18, 1968 — as indicated by the newspaper label on the upper left corner of the page. The page is aged, with a yellowish, browned paper tone.
The central focus is a large black-and-white photograph of James N. Rosenberg, an American artist and lawyer, seated in a chair. He is holding up two framed paintings (or drawings) — one in each hand — for display. He is dressed formally in a dark suit, white shirt, and patterned tie, and is looking directly at the camera with a calm, composed expression. Behind him is a dark backdrop or wall with some indistinct shapes — possibly a draped curtain or furniture — giving the photo a studio or gallery feel.
Beneath the photo, a detailed article titled:
‘A Man Who Wouldn’t Wait’
by Robert G. Breen
This article is a biographical profile of James N. Rosenberg. It recounts his dual career as a painter and corporate lawyer, his personal philosophy of not waiting for fame or financial security to pursue his art, and the emotional motivations behind his work — especially his experiences as a Jew during and after World War II. The text mentions exhibitions of his artwork, including a current one at the Art Gallery of the Chesapeake Community Center, and his involvement with Jewish relief efforts (via the American Jewish Joint Distribution Committee).
A caption under the photo reads:
“The artist and two admirers, James N. Rosenberg, shows a few of his paintings to Lee Yale Goldman and Deborah Schanaper. Mr. Rosenberg attributes his sprightliness to his low blood pressure, and six hours daily at the easel.”
The layout includes the headline, byline, and body text in dense, traditional newspaper columns, with serif font typical of mid-20th century print journalism. The clipping is preserved in what appears to be a protective sleeve or inside a book, with a hardcover spine visible to the far right.
In summary, this is a historical newspaper feature capturing a moment in the life of a dedicated, multidimensional artist-lawyer, James N. Rosenberg, highlighting his perseverance in art, his personal motivations, and the recognition of his work in the late 1960s.
An open book with a newspaper clipping on the left side of the page and a printed article on the right. The clipping is a black-and-white photograph of an elderly man in a bow tie and suit, showing a painting to two children. The article on the right is about the man in the photograph, James N. Rosenberg, who is a well-known art collector and philanthropist. The article describes his passion for art and his contributions to the art world.
The image is of a page from a book or magazine. It features an article titled "A Man Who Wouldn't Wait" by Robert G. Green. The article is about James N. Rosenberg, a former collector and dealer of art who decided to become a painter at the age of 72. The article includes a photograph of Rosenberg with two children, possibly his grandchildren, sitting in front of a painting he is showing them. The article discusses Rosenberg's decision to become a painter and his motivations for doing so.
The image depicts a page from a newspaper or magazine, dated February 18, 1959, from Baltimore, MD. The page features a photograph and accompanying text.
Overall, the image combines a visual representation of an artist interacting with admirers and a written narrative that provides insight into Rosenberg’s life, work, and legacy.
The image features an article from a newspaper or magazine that has been glued into a scrapbook or album. The article is titled "A Man Who Wouldn't Wait" and authored by Robert G. Green. The publication date, as indicated by the separate label at the top left, is February 18, 1959, and it comes from Baltimore, Maryland.
Below the title, the article includes a large photo depicting two individuals seated and looking at a painting on an easel, while a third person appears to be presenting or describing the painting.
The printed material of the article surrounds the central image, consisting of several columns of text. The legible caption under the photograph refers to the artist showing a few of his paintings to two individuals and makes mention of the artist's experiencing a rise in blood pressure and hair density during a specific trial.
The article itself, as can be inferred from the visible portions, seems to discuss the career and personal history of an individual who faced trials but remained undaunted, possibly referencing an artist's perseverance and journey within the art world.
The appearance of the newspaper clipping pasted onto a scrapbook page gives it a historical and personal context, indicating that someone chose to preserve this article, possibly due to personal significance or appreciation for the content.
This image is a newspaper page where an article titled "A Man Who Wouldn't Wait" is displayed. It appears to come from the Baltimore Sun dated February 18, 1959, as indicated in the upper left corner. There is a black-and-white photograph at the top that shows a man standing near a painting, gesturing towards it, while two other individuals (a man and a woman) sit nearby, observing. Their faces are obscured for privacy. The article discusses the artistic work and life of James N. Rosenberg and his motivation to create paintings and pursue artistic endeavors passionately. The surrounding text elaborates on his career and contributions, possibly in art and philanthropy. The image is mounted on a vintage scrapbook-type background.
The image shows a black-and-white newspaper clipping featuring three individuals in an indoor setting. One person, dressed in a suit with a bow tie, is standing and pointing towards a framed painting displayed on an easel. Two others, seated and facing the painting, appear to be admiring it. The setting suggests an art gallery or an exhibition space with other paintings hanging on the walls in the background. The headline of the article reads, "A Man Who Wouldn't Wait," written by Robert G. Breen, and discusses the artist James N. Rosenberg and his paintings. There is a small label at the top left indicating the publication as "Baltimore, MD. Sun (Morning)" with a date stamp of February 18, 1959.