Archives Scrapbooks

This image displays a spread from The New York Times, dated Sunday, February 8, 1959, specifically from the "ART" section. The page features several articles and illustrations related to art exhibitions and cultural events.

Main Articles & Features:

1. "FRENCH DRAWINGS"

• Author: Howard Devree
• Focus: Reviews a major exhibition of French drawings at the Metropolitan Museum, spanning 400 years and featuring artists like Poussin, Claude, Watteau, Fragonard, Boucher, Ingres, Géricault, Delacroix, Degas, Cézanne, and Picasso.
• Highlights:
  • The exhibition includes 229 drawings, many never shown before.
  • Emphasizes the shift in French art from idealized classicism to more realistic landscape and figure studies.
  • Mentions the influence of artists like Claude Lorrain and Jean-Baptiste-Camille Corot.
  • Discusses John Marin’s work, noting his early development and modernist sensibilities.

2. Illustration: “FRENCH—‘Two Ships,’” by Claude Lorrain

• A black-and-white reproduction of a drawing or etching by Claude Lorrain, depicting two ships near a fortified coastline under a cloudy sky. It is noted as a loan from the Chicago Art Institute to the Metropolitan Museum.

3. Illustration: “At the Circus,” crayon by Toulouse-Lautrec

• A smaller, sketchy illustration showing a circus scene with performers and spectators. It is accompanied by text crediting Mr. and Mrs. Philip Hofer for lending it to the French Drawings show.

4. “PORTRAIT—‘Rodin’ (detail)”

• A black-and-white head-and-shoulders portrait, described as a detail from a larger work by Rodin, exhibited at the Metropolitan Museum.
• Commentary notes Rodin’s interest in depicting character and emotion, with a focus on the “bony, powerful structure” of the face, suggesting themes of youth, toil, and dignity.

5. “Fogg Museum Talk Spans Cyprus Past”

• Location: Cambridge, Mass.
• Subject: A lecture given at Harvard’s Fogg Museum by A. H. M. Magar, director of the Department of Antiquities of Cyprus.
• Highlights:
  • Discusses the recent archaeological excavations in Cyprus, including discoveries of Bronze Age ruins dating back to 1200 B.C.
  • Notes that about 30% of artifacts from Cyprus are held by the archaeological service, with 40% privately owned.
  • The lecture included color slides showing Swedish, French, British, and American excavations.
  • Mentions a Byzantine excavation project and the search for ancient pottery at Paphos.
  • The event was sponsored by the Dumbarton Oaks Research Library and Collection.

Visual Layout:

• The page is densely packed with columns of text and illustrations.
• The dominant image is the Claude Lorrain "Two Ships" drawing, centered and large.
• The Rodin portrait appears beneath the French drawings section, on the lower-left.
• The Toulouse-Lautrec “At the Circus” sketch is small and located near the center-right, adjacent to the Lorrain drawing.
• The "Fogg Museum" article occupies the lower-right column.

Overall Tone:

The page reflects a serious, scholarly approach to art criticism and cultural reporting, typical of 1950s elite journalism. It blends historical context, artist biographies, exhibition reviews, and archaeological reporting — showing the breadth of art coverage in The New York Times during that era.

This spread is a valuable historical record of mid-20th-century American art discourse, highlighting the museum-going public’s engagement with European art traditions and the growing appreciation for non-Western antiquities, such as those from Cyprus.

The image shows a page from a newspaper, specifically The New York Times, dated Sunday, February 8, 1959. The page is divided into two main sections, each containing articles and illustrations.

The top section is titled "French Drawings: Two Notable Surveys - Pioneer Marin" and is an article by Howard DeVree. The article discusses an exhibition of French drawings at the Metropolitan Museum, including works by artists such as Watteau, Fragonard, Boucher, Ingres, and Delacroix. The article mentions the exhibition of 220 drawings, with illustrations of two of the drawings: "Two Ships" by Claude Lorrain and "At the Circus" by Toulouse-Lautrec.

The bottom section contains an article titled "Fogg Museum Talk Spans Cyprus Past." This article is by a staff writer of The Christian Science Monitor and discusses a lecture given at the Harvard Fogg Museum by A. H. S. Megaw, director of the department of antiquities of Cyprus. The article talks about Megaw's lecture on Cyprus, his recent archaeological discoveries, and the importance of the island as a "crossroads" of the routes between Greece and Syria, Egypt, and Persia. The article also mentions the Dumbarton Oaks Research Library and Collection, where Megaw has been working on a project related to the Byzantine castle discovered in Cyprus.

The page has a vintage appearance, with a yellowed paper and a small tear on the right side, indicating its age.

This image shows an open newspaper clipping from The New York Times, dated Sunday, February 8, 1959. The clipping is tied together with a clear plastic band and is held by a light teal book or folder. The content of the newspaper page is dedicated to art, as indicated by the header "ART."

The main article on the left column is titled "FRENCH DRAWINGS" and discusses two notable surveys of French drawings, one curated by the Metropolitan Museum and the other by the Slatkin Gallery. The article, written by Howard DeVree, covers a range of artists from different periods, including Clouet, Watteau, Ingres, Delacroix, and Matisse. There are three illustrations accompanying the article:

1. A drawing titled "Two Ships" by Claude Lorrain.
2. A drawing titled "At the Circus" by Toulouse-Lautrec.
3. A portrait detail of "Rodin" by Renoir.

The right column contains a smaller article titled "Fogg Museum Talk Spans Cyprus Past," written by a Staff Writer of The Christian Science Monitor. This article discusses a lecture given by A. H. S. Megaw at Harvard's Fogg Museum, covering the history and archaeological discoveries of Cyprus.

The page appears to be aged, with yellowed paper and some wear and tear visible along the edges. There is also a small, unidentified piece of paper or object resting on the bottom part of the right column.

The image is a photograph of a newspaper clipping. The clipping is from "The New York Times," dated Sunday, February 8, 1959. The page is from the "ART" section and features an article titled "French Drawings." The article discusses the exhibition of French drawings at the Metropolitan Museum of Art, highlighting the work of notable artists such as Rodin, Degas, Renoir, and others.

The clipping is a composite of multiple articles and images. In the upper left corner, there is a small portrait of a bearded man, possibly an artist or curator, with the caption "Portrait—Rodin," suggesting it is a depiction of the famous sculptor Auguste Rodin. Below this portrait, there is a brief article about Rodin, mentioning his work and influence.

To the right of the portrait, there are two illustrations of ships, one labeled "Two Ships" by Claudé Lorrain and the other "At the Circus" by Toulouse-Lautrec, showcasing the diversity of artistic styles and subjects in the exhibition. Below these illustrations, there is another article, "Fogga Museum Talk Spans Cyprus Past," which seems to be about a talk or lecture at the Fogg Art Museum, discussing the history and culture of Cyprus.

The bottom section of the clipping contains more text, likely continuing the discussion of the French drawings exhibition or related topics. The text is dense and includes names of artists, descriptions of artworks, and possibly visitor reactions or curatorial insights.

The overall theme of the clipping is the celebration and critique of French art, particularly drawings, and its impact on the art world. The inclusion of diverse artworks and artists suggests a comprehensive view of French artistic heritage.

The image appears to be a page from an old newspaper or magazine. The page contains several articles and illustrations related to art and culture. Some of the notable features are:

• The page has a title "French Drawings" at the top, indicating that the articles are about French drawings or artworks.

• There are several illustrations accompanying the articles, including:

  • A drawing of a ship by Jacques Villon
  • A drawing of a circus scene by Toulouse-Lautrec
  • A portrait of Rodin by Rembrandt
  • A map of Cyprus

• The articles discuss various topics related to French art, including:

  • A show of French drawings at the Metropolitan Museum of Art
  • A discussion of Jacques Villon's work and its connection to Eastern European landscapes
  • A description of a collection of early Christian and Byzantine art objects at Harvard University

• The articles also mention contemporary artists and artworks, indicating that the publication was likely from the mid-20th century.

Overall, the image provides a glimpse into the art and culture of the time, showcasing both historical artworks and contemporary art scenes. The mix of articles and illustrations gives a sense of the diverse range of topics covered in the publication.

The image shows a page from a newspaper, specifically from The New York Times, dated Sunday, February 5, 1939. The page is divided into several sections, each featuring different topics and illustrations.

Layout and Content:

Top Left Section:

• Headline: "FRENCH DRAWINGS"
• Subheading: "Two Notable Surveys—Pioneer Marin"
• Byline: By Howard Devree
• Content: This section discusses a notable exhibition of French drawings, highlighting the work of Claude Lorrain, a pioneer in marine painting. The text mentions the exhibition at the Metropolitan Museum, noting that it features over 200 drawings and prints by Lorrain and other French artists. The article emphasizes the historical and artistic significance of the exhibition, describing Lorrain's work as "the most important group of French drawings ever assembled in this country."

Top Right Section:

• Headline: "ART"
• Subheading: "The New York Times, Sunday, February 5, 1939"
• Illustrations:
  1. Left Illustration: A dramatic depiction of a ship in a stormy sea, labeled "FRENCH—Two Ships" by Claude Lorrain, lent by the Chicago Art Institute to the Metropolitan Museum. This illustrates Lorrain's maritime work, which is a central theme of the article.
  2. Right Illustration: A dynamic, stylized drawing of a circus performer, labeled "At the Circus," ébauche, by Toulouse-Lautrec, lent by Mr. and Mrs. Philip Hofer to French drawing show. This showcases another artist featured in the exhibition.

Middle Section:

• Headline: "Fogg Museum Talk Spans Cyprus Past"
• Byline: By Charles H. Morgan III
• Content: This article discusses a lecture given at the Fogg Art Museum in Cambridge, Massachusetts, focusing on the history and archaeology of Cyprus. The lecture, delivered by Mr. G. M. A. Hanfmann, explores the island's rich past, including its ancient civilizations, art, and architecture. The text mentions discoveries such as Rhodian castles, Byzantine churches, and early Christian sites, as well as artifacts like statuary, vases, coins, archi-tectural fragments, jewelry, rings, and seals. The article highlights the importance of these findings for understanding the island's cultural heritage.

Bottom Left Section:

• Headline: "PORTRAIT—Rodin (de lull…)"
• Illustration: A black-and-white portrait of a man, presumably Auguste Rodin, the renowned French sculptor. The caption suggests that this is part of an article or feature about Rodin's work, though the full context is not visible in the image.

Design and Layout:

• The page features a classic newspaper layout with clear headings, subheadings, and illustrations.
• The illustrations are placed strategically to complement the text, providing visual context for the articles.
• The typography is consistent with early 20th-century newspaper design, with serif fonts and structured columns.

Overall Theme:

The page covers a mix of art exhibitions, historical lectures, and portraits of notable artists, reflecting a focus on cultural and artistic events of the time. The inclusion of both contemporary exhibitions (French drawings) and historical lectures (Cyprus) highlights the diversity of topics covered in the newspaper.

Visual Elements:

• Text: The text is dense and formatted in columns, typical of newspaper articles from the era.
• Illustrations: The illustrations are monochromatic, matching the newspaper's printing style. They include detailed drawings and photographs, providing visual interest and context for the articles.

This page offers a snapshot of the cultural and artistic discourse of February 1939, emphasizing the importance of art exhibitions, historical research, and the legacy of prominent artists like Claude Lorrain and Auguste Rodin.

The image displays an open newspaper or magazine page with articles and illustrations primarily related to art. The articles mention French drawings with a headline "French Drawings," indicating a feature on notable surveys or exhibitions. There are two illustrations visible on the page, one showing two sailing ships, which is described as "Two Ships" by Claude Lorrain, and another showing a scene with characters possibly from a circus or performance.

The page appears aged, with some discoloration consistent with old paper. There are further articles and text visible, but the details are not entirely clear due to the image resolution. The text at the bottom refers to "Fogg Museum Talk Spans Cyprus Past," suggesting a lecture or discussion event related to historical or archaeological topics.

Towards the bottom of the newspaper, a portion of the content, including an image, is obscured. There are some signs of wear on the paper, such as creases and slight rips, indicating that the physical condition of the document is not pristine.

This image shows an aged newspaper page, seemingly from The New York Times, with its title printed at the top. The date, Sunday, February 8, 1959, is visible at the upper right corner. The page appears to focus on discussions about art, exhibitions, and cultural history, with several articles, columns, and illustrations.

Key elements of the image:

1. Header Title:

   • The section header reads "ART."

2. Articles:

   • The left column features an article titled "French Drawings," discussing exhibitions of notable works by French artists such as Claude Lorrain and Toulouse-Lautrec. It also includes detailed commentary on themes and their historical context.
   • Another prominent article, titled "Fogg Museum Talk Spans Cyprus Past," discusses archaeological discoveries and historical significance, including references to ancient Cyprus and the Byzantine period.

3. Illustrations:

   • Below the title "French Drawings," there are two black-and-white illustrations:
     • A ship-themed drawing titled "Two Ships" by Claude Lorrain.
     • A drawing titled "At the Circus" by Toulouse-Lautrec, depicting a circus scene with figures and animals.
   • There is also a portrait detail of Rodin by Renoir provided in the left column.

4. Layout:

   • The text is arranged in traditional newspaper columns, with segregated sections and overlapping clipping-style layouts. There’s also evidence of adhesive residue on the lower right part of the page, suggesting a scrapbook or archival context.

5. Aesthetic:

   • The page appears yellowed and weathered, indicating the passage of time. It may have been part of a curated collection of historical or artistic interest.

This piece captures a slice of mid-20th-century cultural discourse, emphasizing French art, historical treasures, and museum exhibitions.

The image shows a yellowed newspaper page from The New York Times dated Sunday, February 8, 1959. The page is from the "ART" section and contains multiple articles and illustrations related to art.

On the left side, there is an article titled "FRENCH DRAWINGS" by Howard Devree. The article discusses notable surveys of French drawings, mentioning various artists and styles. Beneath this article is a small image labeled "PORTRAIT—'Rodin’s' (detail), by Renoir, among drawings at Metropolitan," showing a blurred portion of an artwork.

In the upper middle part of the page, there are two images: one depicts two large sailing ships, labeled "FRENCH— 'Two Ships' by Claude Lorrain, lent by Chicago Art Institute to the Metropolitan Museum." The second is labeled "'At the Circus,' crayon, by Toulouse-Latree, lent by Mr. and Mrs. Philip Hofer to French Drawing show," depicting a figure with horses in a loose sketch style.

To the right of these images is a larger article titled "Fogg Museum Talk Spans Cyprus Past" by a staff writer of The Christian Science Monitor. The article discusses a lecture at Harvard University’s Fogg Museum about Cyprus’s archaeological and historical significance. It mentions various artifacts, periods, and findings related to Cyprus history, such as pottery, coins, ceramics, and influences from Byzantine and Egyptian cultures.

Overall, the page contains a mix of art reviews, reports on exhibitions, and scholarly discussions about art history. The paper looks aged with a slightly torn upper left corner.

This is a page from a vintage newspaper scrapbook. The page contains:

• A header reading The New York Times, Sunday, February 8, 1959, with the section labeled ART.
• A left-column feature titled “FRENCH DRAWINGS” by Howard Devree, about two notable surveys. It includes:
  • Two black-and-white ship drawings (masts and rigging) credited to Claude Lorrain, lent by the Chicago Art Institute to the Metropolitan Museum.
  • A secondary image captioned “At the Circus,” a crayon drawing by Toulouse-Lautrec (lent by Mr. and Mrs. Philip Ho) for a French drawings show.
  • A short block of text describing the exhibition, plus a small portrait clipping near the bottom.
• A right-hand area with more article text and images, continuing the same feature.
• A separate clipping pasted over the page titled “Fog Museum Talk Spans Cyprus Past,” a piece by a Boston/ Cambridge correspondent about the Fogg Museum (Harvard) and Cyprus-related topics. It has a bold headline and a column of text describing the lecture or exhibition.

Overall, it’s a collage of old newspaper clippings about art exhibitions and museum talks, mounted on aged brown scrapbook paper. The tones are sepia/brown, and the layout includes several small images and dense column text.