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This image shows a spread from a vintage art magazine, specifically a page from THE CONNOISSEUR, September 1958, American Edition.

The page, numbered Page 64–65 and titled “The Connoisseur in America”, features an article by Helen Comstock discussing the Curtis O. Baer Collection of drawings.

Key Elements:

• Main Image: On the left side of the page is a black-and-white reproduction of Rembrandt’s drawing “The Matchmaker” (1640–45). The sketch depicts an older woman standing next to a seated young woman, likely in a domestic or courtship scene. The caption identifies the work as from the Curtis O. Baer Collection and courtesy of the Fogg Art Museum.

• Article Content:

  • Introduces the Baer Collection Catalogue, published by Harvard University in January 1958. The article praises its quality, typography, and grave illustrations, noting its value in an era of limited availability.
  • Discusses the importance of the collection, assembled over many years, which includes 91 subjects chosen for quality rather than for representing schools or periods.
  • Highlights notable works: Rembrandt’s “The Matchmaker” (formerly owned by Prince Liechtenstein), a Tiepolo drawing of a seated figure, portraits by Delacroix and Ingres, and drawings by modern artists like Gauguin, Matisse, and Picasso.
  • Mentions Dutch and Flemish works including portraits by Van der Goes, landscape studies by Paul Bril, and an Old Testament scene by Meliore.

• Typographical Notes:

  • The text is arranged in two columns.
  • There’s a distinct section at the bottom left titled “Baer Collection Catalogue”, beginning with the line: “STUDENTS and collectors of drawings, who it would seem are growing in number...”
  • The page is slightly yellowed, indicating its age.
  • It is laid open inside what appears to be a bound volume or scrapbook, with visible glue and wear along the binding edge on the right.

Overall Description:

This is a scholarly and elegantly designed page from a mid-20th century art publication, presenting an in-depth review of a significant private drawing collection, illustrated with a fine reproduction of a Rembrandt work. It reflects the connoisseurship and academic appreciation of drawings at the time. The physical condition suggests it is from a personal or library collection preserved over decades.

The image shows a page from a book or magazine titled "The Connoisseur" from September 1958, specifically Page 64-65 in the "American Edition." The page features a sketch by Rembrandt titled "The Matchmaker (?)." This sketch is from the Curtis O. Baer Collection and is courtesy of the Fogg Art Museum.

The illustration depicts two figures seated at a table, engaged in what appears to be a conversation or interaction. The drawing is a black and white sketch, showcasing Rembrandt's technique in capturing the dynamics between the two individuals.

Below the sketch, there is a section of text titled "Baer Collection Catalogue," which appears to be a summary or description of the Curtis O. Baer Collection, discussing various drawings and their artists. The text is written in an academic tone, providing details about the collection and its significance.

This image is a scanned page from an old document, likely a magazine or book. The page appears to be from "The Connoisseur," an American edition dated September 1958. The text is written by Helen Comstock and discusses a catalogue of the Curtis O. Baer Collection, which was shown at the Fogg Art Museum. The page number mentioned is 64-65 in "The Connoisseur in America."

The page includes a sketch titled "The Matchmaker," attributed to Rembrandt, from the Curtis O. Baer Collection, courtesy of the Fogg Art Museum. The sketch depicts three figures seated at a table, with one of them wearing a hat.

The text elaborates on the Baer Collection, describing it as a little-known collection assembled over many years, consisting of sixty-one subjects. It mentions various artists and works included in the collection, such as Italian and Flemish masters, Delacroix, Ingres, Gauguin, Matisse, Picasso, and others. It also discusses the Dutch group in the collection, mentioning artists like Pieter Brueghel the Elder, Paul Bril, and Jan Ruisdael.

The page is mounted on a beige background, and there is some wear and tear visible on the edges of the document. The text is in English and provides detailed information about the artworks and the collection.

An old book is open to a page with a drawing and text. The drawing is of a man and a woman sitting at a table. The man is wearing a hat and the woman is wearing a veil. The drawing is titled "The Matchmaker" and is by Rembrandt. The text is about the Rembrandt drawing collection at the Fogg Art Museum, which was recently issued by Harvard University. The collection is small but has high-quality drawings, including works by Rembrandt and other artists.

The image shows an open book with a page featuring an article titled "The Connoisseur, September 1958, American Edition." The article is about a collection of drawings and prints from the Curtis O. Baer Collection, which was exhibited at the Fogg Art Museum at Harvard University. The article highlights the quality and rarity of the collection, which includes works by various artists such as Rembrandt, Tiepolo, and Guardi. The image also includes a black-and-white illustration of "The Matchmaker" by Rembrandt, which is described as a masterpiece and a rare work from the middle period of the artist. The article emphasizes the significance of the collection and its value for scholars and collectors of drawings and prints.

The image depicts an open book, specifically a page from The Connoisseur magazine, dated September 1958, American Edition. The page is titled "The Baer Collection" and is authored by Helen Comstock. The content appears to be an article or review discussing an exhibition or collection of drawings held at the Fogg Art Museum in January 1958. The text provides details about the exhibition, including its preparation by the scholar Agnes Mongan and its focus on the work of the artist Rembrandt van Rijn.

On the left side of the page, there is a black-and-white illustration of a drawing titled "The Matchmaker" by Rembrandt. The caption beneath the illustration identifies it as being from the Carls O. Baer Collection and credits the Fogg Art Museum as the source. The drawing depicts two figures seated at a table, engaged in what appears to be a conversation or interaction, with one figure wearing a hat and the other with a veil or head covering.

The right side of the page contains descriptive text that elaborates on the Baer Collection, highlighting its significance and the variety of works included. The text discusses the collection's origins, its growth over the years, and its representation of various artists and styles, including Italian, Dutch, and Flemish works. It also mentions specific artists such as Jan Steen, Pieter Breughel the Elder, and others, noting the collection's strengths in certain periods and subjects.

The overall aesthetic of the page is classic and formal, consistent with the style of mid-20th-century art journals. The paper has a slightly aged, sepia-toned appearance, suggesting the book may be an original or well-preserved copy. The layout is clean, with a balance of text and visual elements, emphasizing the importance of the illustrated drawing as a central feature of the article.

The image shows an open book or catalog page against an orange-brown background. It appears to be from "THE CONNOISSEUR, September 1958, American Edition" and references pages 64-65 in "The Connoisseur in America" by Helen Comstock.

The left side of the page presents a black and white reproduction of a sketch titled "The Matchmaker," attributed to Rembrandt. The artwork depicts two figures near a table or desk, with one person seated and the other standing, leaning forward as if engaged in conversation.

The right side of the page is filled with dense text that discusses art collections, specifically mentioning "The Matchmaker," other artworks, and details about the Fogg Art Museum's Curtis O. Baer Collection. The text includes art historical references and commentary on the qualities of various pieces.

At the bottom of the page, under the title "Baer Collection Catalogue," there is a segment addressed to students and collectors of drawings, explaining that it would seem they are plunging into the depth of art and are growing in number.

The caption beneath the artwork indicates that the sketch is from the Curtis O. Baer Collection and courtesy of the Fogg Art Museum. The snapshot conveys the content of a detailed art publication and provides insight into art collecting and appreciation as discussed in the late 1950s.

This image shows a page from a book or magazine that includes a heading, body text, and an illustration.

The main header reads: "The Connoisseur, September 1958, American Edition", followed by smaller text mentioning "Page 64–65 in 'The Connoisseur in America.'" The article is credited to Helen Comstock.

Below the heading is a block of typed text arranged in columns. The text discusses art collections, including references to important works of art, highlighting an item titled "The Matchmaker (?) by Rembrandt." This particular piece is pictured as a monochromatic sketch depicting two seated figures interacting.

Additional commentary references the Curtis O. Baer Collection, which seems to be the subject of the article. Further notes are written in fine-text format below and to the right of the illustration, which includes historical context and analysis of the artwork and collection.

The text and image are printed on an aged and slightly yellowed page, indicative of the document’s vintage nature. Tabbed index markers are visible on the right-hand edge, adding an archival element to the image.

• The image shows a pasted clipping mounted on a tan-colored scrapbook page.
• At the top of the clipping there is a header that reads something like “THE CONNOISSEUR, September 1958, American Edition” and mentions pages 64–65 in “The Connoisseur in America,” by Helen Constock.
• In the left portion there is a small black-and-white illustration of two people seated at a table (one appears to be wearing a hat). The caption beneath reads something like “The Matchmaker (?) By Rembrandt. From the Curtis O. Baer Collection. Courtesy Fogg Art Museum.”
• The right side of the clipping is dense body text arranged in a vertical column, typical of a newspaper or magazine article.
• At the bottom left there is a small box with text titled “Baer Collection Catalogue,” describing the collection and its growth.
• The page shows the edges of the clipping and some light wear, indicating it is an old archival page.

The image shows a page from a book or a magazine, titled "THE CONNOISSEUR, September 1958, American Edition". The article is titled "The Connoisseur in America" and is authored by Helen Comstock. The page number indicated is 64-65.

There is a black-and-white illustration on the left side of the page, depicting two people sitting at a table. One figure appears to be a woman sitting on a chair, while the other looks like a man leaning over the table, possibly engaged in conversation or some activity involving the table. The drawing is signed as "The Matchmaker(?) By Rembrandt. From the Curtis O. Baer Collection. Courtesy Fogg Art Museum."

The text on the page discusses art collections, focusing on a catalogue from the Curtis O. Baer Collection recently issued by Harvard University. It mentions the involvement of Agnes Mongan and details about the collection of drawings, including works by various masters such as Rembrandt, Titian, and others. The text emphasizes the quality, significance, and selection of the pieces in the collection.

There is also a smaller segment at the bottom under the heading "Baer Collection Catalogue" addressing students and collectors of drawings, noting the scarcity of fine subjects available and informing about the catalogue mentioned earlier. The edges of the page are slightly worn, indicating age.