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This image shows a photograph of a stone relief carving, presented as a page from a book or album.

Key Elements:

• The Artifact: The central focus is a vertically oriented, rectangular stone stele featuring a bas-relief sculpture of a standing figure.

  • The figure is depicted in profile, turned to the right, with a serene and slightly smiling expression.
  • It has a halo or nimbus behind its head, indicating a sacred or enlightened being.
  • The figure is dressed in flowing robes, characteristic of Buddhist monastic attire, with folds carved to show volume and movement.
  • The left hand is raised to the chest, with fingers arranged in a specific gesture (mudra), while the right hand appears to be holding an object, possibly an alms bowl or a symbolic item.

• The Photograph & Presentation:

  • The stone stele is photographed against a dark, matte background, which isolates the artifact and emphasizes its form.
  • The photograph is mounted on a cream-colored page, with black corner mounts securing it.
  • In the top right corner of the page, the number "[16]" is handwritten in pencil, likely indicating the page or item number in the album.
  • Along the right edge, the spine of the book is visible, with a yellow tab that reads "CHINESE BUDDHIST".

• Handwritten Caption:

  • Below the photograph, there is a handwritten caption in blue ink that identifies the artifact:

    Buddhist Immortal (Arhat)
    from T’ien Lung Sahm Grottoes
    (available from C. T. Laughlin)

  • Note on Spelling: The caption uses the older Wade-Giles romanization "T'ien Lung Sahm Grottoes." This is a variant spelling of the famous Tianlongshan Grottoes (天龍山石窟), a significant site of Buddhist cave temples located in Shanxi Province, China, dating primarily to the Northern Qi dynasty (6th century) and the Sui and Tang dynasties (6th–9th centuries).

  • "Arhat" (or "Arahat") is a term in Buddhism for a person who has attained enlightenment and is freed from the cycle of rebirth.

• Historical Context:

  • The mention of "available from C. T. Laughlin" suggests this photograph may have been used for documentation, study, or even commercial purposes, as Charles T. Laughlin was known to have been involved in the art trade during the early 20th century, a period when many artifacts were removed from Chinese sites.
  • This artifact likely represents a high-quality example of early medieval Chinese Buddhist sculpture, showcasing the stylistic features common in grotto art from the period.

In summary, this image is a historical photograph of a stone Buddhist Arhat (Immortal) sculpture from the Tianlongshan Grottoes in China, mounted in an album with handwritten identification. It serves as both a document of a significant cultural artifact and a record of its circulation and study during the early 20th century.

The image shows a page from a book or catalog featuring a black-and-white photograph of a stone relief sculpture. The relief depicts a Buddhist figure, likely an Arhat (a term for an "Arahant" or "Enlightened One"), dressed in traditional robes. The figure is standing and appears to be holding an object, possibly a fan or a scroll. The sculpture is framed within a rectangular border, and the text below the image identifies it as a "Buddhist Immortal (Arhat) from T'ien Lung Sahn Grottoes" and notes that it is available from C. J. Laughlin. The page has a vintage appearance, suggesting it may be from an older documentation or catalog.

This image showcases a photograph of a stone carving depicting a Buddhist Immortal, also known as an Arhat. The carving is mounted on a black rectangular frame and is displayed on a beige page within a book or portfolio. The Arhat is depicted in a standing pose, wearing traditional robes that are intricately carved to show folds and drapery. The figure has a halo around its head, indicating its spiritual significance. The Arhat is holding a small object in its right hand, possibly a fan or a scroll. The carving appears to be weathered, suggesting it is an ancient piece. Below the photograph, there is handwritten text that reads: "Buddhist Immortal (Arhat) from T'ien Lung Sahn Grottoes (available from C. F. Laughlin)." The page is part of a collection, as indicated by the yellow tab on the side with the word "GALLERIES" and the number 16 in the top right corner.

The image is a page from a book or a notebook. It features a photograph of a stone carving of a Buddhist Immortal, also known as an Arhat. The carving is in black and white, and it depicts a figure wearing traditional robes, holding a small object in one hand, and with a serene expression. The photograph is mounted on the page with a black border around it. Below the photograph, there is a caption written in blue ink, which reads "Buddhist Immortal (Arhat) from Thien Lung Sahn Grottoes (available from C. T. Lauehlein)." The page has a green border on the right side, and there is a small yellow label attached to the right edge of the page.

The image appears to be a page from a book or album featuring a black and white photograph of a Buddhist Immortal, also known as an Arhat. The photograph depicts a stone carving or sculpture of a Buddhist figure, possibly a monk or saint, with intricate details and textures.

The image is accompanied by a caption or description, written in blue ink, which provides some context and information about the photograph. The caption reads:

"Buddhist Immortal (Arhat) from Tien Lung Sanh Grottoes (available from C. T. Laugelin)"

Based on this caption, the photograph likely shows a Buddhist Immortal or Arhat from the Tien Lung Sanh Grottoes, a series of Buddhist cave temples located in China. The caption also mentions that the photograph is available from C. T. Laugelin, which could be a publisher, distributor, or seller of such images or prints.

The image is presented on a page with a beige background and a green border, suggesting that it is part of a larger publication or collection of photographs or illustrations related to Buddhist art, culture, or history.

The image shows a page from a book or catalog featuring a detailed black-and-white illustration of a Buddhist Immortal (Arhat). The illustration is mounted on a black rectangular mat and is presented against a light beige background. The figure is depicted in a traditional style, wearing flowing robes and a halo-like headpiece, which is characteristic of Buddhist iconography. The figure's posture is serene and contemplative, with one hand gently resting on the other, suggesting a meditative or spiritual state.

Below the illustration, handwritten text identifies the subject as:

• "Buddhist Immortal (Arhat)"
• "from Tien Lung Sahri Grottoes"
• "available from C. J. Laughlin"

The page appears to be part of an archival or exhibition catalog, as indicated by the structured layout and the inclusion of descriptive text. The top right corner of the page has a handwritten notation "[16]," likely indicating the page number or catalog entry number. The overall presentation suggests a focus on historical or artistic documentation, possibly related to Buddhist art or archaeology.

This image showcases a black-and-white photograph of a relief carving depicting a Buddhist figure, identified in the inscription as an "Immortal (Arhat)" from the "T'ien Lung Shan Grottoes." The figure appears in profile, looking to the right and is depicted with Asian facial features, an elongated earlobe, and is wearing draped monastic robes. The carving includes details of wavy lines that suggest the folds of the garment and a halo around the figure's head, indicative of its spiritual significance.

The carving itself is photographed against a dark background and is mounted or placed within a lighter-colored matte border. It seems like a photo from an old book or archive, given the yellowish hue of the page, and is accompanied by a typewritten caption at the bottom that gives information about the subject of the carving. There's also handwriting that most likely indicates the source or the person it can be obtained from ("available from C. T. Loo"). The notation on the upper right corner "(26)" might be referring to the page or item number in the collection or archive from which it comes.

The image shows a black-and-white photograph of a carved stone relief depicting a Buddhist Immortal (Arhat). The figure is standing and is dressed in traditional robes with intricate folds and details. The Arhat has a halo around his head and holds a small object or bag in his left hand while the right hand is raised in a gesture. The style is characteristic of Buddhist art.

The photograph is mounted on an album page, with the following handwritten caption beneath it: "Buddhist Immortal (Arhat) from T'ien Lung Sahn Grottoes (available from C. J. Laughlin)." The page number "[16]" is marked in the top right corner of the page. The photograph is affixed at the corners with black photo corners.

The image shows a black‑and‑white photograph of a carved stone relief mounted on a page. It depicts a Buddhist Arhat (Buddhist Immortal) standing in flowing robes, with a serene, side‑glanced face. A circular halo surrounds the head. The robe is detailed with many layered folds, and the right hand is raised near the chest while the left hand holds or adjusts the robe. The relief is set in a tall, narrow rectangular panel with small corner mounts. The surrounding page is cream-colored, and a handwritten caption below identifies it as “Buddhist Immortal (Arhat) from Lien Lung Sahn Grottos (available from C. F. Laughlin).” A small yellow tab is visible on the right edge of the page.

This image shows a black and white depiction of a relief carving or rubbing, featuring a Buddhist arhat (a spiritual practitioner). The figure is rendered in a classical style, standing and draped in detailed, flowing robes with intricate patterns. The halo surrounding the arhat's head indicates their spiritual significance. The figure's pose is expressive, with one hand outstretched. The text beneath the image identifies it as a "Buddhist Immortal (Arhat)" from the T’ien Lung Shan Grottoes, with a note referring to its availability from a source named C.T. Loughlin. The artwork is mounted on a page, with corners held in place.