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ARCH.2003.33, Rendition: 803304
The image depicts a black and white photograph of a Romanesque capital, which is a carved stone block that typically forms the top of a column. The capital is labeled as being from the 12th century and originating from the Monastery of Saint Jean in France. The carvings on the capital are intricate, featuring several human figures that appear to be in a narrative scene, possibly depicting a biblical or historical story.
The figures are shown in a stylized manner typical of Romanesque art, with a focus on religious themes. The scene includes a group of people, some of whom seem to be interacting, suggesting a moment of significance. The capital is described as being part of the "Journey to Emmaus," a well-known biblical story where two disciples encounter the risen Jesus.
The photograph is mounted on a page, likely from an album or a catalog, with handwritten notes below providing the details of the piece. The page has some damage, such as a tear on the left side, and there are visible creases and discoloration, indicating its age.
The image depicts an ancient carved stone relief, likely from the French Romanesque period, specifically from the 12th century. This particular relief is labeled as part of the "Journey to Immanuel" from Mountier-Saint-Jean.
The relief showcases a group of figures engaged in what appears to be a narrative scene. The figures are intricately detailed, with elaborate attire that includes rich fabrics and ornate designs. The central figures seem to be in a dynamic pose, suggesting movement and activity.
The caption on the image reads:
"1922.17, French Romanesque Capital from Mountier-Saint-Jean, 12th Century 'The Journey to Immanuel' (available from C. T. Laughlin)."
The image is framed within a page of what appears to be an archival or museum catalog, indicating that the stone capital is part of a collection, likely for historical and artistic study. The photograph is in black and white, which highlights the textures and details of the stone relief.
The image shows a black-and-white photograph of a detailed stone carving, likely from a historical artifact. The carving depicts several human figures in robes, engaged in what appears to be a ceremonial or significant event.
The figures are intricately carved, showcasing elaborate garments and accessories. The central figures seem to be involved in a ritual or presentation, with one figure possibly holding a book or a scroll and another appearing to be in a gesture of respect or offering.
Below the photograph, there is a handwritten note providing context for the image. The note reads:
"1922.17, French Romanesque Capital from Moutier-Saint-Jean, 12th Century 'The Journey to Emmaus' (Available from C. A. Laughlin)"
This indicates that the carving is a Romanesque capital from Moutier-Saint-Jean, dating back to the 12th century, and it is titled "The Journey to Emmaus," which is a biblical story about two disciples encountering the risen Jesus Christ. The note also mentions that it is available from C. A. Laughlin, which might refer to a source or dealer.
The image shows a detailed photograph of a French Romanesque capital, a sculpted block that sits on top of a column. This particular piece is from Moissac, specifically from the Saint-Pierre (St. Peter) abbey, and dates back to the 12th century.
The carving depicts a biblical scene known as "The Journey to Emmaus," which is detailed in the Gospel of Luke (Luke 24:13-35). In this scene, two disciples meet the resurrected Jesus on the road to Emmaus but do not recognize him initially.
In the sculpture:
The photograph is mounted in a frame, and there is a note at the bottom providing information about the artwork, including its origin and the scene depicted. It also mentions that the image is available from C. A. Leughlin.
The image depicts a black-and-white photograph of a Romanesque capital from the 12th century, specifically from Moutier-Saint-Jean in France. The capital is an architectural element, typically the topmost part of a column, and it is intricately carved.
The carving shows a series of human figures in various poses. The figures appear to be engaged in a narrative scene, possibly representing a biblical or historical event. One of the figures in the center seems to be standing, holding what looks like a book or scroll, with others surrounding him, possibly in a moment of interaction or dialogue.
The photograph is labeled with the following information:
The photograph is mounted on a piece of paper, which is itself placed inside an archival folder. The archival folder has some identifying tags and numbers on it, suggesting it is part of a collection, likely in a museum or an archive.
The image shows a page from a book or a photo album containing a black-and-white photograph of a French Romanesque capital from the 12th century. The capital is from Nouthiers-Saint Jean and depicts a scene titled "The Journey to Emmaus." The photograph is mounted on a beige background, and there is handwritten text beneath the image that provides information about the artwork. The text reads:
"1932/17 French Romanesque Capital from Nouthiers-Saint Jean, 12th Century
'The Journey to Emmaus'
(Available from C.A. Laughlin)"
The capital itself is intricately carved with figures, likely representing biblical characters. The figures are detailed with flowing garments and expressive faces. The scene appears to be part of a larger architectural element, possibly from a church or cathedral. The photograph captures the detailed craftsmanship and historical significance of the artwork.
The image shows a black and white photograph of a French Romanesque capital from the 12th century, originating from Moutier-Saint-Jean. The sculpture depicts a biblical scene known as "The Journey to Emmaus." The artwork features several figures, with expressive faces and detailed drapery on their garments. One of the figures appears to be gesturing with a raised hand, while the others are engaged in an interaction. The photograph is mounted in an album, held by photo corners, and there is handwritten text below it providing information about the object, including the date "1922.17" and a note that it is available from a person named C. H. Laughlin.
The image displays a black and white photograph of a French Romanesque sculptural capital, originating from Moissac Abbey and dating back to the 12th century. This work of art is titled "The Journey to Emmaus" and is a fine example of medieval Christian iconography. The stone carving depicts a scene with three figures in high relief, wearing garments with intricate folds and textures that indicate their movement and the flow of their robes. Each figure has a distinctive posture and appears engaged in an interaction with the others, suggesting a narrative moment captured in stone. The capital would have originally been a part of the architectural decoration of a church or abbey, placed above a column to support an arch or vault.
The craftsmanship of the carving indicates skilled artisans of the Romanesque period. The details of the figures' attire, their expressions, and the overall composition reflect the stylistic characteristics of this era in European art, with a focus on conveying religious stories and messages. The capital is an artifact of cultural and historical significance, showcasing the spiritual and artistic endeavors of its time.
The photograph itself is mounted on a page within what appears to be a library or archival binder, indicating the image is part of a collection or an art historian's research material. There is an orange-colored label on the left binding of the photograph, likely a categorization or reference marker, and handwritten notes below the image provide information about the artefact for educational or scholarly purposes.
The image depicts a photograph of a historical artifact, specifically a French Romanesque capital from the 12th century. The photograph is displayed on an open page of a catalog or archive, likely part of a collection or museum record. The artifact appears to be a carved stone capital, featuring intricate relief work with multiple figures.
Artifact Description:
Provenance:
Catalog Information:
Presentation:
The artifact's style and subject matter suggest it may have been part of a church or religious structure, reflecting the spiritual and artistic conventions of the Romanesque period. The reference to "The Journey to Immaüs" hints at a possible thematic or narrative connection, possibly illustrating a biblical or allegorical scene.
Overall, the image provides a glimpse into medieval European art and craftsmanship, preserved within a structured archival system.
A photograph of a sculpture is placed on the page of a book. The sculpture is in black and white, and it depicts several people standing close to each other. The sculpture seems to be made of stone. The book is opened, and the page is white. The photograph is glued to the page, and some text is written on the page. The book seems to be an old one.