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ARCH.2003.33, Rendition: 803230
This image shows a vintage page from a publication, specifically “The Home Forum” section of “The Christian Science Monitor”, as indicated by the masthead at the top. The page features a large, detailed, black-and-white engraving, along with accompanying text.
The central illustration is a detail from an engraving titled “London Bridge, 1600” by John Norden.
The article, written by Dorothy Ablow, provides context for the engraving:
This page serves as a historical educational artifact, combining visual art (the engraving) with modern journalism to bring a 17th-century urban scene to life for a contemporary (likely 1960s-70s) American audience. It highlights cultural diplomacy (via the Royal Swedish Embassy), museum curation (Smithsonian), and the rediscovery of a rare historical collection.
In summary, this is a page from The Christian Science Monitor showcasing a historical engraving of 1600s London Bridge, contextualized by an article explaining its origin, significance, and current exhibition status — offering readers a glimpse into early modern European urban life.
The image is a historical illustration of London Bridge as it appeared in 1600, based on a detailed engraving by John Norden. The illustration is a black-and-white reproduction and appears to be from a publication titled "The Home Forum" by "The Christian Science Monitor." The text accompanying the illustration provides historical context, including that the bridge was destroyed by fire in 1666.
The illustration shows a bustling scene on the river Thames with numerous buildings, ships, and boats, indicating a busy port area. The bridge itself is depicted with a solid structure, with multiple arches and towers. There are annotations on the illustration indicating different parts of the bridge and the river. The text at the bottom of the page mentions that the illustration is courtesy of the Smithsonian Institution, Washington, D.C., and is part of an exhibition called "A Century of City Views," sponsored by the Royal Swedish Embassy.
This image is a scanned page from a publication titled "The Home Forum," part of "The Christian Science Monitor." The page features a detailed black-and-white engraving titled "LONDON BRIDGE, 1600," created by John Norden. The engraving depicts a historical view of London Bridge, showing a densely packed urban landscape with numerous buildings, boats, and ships along the river.
The text on the page describes the old London Bridge, noting that it was destroyed by fire in 1666. It mentions an exhibition of rare prints by noted artists of the Renaissance, organized by the Smithsonian Institution of Washington, D.C., titled "A Century of City Views." The collection includes portraits of various European cities and is being circulated in a traveling exhibition.
The article is signed by Dorothy Adlow and provides additional context about the historical significance of the engravings and the bridge itself, mentioning its reconstruction in 1832 after being destroyed by fire. The page also includes a note about the source of the image being courtesy of the Smithsonian Institution, Washington, D.C.
The image is a page from a magazine, specifically from "The Home Forum" section of "The Christian Science Monitor." The page features a large, detailed engraving of the London Bridge as it appeared in 1600. This engraving is titled "LONDON BRIDGE, 1600," and it is credited to John Norden. The engraving is accompanied by a brief description, which explains that it is a detail from an engraving by John Norden and that the original engraving was destroyed by fire in 1666. The engraving is part of a collection of 50 rare prints called "A Century of City Views," which is housed in the Royal Swedish Embassy. This collection was discovered by Uno Willers, who made the selection of prints shown in Washington.
The engraving depicts the London Bridge with its distinctive architecture, including multiple arches and buildings constructed over the bridge. The bridge spans a body of water, likely the River Thames, with various boats and ships visible in the water. The scene is bustling with activity, suggesting a busy commercial area.
The text below the engraving provides additional context about the engraving and its historical significance. It mentions that the engraving is a detail from a larger work and that it is part of an exhibition of city views. The text also notes that the engraving is one of three subjects of London in the Smithsonian Institution's collection, which is being circulated by the Royal Swedish Embassy.
The page also includes a small advertisement or note at the bottom right corner, which is partially obscured but appears to be related to the exhibition or the collection of city views. The overall layout of the page is clean and straightforward, with the engraving taking up most of the space and the text providing supplementary information.
The image is a photograph of a page from an old book or magazine. The page features an illustration of a city, possibly London, with a bridge and buildings. The illustration is in black and white and appears to be an engraving or woodcut. The text on the page is in a cursive font and includes the title "The Home Forum" and a subtitle "The Christian Science Monitor." The text also includes information about the illustration and the history of the city.
The image depicts a page from The Christian Science Monitor, specifically from a section titled "The Home Forum." The page features a detailed historical engraving titled "London Bridge, 1600" by John Norden. The engraving illustrates the iconic London Bridge as it appeared in the early 17th century, showcasing its architectural style and the surrounding urban landscape of the time. The scene includes stone structures, narrow streets, and modest buildings characteristic of the era, with a canal or waterway visible in the foreground.
Below the engraving, there is a descriptive caption that provides context about the artwork. It explains that the engraving is part of a larger collection of city views known as "A Century of City Views," which was discovered in the library of the Royal Embassy in Stockholm. The collection includes 200 engravings dating from 1520 to 1620 and was compiled by John Norden. The caption also notes that the prints were exhibited at the Library of Congress in Washington, D.C., sponsored by the Royal Swedish Embassy, and that the collection is considered an antique related to the Renaissance.
The page is part of an issue dated October 24, 1938, and the text is attributed to Dorothy Adlow. The overall presentation suggests a historical and cultural focus, emphasizing the significance of the engraving as a historical artifact and its connection to the broader collection of city views. The layout and design reflect the style of mid-20th-century print media, with a clear emphasis on historical illustration and commentary.
The image shows a printed page from what appears to be a vintage publication titled "The Home Forum" under the header "THE CHRISTIAN SCIENCE MONITOR." The main feature of the page is a detailed black-and-white engraving with a caption that reads "London Bridge, 1600"; Detail From an Engraving by John Norden."
The engraving itself depicts a scene of London Bridge as it might have looked in the year 1600. The bridge is crowded with buildings and appears to be bustling with activity. It spans a river filled with various boats, and additional buildings are visible in the background, suggesting a densely populated urban area.
Below the image is accompanying text, which likely provides context and information about the engraving, such as its history, significance, or the location where it might be displayed or stored. On the right side of the image, there is a small text box with a courtesy line indicating that the image is courtesy of the British Isles Institute, Washington, D.C.
The paper has an aged look, with yellowing and slight wear around the edges, which suggests that this is a photograph of a physical copy of an older edition of the publication.
The image is a page from an old publication called "The Home Forum," part of "The Christian Science Monitor." The page features a detailed engraving titled "London Bridge, 1600," by John Norden. The engraving shows an intricate historical depiction of London Bridge from the year 1600, illustrating the bridge’s structure, houses built atop it, and the surrounding river with boats. Above the engraving, the article discusses the historical significance of the old London Bridge, mentioning its destruction by fire in 1666, the rediscovery of the engraving, and details about the collection in which the engraving is housed. The text also refers to a series called "A Century of City Views," showcasing city engravings from various European cities. The article is written by Dorothy Adlow and credits the Smithsonian Institution, Washington, D.C., as the source of the engraving.
This image is a reproduction of an old engraving dated 1600 by John Norden, titled "London Bridge, 1600." It was published in The Christian Science Monitor's section titled The Home Forum.