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ARCH.2003.33, Rendition: 803217
The image shows an open page from what appears to be a newspaper or magazine, specifically an article titled "ART PANORAMA, for 2 weeks ending November 24, 1957." The article is titled "SEEING THROUGH REMBRANDT."
The text discusses an exhibition at the Pierpont Morgan Library, which features a special loan of photographs of paintings by Rembrandt. These photographs are part of a study conducted by the Netherlands Institute for Art History, which includes all of Rembrandt's paintings. The study uses scientific methods, such as infrared rays, to examine the different stages of creation in Rembrandt's works. These methods help to clarify authenticity and reveal forgeries.
The article highlights some surprising discoveries from the photographic studies, such as changes in the composition of "The Night Watch" and an unfinished picture of a woman and child beneath the final portrait of "The Holy Family."
Additionally, there is a smaller inset on the right side of the page that mentions Mansaf al-Hayawan, a Persian manuscript from the 15th century, which is being exhibited at the Fogg Art Museum to commemorate its fifth anniversary. The manuscript contains 108 items and is on display from November 22.
The article is accompanied by a black-and-white image of an illustration from the manuscript, depicting animals in a natural setting. The caption under the image lists some of Rembrandt's works that have been studied, including "The Family (1640)," "Susanna at the Bath (1637)," "The Good Samaritan (1645)," "The Night Watch (1642)," and several others.
The image shows an open book or magazine with an article titled "SEEING THROUGH REMBRANDT" from the section "ART PANORAMA, for 2 weeks ending November 24, 1957." The article discusses the rarity of observing a master artist at work and the opportunity to see the evolution of Rembrandt's technique through a special loan exhibition at the Fogg Museum. This exhibition features photographic studies of paintings by Rembrandt in the Louvre, using methods like X-ray and infra-red photography to reveal underdrawings and changes made by the artist. The article mentions specific discoveries, such as an alternate head on Bathsheba and an unfinished painting beneath another work. It also notes other pieces like "The Holy Family," "Susanna at the Bath," "The Good Samaritan," and several self-portraits.
Adjacent to this article, there is another smaller article with an image of a Persian artwork titled "Manafi al-Hayawan" from the 16th century, which is part of a special loan exhibition at the Fogg Art Museum starting November 22. This exhibition includes items from the Pierpont Morgan Library, such as works by Rembrandt, Vermeer, and others. The image accompanying this article depicts an illustration from the Persian manuscript showing a man and various animals.
The image shows a page from a newspaper clipping or magazine article from the 1950s. The main focus of the article is an exhibition titled "Art Panorama: Seeing Through Rembrandt," which is set to run for two weeks and ends on November 24, 1957.
The article discusses the Fogg Museum’s special loan exhibition "Photographic Studies of Paintings by Rembrandt in the Louvre." It highlights the use of scientific methods, including infrared photography and X-rays, to reveal the hidden layers and sketches of Rembrandt’s paintings. These studies aim to uncover the secrets of the painting process and authenticate the works.
The text mentions specific paintings like "Mamafi al-Hayawan" (one of 108 items in the exhibition), "Susanna at the Bath" (1640), "The Good Samaritan" (1648), and several self-portraits by Rembrandt. The article also notes that these techniques have revealed previously unseen details, including alternate heads and unfinished elements in some of the paintings.
Additionally, there is a small inset image showing a drawing or painting related to the exhibition. The image appears to be a Persian piece titled "Mamafi al-Hayawan."
The image shows a page from an old book or scrapbook with a newspaper clipping attached to it. The clipping is an article titled "ART PANORAMA, for 2 weeks ending November 24, 1957," with the headline "SEEING THROUGH REMBRANDT."
The article discusses a special exhibition at the Fogg Museum, which features photographic studies of Rembrandt's paintings. The exhibit displays ultraviolet and infrared photographs of about 50 paintings, revealing the evolution of Rembrandt's technique and providing insights into the creation process. The photographs also help to authenticate works and reveal forgeries.
Notably, the article mentions that these photographic techniques have revealed hidden elements such as alternate heads on Bathsheba’s shoulders in a painting from 1654, an unfinished picture of a woman under the finished portrait of Titus, and other surprises. It also mentions several famous works represented in the photographic studies, including "The Holy Family" (1640), "Susanna at the Bath" (1647), "The Good Samaritan" (1648), and "The Supper at Emmaus."
Additionally, the clipping includes a small black-and-white image of a Persian painting titled "Manafi al-Hayawan," which is part of a loan exhibition at the Fogg Art Museum. The image is credited to the Pierpont Morgan library.
The image shows a newspaper clipping from a 1957 article titled "ART PANORAMA" that focuses on an exhibition at the Fogg Art Museum. The article is about an exhibit called "Seeing Through Rembrandt," which ran for two weeks ending November 24, 1957.
The article explains that it is usually difficult for people to observe the transformation of a painting from initial brush strokes to the finished product. However, the exhibit showcases photographic studies of paintings by Rembrandt, including X-rays and infrared photographs, which reveal the different stages of creation and hidden details of his works. These scientific methods have uncovered secrets about the painting process and have helped in authenticating and detecting forgeries.
Notable discoveries include an alternate head on Bathsheba's shoulders in a painting from 1654 and an unfinished picture of a woman in a cradle beneath the final portrait of Titus. Other famous works studied include "The Holy Family," "Susanna at the Bath," "The Good Samaritan," "The Supper at Emmaus," and several self-portraits.
Additionally, the article mentions another exhibition of Persian items from the Pierpont Morgan Library, which included a manuscript by Manafi al-Hayawan, one of 108 items displayed at the Fogg Art Museum. This exhibition was the museum's fiftieth anniversary exhibition.
The image is of an informational display or pamphlet regarding an art exhibition titled "ART PANORAMA for 2 weeks ending November 24, 1963."
The main feature of the display is an article titled "SEEING THROUGH REMBRANDT." This article discusses how modern technology has enabled viewers to observe the evolution of Rembrandt's painting techniques. Specifically, it mentions a special exhibit at the Fogg Museum that includes "Photographic Studies of Paintings by Rembrandt" from the Louvre. These photographs utilize various scientific methods such as X-rays and infrared photography to reveal underlying layers and preliminary sketches in Rembrandt's work.
Key points from the article include:
Additionally, the display mentions a special long-term exhibition opening on November 22 at the Fogg Art Museum, featuring the 50th anniversary exhibition of treasures from the Pierpont Morgan Library. One of the items in this exhibition is a Persian manuscript from the 16th century.
The image shows an open book with two newspaper clippings affixed to one of its pages.
The larger clipping on the left is titled "ART PANORAMA, for 2 weeks ending November 24, 1953" and the heading "SEEING THROUGH REMBRANDT." The article discusses the difficulty of watching a master artist at work today and highlights a special loan exhibition at the Fogg Museum featuring "Photographic Studies of Paintings by Rembrandt in the Louvre." The exhibit includes photographs, x-rays, and infra-red photographs of about 25 Rembrandt paintings. It mentions the use of scientific methods to study these works, revealing secrets such as invisible first sketches and clarifying authenticity. The article includes a note about surprises revealed by photographic techniques on specific paintings, such as Bathsheba's shoulders and a fine portrait of Titus.
The smaller clipping on the right features text in what appears to be Persian along with an image of a painting depicting a person, some plants, and pottery. Below the image, the caption reads: "Manafi al-Hayawan, Persian, one of 108 items in a special loan exhibition opening November 22 at the Fogg Art Museum — the fiftieth anniversary exhibition of Treasures from the Pierpont Morgan Library." It goes on to list other works featured such as "Family (1640), Susanna at the Bath (1647), The Good Samaritan (1648), The Supper at Emmaus," and several self-portraits.
The clippings focus on art exhibitions and studies, highlighting the use of photographic and scientific techniques to better understand historical artworks.
The image shows an open book or journal with a page dedicated to art, titled "ART PANORAMA, for 2 weeks ending November 24, 1953," featuring an article with the heading "SEEING THROUGH REMBRANDT." The layout includes a column of English text describing the use of scientific methods such as X-rays and infrared photography to study the layers of old paintings, mentioning exhibitions and specific paintings. There is also a smaller inset column of text in a non-Latin script, likely Arabic or Persian, detailing what seems to be an art-related topic. On the upper right of the page, there's a black-and-white image accompanying the text, illustrating an example of the subject being discussed, possibly an X-ray or infrared image related to studying an artwork. The appearance of the text, typesetting, and aged paper suggests this is a historical or archival document. The book itself seems to have a pinkish-brown cover and is placed against a pale background.
The image shows an open book, likely a magazine or journal, with a page titled "ART" prominently displayed at the top. The page is dated November 24, 1937, and is part of a publication titled "PANORAMA, for 2 weeks ending November 24, 1937." The main article is titled "SEEING THROUGH REMBRANDT" and discusses the study of Rembrandt's paintings using scientific methods such as photography, x-rays, and infrared photography. The article highlights the Fogg Museum's special loan exhibition of Rembrandt's works, including "Photographic Studies of Paintings by Rembrandt in the Louvre." It mentions the use of these techniques to reveal hidden details, such as the evolution of a painting from initial sketches to the final canvas, and to authenticate works or uncover forgeries.
On the right side of the page, there is an illustration featuring two deer in a natural setting, accompanied by text in Arabic script. Below the illustration, there is a caption in English that identifies the artwork as "Manafi al-Hayawan, Persian, one of 108 items in a special loan exhibition opening November 22 at the Fogg Art Museum — the fiftieth anniversary exhibition of Treasures from the Pierpont Morgan Library." Additionally, there is a smaller caption referencing another artwork titled "Family (1640), Susanna at the Bath (1647), The Good Samaritan (1648), The Supper at Emmaus, and several self-portraits."
The book itself has a classic design, with a red spine visible on the left side, suggesting it is part of a bound collection or archive. The overall layout and typography indicate a mid-20th-century publication style, consistent with the date provided on the page. The content focuses on art history, scientific analysis of artworks, and museum exhibitions.
The image is a photograph of an open book with a page that has a newspaper clipping attached to it. The clipping is titled "ART: Seeing Through Rembrandt" and appears to be an article discussing Rembrandt's artwork and techniques. The article is written in a foreign language, possibly Dutch or German. The clipping is attached to the page with a piece of tape, and there is a small photograph of a painting by Rembrandt in the upper right corner of the clipping. The book itself is open to a page with a photograph of a painting by Rembrandt, possibly "The Night Watch." The book is placed on a gray surface, possibly a table or a shelf.