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ARCH.2003.33, Rendition: 803217
This image shows a close-up of an open, vintage scrapbook or album with aged, cream-colored pages. The focus is on a single newspaper clipping mounted on the right-hand page, which is slightly curled at the top.
The clipping is a cultural arts article titled “ART PANORAMA, for 2 weeks ending November 24, 1956.” The main feature is an article called “SEEING THROUGH REMBRANDT”.
The piece details a special loan exhibition at the Fogg Museum titled “Photographic Studies of Paintings by Rembrandt in the Louvre,” which opened on November 22, 1956 — marking the fiftieth anniversary of the “Treasures from the Pierpont Morgan Library” exhibition.
It explains that the exhibition showcases photographs, x-rays, and infra-red images of around 25 Rembrandt paintings, revealing the artist’s creative process — including underlying sketches and compositional changes previously invisible to the naked eye. The scientific analysis was conducted by the Louvre’s laboratory.
Highlights include newly revealed details such as an alternate head on Bathsheba’s shoulders in a painting from 1654 and a cradle beneath the portrait of Titus. Other featured works include The Holy Family (1640), Susanna at the Bath (1647), The Good Samaritan (1648), and The Supper at Emmaus.
Overall, the image captures a moment of mid-20th-century cultural documentation — a collector or archivist preserving a newspaper article about groundbreaking art historical research on Rembrandt, juxtaposed with a fine example of Persian miniature painting. The physical wear and patina of the scrapbook suggest its personal or historical value.
The image shows a page from a book or magazine, specifically an article titled "ART PANORAMA, for 2 weeks ending November 24, 1957." The article is about an exhibition titled "Seeing Through Rembrandt," which was part of the Fogg Museum's special loan exhibition at the time. The exhibition featured photographic studies of paintings by Rembrandt, including x-rays and infra-red photographs of about 25 paintings, as well as details of other works.
The article discusses how the application of scientific methods, such as infra-red rays, has revealed secrets of the different stages of creation in Rembrandt's paintings. These methods have helped in clarifying authenticity and revealing forgeries.
There are illustrations and text in Persian on the page, which appears to be related to the exhibition. The text mentions "Manafi al-Hayawan," a Persian text, and lists some of Rembrandt's famous works, including "Family (1640)," "Susanna at the Bath (1647)," "The Good Samaritan (1648)," "The Supper at Emmaus," and several self-portraits.
The book or magazine page has a stained area at the bottom, and the spine of the book is visible, showing signs of wear and age.
This image shows an open book with a light brown cover and yellowed pages, suggesting it may be old or aged. The page on the right contains a printed article titled "ART PANORAMA, for 2 weeks ending November 24, 1957" with the headline "SEEING THROUGH REMBRANDT". The article discusses a special loan exhibition at the Fogg Museum called "Photographic Studies of Paintings by Rembrandt in the Louvre," which features photographs, x-rays, and infra-red images of about 25 Rembrandt paintings.
The article explains that these scientific methods reveal secrets of the paintings' creation, including alternate heads and unfinished elements beneath the final layers. It mentions specific paintings like "Susanna at the Bath," "The Good Samaritan," "The Supper at Emmaus," and several self-portraits.
To the right of the article, there is an illustration of a deer and other animals under a tree, with text in a different language (possibly Persian) above it. The text below the illustration mentions "Manafi al-Hayawan, Persian, one of 108 items in a special loan exhibition opening November 22 at the Fogg Art Museum—the fiftieth anniversary exhibition of Treasures from the Pierpont Morgan library."
The book appears to be part of a collection or archive, as indicated by the notes and the aged appearance of the pages.
The image is a photograph of an open book with a page that has a newspaper clipping attached to it. The clipping is titled "ART: Seeing Through Rembrandt" and appears to be an article discussing Rembrandt's artwork and techniques. The article is written in a foreign language, possibly Dutch or German. The clipping is attached to the page with a piece of tape, and there is a small photograph of a painting by Rembrandt in the upper right corner of the clipping. The book itself is open to a page with a photograph of a painting by Rembrandt, possibly "The Night Watch." The book is placed on a gray surface, possibly a table or a shelf.
The image shows an open book with two pages. The left page has a heading "ART" and the subheading "SEEING THROUGH REMBRANDT" with text discussing how photographs and X-rays of Rembrandt's paintings reveal the artist's techniques and evolution of style. The right page has a heading "Manafi al-Hayawan" with text discussing an exhibition of Persian manuscripts at the Pierpont Morgan Library. The pages have a faded, aged look, suggesting the book is quite old.
The image shows an open book, likely a magazine or journal, with a page titled "ART" prominently displayed at the top. The page is dated November 24, 1937, and is part of a publication titled "PANORAMA, for 2 weeks ending November 24, 1937." The main article is titled "SEEING THROUGH REMBRANDT" and discusses the study of Rembrandt's paintings using scientific methods such as photography, x-rays, and infrared photography. The article highlights the Fogg Museum's special loan exhibition of Rembrandt's works, including "Photographic Studies of Paintings by Rembrandt in the Louvre." It mentions the use of these techniques to reveal hidden details, such as the evolution of a painting from initial sketches to the final canvas, and to authenticate works or uncover forgeries.
On the right side of the page, there is an illustration featuring two deer in a natural setting, accompanied by text in Arabic script. Below the illustration, there is a caption in English that identifies the artwork as "Manafi al-Hayawan, Persian, one of 108 items in a special loan exhibition opening November 22 at the Fogg Art Museum — the fiftieth anniversary exhibition of Treasures from the Pierpont Morgan Library." Additionally, there is a smaller caption referencing another artwork titled "Family (1640), Susanna at the Bath (1647), The Good Samaritan (1648), The Supper at Emmaus, and several self-portraits."
The book itself has a classic design, with a red spine visible on the left side, suggesting it is part of a bound collection or archive. The overall layout and typography indicate a mid-20th-century publication style, consistent with the date provided on the page. The content focuses on art history, scientific analysis of artworks, and museum exhibitions.
The image shows an open book or journal with a page dedicated to art, titled "ART PANORAMA, for 2 weeks ending November 24, 1953," featuring an article with the heading "SEEING THROUGH REMBRANDT." The layout includes a column of English text describing the use of scientific methods such as X-rays and infrared photography to study the layers of old paintings, mentioning exhibitions and specific paintings. There is also a smaller inset column of text in a non-Latin script, likely Arabic or Persian, detailing what seems to be an art-related topic. On the upper right of the page, there's a black-and-white image accompanying the text, illustrating an example of the subject being discussed, possibly an X-ray or infrared image related to studying an artwork. The appearance of the text, typesetting, and aged paper suggests this is a historical or archival document. The book itself seems to have a pinkish-brown cover and is placed against a pale background.
An old scrapbook page opened to show two clipped newspaper articles about art.
The page itself is pale, aged paper from a bound volume, with the clippings mounted near the top of the page. The binding and edges show wear, giving the page a vintage look.
This image shows a page from a book or scrapbook, featuring an article titled "ART PANORAMA, for 2 weeks ending November 24, 1952." The article, "Seeing Through Rembrandt," discusses the study of Rembrandt's paintings through photographic techniques, including X-rays and infrared imaging, which reveal insights into the creative process, hidden details, and potential forgeries. The text also highlights discoveries in some of Rembrandt’s works, such as the alternate depiction of Bathsheba and other fine details visible through these techniques.
Additionally, there is a separate section that talks about "Manafi al-Hayawan, Persian, one of the items in a special exhibition opening November 18 at the Pierpont Morgan Library." An accompanying illustration shows a drawing or print of an animal or figure from Persian art.
The overall design suggests that the page is a curated mix of articles, captions, and visuals focused on art history and techniques.
The image shows an open book with two newspaper clippings affixed to one of its pages.
The larger clipping on the left is titled "ART PANORAMA, for 2 weeks ending November 24, 1953" and the heading "SEEING THROUGH REMBRANDT." The article discusses the difficulty of watching a master artist at work today and highlights a special loan exhibition at the Fogg Museum featuring "Photographic Studies of Paintings by Rembrandt in the Louvre." The exhibit includes photographs, x-rays, and infra-red photographs of about 25 Rembrandt paintings. It mentions the use of scientific methods to study these works, revealing secrets such as invisible first sketches and clarifying authenticity. The article includes a note about surprises revealed by photographic techniques on specific paintings, such as Bathsheba's shoulders and a fine portrait of Titus.
The smaller clipping on the right features text in what appears to be Persian along with an image of a painting depicting a person, some plants, and pottery. Below the image, the caption reads: "Manafi al-Hayawan, Persian, one of 108 items in a special loan exhibition opening November 22 at the Fogg Art Museum — the fiftieth anniversary exhibition of Treasures from the Pierpont Morgan Library." It goes on to list other works featured such as "Family (1640), Susanna at the Bath (1647), The Good Samaritan (1648), The Supper at Emmaus," and several self-portraits.
The clippings focus on art exhibitions and studies, highlighting the use of photographic and scientific techniques to better understand historical artworks.