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ARCH.2003.33, Rendition: 803213
This image shows a single, aged page from an open book, specifically page 29 of the Saturday Review dated May 11, 1957. The page is yellowed and shows signs of age, with a prominent brownish stain along the left-hand margin.
The content is an article from "THE FINE ARTS" section, titled "The Pulitzer Collection". It discusses an art exhibition held at the Knoedler Gallery in New York and later at the Fogg Art Museum in Cambridge, showcasing a major collection assembled over twenty-one years by Mr. and Mrs. Joseph Pulitzer, Jr.
The central focus of the article is an analysis of the artwork on display, with an emphasis on the revolutionary contributions of painter Henri Matisse. A black-and-white photograph of Matisse’s painting, “Bathers with a Turtle” (1908), is prominently featured on the page. Below the image, a caption reads: “‘Bathers with a Turtle,’ by Matisse—‘assures Matisse’s . . . revolutionary rank.’”
The article’s author, writing under the byline “NEVERTHELESS, le bon gout,” offers a personal and somewhat critical perspective. While praising the show’s quality and Matisse’s importance (noting his “revolutionary rank” and influence on modern art), the writer expresses a personal distaste for the work of Pierre Bonnard, whom they acknowledge as a “true master” but find lacking in “unrelenting conscience” and “modest taste.” The author also criticizes Bonnard’s later paintings as “repetitious.”
The text further compares Matisse to other artists, contrasting his boldness with the perceived conservatism of Picasso’s early works (like “The Conservatory” and “Woman in Yellow”) and noting how Picasso revitalized older styles rather than creating entirely new ones like Matisse. The article also mentions two rare works by Rouault (“The Three Clowns” and “Pierrot”) in the collection, acknowledging their quality despite the artist’s declining output.
Overall, the page presents a thoughtful, opinionated review from a mid-20th-century art critic, blending historical observation, personal preference, and analysis of major modernist figures. The layout is typical of periodicals of the time, with clear headings, a photo inset, and text in two columns.
This image shows a page from a vintage publication, specifically from the "Saturday Review" dated May 11, 1957. The page is part of a section titled "The Fine Arts," focusing on the "The Pulitzer Collection." The page includes a photograph of an artwork titled "Bathers with a Turtle" by Matisse, with a caption that states, "assures Matisse’s . . . revolutionary rank."
The left side of the page contains a detailed article discussing various artworks from the Pulitzer Collection, including a section about Bonnard's paintings, referencing his "Still Life by Evening Light" and "Still Life with Fruit." The article also touches on the influence of Bonnard on later artists and the quality of the show at the Knoedler Gallery in New York.
The right side of the page provides an analysis of Matisse's "Bathers with a Turtle," critiquing its revolutionary rank in modern art. The text discusses the interaction between Matisse's work and historical influences such as Delacroix's "Femmes d'Alger" and the School of Paris. The article also mentions other artworks in the collection, including works by Picasso, Gruenewald, Poussin, and other artists.
The overall tone of the article is analytical and scholarly, providing a critical perspective on the art within the Pulitzer Collection. The page shows signs of age, with some stains and wear on the edges of the paper, indicating it is from an older publication.
The image shows a page from the "Saturday Review" dated May 11, 1957. The page is dedicated to "The Fine Arts" and discusses "The Pulitzer Collection."
At the top of the page, there is a small illustration of what appears to be a vase with flowers. Below this, there is a photograph of a painting titled "Bathers with a Turtle" by Matisse, which is described as "assures Matisse's ... revolutionary rank."
The text on the page discusses an exhibition of paintings, sculptures, and drawings collected over the past twenty-one years by Mr. and Mrs. Joseph Pulitzer, Jr. The exhibition was on display at the Knoedler Gallery in New York until May 4 and was to be seen at the Fogg Art Museum in Cambridge throughout the summer. The article mentions the high level of quality in the exhibition and the excitement it generated.
The text also compares the works of various artists such as Bonnard, Picasso, and Matisse, discussing their styles, influences, and contributions to modern art. It mentions specific works like "The Conservatory" by Picasso, "Woman in Yellow" by Picasso, and "Plaster Head and Bowl of Fruit" by Picasso, among others. The article also touches on the influence of earlier artists like Gruenewald, Poussin, Delacroix, and Ingres on Picasso's work.
The page shows signs of aging, with yellowed edges and some discoloration, indicating it is an older publication. The overall layout is typical of a magazine article, with a mix of text and images.
The image shows an open book, specifically a page from a magazine or journal. The page is dated May 11, 1957, and is from "Saturday Review." The page is titled "The Fine Arts" and features an article about "The Pulitzer Collection."
At the top of the page, there is a small illustration of a man, possibly a caricature or a symbolic representation of an artist or collector, accompanied by the title of the article. Below this, there is a larger illustration labeled "Bathers with a Turtle" by Matisse, which is described as "revolutionary rank."
The text discusses the Pulitzer Collection, focusing on the works of Matisse and Picasso. It mentions the exhibition at the Knoedler Gallery in New York, which features the collection of paintings, sculptures, and drawings assembled by Mr. and Mrs. Joseph Pulitzer, Jr. The article highlights the significance of the collection and its impact on the art world.
The text also includes a quote from Picasso, "The Conservator" of 1935, and discusses the influence of Picasso and Matisse on modern art. It mentions the School of Paris and the impact of the Pulitzer collection on the art world. The article concludes with a reflection on the importance of the collection and its place in art history.
The page has a slightly aged appearance, with some yellowing and wear, indicating its historical context. The layout is typical of mid-20th-century magazine pages, with a mix of text and illustrations to engage the reader.
The image is of a magazine page featuring an article titled "The Pulitzer Collection" from the Saturday Review, dated May 11, 1957. The article discusses the display of the Pulitzer art collection at the Knoedler Gallery in New York City until the end of the summer. The collection is described as being of high quality, with notable pieces such as "Bathers with a Turtle" by Matisse, "Woman in Yellow" by Picasso, and "Pierrot" by Rouault. The article also mentions the collection's influence on younger artists and its impact on the art world. The page includes a black-and-white image of a nude figure, possibly a reference to one of the artworks in the collection.
The image shows an open page from a book titled "The Fine Arts", published in the Saturday Review on May 11, 1957. The page is numbered 29 and features a detailed article discussing art, specifically focusing on the Pulitzer Collection.
"Bathers with a Turtle," by Matisse—"assures Matisse's . . . revolutionary rank."
The image depicts a page from a 1957 issue of The Saturday Review, focusing on The Pulitzer Collection. The page includes an illustration of Matisse's "Bathers with a Turtle" and a detailed article discussing the collection's significance, notable artworks, and the evolution of modern art. The layout and content reflect the formal, analytical style of art criticism from the era.
This image shows a scanned page from a vintage magazine or journal. The magazine is the "Saturday Review," dated May 11, 1957, and the page focused on is discussing "THE FINE ARTS" as mentioned in a heading on the top of the page. This particular page is devoted to "The Pulitzer Collection."
At the top of the page, there is a small black-and-white image that appears to be a reproduction of a piece of art featuring two figures, one standing and the other in a crouched position, with the caption "Bathers with a Turtle," by Matisse—it is described as "assures Matisse's... revolutionary rank."
The main body of the text discusses an exhibition at the Knoedler Gallery in New York that seems to consist of works from the Pulitzer Collection, including works by Matisse. There is speculation about the pieces on display, their importance, and the impact they had on visitors at the time. It references various works and moments in art history, mentioning renowned artists like Picasso and Delacroix, and discusses the practice of art collecting and the significance of certain artworks.
The structure of the text indicates that it is an article or review, with nuanced consideration of the art pieces mentioned and their historical context. The page has a column layout typical for newspaper and magazine articles of that time, and visually we see the yellowing edges and spine, suggesting the physical age and condition of the magazine.
This image shows an article clipping from the Saturday Review, dated May 11, 1957. The article is part of the Arts section titled "The Fine Arts," subtitled "The Pulitzer Collection." It features a reproduction of Henri Matisse's artwork titled "Bathers with a Turtle," noted in the caption as holding "revolutionary rank."
The page includes detailed text analyzing the collection of artwork displayed at the Knoedler Gallery in New York and its subsequent viewing at the Fogg Art Museum at Harvard University. The artwork, along with other pieces in the Pulitzer Collection, is discussed in terms of historical significance and artistic achievement, as well as the importance of individual works by renowned masters such as Picasso and Bonnard.
The page appears aged, with visible discoloration and wear along the edges of the paper. The format combines critical art commentary and discussion about the value and influence of iconic pieces within the collection.
The image shows a vintage newspaper or magazine page, dated Saturday Review, May 11, 1957, focusing on "The Fine Arts" section titled "The Pulitzer Collection." The page features an article with a bold header and a black-and-white illustration of three nude female figures in different seated and standing poses, created by Henri Matisse. The caption beneath the illustration reads: "'Bathers with a Turtle,' by Matisse—'assures Matisse'... revolutionary rank."
The article discusses art exhibitions at the Knoedler Gallery in New York and the Fogg Art Museum in Cambridge, highlighting works from the Pulitzer Collection. The text mentions artists such as Bonnard and Picasso and references various art pieces, exhibition qualities, and critical opinions. The page is worn and yellowed with age, giving it a distinctly historical look.
The image is a scan of a vintage magazine page from Saturday Review, dated May 11, 1957. It’s titled The Fine Arts and The Pulitzer Collection. The page includes a black-and-white reproduction of a painting and two columns of text.
Key details:
In short, it’s a mid-century art-criticism page featuring a Matisse work and commentary on the modern-art collection.