Archives Scrapbooks

The image is a page from "The Christian Science Monitor" dated Monday, April 1, 1957. It features a newspaper clipping about an exhibition of German art in Cambridge. The main headline reads "German Art in Cambridge: Sculpture and Prints By Lehmbruck at Fogg." The article is written by Dorothy Adlow and discusses the work of Wilhelm Lehmbruck, a German sculptor known for his distinctive style of elongated forms and the influence of Gothic and Baroque art.

The clipping also includes a photograph of a sculpture titled "Head of Fritz von Unruh," which was part of the exhibition at the Fogg Art Museum, Harvard University. The article provides contextual information about Lehmbruck's life, his education, and his artistic influences, as well as details about the exhibited works and their significance. Additionally, it mentions a supplementary exhibition at the second floor of the Fogg Museum featuring a small bronze figure by Henri Matisse.

This image shows a clipping from The Christian Science Monitor, dated Monday, April 1, 1957. The article, titled "German Art in Cambridge," focuses on an exhibition of sculptures and prints by the German artist Wilhelm Lehmbruck at the Fogg Art Museum. The article is written by Dorothy Adlow.

The clipping includes a photograph of a sculpture titled "Head of Fritz von Unruh," which is on view at the Fogg Museum, Harvard University. The article discusses Lehmbruck's background, his artistic influences, and the characteristics of his sculptures. It mentions his education in Düsseldorf, his travels, and his eventual settlement in Paris in 1910. The article highlights his famous work, "Kneeling Woman," which helped establish his reputation as a foremost sculptor of his generation.

The text describes Lehmbruck's artistic style, noting his influences from artists like Maillol and Rodin, and his ability to maintain certain absolutes of plastic logic despite his expressive work. It also mentions the exhibition of Lehmbruck's sculptures at the Fogg Museum, including a torso from his early phase, a bronze bust of a man, the bust of the writer Fritz von Unruh, and a small standing figure.

Additionally, the article mentions a supplement exhibition on display on the second floor of the Fogg Museum, which includes a bronze figure by Henri Matisse titled "Le Serf," described as the most important sculpture of Matisse's youthful stage.

The image shows a newspaper clipping from "The Christian Science Monitor" dated April 1, 1957. The clipping is titled "German Art in Cambridge" and features an article about sculpture and prints by Wilhelm Lehmbruck at the Fogg Art Museum. The article includes a photograph of a sculpture by Lehmbruck, titled "Head of Fritz von Unruh." The article provides information about Lehmbruck's life, his artistic style, and the significance of his work in the context of German art. The clipping is placed on a page of a book or magazine, which is open to reveal the article.

The image is a spread from a newspaper or magazine, featuring an article titled "German Art in Cambridge." The article is about an exhibition of sculptures and prints by Wilhelm Lehmbruck at the Fogg Museum in Cambridge. The article includes a photograph of a sculpture by Lehmbruck, titled "Head of Fritz von Unruh," and discusses the artist's style and influence. The article also mentions that the exhibition includes a bronze bust of Lehmbruck's early phase, a notable psychological expression through elongation, and there is a small standing figure with fiery expression and massive features in the collection of Perry Rathbone.

The image depicts a page from The Christian Science Monitor, dated Monday, April 1, 1957, featuring an article titled "German Art in Cambridge". The article, written by Dorothy Aldow, discusses the exhibition of works by Wilhelm Lehmbruck at the Fogg Art Museum in Cambridge.

Key Elements in the Image:

1. Headline and Publication Details:

   • The top of the page displays the newspaper's name, The Christian Science Monitor, along with the location (Boston) and date (Monday, April 1, 1957).
   • The main headline reads "German Art in Cambridge", indicating the focus of the article.

2. Subheading and Article Title:

   • The subheading is "Sculpture and Prints By Lehmbruck at Fogg", specifying the subject matter of the article.

3. Photograph:

   • On the left side of the page, there is a black-and-white photograph of a sculpture titled "Head of Fritz von Unruh" by Lehmbruck, displayed at the Fogg Museum, Harvard University. The caption beneath the photograph provides this information.

4. Article Content:

   • The article provides background on Wilhelm Lehmbruck (1881–1919), a German sculptor known for his expressive and modernist works.
   • It mentions that Lehmbruck's sculptures and prints will be exhibited at the Fogg Museum until April 13, 1957.
   • The text highlights Lehmbruck's education at the miner academy of Düsseldorf, his travels, and his eventual settlement in Paris in 1910.
   • The article discusses Lehmbruck's artistic influences, including his association with the Neuer Club and his tragic suicide in 1919.
   • It also describes his artistic style, noting his emphasis on organic forms, emotional expression, and restrained composition. The article references specific works, such as a bronze bust of Fritz von Unruh and a small standing figure in languorous cavarine form.

5. Visual Layout:

   • The layout is typical of a newspaper article, with a clear hierarchy of information: headline, subheading, photograph, and descriptive text.
   • The photograph is placed to the left, with the article text occupying the right side, creating a balanced and readable format.

Summary:

The image shows a well-organized newspaper article from The Christian Science Monitor discussing an exhibition of Wilhelm Lehmbruck's sculptures and prints at the Fogg Art Museum. It includes a photograph of one of Lehmbruck's works, "Head of Fritz von Unruh", and provides detailed context about the artist, his life, and his artistic contributions. The article serves as a historical record of the exhibition and offers insight into Lehmbruck's artistic legacy.

The image presents a newspaper clipping from "The Christian Science Monitor" dated April 1, 1967, featuring an article titled "German Art in Cambridge: Sculpture and Prints by Lehmbruck at Fogg." The clipping is displayed on a page of a book or scrapbook, with the article's text partially obscured by a photograph of a sculpture.

Article Details:

• Title: "German Art in Cambridge: Sculpture and Prints by Lehmbruck at Fogg"
• Author: Dorothy Adlow
• Date: April 1, 1967
• Publication: The Christian Science Monitor

Photograph:

• Depicts a sculpture of a head
• Caption: "Head of Fritz von Unruh," by Lehmbruck, on view at the Fogg Museum, Harvard University

Context:

• The article discusses an exhibition of sculptures and prints by Wilhelm Lehmbruck at the Fogg Museum in Cambridge
• The exhibition features works from Lehmbruck's career, including his famous sculpture "Kneeling Woman"
• The article provides information about Lehmbruck's life and artistic style, highlighting his use of plastic design and his ability to convey emotion through his sculptures.

The image presents a vintage newspaper clipping featuring an article about German art in Cambridge, specifically focusing on sculptures and prints by Lehmbruck at Fogg. The clipping is dated Monday, April 1, 1957.

• Newspaper Clipping:
  • The clipping is from "The Christian Science Monitor" and is dated Monday, April 1, 1957.
  • It features an article titled "German Art in Cambridge" with a subheading "Sculpture and Prints By Lehmbruck at Fogg".
  • The article is written by Dorothy Adlow and provides information about the exhibition of Lehmbruck's works at the Fogg Art Museum.
• Image of Lehmbruck's Head:
  • A black-and-white photograph of Lehmbruck's head is displayed on the left side of the clipping.
  • The photograph is accompanied by a quote from Lehmbruck, which reads: "Head of Fritz von Unruh."
  • The quote is attributed to Lehmbruck and is displayed below the photograph.
• Article Text:
  • The article discusses Lehmbruck's artistic style and influence, as well as his contributions to the field of sculpture.
  • It highlights the significance of the exhibition at the Fogg Art Museum and the opportunity for visitors to view Lehmbruck's works up close.
  • The article also mentions the importance of Lehmbruck's work in the context of modern art and its impact on the art world.

In summary, the image presents a vintage newspaper clipping that showcases an article about German art in Cambridge, specifically focusing on sculptures and prints by Lehmbruck at Fogg. The clipping features a photograph of Lehmbruck's head, accompanied by a quote from the artist, and provides information about the exhibition and Lehmbruck's artistic style and influence.

The image depicts an open book with a newspaper clipping pasted on one of its pages. The clipping is from "THE CHRISTIAN SCIENCE MONITOR, BOSTON, MONDAY, APRIL 1, 1957" and features a headline that reads "-German Art in Cambridge" in large font, followed by the subheading "Sculpture and Prints By Lehmbruck at Fogg" in smaller text.

Key Elements:

• Newspaper Clipping: The clipping is yellowed and appears to be from an older edition of the newspaper.
• Headline and Subheading: The headline and subheading are prominently displayed, indicating that the article is about a sculpture and print exhibition featuring the work of Lehmbruck at the Fogg Art Museum.
• Image: A black-and-white image of a sculpture, titled "'Head of Fritz von Unruh,' by Lehmbruck, on view at the Fogg Museum, Harvard University," is included alongside the article.
• Article Text: The article discusses Lehmbruck's work and its significance, providing context for the exhibition.
• Book: The book itself has a red cover and appears to be a scrapbook or album, with the clipping pasted onto one of its pages.

Overall Impression:

The image suggests that the book is a collection of newspaper clippings or articles related to art, history, or culture, and that the clipping is one of many items included in the book. The use of a scrapbook or album format implies that the compiler of the book is interested in preserving and showcasing these articles for future reference or study.

The image presents a vintage newspaper clipping from "THE CHRISTIAN SCIENCE MONITOR, BOSTON, MONDAY, APRIL 1, 1957" pasted into an open book. The clipping is titled "-German Art in Cambridge" and features a black-and-white photograph of a sculpture.

Newspaper Clipping:

• Title: "-German Art in Cambridge"
• Subtitle: "Sculpture and Prints By Lehmbruck at Fogg"
• Photograph: A black-and-white image of a sculpture
• Text: The article discusses the work of German sculptor Wilhelm Lehmbruck, who was influenced by Rodin and worked in the spirit of restraint. It highlights his famous piece, "Kneeling Woman," and mentions that his art is on display at the Fogg Art Museum, Harvard University.

Book:

• Pages: The book has yellowed pages with a red cover.
• Clipping Placement: The newspaper clipping is pasted onto one of the pages.

Overall:

• The image showcases a unique blend of art, history, and journalism, with the newspaper clipping providing a glimpse into the cultural scene of 1957.
• The use of a vintage newspaper clipping in a book adds a touch of nostalgia and historical significance to the image.

The image is a clipping from a newspaper, specifically from "The Christian Science Monitor," dated Monday, April 1, 1957. The article is titled "German Art in Cambridge" and focuses on an exhibition of sculptures and prints by the German artist Georg Kolbe (incorrectly identified as Lehmbruck in the article) at the Fogg Art Museum in Cambridge.

The article includes a photograph of a sculpture titled "Head of Fritz von Unruh" by Georg Kolbe, created in 1919. The sculpture is described as being on view at the Fogg Museum, Harvard University.

The text of the article provides background information on Georg Kolbe, noting that he was educated in the sculpture and painting departments of the art academy of Düsseldorf and later moved to Paris. Kolbe was known for his famous sculpture "Kneeling Woman." The article mentions that Kolbe's work was admired by conservative critics but attacked by liberal critics and was also criticized by the Nazis.

The exhibition at the Fogg Art Museum includes several of Kolbe's works, such as a bronze bust of a man, a bronze bust of a woman, and a small standing female nude. The article also mentions that visitors can see additional works by Kolbe on the second floor of the museum, including a bronze figure and a plaster model.

Overall, the article highlights the significance of Kolbe's work and the opportunity for visitors to appreciate his art at the Fogg Art Museum.