Archives Scrapbooks

The image displays a page from a publication, likely a magazine or an art review, discussing the art of Ben Shahn and an exhibition of his work at the Fogg Museum. The text is formatted in a two-column layout with a header at the top stating "On Exhibit The Art of Ben Shahn At the Fogg Museum." The review praises Shahn's work, noting its bold and significant voice, and highlights various aspects of his art, including book illustrations, drawings, and paintings in various media.

The page includes a section with a simple illustration titled "Man Picking Wheat," which appears to be an example of Shahn's work. The text below this illustration discusses Shahn's artistic approach and the liberation of color and form in his paintings.

On the bottom right, there is a handwritten note that reads "Harvard Crimson, Thursday, December 6, 1956," suggesting the source of the article and the date it was recorded or noted. The overall tone of the review is appreciative and analytical, discussing the emotional range, style, and philosophical underpinnings of Shahn's art.

This image shows an open book with a clipping pasted onto the left page. The clipping is titled "On Exhibit: The Art of Ben Shahn" and it discusses an exhibition of Ben Shahn's art at the Fogg Museum. The text describes the variety of works on display, including book illustrations, drawings, Christmas cards, large graphic works, and paintings in various media. It also mentions the emotional range of the exhibition and Shahn's focus on human subjects in his paintings.

Below the text, there is an illustration titled "MAN PICKING WHEAT." The illustration depicts a man bending over and picking wheat, with a detailed depiction of the grass and the man's clothing.

On the right page, there is another clipping with a continuation of the text about the exhibition. At the bottom of the right page, there is a handwritten note that reads "Harvard Crimson, Thursday, December 6, 1956," indicating the source and date of the clipping.

This image displays an open book or pamphlet, likely a catalog or program from an art exhibition, with aged, yellowed pages and a visible red hardcover spine on the right.

The spread is titled “On Exhibit: The Art of Ben Shahn” at the Fogg Museum.

Page Layout & Content:

The layout is divided into several text blocks, with one black-and-white illustration.

Left Page:

• Main Article Header: “On Exhibit / The Art of Ben Shahn / At the Fogg Museum”.
• Body Text: A review/article discusses Ben Shahn’s exhibition, praising his “wider variety of works,” his “passion for justice,” and his “emotional range.” It notes the inclusion of unusual or “out of the way” pieces and mentions specific works like Handball and Red Stairway. It describes his style as “sentimental, pained, jubbilant, comic” and emphasizes his focus on the “human significance” of his subjects.
• Illustration: Below the main text is a black-and-white drawing by Ben Shahn titled “MAN PICKING WHEAT”. It depicts a man in profile, bent over at the waist while harvesting wheat, rendered in a sketchy, expressive style.
• Caption for Illustration: Below the drawing, a short text begins: “If the revolution in painting...” It explains Shahn’s integration of form and content and his modernist approach. The caption continues onto the right page.

Right Page:

• Continued Article: The text picks up the discussion of Shahn’s evolving style, referencing his “enlarged and different view of the body,” “development of an idea,” and influences such as “European masters like Giotto” and “Rousseau-like motifs.” It notes his use of a brighter, more sensitive color palette.
• Author Attribution: At the bottom of the text block, it is signed: —LOWELL J. RUBIN.
• Handwritten Note: Below the printed text, in blue ballpoint pen:

  Harvard Crimson,
  Thursday, December 6, 1956
  This indicates the article was likely published in the Harvard Crimson newspaper on that date and this copy may have been saved from the newspaper or clipped into a personal file.

Overall, the image captures a historical document—a review or catalog feature from December 1956—offering insight into how Ben Shahn’s art was received by critics around the time of his exhibition at Harvard’s Fogg Museum. The handwriting provides valuable provenance, dating the publication and identifying its source.

The image depicts an open book with a red-colored border. The book is opened to a page featuring a text about the art of Ben Shahn, a renowned artist. The text is printed on both sides of the page, with a black-and-white illustration of a man picking wheat on the left side. The illustration is accompanied by a caption that reads "Man Picking Wheat." The book appears to be a catalog or a publication about Ben Shahn's art.

The image is a book open to a page that features an article about the artist Ben Shahn. The article is titled "The Art of Ben Shahn" and includes a photograph of a man picking wheat. The text discusses Shahn's work and his exhibition at the Fogg Museum. The article also includes a review by Lowell J. Rubin, who praises Shahn's work and his ability to communicate complex ideas through his art. The review mentions Shahn's use of realism and symbolism, as well as his exploration of human emotion and social issues. The article also includes a mention of Shahn's book "Illustrations" and his Christmas card series. The image also shows a signature on the page, indicating that the book may be a signed copy or a copy that has been signed by the author or another notable person.

The image shows an open book, likely a catalog or exhibition brochure, featuring text and an illustration. The left page is titled "On Exhibit: The Art of Ben Shahn at the Fogg Museum" and discusses an exhibition of Ben Shahn's artwork at the Fogg Art Museum. The text elaborates on the significance of Shahn's work, highlighting his artistic style, themes, and the variety of pieces included in the exhibition. It mentions that Shahn's art is described as "Social Realism" and emphasizes his ability to convey complex social and human themes through his paintings.

The right page continues the discussion, focusing on Shahn's artistic evolution and the influence of European masters such as Giotto, Sassoferrato, and the Sacro-Vanzetti series. It also touches on his use of color, form, and subject matter, noting how his work reflects both personal meaning and broader social commentary.

Below the text on the left page, there is a small black-and-white illustration labeled "Man Picking Wheat", depicting a figure engaged in agricultural labor. The illustration is accompanied by a caption that explains the significance of the work, describing it as a representation of Shahn's integration of form and social commentary. The caption invites viewers to consider the symbolic meaning of the figure and its broader implications.

In the bottom right corner of the right page, there is a handwritten note that reads:
"Harvard Crimson, Thursday, December 6, 1956."
This suggests that the document may have been part of a newspaper or publication from that date, possibly reviewing or discussing the exhibition.

The overall appearance of the book is aged, with visible wear and discoloration, indicating it may be an historical or archival piece. The layout combines descriptive text with visual elements, typical of exhibition catalogs or art reviews from the mid-20th century.

The image shows an open scrapbook or journal with newspaper clippings and articles pasted onto its pages. On the left page, there is a large article headlined "The Art of Ben Shahn" with a subtitle "At the Fogg Museum," indicating an exhibit review or article about artist Ben Shahn's work. The article discusses various aspects of Shahn's artwork, his exhibition at the Fogg Museum, and the themes and techniques in his art. The text appears to be from a publication that features exhibit reviews or art-related content. Below the article on the same page, there is a smaller clipping with a sketch or etching titled "MAN PICKING WHEAT" and a caption which talks about the revolution in painting that the artist represents.

On the right page, the text continues from the left page and mentions specific artworks such as "Death on the Beach" and delves deeper into the critique and interpretation of Shahn's work. Further down, there is a handwritten note that reads "Harvard Crimson, Thursday, December 6, 1956," indicating that the article was likely published in the Harvard Crimson newspaper on that date.

The pages of the scrapbook or journal are aged and discolored, suggesting that the articles have been preserved for a significant amount of time. This also serves as a personal or historical record for whoever collected these clippings. The context suggests a focus on art history or a particular interest in the work of Ben Shahn.

This image depicts pages from a scrapbook or book that include pasted newspaper clippings containing a review discussing "The Art of Ben Shahn." The text describes an exhibit of Ben Shahn's works at the Fogg Museum, detailing his artistic style, themes, and notable pieces. A small illustration titled "Man Picking Wheat" is incorporated as part of a separate related article discussing Shahn's work, accompanied by descriptive text.

On the bottom right of the page, handwritten text notes "Harvard Crimson, Thursday, December 6, 1956," which likely refers to the source and date of the article. Edges of the pages and clippings are slightly weathered, giving a historical appearance.

• The image shows a vintage scrapbook page with two yellowed newspaper clippings about an art exhibition.
• The left clipping is narrow and tall. Its header reads “On Exhibit The Art of Ben Shahn At the Fogg Museum.” It includes a block of text praising the exhibition and at the bottom a small illustration of a man in a field, captioned “MAN PICKING WHEAT.”
• The right clipping is wider and filled with dense text about the exhibition, discussing Shahn’s work and style.
• At the bottom right of the scrapbook page is a handwritten note in blue ink: “Harvard Crimson, Thursday, December 6, 1956.”
• The page and clippings show age and wear, with a visible book binding along the left edge. Overall, it presents a vintage, documentary look of press coverage for Ben Shahn’s art.

This image shows a scrapbook or album page with two newspaper clippings glued on it, both discussing the art of Ben Shahn, exhibited at the Fogg Museum. The first and larger clipping is titled "The Art of Ben Shahn," and provides a detailed critique and commentary on Shahn’s work and exhibitions, highlighting his thematic focus on justice, passion, and human experience. It discusses his various styles and subjects, noting his skill in integrating form and content, and includes mentions of specific works such as "Handball" and "Red Stairway."

At the bottom of this first clipping, there is a black-and-white illustration titled "MAN PICKING WHEAT," showing a simplified, stylized figure of a man in a field of tall wheat or grass, bending forward slightly with one hand extended downward.

The second clipping, placed to the right, continues the critical discussion, emphasizing the thematic and stylistic aspects of Shahn's work and the evolution of his art through various influences, including European art and the effects of historical events such as war. It mentions specific works like "Death on the Beach," "Liberation," "Italian Landscape," and "Sunday Painter."

At the bottom right of the page, there is a handwritten note that reads: "Harvard Crimson, Thursday, December 6, 1956."

The overall presentation suggests this is a carefully curated collection or archive page focusing on Ben Shahn’s artistic contributions and exhibitions.