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ARCH.2003.33, Rendition: 803151
This image shows a vintage newspaper clipping from the Boston Herald, dated May 23 (the year is not visible but likely mid-20th century, possibly 1950s), focusing on an art exhibition titled:
“Venice Observed,” Show In Dramatic Fogg Display
The article — written by Robert Taylor — reviews an exhibition held at Harvard’s Fogg Museum in Cambridge, running through June 16. The show was arranged by students in a Museum Course and showcases a collection of about 40 artworks focused on Venice, primarily by Venetian natives and foreign artists.
The Exhibition’s Theme:
The show is described as a “glowing, wonderful tribute to a place” — Venice — and notes that, despite its romantic associations, the display captures the city’s true essence through art: its “pink palaces,” “glittering lagoons,” and “bell towers,” juxtaposed with its “hard, bright colors of Venice’s despair.”
Notable Artists and Works:
“Marble Halls” Section:
The exhibition includes period objects arranged in a “setting of period objects” — such as marble-veneered tables, gild mirrors — to enhance the ambiance across three rooms.
Mrs. Calver Orwell’s Surrealist Display:
A surreal, non-systematic personal collection by Mrs. Orwell, called “Without Water,” features “dry arches like a cage of bones” and “purple collections” evoking intimate, decayed Venetian scenes. Artists included:
Stanley W. Hayter’s Graphic Work:
The article praises a “dazzling” and “technically innovative” etching exhibit by Stanley W. Hayter, who “baffled some” with his methods. Works include “Picasso, Kandinsky, Moore” and pieces like “Oedipus.” Hayter’s workshop use of materials (etching in soft ground, recessions, textures) is noted as inventive.
Concord Art Association Notice:
At the bottom of the clipping, there’s a small advertisement for the Concord Art Association (15 Lexington Road, Concord, Mass.) featuring:
The review is thoughtful, descriptive, and appreciative, blending art historical context with poetic observation. It treats Venice not just as a romantic fantasy, but as a living, decaying, and visually rich muse for artists across centuries and styles — from classical precision to surreal abstraction.
The clipped nature of the article, with its yellowed paper and handwritten date (“May 23”) in the margin, suggests it was saved as a personal memento, perhaps by someone interested in art, Boston cultural life, or the Fogg Museum.
In short: This is a mid-century art review of a Venetian-themed show at Harvard’s Fogg Museum, celebrating how artists have observed and interpreted the city — from 15th-century maps to 20th-century surrealism — with a special focus on Mrs. Orbell’s personal collection and Stanley Hayter’s innovative graphics.
This image is a newspaper clipping titled "Events in Art," featuring an article about an art show titled "Venice Observed," displayed at the Fogg Museum, Harvard. The article is written by Robert Taylor and provides a detailed description of the exhibition, highlighting various artworks and their significance. The exhibit was arranged by students in Harvard's Museum Course and featured works that reflect different artistic interpretations of the city of Venice.
The article discusses various aspects of the show, including:
Additionally, the article mentions other exhibitions, such as an exhibition of watercolors of the Canadian Rockies by Eliot O'Hara and a display by William Martin featuring woodcuts and sculptures. The text is dated and seems to be from the Boston Herald newspaper.
The overall tone of the article is enthusiastic, praising the artistic merit and the creative interpretations of Venice in the works on display. The clipping appears to be aged, with some visible wear and tear.
The image is a scanned or photographed clipping from the Boston Herald, dated May 13, 1950. The clipping is a newspaper article titled "Venice Observed, Show In Dramatic Fogg Display" written by Robert Taylor. The article discusses an art exhibition of views of Venice arranged by students in Harvard's Museum Course, featured at the Fogg Museum in Cambridge, Massachusetts. The exhibition includes around 40 works by both native and foreign artists, set amid marble-veined tables and gilt mirrors.
The article reflects on the romantic and picturesque qualities of Venice, discussing works by artists such as Jacopo de Barbari, Guardi, and Clerici. It also mentions a collection by Mrs. Culver Osowell being shown at Margaret Brown's for the benefit of the Arts Festival, featuring artists like Lehmbrock, Philip Guston, Joseph Glasco, and others.
The bottom of the clipping advertises an exhibition by the Concord Art Association at 15 Lexington Road, Concord, Mass., featuring watercolors of the Canadian Rockies by Eliot O'Hara and Chinese watercolors by Tseng Hsien-Chi. The exhibition runs through Wednesday, June 20th.
The article is quite detailed and provides insights into the artistic exploration and representation of Venice during that time. The clipping is slightly worn, with visible creases and a small tear at the top right corner.
The image shows a newspaper clipping with a headline that reads "Venice Observed," Show In Dramatic Fogg Display." The article is written by Robert Tagg and appears to be a review or description of an art exhibition. The exhibition is held at the Fogg Museum and features works by Eliot O'Hara, who is described as a "brilliant colorist" and a "master of the brush." The article highlights the artist's ability to capture the essence of Venice through his paintings, which are said to be "dramatic" and "foggy." The exhibition also includes works by other artists, such as William Martin, whose woodcuts are described as "powerful" and "expressive." The article concludes by praising the exhibition as a "fascinating display" that offers a unique perspective on Venice.
The image depicts a vintage newspaper clipping featuring an article titled "Venice Observed," Show In Dramatic Fogg Display." The clipping includes a detailed description of an art exhibition at Harvard University's Fogg Museum, focusing on a "Venice Course" show curated by students. The article is written by Robert Taylor and highlights the exhibition's portrayal of Venice through various artistic perspectives.
The article describes the exhibition as a tribute to Venice, emphasizing its dramatic and lively atmosphere, despite not being a model of a specific place. It mentions the influence of artists like John Constable, who painted Venice in a vivid manner, and the presence of sculptures and works by contemporary artists such as Lazlo Moholy-Nagy and Jacques Lipchitz.
The clipping also discusses the exhibition's use of different mediums, including marble halls, scattered mirrors, and table settings, to represent Venice. It highlights the variety of artistic styles and periods depicted, from classical Roman architecture to modern interpretations.
Additionally, the article touches on the educational aspect of the exhibition, noting its potential to inspire students and provide a comprehensive view of Venice through art. The clipping concludes with a mention of the exhibition's dates and location at the Concord Art Association in Concord, Massachusetts.
The image is a scanned page from a newspaper or magazine, featuring an article titled "Venice Observed," Show In Dramatic Fogg Display. The article is written by Robert Taylor and discusses an exhibition at the Fogg Museum of Art, located at Harvard University in Cambridge. The exhibition, titled "Venice Observed," was on display from June 16 onward and is described as a model of dramatic, lively staging and careful discrimination.
Exhibition Overview:
Geographical and Artistic Focus:
Artworks and Themes:
Notable Artists and Works:
Additional Displays:
Design and Presentation:
Critical Reception:
The image presents a detailed and artistic critique of an exhibition at the Fogg Museum of Art, emphasizing the dramatic and immersive nature of the display. It highlights the surreal and evocative themes of Venice, the innovative techniques used by various artists, and the broader context of contemporary art exhibitions in the region. The article serves as both a review and a celebration of the creative vision behind the exhibition.
This is an image of a newspaper clipping with the headline "Events in Art" and the title "‘Venice Observed,’ Show In Dramatic Fogg Display" by Robert Taylor. The article discusses an art show arranged by students in Harvard's Museum Course, taking place at the Fogg Museum in Cambridge through June 16. It mentions that the show is a model of dramatic, lively staging, and is considered a tribute to Venice. The text goes on to describe various aspects of the exhibition, including the themes of romanticism and artistic interpretations of Venice. The clipping also touches on other topics related to the art show, such as surrealist canvases, specific artists, and the retrospective show of sculptures by Moore on display at the Childs' till May 19.
Below the main article is a section titled "MARBLE HALLS" discussing around 40 views of Venice by natives and foreign artists included in the exhibition. The text continues to describe various elements of the show, the style of artworks presented, and the historical significance of different pieces.
At the bottom, there is an advertisement for the "CONCORD ART ASSOCIATION" at 15 Lexington Road, Concord, Mass., which promotes an Exhibition of water colors of the Canadian Rockies by Eliot O'Hara and Chinese water colors by T'seng, Hsien-Chi, running through Wednesday, June 22nd.
The clipping seems to be from an older newspaper, as indicated by the yellowed paper and slightly frayed edges. There is a handwritten note at the top left corner which is partially cut off but appears to say "Boston Traveler" and a date that looks like "May 13" with the year obscured.
This is a vintage newspaper clipping about an art exhibition titled "Venice Observed," authored by Robert Taylor. The article, categorized under "Events in Art," discusses an exhibition organized by students of Harvard’s Museum Course, held at the Fogg Museum in Cambridge. The exhibit, running through June 16, presents an array of art pieces celebrating Venice, capturing its romanticism and historical allure.
The article describes Venice as a city of immense geographical and artistic inspiration, referencing its iconic architecture, canals, and timeless beauty. It highlights specific displays, such as about 40 different views of Venice by various artists and Clerici's surrealist painting “Venice Without Water.” The narrative explores Venice's historical artistic influence, mentioning veduta (landscape) depictions, and the evolving styles from the English Romantic period onward.
The text also references the Concord Art Association's exhibitions, highlighting works such as watercolor paintings of the Canadian Rockies by Eliot O'Hara and pieces by artists like Tseng Hsi-Chi.
The clipping is yellowed with age and slightly torn at the corners, adding to its vintage appearance. A handwritten note indicating "Boston Herald May 13" is visible on the left margin, giving insight into its date and source.
The image shows a newspaper clipping reviewing an art exhibition titled "Venice Observed," arranged by students in Harvard's Museum Course and displayed at the Fogg Museum, Cambridge, through June 16. The article is written by Robert Taylor and praises the show for its dramatic and lively staging, presenting a tribute to Venice as a painter’s city. It describes Venice as a source of romantic inspiration in art, highlighting its picturesque palaces, shimmering lagoons, and tall bell towers.
The article discusses the impact of various artists and styles showcased in the exhibition, including a surrealist canvas titled "Without Water," and mentions the personal collection of Mrs. Culver Orswell, exhibited at Margaret Brown's for the Arts Festival. Certain artworks and artists are singled out, such as Philip Guston's abstract-expressionist "Summer," Joseph Glasco’s "Man With Mirror," and others spanning various contemporary artistic movements.
Also noted is a retrospective showing of graphics by Stanley W. Hayter at Childs, praised for its innovation in printmaking. The article concludes by drawing attention to another display by William Martin, whose woodcuts and sculpture are shown at Remick’s department store in Quincy.
Handwritten text on the left side of the clipping reads: "Boston Herald N.Y. 13." The clipping also includes a small box advertisement at the bottom for the Concord Art Association’s exhibition of watercolors by Eliot O'Hara and Chinese watercolors by Tseng Hsien-Chi, running through Wed. June 27th.
This is a clipping from an old newspaper or magazine page about an art exhibition.