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ARCH.2003.33, Rendition: 803142
This is a photograph of a single, aged page from a publication, likely a museum bulletin or art journal, dated January 1956. The page is titled “Pictures on Exhibit, January 1956” at the top.
The main article, printed in a serif font, is titled “Rubens’ Drawings & Oil Sketches”, with the subtitle “A Rich Garnering from American Collections Goes on View”.
The article announces a major exhibition of 45 important drawings and oil sketches by the 17th-century Flemish master Peter Paul Rubens. This was the first exhibition ever organized solely around Rubens’ preparatory works (drawings and oil sketches).
Key details:
[ 10 ], indicating it is page 10.In essence, this is a historical document advertising a significant art exhibition of Peter Paul Rubens’ preparatory works from American collections, offering details about its scope, venues, and scholarly importance.
The image shows a page from a publication or a catalog, dated January 1956, titled "Rubens' Drawings & Oil Sketches." It is from the section "Pictures on Exhibit," which suggests it was part of a catalog or brochure describing an art exhibition. The page discusses an art exhibition featuring drawings and oil sketches by the renowned 17th-century Flemish painter Peter Paul Rubens. The exhibition, sponsored by the Fogg Museum in Cambridge and the Pierpont Morgan Library in New York, showcases a variety of works ranging from classical to historical subjects. The page lists specific artworks included in the exhibition, such as drawings of classical figures, mythological subjects, and religious aspects. It also mentions that the exhibition will travel to the Pierpont Morgan Library in New York for a subsequent six-week show. The page includes a note about a weekend symposium that would take place during the Fogg Museum's exhibition period, featuring experts on Rubens' work. The page's number, [10], is at the bottom, indicating it is part of a larger document or publication. The paper appears aged with some stains and creases, suggesting it is an older document.
The image is a scanned page from a publication titled "Pictures on Exhibit, January 1956." The page discusses an exhibition of Rubens' drawings and oil sketches, titled "Rubens' Drawings & Oil Sketches: A Rich Garnering from American Collections Goes on View." The text describes an exhibition of forty-five important items by the 17th-century Flemish master Peter Paul Rubens, gathered from museums and private collections in the United States and Canada. The exhibition is set to open at the Fogg Art Museum of Harvard University on January 14, 1956, and will later move to the Pierpont Morgan Library in New York on March 20, 1956, for a six-week showing.
The article details various works included in the exhibition, such as a drawing of the Head of Nero Caesar Augustus, a drawing of the Head of the So-called Seneca, a fine drawing of An Angel Blowing a Tuba, and several oil sketches of mythological and historical subjects. It also mentions a weekend symposium at the Fogg Museum during the exhibition, where prominent authorities on Rubens' work will preside. The exhibition is described as the first in a series of exhibitions of the Old Masters to be undertaken every other year by the Fogg and the Morgan Library.
The page has some visible stains and marks, and the edge of the paper appears to be slightly torn. The page is numbered [10] at the bottom right corner.
The image is a photograph of a newspaper clipping. The clipping is titled "Rubens' Drawings & Oil Sketches" and is dated January 1956. The clipping features an article about an exhibition of Peter Paul Rubens' works at the Fogg Art Museum of Harvard University. The exhibition showcases 45 important items, including drawings and oil sketches, gathered from museums and private collections throughout the United States and Canada. The article highlights the scope of the exhibition, which ranges from classical to biblical to historical subjects, and mentions specific works such as "An Angel Blowing a Tuba" and "The Triumphal Entry of Henry IV Into Paris." The exhibition is sponsored jointly by the Fogg Museum and the Pierpont Morgan Library in New York, and it is noted that this is the first time such an exhibition of Rubens' fundamental works has been held. The exhibition is set to open on January 14 and run for six weeks, with a symposium on Rubens' work to be held during the exhibition.
The image is a page from a magazine or newspaper with a heading that reads "Pictures on Exhibit, January 1956." Below the heading, there is a headline that reads "Rubens' Drawings & Oil Sketches." The text below the headline describes an exhibition of Rubens' drawings and oil sketches that was held at the Fogg Art Museum at Harvard University from January 14 to February 29, 1956. The exhibition featured 45 important items gathered from museums and private collections throughout the United States and Canada. The exhibition was sponsored jointly by the Fogg Art Museum, the Pierpont Morgan Library, and the Detroit Institute of Art. The article highlights some of the notable works on display, including a drawing of an angel blowing a trumpet, an oil sketch of the triumphal entry of Henry IV into Paris, and a drawing of Hercules slaying Envy. The article also mentions that the exhibition was the first of its kind to focus on Rubens' drawings and oil sketches.
The image depicts a page from a catalog or brochure titled "Pictures on Exhibit, January 1956", which details an exhibition of "Rubens' Drawings & Oil Sketches". The page is formatted with a clean, elegant layout, featuring a serif font and a structured design typical of mid-20th-century exhibition materials.
Title and Subtitle:
Exhibition Details:
Sponsorship and Scope:
Highlighted Works:
Additional Information:
Visual Design:
The image portrays a formal and informative page from an exhibition catalog, emphasizing the historical and artistic significance of the Rubens exhibition. It provides detailed information about the exhibition's scope, featured works, sponsors, and additional events, reflecting the scholarly and cultural importance of the event. The design is professional and elegant, suitable for an academic or museum setting.
The image shows a scanned document with the title "Pictures on Exhibit, January 1956" followed by a subheading "Rubens' Drawings & Oil Sketches." The text describes a collection of forty-five important works by Peter Paul Rubens, gathered from museums and private collections throughout the United States and Canada. This collection was the first exhibition of its kind organized of just drawings and oil sketches by Rubens and was set to open at the Fogg Art Museum of Harvard University on January 14.
The document goes on to detail specific pieces in the collection, such as the drawing of the "Head of Nero Caesar Augustus," the oil sketch from the "Triumphal Entry of Henry IV Into Paris," and various subjects including mythological figures like Hercules and Seneca. It mentions that these works were sponsored by the Fogg Museum and the Pierpont Morgan Library in Cambridge and New York, respectively.
The author of the document expresses the significance of the exhibit as a unique opportunity to experience the fundamental basis of Rubens' work. It also mentions that the items in the exhibit would later travel to New York for a six-week showing at the Pierpont Morgan Library. A weekend symposium at the Fogg Museum was scheduled for February 29th where authorities on Rubens' work would preside.
The text on the page has faded in places, and there are signs of age and wear, including creases and some discoloration, especially a coffee or tea cup stain at the top right part of the page, which conveys that the document has been handled and possibly displayed or stored for a significant period of time.
This image shows a typewritten and printed article or a flyer titled "Rubens' Drawings & Oil Sketches: A Rich Garnering from American Collections Goes on View." The article discusses an exhibition featuring forty-five important drawings and oil sketches by the 17th-century Flemish master Peter Paul Rubens. The exhibition is the first of its kind, solely dedicated to Rubens' drawings and sketches, and will open at the Fogg Art Museum of Harvard University on January 14, 1956.
The show is sponsored jointly by the Fogg Museum in Cambridge and the Pierpont Morgan Library in New York, with the exhibition covering a broad range of subjects including classical, biblical, and historical themes. Some specific works mentioned include drawings inspired by ancient statues, mythological subjects, and notable oil sketches such as "The Triumphal Entry of Henry IV Into Paris" and "The Archduke Ferdinand, Cardinal-Infante of Spain, at the Battle of Nördlingen."
The article highlights the significance of this exhibition as it presents fundamental aspects of Rubens' work, including his first drafts. It also mentions a symposium to be held during the exhibition period, where authorities on Rubens will preside. Finally, the exhibition is planned to move to New York on March 20, 1956, for a six-week showing at the Pierpont Morgan Library. The document has some light brown stains on the top right and a typed note at the top reading "Pictures on Exhibit, January 1956."
The image shows a small newspaper/magazine clipping mounted on a light cream sheet. The clipping is a feature on Rubens’ Drawings & Oil Sketches, with the header “Pictures on Exhibit, January 1956” at the top and the title “Rubens’ Drawings & Oil Sketches” in a decorative script, followed by a subtitle “A Rich Garnering from American Collections Goes on View.”
The two-column article describes a 1956 exhibition of about 45 drawings and oil sketches by Peter Paul Rubens, opened at the Fogg Museum (Harvard) on January 14 and sponsored by the Fogg Museum and the Pierpont Morgan Library. It mentions various works and types of works, including heads (e.g., “Head of Nero,” “Caesar Augustus,” “Head of Seneca”) and religious pieces, as well as oil sketches such as “Angel Blowing a Tuba,” “Triumphal Entry of Henry IV into Paris,” and others from major collections.
The clipping shows a [10] at the bottom, and the right edge appears slightly torn. The backing is a pale sheet with mild discoloration around the edges.
This image is a page from a publication titled Pictures on Exhibit, January 1956. The title of the section is "Rubens' Drawings & Oil Sketches: A Rich Garnering from American Collections Goes on View."
The text describes an exhibit of 45 important works by Peter Paul Rubens, showcased at the Fogg Museum of Harvard University starting January 14, 1956. These works include drawings and oil sketches sourced from museums and private collections in the United States and Canada. The subject matter spans classical antiquity to religious and historical themes.
Specific mentions include pieces like the "Head of Nero Caesar Augustus," the "Head of the So-called Seneca," "Hercules Slaying Envy," and "The Triumphal Entry of Henry IV Into Paris." It also notes pieces such as "An Angel Blowing a Tuba" and works involving historical events like the "Cardinal-Infante of Spain at the Battle of Nördlingen."
The exhibit is part of a collaboration between the Fogg Museum and the Pierpont Morgan Library, with plans to move the show to the Pierpont Morgan Library after its run at the Fogg Museum (January 14 to February 29). The notice highlights an inaugural symposium on Rubens’ works, intended to become an ongoing series focusing on Old Masters’ exhibitions. There is evidence of yellowing and aging on parts of the paper, with edges slightly torn or uneven.