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The image is a press release or announcement for an exhibition titled "Rubens' Drawings & Oil Sketches," which opened in January 1956. The exhibition features forty-five significant works by Peter Paul Rubens, a 17th-century Flemish master, including both drawings and oil sketches. These works were gathered from various museums and private collections across the United States and Canada.

The exhibition was initially held at the Fogg Art Museum of Harvard University and was jointly sponsored by the Fogg Museum, the Pierpont Morgan Library in New York, and the Fitzwilliam Museum in Cambridge. The collection spans a range of subjects from classical to historical and biblical themes.

Notable pieces include:

• Drawings of the "Head of Nero" and "Head of the so-called Seneca"
• An oil sketch of "Hercules Slaying Envy"
• A sketch of "Hercules and the Lion"
• A drawing of "Britannia Restored to Achilles"
• A sanguine drawing of a "Hermaphrodite"
• A dozen works of religious themes, including "An Angel Blowing a Tuba" and "The Triumphal Entry of Henry IV into Paris"
• Oil sketches of "The Archduke Ferdinand, Cardinal-Infante of Spain, at the Battle of Nördlingen"

The exhibition is notable for being the first to focus exclusively on Rubens' drawings and oil sketches, highlighting the foundational aspect of his work. After its showing at the Fogg Museum, the exhibition moved to the Pierpont Morgan Library in New York on March 20 for a six-week run.

The announcement also mentions a weekend symposium held at the Fogg Museum from January 14 to February 29, where the work of Rubens was discussed by experts. This exhibition is noted as the first in a planned series of Old Masters exhibitions to be held annually by the Fogg and the Morgan Library.

The image is a newspaper clipping from January 1956 detailing an exhibition of Peter Paul Rubens' drawings and oil sketches. Here is a detailed summary:

Title:
"Rubens' Drawings & Oil Sketches: A Rich Garnering from American Collections Goes on View"

Exhibition Details:

• The exhibition features 45 important works gathered from museums and private collections throughout the United States and Canada.
• This is the first exhibition dedicated solely to the drawings and oil sketches by the 17th-century Flemish master Peter Paul Rubens.
• The exhibition is set to open at the Fogg Art Museum of Harvard University on January 14.
• It is jointly sponsored by the Fogg Museum in Cambridge and the Pierpont Morgan Library in New York.

Scope of the Exhibition:

• The exhibition covers a broad range of subjects, from classical to biblical and historical themes.
• The classical theme includes works inspired by antiquity, such as:
  • "Head of Nero Caesar Augustus," based on ancient statues or plaster casts.
  • "Head of the So-called Seneca," another drawing from an ancient source.
  • Mythological subjects like oil sketches from the Boston Museum of Fine Arts ("Hercules Slaying Envy"), Detroit Institute of Arts ("Hercules and the Lion"), and a drawing of a Hermaphrodite.
  • An oil sketch of "Briseis Restored to Achilles" from the Detroit Institute of Arts.

Religious Works:

• The exhibition includes several works of religious significance, notably a fine drawing titled "An Angel Blowing a Trumpet."

Historical Works:

• Historical subjects are also represented, such as:
  • "The Triumphal Entry of Henry IV into Paris," an oil sketch from the Metropolitan Museum.
  • "Archduke Ferdinand, Cardinal-Infante of Spain, at the Battle of Nördlingen," an oil sketch from the Detroit Institute of Art.

Significance:

• This exhibition marks the first time such a comprehensive collection of Rubens' preliminary works has been displayed.
• Rubens' drafts and sketches are noted as foundational to many of his famous paintings.

Future Showings:

• After its run at the Fogg Museum (January 14 to February 29), the exhibition will move to New York for a six-week showing at the Pierpont Morgan Library starting March 20.

Additional Events:

• A weekend symposium on Rubens' work will be held at the Fogg Museum from January 14 to February 29, featuring leading authorities on the artist.

This exhibition is part of a biennial series of exhibitions of Old Master drawings undertaken alternately by the Fogg Museum and the Morgan Library.

The image is a newspaper clipping from January 1956, detailing an exhibition of drawings and oil sketches by the Flemish artist Peter Paul Rubens. The exhibition was organized jointly by the Fogg Art Museum of Harvard University, the Pierpont Morgan Library in New York, and the Fogg Museum in Cambridge.

Key points of the article include:

• The exhibition features 45 important items gathered from museums and private collections across the United States and Canada.
• It focuses on Rubens' drawings and oil sketches, spanning from classical, biblical, to purely historical subjects.
• The exhibition opened at the Fogg Art Museum on January 14.
• Significant works include:
  • The drawing of the Head of Nero Caesar Augustus.
  • The Head of the So-called Seneca.
  • Mythological subjects such as Hercules Slaying Envy and Hercules and the Lion.
  • A religious drawing of Briseis Restored to Achilles.
  • Historical sketches like The Triumphant Entry of Henry IV into Paris and Cardinal-Infante of Spain at the Battle of Nördlingen.
  • A charming drawing of An Angel Blowing a Tuba.
• The exhibition will travel to New York on March 20 for a six-week showing at the Pierpont Morgan Library.
• During the exhibition at the Fogg Museum, a symposium will be held from January 14 to February 29, featuring foremost authorities on Rubens' work.

This exhibition is noted as the first of its kind, focusing on the fundamental aspects of Rubens' work, particularly his first drafts and sketches. The clipping also mentions that this is part of a series of exhibitions of Old Masters organized annually by the Fogg and the Morgan Library.

The image is a newspaper clipping titled "Pictures on Exhibit, January 1956." It focuses on an exhibition of works by the 17th-century Flemish artist Peter Paul Rubens. The exhibition, titled "Rubens' Drawings & Oil Sketches," is a collection of forty-five significant items gathered from museums and private collections across the United States and Canada.

The exhibition is sponsored jointly by the Fogg Art Museum of Harvard University and the Pierpont Morgan Library in New York. It opened on January 14 at the Fogg Museum in Cambridge and will later be shown at the Pierpont Morgan Library from March 20 for six weeks.

The exhibition features a diverse range of subjects, including classical, biblical, and historical themes. Highlights include:

• A drawing of the Head of Nero Caesar Augustus.
• A drawing of the Head of Seneca.
• Mythological subjects such as Hercules Slaying Envy and Hercules and the Lion.
• Religious works like Briseis Restored to Achilles and an Angel Blowing a Tuba.
• Historical works including The Triumphal Entry of Henry IV into Paris and The Battle of Nördlingen.

The clipping also mentions that this exhibition is significant as it showcases the fundamental aspect of Rubens' work—the first drafts of his notable paintings. Additionally, a weekend symposium on Rubens' work is scheduled to be held from January 14 to February 29 at the Fogg Museum, featuring prominent authorities in the field. This exhibition is part of an ongoing series of exhibitions of Old Masters organized by the Fogg and the Morgan Library.

The image is a page from a newspaper or magazine dated January 1956, titled "Pictures on Exhibit." The article discusses an exhibition of drawings and oil sketches by the renowned Flemish artist Peter Paul Rubens.

The exhibition, titled "Rubens’ Drawings & Oil Sketches," is a collection of 45 significant items gathered from various museums and private collections across the United States and Canada. It is organized by the Fogg Art Museum at Harvard University, in conjunction with the Pierpont Morgan Library in New York and the Cambridge Museum.

The exhibition covers a wide range of subjects, from classical antiquity to purely historical themes, including biblical scenes. Notable items include drawings of Caesar Augustus, Seneca, Hercules, Briseis, and historical sketches like the Triumphal Entry of Henry IV into Paris and the Battle of Nordlingen. A drawing of an angel blowing a trumpet is also highlighted as particularly charming.

The exhibition will be on view at the Fogg Art Museum from January 14 to February 29, followed by a six-week display at the Pierpont Morgan Library in New York from March 20 onwards. A symposium is planned to coincide with the exhibition, featuring prominent authorities on Rubens' work.

This exhibition marks a significant event, aiming to showcase the foundational sketches and early drafts of Rubens' paintings, which have not been seen together before. It is part of a series of exhibitions of Old Masters organized by the Fogg and Pierpont Morgan Library.

The document is a news article titled 'Rubens' Drawings & Oil Sketches' from January 1956, announcing an exhibition of 45 important items by Peter Paul Rubens, including drawings and oil sketches, at the Fogg Art Museum of Harvard University. The exhibition, sponsored by the Fogg Museum and the Pierpont Morgan Library, features works ranging from classical to biblical and historical subjects, including notable pieces like the Head of Nero Caesar Augustus and The Triumphant Entry of Henry IV Into Paris. The exhibition emphasizes the fundamental aspect of Rubens' work, showcasing his initial drafts. The exhibition will later move to the Pierpont Morgan Library in New York for six weeks, accompanied by a symposium with leading authorities on Rubens. This is part of a series of exhibitions of Old Masters planned by the Fogg and the Morgan Library.

This image shows a typewritten and printed article or a flyer titled "Rubens' Drawings & Oil Sketches: A Rich Garnering from American Collections Goes on View." The article discusses an exhibition featuring forty-five important drawings and oil sketches by the 17th-century Flemish master Peter Paul Rubens. The exhibition is the first of its kind, solely dedicated to Rubens' drawings and sketches, and will open at the Fogg Art Museum of Harvard University on January 14, 1956.

The show is sponsored jointly by the Fogg Museum in Cambridge and the Pierpont Morgan Library in New York, with the exhibition covering a broad range of subjects including classical, biblical, and historical themes. Some specific works mentioned include drawings inspired by ancient statues, mythological subjects, and notable oil sketches such as "The Triumphal Entry of Henry IV Into Paris" and "The Archduke Ferdinand, Cardinal-Infante of Spain, at the Battle of Nördlingen."

The article highlights the significance of this exhibition as it presents fundamental aspects of Rubens' work, including his first drafts. It also mentions a symposium to be held during the exhibition period, where authorities on Rubens will preside. Finally, the exhibition is planned to move to New York on March 20, 1956, for a six-week showing at the Pierpont Morgan Library. The document has some light brown stains on the top right and a typed note at the top reading "Pictures on Exhibit, January 1956."

The image shows a scanned document with the title "Pictures on Exhibit, January 1956" followed by a subheading "Rubens' Drawings & Oil Sketches." The text describes a collection of forty-five important works by Peter Paul Rubens, gathered from museums and private collections throughout the United States and Canada. This collection was the first exhibition of its kind organized of just drawings and oil sketches by Rubens and was set to open at the Fogg Art Museum of Harvard University on January 14.

The document goes on to detail specific pieces in the collection, such as the drawing of the "Head of Nero Caesar Augustus," the oil sketch from the "Triumphal Entry of Henry IV Into Paris," and various subjects including mythological figures like Hercules and Seneca. It mentions that these works were sponsored by the Fogg Museum and the Pierpont Morgan Library in Cambridge and New York, respectively.

The author of the document expresses the significance of the exhibit as a unique opportunity to experience the fundamental basis of Rubens' work. It also mentions that the items in the exhibit would later travel to New York for a six-week showing at the Pierpont Morgan Library. A weekend symposium at the Fogg Museum was scheduled for February 29th where authorities on Rubens' work would preside.

The text on the page has faded in places, and there are signs of age and wear, including creases and some discoloration, especially a coffee or tea cup stain at the top right part of the page, which conveys that the document has been handled and possibly displayed or stored for a significant period of time.

The image depicts a page from a catalog or brochure titled "Pictures on Exhibit, January 1956", which details an exhibition of "Rubens' Drawings & Oil Sketches". The page is formatted with a clean, elegant layout, featuring a serif font and a structured design typical of mid-20th-century exhibition materials.

Key Elements of the Image:

1. Title and Subtitle:

   • The main title, "Rubens' Drawings & Oil Sketches", is prominently displayed in a larger, bold font.
   • Below the title, a subtitle reads: "A Rich Gathering from American Collections Goes on View", indicating that the exhibition features works collected from American institutions.

2. Exhibition Details:

   • The text introduces the exhibition, noting that it includes 45 important items gathered from museums and private collections across the United States and Canada.
   • It highlights that this is the first exhibition ever organized of the drawings and oil sketches by the 17th-century Flemish master Peter Paul Rubens.
   • The exhibition will open at the Fogg Art Museum of Harvard University on January 14.

3. Sponsorship and Scope:

   • The exhibition is sponsored jointly by the Fogg Museum in Cambridge and the Pierpont Morgan Library in New York.
   • The scope of the exhibition is described as new subject matter ranging from classical, through biblical, to purely historical.

4. Highlighted Works:

   • The page lists several notable works included in the exhibition:
     • Inspired by classical antiquity: Drawing of the Head of Nero Caesar Augustus, a series of drawings or plaster casts of ancient statues.
     • Mythological subjects: Oil sketch from the Boston Museum of Fine Arts of Hercules Slaying Eny, oil sketch of Hercules and the Lion, and an oil sketch of Briseis Restored to Achilles.
     • Religious works: An Angel Blowing a Trumpet and The Trumbal Entry of Henry IV Into Paris.
     • Historical subjects: Oil sketches of The Archduke Ferdinand, Cardinal-Infante of Spain, and The Battle of Nördlingen.

5. Additional Information:

   • The text mentions that this exhibition is unprecedented in its scope, as it includes a fundamental aspect of Rubens' work—the basis of his first drafts as they were of many of his notable paintings.
   • The exhibition will later travel to The New York Public Library on March 20 for a six-week showing at the Pierpont Morgan Library.
   • A symposium will be held at the Fogg Museum during the exhibition period (January 14 to February 29), featuring foremost authorities on Rubens' work. This symposium is noted as the first of what is hoped will become an outstanding series of exhibitions of the Old Masters to be undertaken every other year by the Fogg and the Morgan Library.

6. Visual Design:

   • The page has a clean, minimalist design with ample white space.
   • The text is centered and aligned neatly, with clear headings and subheadings.
   • The page number [10] is visible at the bottom, indicating it is part of a larger catalog or brochure.

Overall Impression:

The image portrays a formal and informative page from an exhibition catalog, emphasizing the historical and artistic significance of the Rubens exhibition. It provides detailed information about the exhibition's scope, featured works, sponsors, and additional events, reflecting the scholarly and cultural importance of the event. The design is professional and elegant, suitable for an academic or museum setting.

The image is a photograph of a newspaper clipping. The clipping is titled "Rubens' Drawings & Oil Sketches" and is dated January 1956. The clipping features an article about an exhibition of Peter Paul Rubens' works at the Fogg Art Museum of Harvard University. The exhibition showcases 45 important items, including drawings and oil sketches, gathered from museums and private collections throughout the United States and Canada. The article highlights the scope of the exhibition, which ranges from classical to biblical to historical subjects, and mentions specific works such as "An Angel Blowing a Tuba" and "The Triumphal Entry of Henry IV Into Paris." The exhibition is sponsored jointly by the Fogg Museum and the Pierpont Morgan Library in New York, and it is noted that this is the first time such an exhibition of Rubens' fundamental works has been held. The exhibition is set to open on January 14 and run for six weeks, with a symposium on Rubens' work to be held during the exhibition.