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The image appears to be a scanned page from a publication, likely a letter or a note, with a heading that reads "FOGG ART MUSEUM - HARVARD UNIVERSITY CAMBRIDGE 38, MASSACHUSETTS." The date and source are indicated as "TIME, April 23, 1956, pp. 10-12." The content seems to be a letter discussing an article about a great artist and an exhibition of his work. The letter mentions the catalog of the exhibition and references "The Letters of Peter Paul Rubens," which were translated and edited by Ruth Saunders Magurn of the Fogg Museum. The letter is signed by "THOMAS J. WILSON" from Harvard University Press, "ANNE V. DORT" from the Fogg Art Museum, and "F. B. ADAMS JR." from the Pierpont Morgan Library. The text also expresses satisfaction with the coverage given to the Rubens exhibition and the selection of illustrations. The paper has visible stains and markings, suggesting it is an aged document.

The image is a scanned document from the Fogg Art Museum at Harvard University in Cambridge, Massachusetts. The document is dated April 23, 1956, and references pages 10-12 from a publication. The content is titled "Painter Diplomat" and includes correspondence from three individuals:

1. Thomas J. Wilson from Harvard University Press, Cambridge, Mass., who compliments an article about a great artist and exhibition but also mentions the inspiration from "The Letters of Peter Paul Rubens."

2. Anne V. Dort from the Fogg Art Museum, Harvard University, Cambridge, Mass., who expresses thrill with the coverage of the Rubens exhibition, particularly the two-page spread, and notes the quality of the colored reproductions and informative text.

3. F. B. Adams Jr. from the Pierpont Morgan Library, New York City, who is pleased with the coverage of the Rubens exhibition, praising both the story and the selection of illustrations.

The document has some water stains and appears to be slightly aged.

The image shows a letter from Thomas J. Wilson, the director of the Fogg Art Museum at Harvard University, to the editor of Time magazine. The letter is dated April 23, 1956, and expresses the museum's appreciation for the coverage given to their exhibition of Peter Paul Rubens' works. Wilson mentions that the two-page spread in Time magazine was informative and that the color reproductions were better than expected. He also commends the selection of illustrations, which he believes was excellent. The letter is written on official letterhead and includes the museum's address and contact information.

This image shows a collection of letters sent to Time Magazine in response to their April 9, 1956, article about the exhibition of Peter Paul Rubens' letters at the Fogg Art Museum at Harvard University. The letters are from Thomas J. Wilson, director of the Fogg Art Museum, Anne V. Dort, curator of the exhibition, and F. B. Adams Jr., director of the Pierpont Morgan Library, which collaborated with the Fogg Art Museum to organize the exhibition. The letters express appreciation for the article and provide additional information about the exhibition, including the translation and editing of the letters by Ruth Saunders Magurn of the Fogg Museum. The image also includes the address of the Fogg Art Museum and the date of the article.

The image depicts a typed letter or correspondence from the Fogg Art Museum at Harvard University in Cambridge, Massachusetts, dated April 23, 1956. The document is a two-page spread, labeled as pp. 10-12, and appears to be a response to an article or coverage of an exhibition related to the artist Peter Paul Rubens.

Key Details:

1. Header Information:

   • The letter is from the Fogg Art Museum, Harvard University, Cambridge 38, Massachusetts.
   • The date is clearly stated as April 23, 1956.

2. Content Overview:

   • The letter is addressed to TIME magazine, acknowledging an article published in the April 9 Art section about Rubens.
   • The sender, identified as Anne V. Dort, praises the article for its quality and the accompanying exhibition catalog, which is noted as being inspired by The Letters of Peter Paul Rubens.
   • The catalog is credited to Ruth Saunders Magurn, translated and edited, and published by Thomas J. Wilson, Harvard University Press, Cambridge, Mass.

3. Exhibition Praise:

   • The letter expresses enthusiasm for the two-page spread in TIME magazine, highlighting its visual and textual quality.
   • It mentions that the ordered reproductions of Rubens' works came out better than expected, and the accompanying text is described as "most informative."

4. Additional Praise:

   • Another section of the letter, signed by E. B. Adams Jr., also commends the coverage of the Rubens exhibition, noting that it was well-received and that the selection of illustrations was excellent.
   • This section is from the Pierpont Morgan Library, New York City, indicating collaboration between the Fogg Art Museum and the Morgan Library for the exhibition.

5. Visual Condition:

   • The document shows signs of age, with visible stains or discoloration on the paper, particularly in the top-right corner, suggesting it is an archival or historical item.

Purpose:

The letter serves as a formal acknowledgment and expression of appreciation to TIME magazine for its coverage of the Rubens exhibition, emphasizing the positive reception of both the article and the accompanying visual materials. It reflects the collaborative efforts between the Fogg Art Museum and the Pierpont Morgan Library in organizing the exhibition.

This document is likely part of an archive or collection, given its formal tone and the inclusion of institutional details.

The image presents a scanned letter from the Fogg Art Museum, Harvard University, dated April 23, 1956, addressed to the Painter Diplomat. The letter is typed on a beige paper with a watermark and features a typed header with the museum's name and address.

• Header
  • The header includes the museum's name, "FOGG ART MUSEUM," followed by "HARVARD UNIVERSITY" and "CAMBRIDGE 38, MASSACHUSETTS."
  • Below the header, the date "TIME, April 23, 1956" is printed.
  • The page number "pp. 10-12" is also included.
• Letter
  • The letter is addressed to the Painter Diplomat and begins with a formal greeting.
  • The writer expresses their interest in the April 9 article about a great artist and a great exhibition of his work.
  • They mention that the catalogue of the exhibition makes clear that its inspiration is "The Letters of Peter Paul Rubens" (Harvard University; $10), translated and edited by Ruth Saunders Magurn, of the Fogg Museum.
  • The writer notes that they are pleased with the coverage given to their Rubens exhibition and appreciate the story.
  • They conclude by thanking the writer for their selection of illustrations and expressing their hope that the text is most informative.
• Signature
  • The letter is signed by Anne V. Dort, who is identified as the Fogg Art Museum, Harvard University, Cambridge, Mass.
  • The Pierpont Morgan Library, New York City, is also mentioned as the recipient of the letter.
• Watermark
  • The watermark features a faint image of a leaf or flower.
  • The watermark is visible throughout the letter and adds a touch of elegance to the document.

In summary, the image presents a formal letter from the Fogg Art Museum, Harvard University, to the Painter Diplomat, discussing an article about an exhibition and expressing appreciation for the coverage given to their Rubens exhibition. The letter is typed on beige paper with a watermark and features a formal header and signature.

The image is a scanned letter from the Fogg Art Museum, Harvard University, Cambridge, Massachusetts, dated April 23, 1956. The letter is addressed to "Painter Diplomat" and discusses an article about a great artist and exhibition of his work. The letter also mentions a two-page spread on the Rubens exhibition, which the Fogg Museum and the Morgan Library organized jointly.

The letter is typed on a beige paper with a watermark of a leaf or flower design. It appears to be a formal letter, possibly a response to an inquiry or a request for information. The tone of the letter is professional and courteous, with a focus on providing information about the exhibition and the artist.

Overall, the image suggests that the Fogg Art Museum was involved in organizing an exhibition of Rubens' work, and that they were interested in sharing information about the exhibition with others. The letter provides a glimpse into the museum's activities and interests during this time period.

The image is a scanned letter from the Fogg Art Museum at Harvard University, dated April 23, 1956.

The letter is typed on a white sheet of paper with the museum's letterhead, which includes the name and address of the museum. The letter is addressed to "Sir" and is a response to an article published in Time magazine on April 9, 1956, about a great artist and an exhibition of his work.

The letter is signed by three individuals:

• Thomas J. Wilson, Harvard University Press
• Anne V. Dort, Fogg Art Museum, Harvard University
• F.B. Adams Jr., Pierpont Morgan Library

The letter is placed on a larger sheet of paper, which appears to be a backing or mounting sheet, and has some water damage or staining visible around the edges of the letter. The background of the image is a light gray color.

The letter discusses the exhibition and the article, expressing appreciation for the coverage and highlighting the inspiration behind the exhibition, which was "The Letters of Peter Paul Rubens." The tone of the letter is formal and professional, indicating that it is an official response from the museum.

The image presents a letter from the Fogg Art Museum at Harvard University, dated April 23, 1956. The letter is addressed to Time magazine and references an article published on April 9.

Letterhead:
The letterhead features the following information:

• Fogg Art Museum
• Harvard University
• Cambridge 38, Massachusetts

Date and Page Numbers:
Below the letterhead, the date "TIME, April 23, 1956" is typed, followed by "pp. 10-12".

Content:
The letter discusses an article about a great artist and a significant exhibition of his work. It highlights that the catalogue for the exhibition draws inspiration from "The Letters of Peter Paul Rubens". The letter is signed by three individuals:

• Thomas J. Wilson
• Anne V. Dort
• F.B. Adams Jr.

Visual Description:
The letter is printed on a beige paper with a subtle texture, resembling aged paper. The text is typed in black ink, and the signatures are handwritten. The background of the image is a light gray color, providing a neutral contrast to the aged paper.

Overall Impression:
The image appears to be a scanned or photographed copy of an original letter, likely from an archive or historical collection. The aged paper and typed text suggest that the letter is from the mid-20th century, and the content provides insight into the art world and academic institutions of the time.

The image shows a letter dated April 23, 1956, from the Fogg Art Museum at Harvard University. The letter is addressed to the editor of Time magazine. The content of the letter discusses an article published in Time on April 9, which highlighted a piece of art by the painter Tintoretto. The letter writer mentions that the article accurately reflects the inspiration behind the exhibition, which is based on the book "The Letters of Jacopo Tintoretto" by Ruth Saunders Magurn. The letter also expresses excitement about the coverage given to the exhibition and the quality of the reproductions in the magazine, though it notes that the text was not as well received. The letter is signed by Anne V. Dorf from the Fogg Art Museum and includes a note from B. Abrahams Jr. of the Pierpont Morgan Library, who praises the coverage but critiques the selection of illustrations. The letterhead includes the address of the Fogg Art Museum in Cambridge, Massachusetts.