Archives Scrapbooks

The image is a newspaper clipping from the "Boston Sunday Post" dated October 23, 1955. The article is titled "French Romanticist at Fogg Art Museum" and is written by Mildred Hausem. The article discusses an exhibition featuring the works of French Romantic artist Eugène Delacroix at the Fogg Art Museum. The exhibition, titled "Delacroix to New England Collections," includes nearly 60 drawings, watercolors, and paintings.

The article highlights a specific painting called "Laws of Hesiod," which is described as a dazzling effort in the use of color. The writer discusses Delacroix's artistic style, his influence on other artists, and his role in the Romantic movement. The article also mentions other works by Delacroix, such as "Hamlet and the Ghost" and "Arab Horses Attacked by a Lion," and provides insights into his techniques and inspirations.

The article is accompanied by an image of one of Delacroix's works, which appears to be a sketch or drawing featuring figures and horses. The bottom part of the clipping includes a section titled "Week's Art Calendar," listing various art exhibitions and events happening in the Boston area during that week.

The image is of a newspaper article from the Boston Sunday Post, dated October 21, 1956. The article, edited by Mildred Hosen, is titled "French Romanticist at Fogg Art Museum" and focuses on an exhibition of 19th-century French artist Eugène Delacroix at the Fogg Art Museum, Harvard College. The article discusses the significance of the exhibition, which features 40 drawings, watercolors, and paintings by Delacroix, highlighting his romanticism and influence on later artists. The text delves into Delacroix's life, his travels, and the evolution of his artistic style, emphasizing his mastery of color, light, and movement. The article also includes a reproduction of one of Delacroix's drawings, "Arab Horses Attacked by a Lion," and mentions other works such as "The Barque of Dante" and "The Death of Sardanapalus." Additionally, the article provides a brief calendar of upcoming art events and exhibitions in the area.

The image is a page from the Boston Sunday Post, dated October 23, 1955. The article is titled "French Romanticist at Fogg Art Museum," authored by Mildred Housen.

The article discusses an exhibition at the Fogg Art Museum, Harvard College, featuring works by a French Romanticist artist. The piece delves into the artist's life, his contributions to Romanticism, and his works on display.

Key points from the article include:

1. Exhibition Details: The museum showcases paintings, drawings, and watercolors from the Romantic period.
2. Artist Biography: The article provides a brief background of the Romanticist, highlighting their significance in art history.
3. Artistic Style: It discusses the Romanticist's emphasis on emotion and nature, contrasting with the rationalism of the Enlightenment.
4. Specific Paintings: Several notable works by the artist are mentioned, emphasizing their thematic richness and expressive power.

The page also includes a calendar of museums and galleries open for viewing, listing various locations and their respective hours and exhibitions.

Overall, the article offers a historical and artistic insight into the Romantic period, particularly through the lens of the featured artist and their contributions to the Fogg Art Museum.

The image is a clipping from the Boston Sunday Post, dated October 23, 1955. The article is titled "French Romanticist at Fogg Art Museum" and is edited by Mildred Housen. The article focuses on an exhibition at the Fogg Art Museum, Harvard College, featuring works by Eugène Delacroix.

The article discusses Delacroix's influence and contributions to Romantic art, particularly his use of color, drama, and emotional expression. It highlights several of his paintings and sketches, such as "Triumph of Ceres," "Massacre at Chios," and "Death of Sardanapalus." The article also notes the artist's technical skill and his ability to capture intense human emotions and historical events.

The clipping includes a photograph of one of Delacroix's paintings, showing a dramatic scene with dark, moody colors and expressive brushwork. The article provides context and historical background, explaining how Delacroix's works were initially controversial but are now celebrated for their artistic merit.

Additionally, there is a section titled "Week's Art Calendar," listing various art exhibitions and galleries open in Boston and surrounding areas. The calendar includes names, locations, and dates for different shows and events.

The image is a page from the Boston Sunday Post, dated October 23, 1955. The main feature is an article titled "French Romanticist at Fogg Art Museum" written by Mildred Housen under the "Art and Antiques" section.

The article discusses an exhibition at the Fogg Art Museum, Harvard University, showcasing works by Eugène Delacroix, a prominent French Romanticist painter. The article begins by highlighting the rich history of the museum, which houses over 40,000 drawings, watercolors, and paintings from the 14th to the 20th centuries.

The focus of the article is Delacroix's work, particularly his painting "Triumph of Caesar," which is described as a "perpetual and perpetual passage for horses." The piece provides historical context, noting Delacroix's early admiration for Peter Paul Rubens and his own contributions to the Romantic movement in painting.

The article elaborates on Delacroix's techniques and influences, such as his use of color and his inspiration from historical and literary sources. It also mentions the museum's extensive collection of Delacroix's works, including sketches, studies, and finished paintings. The article emphasizes Delacroix's ability to capture dramatic and emotional scenes.

The text includes several quotes and descriptions of Delacroix's paintings, such as "The Death of Sardanapalus" and "Women of Algiers." The piece also discusses the significance of Delacroix's works in the context of 19th-century art and his lasting impact on the art world.

Additionally, the page includes a calendar of art events and exhibitions for the week, listing various museums and galleries in Boston and surrounding areas, along with the dates and descriptions of the exhibitions.

The image is a page from the "Boston Sunday Post" dated October 23, 1938. The primary focus of the page is the section titled "Art and Antiques," edited by Mildred Housen.

Main Article: "French Romanticist at Fogg Art Museum"

The article highlights an exhibition at the Fogg Art Museum featuring the works of Eugène Delacroix, a prominent French Romanticist painter.

Key Points from the Article:

• Exhibition Details: The exhibition includes nearly 40 drawings, watercolors, and pastels by Delacroix, providing a comprehensive look at his artistic skills.
• Delacroix’s Background: Delacroix, born in 1798 near Paris, is noted for his contributions to the Romantic movement in art, which emphasized emotion and individualism.
• Career Highlights:
  • Delacroix's work was influenced by the color and composition techniques of Peter Paul Rubens and the Venetian Renaissance.
  • He was known for his dramatic and dynamic compositions, often depicting historical and literary themes.
  • His notable works include "The Death of Sardanapalus," "Liberty Leading the People," and "Women of Algiers."
  • Delacroix was also a significant muralist, with works in prominent public buildings such as the Palais Bourbon and the Church of Saint-Sulpice.
• Artistic Style: The article discusses Delacroix's bold use of color, expressive brushwork, and the emotional intensity of his pieces.
• Legacy: Delacroix is remembered for his influence on later artists, including the Impressionists.

Personal Anecdote:

The author shares a personal story about purchasing a Delacroix print from a Parisian bookstore and its significance as a cherished piece of art.

Weekly Art Calendar:

At the bottom of the page, there is a "Week's Art Calendar" listing various art exhibitions and events happening in New England, including:

• Exhibitions at the Bostonian Society, Copley Plaza, and the Addison Gallery in Andover.
• Lectures and special events at various institutions, such as the Fogg Art Museum and the Worcester Art Museum.

This detailed summary captures the essence and main points of the newspaper page.

This image shows a newspaper clipping dated "Boston Sunday Post, October 23, 1955." It features an article titled "Art and Antiques" with a subheading "French Romanticist at Fogg Art Museum," edited by Mildred Housen. The article discusses the exhibition of the French Romantic artist Eugene Delacroix's works at the Fogg Art Museum, Harvard College. It elaborates on Delacroix's life, artistic style, and significance, including his passion for color, his revolutionary approach, and his fascination with horses and movement.

There is also a pencil drawing on the right side of the clipping depicting a loosely sketched figure, possibly a man with a raised arm, wearing a hat or turban. The caption beneath the drawing reads: "Delacroix's passion for movement as well as his romantic escapism are evident in the pencil drawing, 'Arab on Horseback Attacked by Lion.'"

Below the main article is a section titled "Week's Art Calendar," listing museums and galleries with upcoming exhibitions and events around Boston, including the Boston Public Library, Artwood, Children's Art Show, Museum of Fine Arts, and others.

Overall, the clipping provides a detailed look at Delacroix's artistic achievements and upcoming art events in the Boston area during the mid-1950s.

The image depicts a newspaper clipping from the "Boston Sunday Post," dated October 23, 1955. The section shown is titled "Art and Antiques," edited by Mildred Cousent. The headline within this section reads "French Romanticist at Fogg Art Museum," and the piece focuses on an art exhibit at the Fogg Art Museum at Harvard College, which includes around 140 drawings, watercolors, and paintings by the French Romantic artist mentioned.

The column beside the article's title contains a brief paragraph about the importance and attraction of fine arts, followed by a more detailed discussion of the works and significance of the artist highlighted in the exhibit. There are references to artworks like "Triumph of Color," "Lover of Horses," and "Delacroix's passion for movement as well as his romantic escapism are evident in the pencil drawing 'Arab on Horseback Attacked by a Lion.'"

In the top right corner of the article, there's a small image or reproduction of a drawing. However, identifying the specific drawing or providing details about it beyond what is mentioned in the newspaper clipping is out of scope without an accompanying description or context in the text.

Below the main article, there is a section titled "Week's Art Calendar," listing museum and gallery events, indicating the different art events scheduled for that week in various locations.

The clipping is pasted onto a larger sheet of paper, which also contains another older, partially visible document, with illegible text due to the angle and overlapping paper.

The image depicts a page from the Boston Sunday Post dated October 23, 1955, featuring an article titled "Art and Antiques", edited by Mildred Housen. The article is a review or feature on a French Romanticist artist whose work is being exhibited at the Fogg Art Museum in Cambridge, Massachusetts.

Key Elements of the Image:

1. Header Information:

   • Top Left: The publication details are clearly visible: "BOSTON SUNDAY POST, OCTOBER 23, 1955."
   • Title: "Art and Antiques" is prominently displayed in large, bold text.
   • Editor: The article is edited by Mildred Housen, as noted in the subtitle.

2. Main Article Title:

   • The main headline reads: "French Romanticist at Fogg Art Museum."
   • This indicates the focus of the article is on an exhibition of a French Romanticist artist at the Fogg Art Museum.

3. Illustrative Image:

   • To the right of the article, there is a black-and-white illustration of an artwork. The illustration appears to depict a dramatic, romantic scene, possibly a portrait or a dramatic composition. The style aligns with Romanticist aesthetics, characterized by emotional intensity, dramatic lighting, and expressive figures.
   • The caption below the illustration reads: "Delacroix's passion for movement distilled into the romantic landscape Attacked by Lions." This suggests the artwork is by Eugène Delacroix, a prominent French Romantic painter known for his dynamic and emotionally charged compositions.

4. Article Content:

   • The article discusses Delacroix's work, highlighting his contributions to the Romantic movement in art. It mentions his use of color, his political and social commentary, and his influence on later artists.
   • Specific details include references to Delacroix's "Triomphe de la couleur" (Triumph of Color) and "Liberté guidant le peuple" (Liberty Leading the People), as well as his "Massacre at Chios" and "Women of Algiers in their Apartment."
   • The article also touches on Delacroix's role in the French Revolution of 1830 and his interactions with political figures of the time.

5. Sidebar/Additional Text:

   • Below the main article, there is a section titled "Week's Art Calendar," which lists various art exhibitions, lectures, and events happening in the Boston area during the week of October 23, 1955. This includes details about museums, galleries, and public libraries hosting art-related activities.

Overall Context:

The page provides a glimpse into mid-20th-century art criticism and museum culture, focusing on the legacy of Eugène Delacroix and his influence on Romanticism. The inclusion of a detailed illustration and a calendar of events reflects the newspaper's effort to engage readers with both historical art and contemporary cultural happenings. The layout and typography are typical of mid-20th-century print media, with clear headings, subheadings, and structured content.

The image shows a newspaper clipping from the Boston Sunday Post, dated October 23, 1955. The clipping features an article titled "French Romanticist at Fogg Art Museum," edited by Mildred Housen. The article is about an exhibition of French Romantic art at the Fogg Art Museum, which is part of Harvard University. The article provides an overview of the exhibition, highlighting the works of various French Romantic artists, including Delacroix, Géricault, and others. The article also includes a detailed description of the exhibition, the artists featured, and the significance of the Romantic movement in French art. The clipping is torn and has some creases, indicating that it may have been cut from a newspaper and saved for reference or personal interest.