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The image is a newspaper clipping from the Boston Evening Globe dated March 29, 1958. The headline reads, "Art 'Auction' Raises $7025" and the subheading states, "‘Harvard’s Day’ Gives Lift To Drive for $82,500,000." The article is by Edgar J. Driscoll and discusses an art auction held to support Harvard’s Day in Cambridge, with a focus on the contributions from the Fogg Art Museum at Harvard.

The article mentions that nearly 1000 alumni and friends attended the 2½-hour program, which included a discussion of the works "sold" on the block by a panel of experts. It notes that the auction featured 12 works from the Fogg Collection, with the total amount raised by the auction being $7025, which went to the program for Harvard College.

The article details the various works that were sold, including a copy of a Copley portrait, a copy of an Italian 14th-century "St. Agnes," a 4th-century "Eros," a Renoir oil sketch, a Constantin Guys scene, a rare Piranesi drawing, an early 17th-century Italian bronze, a 12th-13th-century sculpted stone Buddhist head from Cambodia, a study for a sculptured Madonna and Child by Henry Moore, and a study for the Harkness Commons Dining Room mural at Harvard by the Spanish artist, Joan Miró.

The article also mentions that some of the works later turned out to be fakes, while others were authenticated as being from the Fogg Collection. The authenticity of some works was still in question. The auctioneer, William A. Smyth of the Parke-Bernet Galleries, Inc., N.Y., was noted for his experience in auctioning off masterpieces of art.

The article concludes by stating that the paintings and sculptures were not sold at all, but were used for teaching purposes. The auction was held in Paine Hall and was attended by a large crowd of alumni and friends. The article also includes a list of lucky bidders and a panel of experts who provided tips on art facts.

This image is a photograph of a newspaper clipping from the "Boston Evening Globe," dated March 29, 1958. The article is titled "Art 'Auction' Raises $7025" and subtitled "'Harvard's Day' Gives Lift To Drive for $82,500,000." It is written by Edgar J. Driscoll and discusses an unusual art auction staged by Harvard University's Fine Arts Department as part of its "Harvard's Day" fundraising event.

The article describes the event where nearly 1000 alumni and friends attended a 2 1/2 hour program that included an auction of 12 works from the Fogg Collection. The auction raised $7025, which was to be used for the Harvard College program. The auction was conducted by William A. Smyth of the Parke-Bernet Galleries, Inc., N.Y.

The article mentions that two of the auctioned works were later revealed to be fakes, while the authenticity of a third piece was still under dispute. It lists the items auctioned, including a copy of a Copley portrait, a copy of a 14th-century "St. Agnes," a 4th-century "Eros," a Renoir oil sketch, a Constantin Guys painting, a Piranesi drawing, a 17th-century Italian bronze, a 12th-13th century Buddhist head from Cambodia, a Henry Moore sculpture, and a Joan Miró study.

The article also notes that the auction was a teaching tool, and the works were not actually sold but were part of the Fogg Collection. It concludes with a list of other lucky bidders and a panel discussion on art facts led by various experts in the field. The overall tone of the article is informative and highlights the unique nature of the auction and its significance to the Harvard fundraising drive.

The image is a newspaper clipping from the Boston Evening Globe, dated March 29, 1958. The headline reads "Art 'Auction' Raises $7025 'Harvard's Day' Gives Lift To Drive for $82,500,000." The article discusses an auction held by Harvard University to raise funds for a capital campaign aiming to collect $82,500,000.

The auction, which took place on a Saturday afternoon, was organized by Harvard's Fine Arts department in collaboration with the Fogg Art Museum. The event was attended by nearly 1,000 alumni and friends, and the auction was led by a panel of experts.

The auction raised a total of $7,025. Among the items auctioned were 12 works from the Fogg Collection, which were identified as fakes by experts. These fakes included copies of an Italian 14th-century Madonna, all bona fide candidates for the 100 percent pure "Eros" proved a matter of opinion. Other items included a Constantin Guys "Go-to-Hell" drawing, an early 17th-century head from Cambodia, a 13th-century sculptured stone head by Henry Moore, and a Child mural at Harvard by the Spanish artist Josep Maria Sert.

The authenticity of the works was not disputed, as the idea was to auction off mass-produced items that would otherwise have been discarded. The auction also featured works by notable artists such as John Singleton Copley, Henry Sargent, and Thomas Cole.

The highest price fetched was $1,150 for a bust of Benjamin Franklin by Jean Antoine Houdon. Other notable sales included $600 for the "Philip Walkers" by Copley, $300 for the "Guys," and $300 for the "Miro."

The article also mentions other lucky bidders who acquired works by artists such as John Singleton Copley, Henry Sargent, and Thomas Cole. The auction was a success, contributing to the university's fundraising efforts.

The image is a scanned page from a newspaper featuring a headline that reads "Art 'Auction' Raises $7025." The article is about an art auction held at Harvard University, which raised a total of $7025. The auction was part of a program called "Harvard's Day," which included various activities and a sale of art works. The article mentions that the auction attracted nearly 1000 alumni and friends of the university, and it featured 12 works from the Fogg Art Museum, including some fakes identified by experts. The highest price fetched was $1800 for a painting by the artist Copley, and the auction also included works by other artists such as Miro and Philip Walker. The article provides details about the auction process, the works sold, and the tips for art facts.

The image is a scanned page from a newspaper dated March 29, 1958, featuring an article titled "Harvard's Day" Gives Lift To Drive for $82,500,000. The article is from the Boston Evening Globe and discusses a significant fundraising event held by Harvard University. Here is a detailed description of the content and layout:

Headline and Subheading

• The main headline reads: "Harvard's Day" Gives Lift To Drive for $82,500,000.
• The subheading states: "By EDGAR J. DRISCOLL", indicating the author of the article.

Article Content

The article details a special event held at Harvard University, referred to as "Harvard's Day", which was part of a larger fundraising campaign aimed at raising $82.5 million. Key points from the article include:

1. Event Overview:

   • The event took place on Wednesday afternoon and featured an unusual art auction.
   • The auction was organized to support Harvard's Arts Department, contributing to the university's fundraising efforts.

2. Auction Details:

   • Nearly 1000 alumni and friends attended the event.
   • The auction included a discussion group led by an art expert, with works displayed on the walls.
   • The total amount raised by the auction was $702,500, a significant contribution to the fundraising goal.

3. Highlighted Items and Bids:

   • The article mentions several notable items auctioned, including:
     • A 12th-century Italian bronze sculpture.
     • A 13th-century sculpted Madonna by the Henry Moore school.
     • A study for a sculpted Madonna by Child by Henry Moore.
     • A Spanish Renaissance oil painting by Juan Miro.
   • High bids included:
     • $500 for "The Milliner's Wife" by Frank Duveneck.
     • $500 for "The Coptic Renoit" by John Singer Sargent.
     • $600 for "The Coptic Renoit" by John Singer Sargent, which was later sold for $300 due to a bidding dispute.

4. Notable Bidders:

   • The article highlights several prominent bidders, including:
     • Mrs. Charles G. Aldred, who purchased a $290 Dwight Buddison head of Stephen Wheatland.
     • Mrs. Lucy Campbell, who bought a $225 Buddhist Robinson jar.
     • Mrs. John Sargent, who acquired a $200 panel that followed the "Rocking and Rolling" panel by John Singer Sargent.

5. Authenticity Concerns:

   • The article notes that some items, including a Copley portrait and a copy of an Italian 14th-century "St. Agnes", were proven to be fakes. This revelation caused some controversy and raised questions about the authenticity of other works.

6. Teaching Uses:

   • The article mentions that some of the paintings and sculptures were not sold but were instead retained for teaching purposes. This highlights the educational value of the auction beyond its financial contributions.

Layout and Design

• The page is formatted in a classic newspaper style, with columns of text and headlines in bold type.
• The article is accompanied by a smaller sidebar titled "Used for Teaching", which elaborates on the educational use of certain artworks.
• The bottom of the page includes additional text and possibly a continuation of the article or related content, though it is partially cut off in the image.

Visual Elements

• The page has a yellowed, aged appearance, typical of scanned historical newspapers.
• There are column dividers and margins typical of newspaper design.
• The text is typed in a serif font, consistent with mid-20th-century printing styles.

Overall Context

The article captures a moment of significant fundraising and cultural engagement at Harvard University in 1958. It highlights the intersection of art, education, and philanthropy, showcasing how an auction of artworks could contribute to both financial and educational goals. The mention of fakes adds a layer of complexity, reflecting the challenges of authenticity in the art world during that era.

This page provides a glimpse into the cultural and financial landscape of Harvard in the late 1950s, emphasizing the role of art auctions in supporting academic institutions.

The image depicts a newspaper clipping from the Boston Evening Globe, dated March 29, 1960, featuring an article about an art auction at Harvard College. The headline reads "Art 'Auction' Raises $7025" and "Harvard's Day' Gives Lift To Drive for $82,500,000." The article discusses the auction, which was held in Fane Hall, and includes details about the artworks sold, including a painting by John Coolidge, a Roman Architectural Fantasy, and a sculpture by Henry Moore. The article also mentions that the auction raised a total of $7025, with the proceeds going towards the Harvard College program. The clipping is set against a light gray background.

The image is a scanned newspaper clipping from the Boston Herald Globe, dated March 22, 1958. The article is titled "Art 'Auction' Raises $7025" and "'Harvard's Day' Gives Lift To Drive for $82,500,000." The text is in black ink on a yellowed background, with a clear and legible font.

Key Points:

• The article discusses an art auction held at Harvard University as part of "Harvard's Day" in Cambridge.
• The auction raised a total of $7025, which was used to support the Harvard College Fund.
• The event featured 1800 alumni and friends who attended the auction, which included a discussion of the works "sold" on the block by a panel of experts.
• The article highlights the success of the auction, with many items selling for significant amounts, including a Renoir oil painting that fetched $350.
• The event was seen as a way to raise funds for the university and to promote the arts.

Visual Details:

• The newspaper clipping is yellowed with age, indicating that it is an older document.
• The text is in black ink, with a clear and legible font.
• The article is divided into several columns, making it easy to read.
• The title of the article is prominently displayed at the top of the page, with the subtitle "To Drive for $82,500,000" written in smaller text below.

Overall:

The image provides a glimpse into a significant event in Harvard University's history, highlighting the importance of fundraising and the arts in supporting the institution. The article is well-written and informative, providing details about the auction and its success.

The image presents a vintage newspaper clipping from the Boston Evening Globe, dated March 22, 1958. The article's headline reads, "Art 'Auction' Raises $7025 'Harvard's Day' Gives Lift To Drive for $82,500,000."

The article discusses an art auction held at Harvard University, featuring a collection of masterpieces from the Fogg Art Museum. Notably, two of the twelve works presented were later revealed to be forgeries. The auction drew nearly 1000 attendees and raised a total of $7025, contributing to a larger fundraising effort of $82,500,000 for Harvard College.

The clipping exhibits signs of aging, with a yellowed hue and visible tears along the edges. A gray background provides a subtle contrast to the aged newspaper. Overall, the image offers a glimpse into a significant event in Harvard's history, highlighting the university's fundraising efforts and the allure of art auctions.

The image presents a newspaper clipping from the Boston Globe, dated March 29, 1958. The article is titled "Art 'Auction' Raises $7025 'Harvard's Day' Gives Lift To Drive for $82,500,000" and is written by Edgar J. Driscoll.

Article Content

The article discusses an art auction held at Harvard University, which raised $7,025 for the institution's fundraising campaign. The auction featured 12 works from the Fogg Collection, including a copy of a Copley portrait and a sketch of a Constantin Guys "Going to the Bullfight." The article highlights the success of the auction, with many items selling above their minimum bids.

Visual Elements

The newspaper clipping is presented in a vertical format, with the title and author's name prominently displayed at the top. The text is arranged in columns, with headings and subheadings used to break up the content. The article includes several quotes from individuals involved in the auction, adding depth and context to the story.

Overall Impression

The image provides a glimpse into the world of art auctions and fundraising campaigns in the 1950s. The article highlights the importance of community involvement and the impact that such events can have on institutions like Harvard University. The use of quotes and descriptive language adds a personal touch to the story, making it more engaging and relatable for readers.

The image is a newspaper clipping from the Boston Evening Globe, dated March 29, 1958. The headline reads: "Harvard's Day Gives Lift To Drive for $82,500,000." The article, written by Edgar J. Driscoll Jr., reports on an art auction held to raise funds for Harvard College.

Key points from the article include:

1. Event Details: The auction was part of a program for Harvard's Fine Arts Department and was held at the Fogg Art Museum. It was followed by a discussion and cocktail party at the Union.

2. Funds Raised: The auction raised a total of $7,025, with all proceeds going to the Harvard College Fund.

3. Artworks Auctioned: The auction featured 12 works from the Fogg Museum's collection, including paintings, sculptures, and drawings. Notable pieces included a copy of an Italian 14th-century painting, a Constantin Guys sketch, a Piranesi drawing, and a Henry Moore sculpture.

4. Authenticity Debate: There was a debate among experts about the authenticity of some works, which affected bidding prices. Some pieces were revealed as fakes.

5. Bidding Highlights: The highest price fetched was $1,100 for a 17th-century sculpture. Other notable sales included a Philip H. Walker painting for $350 and a Jean-François Millet etching for $250.

6. Expert Involvement: Experts from the Fogg Museum and other institutions provided insights into the artworks' authenticity and value.

7. Public Engagement: The event was well-attended, with many bidders participating. The atmosphere was lively, with spirited bidding and discussions about the artworks.

The article also includes a sidebar with tips on art facts and a list of frequent winning bidders, highlighting the engagement and interest in the art community.