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The image is a newspaper clipping from the Boston Evening Globe, dated March 29, 1958. The headline reads: "Harvard's Day Gives Lift To Drive for $82,500,000." The article, written by Edgar J. Driscoll Jr., reports on an art auction held to raise funds for Harvard College.

Key points from the article include:

1. Event Details: The auction was part of a program for Harvard's Fine Arts Department and was held at the Fogg Art Museum. It was followed by a discussion and cocktail party at the Union.

2. Funds Raised: The auction raised a total of $7,025, with all proceeds going to the Harvard College Fund.

3. Artworks Auctioned: The auction featured 12 works from the Fogg Museum's collection, including paintings, sculptures, and drawings. Notable pieces included a copy of an Italian 14th-century painting, a Constantin Guys sketch, a Piranesi drawing, and a Henry Moore sculpture.

4. Authenticity Debate: There was a debate among experts about the authenticity of some works, which affected bidding prices. Some pieces were revealed as fakes.

5. Bidding Highlights: The highest price fetched was $1,100 for a 17th-century sculpture. Other notable sales included a Philip H. Walker painting for $350 and a Jean-François Millet etching for $250.

6. Expert Involvement: Experts from the Fogg Museum and other institutions provided insights into the artworks' authenticity and value.

7. Public Engagement: The event was well-attended, with many bidders participating. The atmosphere was lively, with spirited bidding and discussions about the artworks.

The article also includes a sidebar with tips on art facts and a list of frequent winning bidders, highlighting the engagement and interest in the art community.

Boston Evening Globe, March 29, 1958

Art "Auction" Raises $7025

"Harvard's Day" Gives Lift To Drive for $82,500,000

By EDGAR J. DRISCOLL

"Going, going, gone..." and the auctioneer's gavel came down on the traditional lot of master works from the superb collection of the Fogg Art Museum at Harvard.

Occasion was an unusual art auction, held in the Fogg's Fine Arts Department as Harvard's Fine Arts Department as Harvard's Day in Cambridge.

Nearly 1000 alumni and friends in all attended the 2 1/2 hour preview of the works "sold" on the block by a panel of experts.

Total amount raised by the auction of the art was the tidy sum of $7025, which was credited to the program for Harvard College.

Held in Paine Hall, the auction featured 12 works from the Fogg which were on display for the preview. One of the later revealed to be fake, while a third is still a matter of dispute as to its origin and authenticity.

Copy of Copy

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The image is a newspaper clipping from the Boston Evening Globe dated March 29, 1968. The headline reads "Art 'Auction' Raises $7025" and highlights a fundraising event called "Harvard's Day," which aimed to raise $82,500,000.

The article discusses an auction of masterpieces from the Fine Arts Department of Harvard College. Here are some key points detailed in the article:

1. Auction Details:

   • Held in the Fog Art Museum, the event was attended by nearly 1000 people.
   • The auction raised a total of $7025, though the goal was to raise significantly more.
   • The auction was part of Harvard's Day, a fundraising initiative.

2. Expert Panel and Fakes:

   • A panel of experts authenticated the works, but some items were revealed to be fakes. These fakes included:
     • An Italian 14th-century "St. Agnes."
     • A 19th-century "Constantin Guys" sketch.
     • A 19th-century Italian bronze bust.
     • A 12th-century sculpture of a Madonna and Child.
     • A study by Henry Moore.
     • A study by the Spanish artist Joaquin Miro.

3. Highlights and Auction Results:

   • The highest price fetched was for the Renoir oil painting, valued at $350,000, which was won by Frank Hobart.
   • Other notable items included:
     • "Roman Architectural Fantasy" for $700.
     • A sketch by Constantin Guys, sold for $100.
   • Smaller items like a "Henry Moore" sculpture were also sold, and a few lucky bidders received items for free.

4. Teaching Purposes:

   • The article mentions that the paintings and sculptures were not sold at auction, but some were used for teaching purposes at Harvard.

5. Tips on Art Bidding:

   • Tips on bidding included the following:
     • Not all items were valuable, so it was a gamble.
     • The auction was a mix of high and low-value works.
     • The tips and bidding advice were provided by experts and well-known art figures.

The article provides a detailed account of the event, emphasizing both the successes and some of the less successful aspects, including the revelation of fakes.

The image is a newspaper clipping from the Boston Evening Globe, dated March 29, 1958. The headline reads "Art 'Auction' Raises $7025" and the main article is titled "Harvard's Day Gives Lift To Drive for $82,500,000."

The article describes an auction event held at Harvard University where nearly 1,000 alumni and friends attended. The auction, part of Harvard's Fine Arts Department's contribution to Harvard's Day, raised $7,025 through the sale of various artworks from the Fog Art Museum collection.

The auction included a variety of pieces, such as a portrait by an Italian artist, a 14th-century painting, and other notable artworks. The authenticity of some items was questioned, with experts concluding that the majority of the items were genuine. The auction also featured a fake painting, which was identified by experts as a forgery.

The proceeds from the auction were intended to benefit Harvard's ongoing fundraising campaign, which aimed to raise $82,500,000.

The article also includes a section titled "Copy of Copy," discussing the complexity of verifying the authenticity of artworks, and lists some of the artworks that were sold, including a portrait of Henry Moore by Constantin Guy, and a sketch by Joan Miró.

Additionally, the clipping mentions that the auction was a part of a larger effort to raise funds for the university, and that the items were used for teaching purposes.

The article concludes with some tips on art facts, including names and descriptions of the items sold and their new owners.

The image is a newspaper clipping from the Boston Evening Globe dated March 29, 1958. The headline reads "Art 'Auction' Raises $7025" and "Harvard's Day Gives Lift to Drive for $82,500,000."

The article, written by Edgar J. Driscoll, describes an art auction event held at Harvard University to raise funds for the Fogg Art Museum. Nearly 1,000 alumni and friends attended the auction, where 12 works of art were sold, raising a total of $7,025. The auction featured a mix of genuine and fake artworks, with the fakes being revealed later.

The auction was part of Harvard's Day, a fundraising event. The genuine items included a 14th-century Italian copy of a painting by Giotto, a 17th-century Italian bronze sculpture by Constantino Guazzini, and a study by Henry Moore. The highest price fetched was $850 for a Renoir oil painting, while the most frequent winning bidder was Philip H. Walker of Sargent Rd., Brookline, who won three items.

The auction also included teaching aids from the Fogg Art Museum, which were not sold but displayed for educational purposes. The event was aimed at benefiting Harvard's ongoing fundraising efforts, with the goal of reaching $82,500,000.

The article mentions that the auction was organized by the Harvard Alumni Fund and involved a panel of experts to authenticate the artworks. The proceeds from the auction contributed to Harvard's overall fundraising drive.

The image is a newspaper clipping from the Boston Evening Globe, dated May 23, 1958. The article, titled "Art 'Auction' Raises $7025; 'Harvard's Day' Gives Lift To Drive for $82,500,000," was written by Edgar J. Driscoll.

Summary:

Main Event:

• An art auction held at Harvard's traditional "Goong" event raised $7,025. The funds are part of a larger fundraising drive aiming for $82,500,000.

Event Details:

• The auction featured a variety of master works from the superlative collections of Harvard's Fogg Art Museum, donated by alumni and friends.
• Around 1,000 alumni and friends attended the auction, which was a highlight of the annual "Harvard Day" celebration.

Auction Items and Highlights:

• The auction included both authentic and fake works of art, with the authenticity of the pieces intentionally undisclosed.
• Notable items auctioned:
  • A copy of a rare 15th-century Italian portfolio.
  • A 14th-century Italian "St. Agnes" with a 16th-century Italian bronze overpainting.
  • A sketch by Constantijn Guys, “Going to the Bullfight,” from the 19th century.
  • A 12th-13th century sculptured stone head from Italy.
  • A study for a sculptured Madonna and Child by Henry Moore.
  • Works by Harvard alumni artists John Miro and Philip Guston.

Auction Dynamics:

• The authenticity of the works was kept secret to add intrigue and fun to the bidding process.
• Bidding was spirited, with the Harvard program and the auctioneers playing along with the gag, heightening the excitement.
• Auctioneers included Smith College's President Benjamin Fletcher Wright and art historian John Coolidge.

Tips on Art Facts:

• The article mentions that many of the works auctioned were fakes, used for teaching purposes at Harvard.
• Other notable bidders included alumni of various prestigious institutions, such as Yale and Dartmouth.

Context of the Fundraising:

• The auction was part of a broader campaign to raise funds for Harvard College.
• The event was seen as a successful and engaging way to involve alumni and raise contributions.

Additional Notes:

• The article humorously notes that the auctioneers and attendees played along with the concept of not knowing whether the artworks were genuine or not, adding to the event's charm and success.

The image shows a digitized newspaper clipping from the Boston Evening Globe, dated March 29, 1958. The headline reads, "Art 'Auction' Raises $7025,” with a subheadline, " 'Harvard's Day' Gives Lift To Drive for $82,500,000." The article is by Edgar J. Driscoll.

The article details an unusual art auction organized by Harvard's Fine Arts Department as part of its contribution to Harvard's Day. It mentions that nearly 1000 alumni and friends attended, and the program included a discussion of the works "sold" on the block by a panel of experts. The funds raised, amounting to $7025, were all to go to the program for Harvard College.

The auction, held in Paine Hall, featured 12 works from the Fogg Collection. A twist was revealed later: all of the sold items were actually fakes or copies, and the buyers were made aware that the pieces were not original works.

Further down, the article discusses how the individuals who participated in the bidding were aware that the pieces were for teaching purposes and did not buy into the ruse under the pretense of obtaining authentic art. It served as a teaching method for valuation and identifying forgeries, with the fakes being used for teaching purposes at Harvard.

The rest of the clipping elaborates on the details of the auction, the items that were presented as fakes, the actual money spent, and the individuals who bid on the items.

The text also mentions some tips on art facts given at the event and the names of individuals who were part of the auction and analysis posterity.

The bottom of the clipping is incomplete, cutting off in the middle of a sentence about individuals related to the art world who were involved in the event.

This image shows a newspaper clipping from the Boston Evening Globe dated March 29, 1958. The headline reads:

"Art 'Auction' Raises $7025
'Harvard's Day' Gives Lift To Drive for $82,500,000"

The article is by Edgar J. Driscoll and describes an art auction event staged by Harvard's Fine Arts Department as part of Harvard's Day in Cambridge. The auction featured works from the Fogg Art Museum's collection, with proceeds going to Harvard College's fundraising drive.

Nearly 1,000 alumni and friends participated in the event, and the total amount raised was $7,025. The auction included 12 works, some later revealed as fakes, others still disputed regarding their authenticity. The article discusses the mixed authenticity of items, including a fake Copley portrait and a 14th-century Italian "St. Agnes," and bona fide pieces such as a Renoir oil sketch, a Piranesi drawing, and sculptures from various periods and places.

John T. Coolidge, director of the Fogg Museum, is quoted about the risks and rewards of auctions. The highest price fetched was $1,850 for a Renoir oil "At the Milliner's." The article also names several winning bidders and notes their generosity in re-auctioning works to benefit the fund. Additional sections give tips on art facts and list names of people involved in the auction and analysis panel.

The clipping is aged and has some wear, with visible fold lines and a few small tears and discolorations. The article covers the event as a spirited effort to support Harvard's fundraising goals through an innovative art auction experience.

The image is a scanned page from a newspaper featuring a headline that reads "Art 'Auction' Raises $7025." The article is about an art auction held at Harvard University, which raised a total of $7025. The auction was part of a program called "Harvard's Day," which included various activities and a sale of art works. The article mentions that the auction attracted nearly 1000 alumni and friends of the university, and it featured 12 works from the Fogg Art Museum, including some fakes identified by experts. The highest price fetched was $1800 for a painting by the artist Copley, and the auction also included works by other artists such as Miro and Philip Walker. The article provides details about the auction process, the works sold, and the tips for art facts.

The image is a scanned page from a newspaper dated March 29, 1958, featuring an article titled "Harvard's Day" Gives Lift To Drive for $82,500,000. The article is from the Boston Evening Globe and discusses a significant fundraising event held by Harvard University. Here is a detailed description of the content and layout:

Headline and Subheading

• The main headline reads: "Harvard's Day" Gives Lift To Drive for $82,500,000.
• The subheading states: "By EDGAR J. DRISCOLL", indicating the author of the article.

Article Content

The article details a special event held at Harvard University, referred to as "Harvard's Day", which was part of a larger fundraising campaign aimed at raising $82.5 million. Key points from the article include:

1. Event Overview:

   • The event took place on Wednesday afternoon and featured an unusual art auction.
   • The auction was organized to support Harvard's Arts Department, contributing to the university's fundraising efforts.

2. Auction Details:

   • Nearly 1000 alumni and friends attended the event.
   • The auction included a discussion group led by an art expert, with works displayed on the walls.
   • The total amount raised by the auction was $702,500, a significant contribution to the fundraising goal.

3. Highlighted Items and Bids:

   • The article mentions several notable items auctioned, including:
     • A 12th-century Italian bronze sculpture.
     • A 13th-century sculpted Madonna by the Henry Moore school.
     • A study for a sculpted Madonna by Child by Henry Moore.
     • A Spanish Renaissance oil painting by Juan Miro.
   • High bids included:
     • $500 for "The Milliner's Wife" by Frank Duveneck.
     • $500 for "The Coptic Renoit" by John Singer Sargent.
     • $600 for "The Coptic Renoit" by John Singer Sargent, which was later sold for $300 due to a bidding dispute.

4. Notable Bidders:

   • The article highlights several prominent bidders, including:
     • Mrs. Charles G. Aldred, who purchased a $290 Dwight Buddison head of Stephen Wheatland.
     • Mrs. Lucy Campbell, who bought a $225 Buddhist Robinson jar.
     • Mrs. John Sargent, who acquired a $200 panel that followed the "Rocking and Rolling" panel by John Singer Sargent.

5. Authenticity Concerns:

   • The article notes that some items, including a Copley portrait and a copy of an Italian 14th-century "St. Agnes", were proven to be fakes. This revelation caused some controversy and raised questions about the authenticity of other works.

6. Teaching Uses:

   • The article mentions that some of the paintings and sculptures were not sold but were instead retained for teaching purposes. This highlights the educational value of the auction beyond its financial contributions.

Layout and Design

• The page is formatted in a classic newspaper style, with columns of text and headlines in bold type.
• The article is accompanied by a smaller sidebar titled "Used for Teaching", which elaborates on the educational use of certain artworks.
• The bottom of the page includes additional text and possibly a continuation of the article or related content, though it is partially cut off in the image.

Visual Elements

• The page has a yellowed, aged appearance, typical of scanned historical newspapers.
• There are column dividers and margins typical of newspaper design.
• The text is typed in a serif font, consistent with mid-20th-century printing styles.

Overall Context

The article captures a moment of significant fundraising and cultural engagement at Harvard University in 1958. It highlights the intersection of art, education, and philanthropy, showcasing how an auction of artworks could contribute to both financial and educational goals. The mention of fakes adds a layer of complexity, reflecting the challenges of authenticity in the art world during that era.

This page provides a glimpse into the cultural and financial landscape of Harvard in the late 1950s, emphasizing the role of art auctions in supporting academic institutions.