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ARCH.2003.32, Rendition: 804080
This image displays a yellowed, aged newspaper clipping from THE WASHINGTON POST and TIMES HERALD, dated Sunday, October 6, 1957. The clipping is from page F3.
The central feature is a large, dramatic, black-and-white halftone reproduction of a painting by the English poet and artist William Blake.
The image is captioned as “Michael Binding Satan”. It depicts a muscular, nude male figure — the archangel Michael — in a powerful, dynamic pose, subduing and binding a monstrous, dark, serpentine figure — Satan — who writhes beneath him. Blake’s signature style is evident in the intense emotionalism, dramatic chiaroscuro (strong contrasts of light and dark), and visionary, almost Gothic, energy of the scene.
The clipping shows signs of age: the paper is brittle and yellowed, with some creases, tears (especially at the top left corner), and a small staple hole or mark on the right edge.
In summary, this is a historical newspaper clipping publicizing a major American exhibition of William Blake’s work in 1957, featuring a reproduction of his dramatic painting “Michael Binding Satan” from Harvard’s Fogg Art Museum.
The image appears to be a newspaper clipping from "The Washington Post and Times Herald," dated Sunday, October 6, 1957. It features a black-and-white illustration titled "Michael Binding Satan," which is credited to the Fogg Art Museum of Harvard University and is part of the William Blake collection. The illustration depicts a muscular figure, possibly Michael (an angel), in a dynamic pose, with one arm raised and the other bent at the elbow, as if binding or overpowering another entity. The background appears to be dark and textured, possibly representing a night sky or a dramatic setting.
The accompanying text at the bottom of the image provides additional context, stating that many art museums in the United States are contributing William Blake collections to a show at the National Gallery of Art, which was formally opening on October 18. The text also mentions that this particular illustration is from the Fogg Art Museum of Harvard University.
This image is a newspaper clipping from "The Washington Post and Times Herald" dated Sunday, October 6, 1957. The clipping features a black-and-white illustration titled "Michael Binding Satan," which is attributed to the Fogg Art Museum of Harvard University. The illustration depicts a winged figure, presumably Michael, in the act of binding another figure, likely Satan, with chains. Michael appears to be a muscular, angelic being with a sword in one hand and chains in the other, while Satan is shown in a more subdued and restrained position.
The article accompanying the illustration discusses an exhibition of William Blake's works at the National Gallery of Art, which was set to open on October 18, 1957. The text mentions that many art museums in the United States were loaning their William Blake collections to this show. The image is presented in a vintage, slightly worn condition, with some discoloration and creases visible on the paper.
The image is a newspaper clipping from "The Washington Post and Times Herald" dated Sunday, October 6, 1957. The clipping features a prominent black-and-white illustration of a mythological scene. The image depicts a muscular, nude male figure in dynamic motion, possibly representing a mythological hero or deity. He is holding a large, monstrous creature by the neck, suggesting a struggle or battle. The background is dark and dramatic, with swirling, cloud-like forms that enhance the sense of movement and conflict.
Beneath the illustration, there is a caption that reads: "AMERICAN CONTRIBUTION: Many art museums in the United States are loaning their William Blake collection to the Blake show at the National Gallery of Art which opens formally on Oct. 18. This picture, 'Michael Binding Satan' is from the Fogg Art Museum of Harvard University."
The clipping is framed by the edges of the newspaper, with the top and bottom edges slightly torn. The paper appears aged, with visible creases and some discoloration, indicating its historical nature. The overall layout is simple, focusing primarily on the illustration and the accompanying text.
The image is a newspaper clipping from The Washington Post and Times Herald, dated Sunday, October 6, 1957. The clipping features an article about an upcoming exhibition of William Blake's works, titled "The Blake Show," which is set to open on October 18 at the National Gallery of Art. The article highlights that many American art museums are contributing their William Blake collections to the exhibition.
The clipping includes a black-and-white image of a figure, possibly a demon or a fallen angel, with a bat-like appearance. The image is labeled "Michael Binding Satan" and is attributed to the Fogg Art Museum of Harvard University. The article mentions that the image is one of the many works being loaned for the exhibition.
The newspaper clipping is mounted on a gray background, and the edges of the paper appear worn and torn, suggesting that it has been handled or aged over time. The clipping provides a glimpse into the cultural and artistic events of the 1950s, showcasing the interest in William Blake's works and the collaborative efforts of American art museums to showcase his collection.
The image shows a page from The Washington Post and Times Herald, dated Sunday, October 6, 1957. The page features a black-and-white illustration or photograph of an artistic piece titled "Michael Binding Satan", which is part of the William Blake collection. The accompanying text indicates that this artwork is on loan from the Fogg Art Museum of Harvard University for an exhibition at the National Gallery of Art, which was set to open formally on October 18, 1957. The caption at the bottom of the image reads:
"AMERICAN CONTRIBUTION: Many art museums in the United States are loaning their William Blake collections to the Blake show at the National Gallery of Art which opens formally on Oct. 18. This picture, 'Michael Binding Satan' is from the Fogg Art Museum of Harvard University."
The illustration itself appears to depict a dramatic, symbolic scene, likely reflecting the intense and mythological themes characteristic of William Blake's work. The overall presentation suggests a historical or art-focused article, highlighting the significance of the Blake exhibition and the contributions of American museums to the event.
This image is a newspaper clipping from "The Washington Post and Times Herald" dated Sunday, October 6, 1957. It features an illustration titled "Michael Binding Satan," which is attributed to the collections being lent to an exhibition at the National Gallery of Art. The illustration presents a dramatic depiction of a muscular figure engaging in combat with a dark, serpentine creature, surrounded by dynamic, swirling shapes possibly resembling flames or clouds. The text below the image notes that this artwork is part of a collection from the Fogg Art Museum of Harvard University and highlights its inclusion in the exhibition.
This image is a newspaper clipping from "The Washington Post and Times Herald" dated Sunday, October 6, 1957. It features a black-and-white illustration titled "Michael Binding Satan.”
The illustration shows a muscular figure, presumably Michael, wrestling and restraining a demonic figure, identified as Satan. Michael is depicted with a strong, almost heroic posture, gripping Satan's upper body and arm while pinning him down. Satan has a grotesque face and scaly body, and appears defeated under Michael's grip.
The caption below the image reads: "AMERICAN CONTRIBUTION: Many art museums in the United States are loaning their William Blake collections to the Blake show at the National Gallery of Art which opens formally on Oct. 18. This picture, 'Michael Binding Satan' is from the Fogg Art Museum of Harvard University."
The clipping is mounted on a blue backing, and its edges are slightly worn and torn, indicating its age.
This is a small, aged newspaper clipping from The Washington Post and Times Herald, dated Sunday, October 6, 1957 (page F3). It features a black-and-white reproduction of a William Blake illustration titled “Michael Binding Satan” from the Fogg Art Museum, Harvard University. The image shows Archangel Michael with wings, in a dynamic pose as he restrains or binds Satan, set against a dark, dramatic background with jagged forms around. The caption beside it discusses American contributions to a Blake show at the National Gallery of Art and notes the image as coming from the Fogg Art Museum.
This is an image of a worn newspaper clipping from "The Washington Post and Times Herald" dated Sunday, October 6, 1957. The newspaper header is partially visible at the top, with the date readable on the right-hand side. Below the header, there is a black-and-white printed reproduction of an artwork. This artwork depicts a dramatic scene in which a muscular, winged male figure, presumably the archangel Michael, is in the act of subduing another figure, which the caption identifies as Satan, according to the Christian tradition. The lower figure is mostly obscured by shadows and appears to be in a twisted, recoiling pose. The dynamic composition and expressive pose suggest a moment of intense confrontation.
Below the image, there's text describing the artwork and giving contextual information. The caption reads, "AMERICAN CONTRIBUTION: Many art museums in the United States are loaning their William Blake collections to the Blake show at the National Gallery of Art which opens..." and it continues with specific details about the pictured artwork: "National Gallery of Art Photo formally on Oct. 18. This picture, 'Michael Binding Satan' is from the Fogg Art Museum of Harvard University." The text implies that the artwork is a part of an upcoming William Blake exhibition and that this particular piece is contributed by the Fogg Art Museum. The paragraph is interrupted and the sentence is incomplete, presumably continuing in another part of the newspaper not visible in the image.