Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.32, Rendition: 804070
This image displays an open, aged newspaper, specifically The Harvard Crimson, dated Friday, March 8, 1957. The paper is visibly yellowed and brittle, with some stains and minor tears, suggesting its age and handling over the decades. The issue is Volume CXXXV, No. 27, published in Cambridge, Mass.
The main headline on the left-hand page reads:
“Fine Arts Professors Hail Resurgent Art Enthusiasm”
and is subtitled “Students ‘More Visual’”. The article, written by Richard N. Levy, discusses the growing popularity of fine arts courses at Harvard, particularly Fine Arts 13 and Fine Arts 75. According to the article, professors attribute this surge in interest to factors such as excellent instructors, increased media coverage (e.g., Time and Life magazines), and a broader cultural shift toward visual arts, especially among the prosperous postwar generation.
Quotes from professors like Leonard Opdycke, John P. Coolidge, and Jakob Rosenberg are included, offering perspectives on students’ changing tastes—from an “Anglo-Saxon approach to art” to a broader, more “visual,” and modern perspective. The article also touches on criticism of the art curriculum, including concerns about overcrowding and the balance between extracurricular activities and academic rigor.
On the right-hand side of the spread, partially visible, there’s a column titled:
“Smears, Attacks Cited as Hazard of Civil”
with a note that it is “(Continued from page one)” and part of a “‘Occasions’” section.
Below that, on the bottom of the right page, is a column titled “Fine Arts (Continued from page one)” — this is a continuation of the main article and includes critiques about proposals for a new “Visual Arts Center,” concerns that such developments might result in excessive drawing and painting as “extra-curricular work” rather than “proper guidance.”
The newspaper is bound in a book-style cover; metal binder rings are visible along the left edge, suggesting it may be part of a bound archive or scrapbook. In the top left corner of the left page, there’s faint handwritten text: “Break book” — perhaps a note left by a previous reader or archivist.
Overall, the image presents a historical snapshot of Harvard student life and academic discourse in the mid-20th century, highlighting the cultural and educational evolution of the arts at an elite university.
This image shows a page from a publication titled "The Harvard C," dated Friday, March 8, 1957, in Cambridge, Massachusetts. The page is yellowed, indicating its age, and includes a headline and article about students' growing interest in art, particularly within the Fine Arts Department at Harvard. The article discusses the reasons behind the increased interest in art among college students, such as the popularity of courses in Fine Arts, the impact of visual art coverage in magazines like "Time" and "Life," and the role of art in fostering a broader cultural appreciation.
The article is signed by Richard N. Levy and continues on page six, with a reference to "Fine Arts" on the same page. There are some annotations or markings on the page, including a label in the upper left corner that appears to say "Graphbook." The overall appearance of the document suggests it is a historical artifact, likely from a newspaper or magazine archive.
This image shows a page from an old issue of "The Harvard Crimson," a student newspaper from Harvard University. The page is dated Friday, March 8, 1957, and is labeled as Vol. CXXXV, No. 27. The page is yellowed with age, indicating it is a historical document.
The main headline reads, "Students 'More Visual' Fine Arts Professors Hail Resurgent Art Enthusiasm," written by Richard N. Levy. The article discusses the recent rise in interest in the Fine Arts Department among students at Harvard College. It mentions that three professors sought answers to this trend and attributes it to popular figures in the department, art coverage in magazines like Life and Time, and the lack of an Anglo-Saxon approach to art by Harvard undergraduates.
The article quotes Leonard Opdycke, an associate professor of Fine Arts and chairman of the department, who feels that the popularity of such courses is due to good instructors and the appeal of modern art. It also mentions John P. Coolidge, a professor of Fine Arts and Director of Fogg, who notes that prosperity has bred interest in the visual arts, and Jakob Rosenberg, a professor of Fine Arts and Curator of Prints at Fogg, who suggests that students want to round out their culture.
On the right side of the page, there is a smaller article titled "Smears, Attacks Cited as Hazard Of Civil Service," which appears to be part of a series of articles on the topic.
At the bottom of the page, there is a continuation of the main article from page one, titled "Fine Arts," which discusses the Visual Arts Report and the building of a Visual Arts center in the vicinity of Fogg. The curator, Rosenberg, is quoted as favoring the report's plans but feeling that its opportunities for increased creative drawing and painting might result in an overemphasis on extra-curricular work. He criticizes the present trend toward keeping students happy by such extra-curricular activity instead of proper guidance.
The image shows an open book, specifically an old newspaper with the title "The Harvard Crimson." The newspaper is open to page six, and the main article on this page is titled "Fine Arts Professors Hail Resurgent Art Enthusiasm." The article discusses the increased interest in fine arts among students at Harvard, as evidenced by the popularity of courses in life and time, and the lack of space in Anglo-Saxon departments. The article also mentions the efforts of fine arts professors to accommodate the growing interest in the field. The newspaper is old and has some wear and tear, with some pages having torn edges and faded text. The image is taken from a top-down perspective, showing the open book on a flat surface.
The image shows an open book with two pages visible. The top page features a headline that reads "The Harvard" in large black letters, with a subtitle that reads "Students' More Visual." Below the headline, there is an article titled "Fine Arts Professors Hail Resurgent Art Enthusiasm," written by Richard N. Levy. The article discusses the recent rise in art enthusiasm among Harvard students and the professors' response to it. The bottom page has a smaller headline that reads "Fine Arts," and it continues the article from the previous page.
The image shows an open page from a historical newspaper titled "The Harvard Crimson." The page is dated Friday, March 5, 1957, and is from Volume XXXVII, No. 27, published in Cambridge, Mass.
Headline:
Byline:
Content:
Sidebar:
Layout and Design:
Page Reference:
The image captures a moment in Harvard's academic history, highlighting the growing enthusiasm for fine arts during the 1950s. The article reflects the influence of modern art and the role of innovative teaching methods in attracting student interest. The presence of faculty commentary underscores the institutional recognition of this trend. The sidebar adds a secondary historical note, enriching the context of the newspaper's content.
This image shows a scrapbook page featuring a newspaper clipping from The Harvard Crimson, dated Friday, March 8, 1957. The clipping includes an article titled "Fine Arts Professors Hail Resurgent Art Enthusiasm" by Richard N. Levy. The article discusses the increased interest among students in Fine Arts courses at Harvard and outlines various perspectives from professors about this trend. Another smaller clipping labeled "PAGE SIX" appears to be a continuation of the article, elaborating on Fine Arts trends, proposals for art centers, and comments from faculty.
The page exhibits signs of age, such as yellowing and frayed edges, with part of it torn off. Handwriting, likely annotations, is visible on the top left corner of the scrapbook but is not clearly legible. The scrapbook's binding and edges indicate that it is archival in nature.
This image shows an open page of an old newspaper titled "The Harvard Crimson". The newspaper is dated Friday, March 8, 1957 and indicates Cambridge, MA as the location. The visible page shows the beginning of an article with the headline "Fine Arts Professors Hail Resurgent Art Enthusiasm" by Richard N. Levy. The article discusses the increased interest in Fine Arts among college students and various professors' views on the subject.
On the right part of the page, another article is partially visible. It appears to contain commentary on the artwork of John P. Coolidge, a professor of Fine Arts, with a reference made to "Smears, Attacks" in the title.
There's also a sidebar titled "PAGE SIX" which is the continuation of the Fine Arts article from the front page. The article mentions the Visual Arts Committee report and some opinions about fostering increased creativity and critical reaction in art.
The physical newspaper page appears aged, with some discoloration and the page has a folded corner. There's also a handwritten note on the top left corner, but the contents of the note are not fully visible in the photo.
The image shows an old, yellowed newspaper page with the partial title "The Harvard C" visible at the top, suggesting it is from The Harvard Crimson. The date in the header reads "Friday, March 8, 1957," and the volume number is CXXXV, No. 27.
The main headline reads: "Fine Arts Professors Hail Resurgent Art Enthusiasm," written by Richard N. Levy. The article discusses the growing interest among students in the Fine Arts Department at Harvard College and attributes this to popular professors, increased media coverage, and a shift in attitude towards modern art. Several professors, including Leonard Opdycke and John P. Coolidge, provide commentary on the topic. The article continues on page six, with a follow-up titled "Fine Arts (Continued from page one)" discussing the Visual Arts Report and the potential impact of a proposed Visual Arts center near Fogg Museum. The continuation also mentions concerns about the balance between creative work and extracurricular activities in art education.
The newspaper page is visibly aged with some torn edges, creases, and discoloration, indicative of its age. There are also minor annotations or marks visible near the top left corner. The right side of the upper portion of the page is partially torn away, obscuring some of the text.
This is a close-up of an old scrapbook page or bound volume containing a newspaper clipping. The page is yellowed and worn, with two binder holes along the left edge. At the top you can glimpse the masthead “The Harvard …” (The Harvard Crimson) and a date line: Cambridge, Mass., Friday, March 8, 1957. The main visible article headline reads: “Fine Arts Professors Hail Resurgent Enthusiasm,” by Richard N. Levy. The clipping includes multiple columns of small text, with a smaller cut-out section titled “PAGE SIX Fine Arts” toward the bottom. There are other partial headlines visible on the page, and a pencil note along the left margin. Overall, it’s a vintage Harvard newspaper clipping excerpt mounted in a scrapbook.