Archives Scrapbooks

This image displays a single, yellowed newspaper clipping mounted or pasted onto a larger, similarly aged piece of paper or a page from a scrapbook. The clipping is from a review section, under a heading that reads “Events in Art” and is dated “Monday, May 22, 1950,” handwritten in the upper-left corner.

The main article is titled “Edward Burra’s Surrealism; Landscapes at The Fogg” by Robert Taylor. It reviews an exhibition of watercolor paintings by the English artist Edward Burra, held at the Fogg Museum in Boston.

The article discusses Burra’s unique style, describing his work as a "dream-like" blend of surrealism and urban modernity. It praises his ability to transform mundane scenes — such as Boston’s side-street grocery stores or construction sites — into fantastical, unsettling, and humorous compositions using vivid color, distorted forms, and symbolic elements.

Taylor draws comparisons to artists like De Chirico and the Impressionists to situate Burra within art history, while also noting Burra’s personal technique — using a fine brush to achieve “unusually precise and detailed paper” — which contrasts with the wildness of his subject matter.

A sidebar under the heading “NOTABLE HANGING” mentions two other concurrent exhibitions at the Fogg Museum: a group of 40 watercolor paintings by American artist Charles Demuth (“1883-1935”) showcasing a “broad trend in landscape art,” and a display featuring Charles Demuth’s famous painting “The White Cone,” which Taylor notes is “almost a masterpiece.”

The article concludes by highlighting Burra’s place among Boston’s current artistic events, calling him “one of the outstanding events in the new art week,” and noting that despite the city’s conservative art scene, Burra’s “masterful, ceaselessly inventive and capable of startling innovations” work is gaining appreciation.

The clipping appears to have been preserved as a keepsake or research material, given its placement on a larger sheet and the careful handwritten date.

Summary:
A 1950 newspaper review by Robert Taylor of Edward Burra’s surrealist watercolor exhibition at Boston’s Fogg Museum, praising his imaginative transformations of urban scenes and noting concurrent exhibitions, including works by Charles Demuth. The clipping is preserved as a historical artifact on a scrapbook page.

The image shows a page from a book or magazine, dated May 22, 1955, titled "Events in Art." The article is titled "Edward Burra's Surrealism; Landscapes at The Fogg" by Robert Taylor. It discusses the artist Edward Burra and his work, which is described as a study of urban scenes translated into dream-like fantasies. The article mentions a gallery exhibition at the Swetzoff Gallery and highlights Burra's technique and style, comparing it to other surrealist artists. The page also mentions notable art exhibits at the Fogg Museum in Cambridge, discussing landscapes and the development of French Impressionism. The text is accompanied by a small section at the bottom right corner with additional information about the exhibition and other art events. The page is slightly worn and aged, indicating it is from an older publication.

This image shows a vintage newspaper clipping or article cutout pasted onto a brown paper or scrapbook page. The article is titled "Edward Burra's Surrealism; Landscapes at The Fogg" and is written by Robert Taylor. It appears to be a review or discussion of an art exhibition featuring the work of Edward Burra, an English watercolor artist. The article is dated May 22, 1955, as indicated by the handwritten notation at the top of the cutout.

The text of the article discusses Burra's style, which is described as surrealistic and dream-like, with elements of urban and cryptic imagery. It compares his work to that of other artists and movements, such as Freud, Little Caesar, Dante, and abstract expressionism. The article also mentions other art exhibitions and events happening around the same time, including a show at the Fogg Museum and a collection of masterworks.

The scrapbook page appears to be part of a larger collection, as there is another page visible on the right side of the image, which seems to contain additional text and possibly another article or clipping. The overall appearance of the pages suggests they are old, with a yellowish-brown color and signs of wear and aging.

The image is a photograph of an open book. The book is a scrapbook, as evidenced by the presence of pasted-in newspaper clippings. The clippings are pasted on the left page of the book, while the right page is blank. The scrapbook is opened to a page that contains several clippings. The clippings are arranged in a grid-like pattern, with some overlapping each other. The clippings are from various newspapers and magazines, as indicated by the different fonts and styles used in the text. The clippings are about Edward Burra's surrealism and landscapes at the Fogg.

The image shows an open book with yellowed pages. The pages appear to be from a magazine or newspaper. The left page has a headline that reads "Events in Art, Edward Burra's Surrealism; Landscapes at The Fogg." The text is written in black font and includes a byline that reads "By Robert Taylor." The right page has a smaller article with the headline "NOTABLE HANGING." The text is written in black font and includes the name "Pury Rathbone." The pages have a vintage look and feel, suggesting they are from an older publication.

The image depicts an open book with aged, yellowed pages, suggesting it is an antique or historical publication. The visible text is printed in a serif font, typical of older printed materials. The left page is titled "Edward Burra; Landscapes at The Fogg" and is dated "Ronald May 22, 1958" at the top. The text appears to be an art review or critique, discussing the work of Edward Burra, an English watercolor artist. The content delves into Burra's artistic style, referencing his surrealist tendencies, his use of dreamlike imagery, and his approach to landscape painting. The review highlights Burra's unique techniques, such as the use of bold colors, abstract forms, and symbolic elements, and compares his work to other artists and movements.

The right page shows the continuation of the text, with additional commentary on Burra's artistic philosophy and the reception of his work. The layout includes columns of text, typical of magazine or journal formatting, with some marginal notes or annotations visible on the right side. The overall condition of the book indicates it has been well-preserved, with the pages slightly worn but still legible. The presence of a handwritten note or annotation at the top of the left page ("Ronald May 22, 1958") suggests it may have been part of a personal collection or archive. The content and style of the text strongly indicate that this is an art criticism piece from a publication, likely from the mid-20th century.

This is a photograph of an open scrapbook or collection of clippings. In the image, there is a newspaper article pasted onto the right side of a scrapbook page. The article is headlined "Events in Art; Edward Burra's Surrealism; Landscapes at The Fogg," by Robert Taylor. The article appears to discuss an exhibition of Edward Burra's surrealist landscapes at The Fogg Museum.

The text of the article is in a small, dense font and is not fully legible due to the resolution. The article includes several paragraphs and continues below where it is cut off by the edge of the page. It's dated at the top with 'May 2 2, '89', which suggests the article was published on May 22, 1989, assuming '89' refers to the year 1989. There is also a paperclip at the top right corner, securing the article to the page.

To the left, there is a small missing piece of the page, and the edge of another page or article is visible in the background. The background has a beige or light brown color consistent with aged or vintage paper.

The image shows a single page from an old scrapbook. A narrow black-and-white newspaper clipping is mounted on a tan/brown sheet. The clipping’s headline reads something like “Edward Burra’s Surrealism; Landscapes at The Fogg” with byline “ROBERT TAYLOR” and a small handwritten note at the very top. The article appears to be in several narrow columns. The page around it is worn and slightly frayed, with a couple of small tape or corner holders visible. The overall look is vintage and yellowed.

The image shows a newspaper clipping titled "Edward Burra's Surrealism; Landscapes at The Fogg," written by Robert Taylor. The article appears to be a review or critique of an art exhibition featuring the works of English watercolor artist Edward Burra at the Swefttoff Gallery. The text discusses Burra's style, describing it as "dream-like" and "urban," blending surrealism with social themes and detailed observation of urban life. It mentions the use of a poetic visual language and influences from artists such as Da Vinci and Chirico.

The article also touches on the exhibition itself, noting specific paintings and their themes, including the contrast between fantasy and reality, and the exploration of American modern art. There is a segment titled "Notable Hanging," which mentions two displays running tandem at the Fogg Museum, including "Landscapes of Four Centuries" and a solo display of watercolor paintings by Charles Demetrios.

Additionally, the text references other artists and movements, including Parker Harris and a technique called "Abab" sculpture. The article is dated May 22, 1958, written in a traditional newspaper column format and pasted onto a blank page of a scrapbook or similar collection. The page is secured with transparent tape on the corners.

This image shows an aged newspaper clipping pasted onto a scrapbook or album page. The article, titled "Edward Burra's Surrealism; Landscapes at The Fogg," appears to be written by Robert Taylor, as indicated at the top. The text discusses Edward Burra, a British watercolor artist, and his exploration of surrealism. It also touches upon other exhibitions and art-related subjects, including the "Landscapes at the Fogg" exhibit at the Fogg Museum.

The visible paper appears yellowed and worn, a sign of age, and the clipping is surrounded by blank space on the album page. The handwritten date at the top reads "May 22, 1965," likely referring to the date of publication of the article.