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ARCH.2003.32, Rendition: 804013
The image is a newspaper clipping from the New England Newspaper Agency, Inc., dated February 8, 1955. The article, titled "'Art for Hospitals' Gets 24 Works of Painter, 80," discusses the donation of paintings by James N. Rosenberg, an eighty-year-old artist, to the United Hospital Fund's "Art for Hospitals" program. Rosenberg donated twenty-four of his works, which he humorously referred to as his "happy pictures" and "tragic pictures."
The article mentions that Rosenberg, a retired lawyer and artist, has been painting since he was seventy. He divides his time between painting and trout fishing in the Adirondacks. His paintings, which include cheerful, non-controversial works and more somber, tragic pieces, have been exhibited in various galleries and museums, including the Fogg Museum at Harvard University and the Brooklyn Museum of Art.
The donated paintings will be displayed in hospitals such as Mount Sinai Hospital, Metropolitan Hospital, and others. The article also includes a photograph of Rosenberg with one of his paintings, titled "Octopusarium," which depicts an atmospheric scene. The image highlights Rosenberg's contribution to the hospital art program and his dedication to both his artistic and philanthropic endeavors.
The image shows a newspaper article from the New York Herald Tribune, dated February 8, 1955. The headline reads, "'Art for Hospitals' Gets 24 Works of Painter, 80." The article reports that James N. Rosenberg, an 80-year-old retired lawyer and artist, donated 24 of his paintings to the United Hospital Fund's "Art for Hospitals" program. The paintings, landscapes from the Adirondacks, were accepted by Henry C. Brunie, president of the fund, and are to be displayed in wards, clinics, and waiting rooms of four hospitals: The Beckman-Downtown Hospital, Mount Sinai Hospital, Metropolitan Hospital, and Roosevelt Hospital.
Rosenberg, who had retired from a successful law practice ten years earlier, stated that he hoped his paintings would add color to the otherwise neutral walls of hospitals. He also mentioned that he had a studio at home and continued to paint, though he no longer included his "tragic pictures" in his donations. Mrs. Walter Hochschild, chairman of the Art for Hospitals committee, praised Rosenberg's contribution, noting that the 618 paintings donated to the program over two years had been beneficial for patients' speedy recovery.
The article includes a photograph of James N. Rosenberg with one of his paintings, titled "Adirondacks." The caption identifies him as a retired lawyer and painter. The photograph is credited to Morris Werman. The newspaper clipping also includes contact information for the New York Herald Tribune, including the address and membership details with the New England Newspaper Agency, Inc.
The image is a newspaper clipping from the Herald Tribune dated February 8, 1955. The article is titled "Art for Hospitals' Gets 24 Works of Painter, 80."
Key details from the article include:
James N. Rosenberg: An eighty-year-old artist, James N. Rosenberg, gave twenty-four paintings to the United Hospital Fund's "Art for Hospitals" program. The paintings were landscapes he had created in the Adirondacks.
Ceremony: The event was held at the fund's headquarters, located at 8 E. 41st St., New York City.
Recipients: The paintings were destined for several hospitals including the Beekman-Downtown Hospital, Mount Sinai Hospital, Metropolitan Hospital, and Roosevelt Hospital.
Acceptance: Henry C. Brunie, president of the fund, accepted the paintings and noted that the art would be hung in wards, clinics, and waiting rooms of the hospitals.
Retirement: Rosenberg retired from his successful corporate law practice in November 1954, after 40 years of service.
Background: Rosenberg had been inspired to paint during his hospitalization for a condition that he later described as "tragic." He started painting on Sundays, which provided him with inspiration and a therapeutic outlet. He had previously donated paintings to various institutions, including the Metropolitan Museum of Art and the Brooklyn Museum.
Inspiration and Work: Rosenberg mentioned that his primary inspiration came from his studio, where he often painted landscapes and seascapes. He mentioned that he omitted some of his "tragic" works from his gift to the fund.
Contribution: Walter Hochschild, chair of the fund's committee, appreciated Rosenberg's contributions, noting that his paintings had a calming effect on patients and were beneficial for their recovery.
The article also includes a photograph of Rosenberg with one of his paintings and a photo of him in his professional attire.
The image is a newspaper clipping from the Herald Tribune, dated February 8, 1955. The article is titled "'Art for Hospitals' Gets 24 Works of Painter, 80 Museum Pieces."
The article describes how James N. Rosenberg, an eighty-year-old retired artist and lawyer, donated twenty-four of his own paintings to the United Hospital Fund's "Art for Hospitals" program. The paintings, landscapes painted in the Adirondacks, will be hung in wards, clinics, and waiting rooms of four hospitals: the Beekman-Downtown Hospital, Mount Sinai Hospital, Metropolitan Hospital, and Roosevelt Hospital.
The article also mentions that Rosenberg, who had previously been a successful corporate lawyer, had been painting for pleasure for many years. He was inspired by the Adirondacks, where he spent summers. Rosenberg explained that he had been hospitalized and found that paintings were beneficial to patients, leading him to contribute his work to the program.
The donation includes paintings that Rosenberg considered "tragic works," which he described as "the horrors of war." Additionally, the article notes that the "Art for Hospitals" program had received over 318 paintings, with 80 pieces coming from museums and galleries.
The clipping includes a portrait of Rosenberg and a photograph of one of his paintings. The newspaper is from the New England Newspaper Agency, Inc., and the clipping is part of the Herald Tribune, New York, N.Y.
The image is a newspaper clipping from the Herald Tribune dated February 8, 1955. The headline reads "Art for Hospitals' Gets 24 Works of Painter, 80."
The article discusses James N. Rosenberg, an eighty-year-old retired lawyer and painter, who donated 24 paintings to the United Hospital Fund's "Art for Hospitals" program. The paintings, which include landscapes from the Adirondacks, will be hung in wards, clinics, and waiting rooms of four hospitals: Beekman-Downtown Hospital, Mount Sinai Hospital, Metropolitan Hospital, and Roosevelt Hospital.
Rosenberg, who retired from his legal practice ten years earlier, explained that he had been painting since childhood and that the Adirondacks were his primary source of inspiration. He mentioned that he painted mostly on Sundays, contributing to a total of 618 paintings over the years, many of which are in various museums and institutions across the country.
The article also notes that Rosenberg had been hospitalized for a minor heart condition but was feeling better and eager to continue painting. He stated that he wanted his paintings to bring joy to patients in hospitals. The donation ceremony took place at the fund's headquarters on East 41st Street, and the paintings were accepted by Henry C. Brunie, president of the fund. Walter Hochschild, chairman of the Art for Hospitals Committee, also attended the ceremony and expressed his gratitude for Rosenberg's contribution.
The image is a newspaper clipping from the New York Herald Tribune, dated February 8, 1955. The article is titled "‘Art for Hospitals’ Gets 24 Works of Painter, 80 Others" and is written by Paul V. Beckley.
Main Event:
James N. Rosenberg, an eighty-four-year-old artist, donated 24 of his paintings to the United Hospital Fund's "Art for Hospitals" program. This program aims to place artwork in various hospitals to enhance the environment for patients and staff.
Details:
Participating Hospitals:
The hospitals set to receive these works include:
Rosenberg’s Background:
Program Details:
Miscellaneous:
Photograph:
This article highlights the intersection of art and healthcare, emphasizing the importance of a healing environment in hospitals.
The image depicts a newspaper clipping with a headline that reads "Art for Hospitals' Gets 24 Works of Painter, 80." The text of the article, by Paul V. Beckley, details an 80-year-old artist who has donated twenty-four of his "happy pictures," landscapes painted in the Adirondacks, to the United Hospital Fund's "Art for Hospitals" program. The article continues to describe the proceedings of the donation ceremony, mentioning figures like Henry C. Brunie, president of the fund, and touches upon the artist's past and his thoughts on the use of art in hospitals.
Below the article, there's a part of another article from Herald Tribune, and at the very bottom of the image, a monochrome reproduction of a painting is displayed. It appears to be one of the donated artworks, and it features a serene landscape with figures and possibly animals.
The photograph of the individual holding the painting has the face obscured for privacy. The text below the painting credits the artist as a retired lawyer and painter and notes the donation to the United Hospital Fund at the age of eighty, suggesting the person presented in the image is the artist himself. There's also a caption crediting the photo to Morris Warman.
The image shows a newspaper clipping from the Herald Tribune dated February 8, 1955, with the headline "'Art for Hospitals' Gets 24 Works of Painter, 80." The article by Paul V. Beckley discusses James N. Rosenberg, an eighty-year-old retired lawyer and painter who donated twenty-four of his "happy pictures"—landscapes painted in the Adirondacks—to the United Hospital Fund's "Art for Hospitals" program. The paintings were accepted by Henry C. Brunie, president of the fund, and will be displayed in various hospitals including Beekman-Downtown Hospital, Mount Sinai Hospital, Metropolitan Hospital, and Roosevelt Hospital.
The article highlights Rosenberg's background, mentioning he became an "octogeranium" at age eighty and had been painting part-time for thirty years, mainly on Sundays. His works have been exhibited in venues such as the Fogg Museum, Metropolitan Museum of Art, and Phillips Gallery. Rosenberg emphasized that his Adirondack landscapes were his main source of inspiration, in contrast to his "tragic pictures," which he did not include in the donation.
Additionally, the article mentions the positive impact of the Art for Hospitals program in New York, which has been operating for two years and has provided 618 paintings to 32 hospitals, contributing to the morale and recovery of patients.
Below the article is a black-and-white photograph showing James N. Rosenberg, who is wearing a suit with a flower on the lapel, standing next to one of his paintings displayed on a wall. He is pointing towards the painting, which appears to be a landscape scene. The photo caption identifies him as a retired lawyer and painter presenting his artwork to the United Hospital Fund.
The image is a scanned page from a newspaper with a headline that reads "'Art for Hospitals' Gets 24 Works of Painter, 80." The article discusses the donation of 24 paintings by James N. Rosenberg, an 80-year-old retired lawyer and painter, to the United Hospital Fund's "Art for Hospitals" program. The paintings, which Rosenberg referred to as his "happy pictures," depict landscapes and were painted at the Adirondacks. The article mentions that Rosenberg's paintings will be exhibited at the fund's headquarters and then hung in waiting rooms of four hospitals: Beekman-Downtown Hospital, Mount Sinai Hospital, Metropolitan Hospital, and Roosevelt Hospital. The article also provides information about Rosenberg's painting habits and his studio location. Additionally, there is a photograph of Rosenberg holding one of his paintings and a caption that reads "James N. Rosenberg, retired lawyer and painter, with one of his own paintings from which he presented to the United Hospital Fund yesterday at eighty."
The image shows a newspaper clipping from the New York Herald Tribune, dated February 8, 1955. The article is titled "‘Art for Hospitals’ Gets 24 Works of Painter, 80" and is authored by Paul V. Beckley.
Painter Profile:
Ceremony and Acceptance:
Artist's Background:
Program Overview:
Visual Element:
The image depicts a historical newspaper article highlighting the generosity of James N. Rosenberg, an 80-year-old painter and retired lawyer, who donated 24 paintings to the "Art for Hospitals" program. The article emphasizes the impact of art in hospitals, the artist's philosophy, and the broader success of the program over three decades. The accompanying photograph captures Rosenberg with one of his works, reinforcing the story's focus on his contribution to hospital environments.