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ARCH.2003.32, Rendition: 804006
This image shows a single, aged page from a vintage magazine or journal, likely from the early-to-mid 20th century, given the yellowed paper and typographic style.
Top Left Corner:
A library or archival label is affixed to the page, reading:
Journal (m)
PROVIDENCE, R. I.
Independent
Circ. 48,299
DEC 1
This suggests the page was part of a publication held by a library in Providence, Rhode Island, and was received or processed in December.
Main Content:
The page features a section titled “Treasure-of-the-Month,” highlighting a work of art.
Artwork:
At the top is a black-and-white reproduction of a painting entitled “The Shepherds at Bethlehem.” The image depicts three figures—presumably shepherds in biblical attire—standing on rocky ground under a tree. One shepherd gestures toward the sky or a distant point, another holds a staff and looks upward, and the third, to the right, appears to be in prayer or awe with hands clasped near his face. Small sheep or lambs are visible at their feet, grounding the scene in a pastoral, nativity theme.
Text Description:
Below the image, a two-column article describes the painting and its artist:
The Shepherds at Bethlehem
The text identifies the artist as Maxfield Parrish, one of “the nation’s best-known illustrators in the years before World War I.” It notes that his work was ubiquitous in homes, books, and magazines, and this specific oil painting was created for a Christmas issue of Life magazine when Parrish’s popularity was at its peak.
Additional details provided:
Overall Impression:
The page is a curated “art treasure” feature, blending art criticism, biographical information, and institutional context to elevate the cultural value of the painting. Despite the visible aging and minor stains on the paper, the layout and typography reflect a time when art appreciation was a common feature in general-interest periodicals.
In summary: This is a vintage magazine page featuring "The Shepherds at Bethlehem," a painting by Maxfield Parrish, celebrating its artistic and cultural significance as a “Treasure-of-the-Month,” with biographical notes and institutional provenance.
The image is of a page from a vintage magazine or newspaper, titled "The Shepherds at Bethlehem." The page appears to be from an era before color photography, as it is in black and white. There is a photograph on the page depicting a sculpture or illustration of three shepherds. The shepherds are standing on a rocky ground, with one holding a staff, another with a jug, and the third gazing upwards. In the background, there is a tree with a bird perched on its branch. The article below the photograph discusses Maxfield Parrish, an American illustrator from the years before World War I, whose works were widely reproduced. The text highlights Parrish's famous painting called "The Shepherds at Bethlehem," which was featured in a Christmas issue of the old "Life" magazine. The article also mentions Parrish's other famous works and his last one-man show in New York in 1937. The page shows signs of age, with some discoloration and wear.
The image is a page from an old newspaper or magazine clipping, pasted onto a brown folder or scrapbook page. The clipping is titled "Treasure-of-the-Month" and features an illustration titled "The Shepherds at Bethlehem." The illustration depicts three shepherds standing on rocks, looking upwards, with one of them holding a staff. The caption below the illustration provides information about the artist, Maxfield Parrish, and the context of the painting. It mentions that the painting was done for a Christmas issue of the old Life magazine and is part of a special show at the Museum of Art of the School of Design. The text also includes details about Parrish's background and the significance of his work. The folder or scrapbook page has some handwritten notes and stamps, indicating its archival nature.
The image is a page from a magazine. It is a magazine clipping pasted onto a brown sheet of paper. The clipping is from the magazine "Providence Journal." The magazine clipping is titled "The Shepherds at Bethlehem." It is an article about a painting by the famous painter, Maxfield Parrish. The painting is called "The Shepherds at Bethlehem." The painting is a Christmas story. The painting shows three shepherds standing under a tree. The shepherds are wearing hats and holding sticks.
The image features an open book with a magazine article about the painting "The Shepherds at Bethlehem" by Maxfield Parrish. The book is titled "Journal of Providence, R.L." and has a date of 1957. The article includes a black-and-white photograph of the painting, which depicts three shepherds and a dog in a snowy landscape. The article mentions that the painting was done for the Christmas issue of the Old Life magazine and is now in the collection of the Fogg Museum at Harvard University.
The image depicts an open page from a vintage publication titled Journal of the Providence R.L. Independent, dated December 1917 (as indicated by the header). The page features an illustration titled "The Shepherds at Bethlehem", which is a black-and-white drawing or print. The illustration shows three figures, presumably shepherds, standing on rocky terrain. They are dressed in period-appropriate attire, suggesting a historical or biblical setting. One figure is holding a staff, while another appears to be gesturing or pointing, possibly indicating a moment of revelation or announcement.
Below the illustration, there is descriptive text that provides context about the artwork. The text identifies the artist as Maxfield Parrish, noting that this particular piece, "The Shepherds at Bethlehem," was painted on Whatman paper with a fine sable brush in 1917. It highlights the significance of the artwork, mentioning that it was one of Parrish's most famous paintings and was featured in the Art Life magazine for a Christmas issue. The text also emphasizes that the illustration is part of a special show at the Museum of Art of the School of Design and Collections of the Fogg Museum at Harvard University.
The page design includes a header with the publication's name, issue details, and a section labeled "Treasure-of-the-Month", which introduces the featured artwork. The overall aesthetic suggests a historical or artistic review, likely aimed at art enthusiasts or readers interested in classic illustrations and their cultural significance. The aged appearance of the page, with its sepia-toned edges and slightly worn texture, adds to the vintage charm of the publication.
The image is a photograph of a newspaper clipping. The page appears to be aged, with a brownish-tan color likely due to paper degradation over time. The top of the page has a label indicating that it's from the "Journal (AM) PROVIDENCE, R.I." with a date of "Dec. 29, 69," presumably meaning December 29, 1969.
The main feature of the clipping is a black and white illustration or photograph captioned "The Shepherds at Bethlehem." This image depicts three individuals dressed in what appears to be Biblical-era attire, standing in a landscape. They are looking upwards towards the sky, which suggests a portrayal of the Biblical account of shepherds witnessing the announcement of Jesus' birth. One figure holds a staff, which is characteristic of a shepherd.
Below the illustration is the title "Treasure-of-the-Month" followed by the larger heading "The Shepherds at Bethlehem" in bold. The accompanying text explains that this image is related to one of the nation's best-known illustrators who were active before World War I. It continues to provide details about the individual's work, noting that the illustration seen here is from an edition of "The Christmas Story in Art, on C floor." There's a mention of the original being painted on Whatman paper with a fine sable brush. The paragraph also references an exhibit where this piece and others were shown.
The paragraph beneath refers to the illustrator's background, including exhibitions and the importance of his work being showcased in significant locations, for example, the Fogg Museum at Harvard University.
The physical condition of the paper, as well as the styles of the clothing in the illustration, indicate a historical context to the document.
The image shows a page from an old book or scrapbook with a newspaper clipping titled "The Shepherds at Bethlehem." The clipping includes a black-and-white illustration of three shepherds standing on rocky ground beneath a tree, holding staffs and appearing to be in conversation or watching something. One shepherd is holding his hand to his face, and there is a dog nearby.
Below the illustration, text describes the artwork and its background. It mentions that the illustration was created by Maxfield Parrish, a well-known illustrator before World War I. The piece, called "The Shepherds at Bethlehem," was done for a Christmas issue of Old Life magazine and belongs to the Museum of Art of the School of Design. The text also notes that the painting was done on Whatman paper with a sable brush and that Parrish continued to produce paintings into his old age. His work is recognized and included in notable collections such as the Fogg Museum at Harvard University.
At the top left corner of the page, there is a faded label from the "Journal (m)" of Providence, R.I., with dates and circulation number information. The page itself is aged with some visible spots and discoloration.
This image contains a scan of a book or scrapbook page with an aged, slightly yellowed paper appearance. It features a black-and-white illustration at the top of the page, titled "The Shepherds at Bethlehem." The illustration depicts a group of shepherds under a tree, gazing upwards, likely alluding to a religious or biblical context.
Below the illustration is a block of text, labeled "Treasure-of-the-Month," providing information about the artwork and its artist, Maxfield Parrish. The text describes Parrish as one of the nation's renowned illustrators in the years before World War I and details the significance of this particular piece. The artwork belongs to the Museum of Art of the School of Design and is noted as part of an exhibition. Other details refer to Parrish's career and work.
A "Journal" clipping, possibly a publication label or reference, is pasted at the top. There are also faint red pencil marks under certain parts of the text, emphasizing key points. Overall, it portrays a historical and artistic content focus.
A sepia-toned scrapbook page with a clipped newspaper article. The clipping shows a black-and-white illustration of three robed shepherds with staffs on rocky ground beneath a tree, in a Bethlehem scene. The headline reads “Treasure-of-the-Month The Shepherds at Bethlehem,” with a block of text beneath describing the artwork and artist. The page itself is aged paper with rough edges and other scrap pieces visible around the edges.