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ARCH.2003.32, Rendition: 803998
The image shows a newspaper page from "The Boston Sunday Globe" dated April 23, 1934. The page is titled "This Week in the Art World."
The main headline reads: "Hyman Bloom Exhibit's Shock Value Is Great." The article is written by A.J. Philpott Jr., Director of Contemporary Art Gallery. It discusses an exhibition by artist Hyman Bloom, which is described as startling and powerful. The article mentions that Bloom's work, particularly his painting "Slaughtered Animal," has evoked strong reactions from viewers, ranging from admiration to disgust. The painting is described as a "masterpiece" and a "terrible indictment of war," reflecting Bloom's deep emotional and intellectual engagement with his subjects.
The article includes a photograph of Bloom's painting "Slaughtered Animal," which is noted to be on display at the Boston Society for Sanity in Art's exhibition at the Boston Book and Art Shop.
Additionally, there is a smaller article titled "Opdycke Will Succeed Deknatel as Chairman of Fine Arts Faculty." This article reports that Professor Leon B. Opdycke has been appointed as the new chairman of the Fine Arts faculty at a university, succeeding Charles J. Deknatel, who retired due to illness. Opdycke is noted for his extensive experience and contributions to the field of fine arts.
The layout of the page includes a large photograph of the painting on the right side, with the main article text wrapping around it. The smaller article is placed in a separate box on the left side of the page.
By EDGAR J. DRISCOLL JR.
The reputation of Contemporary Art Center - Boston, even at times a mecca for the iconoclastic, has been enhanced by the current exhibit of paintings by Hyman Bloom. This show, which closes tomorrow, has attracted a great deal of attention, not only because of the nature of the works exhibited, but also because of the controversy which has arisen around them.
Hyman Bloom, a native of Latvia, came to the United States in 1922. He has been associated with the Boston art world for many years, and his work has been widely exhibited and collected. The current exhibit, however, is the first retrospective of his work in this city.
Bloom's paintings are not easy to like. They are often disturbing, even repellent. His subjects are frequently the dead or dying, and his treatment of them is unflinching. In one of the most striking paintings in the exhibit, "Slaughtered Animal," a butcher is seen at work, his hands deep in the bloody carcass of a cow. The painting is a tour de force of technique, but its impact is unsettling.
The same is true of many of the other paintings in the show. "The Nude with a Skull," for example, is a powerful image of a woman lying on her back, her head resting on a skull. The painting is a stark meditation on mortality, and its effect is deeply disturbing.
Yet, for all their shock value, Bloom's paintings are not merely sensational. They are the work of a serious and talented artist, and they demand to be taken seriously. The exhibit is a challenge to the viewer, and it is one that is well worth accepting.
As the current retrospective makes clear, Bloom's work has not always been so explicitly concerned with death. In the early 1940s, he painted a series of sensitive and evocative portraits of children. These paintings, which are also included in the current exhibit, are a reminder that Bloom's art is not defined by a single theme or subject.
The exhibit is on view at the Contemporary Art Center through tomorrow. It is well worth a visit, even if you are not sure you will like what you see.
The Faculty of Arts and Sciences yesterday elected Associate Professor Leonard Odycke to be chairman of the Fine Arts Department, effective next September. He will succeed Professor Walter J. Deknatel, who has been chairman since 1947.
Odycke, who has been on the faculty since 1946, is a specialist in 17th and 18th century art and architecture. He will continue to teach courses in these areas, as well as in the history of modern art.
Deknatel, who has been chairman for the past seven years, will return to the faculty as a full-time teacher. He will offer courses in the history of art, with particular emphasis on the Renaissance.
The appointment of Odycke and the return of Deknatel to the full-time faculty are expected to strengthen the department's program. Both men are highly respected teachers and scholars, and their work has contributed significantly to the development of the Fine Arts program at the University.
The painting is a powerful and disturbing image of a butcher at work. The butcher is seen from the back, his hands deep in the bloody carcass of a cow. The painting is a tour de force of technique, and its impact is deeply unsettling.
Bloom, who was born in Latvia in 1914, came to the United States in 1922. He studied at the School of the Museum of Fine Arts, Boston, and at the Art Students League in New York. He has been associated with the Boston art world for many years, and his work has been widely exhibited and collected.
The current exhibit at the Contemporary Art Center is the first retrospective of his work in this city. It includes paintings from all periods of his career, from the early portraits of children to the recent paintings of the dead and dying.
The exhibit is on view through tomorrow. It is well worth a visit, even if you are not sure you will like what you see.
HYMAN BLOOM: PAINTINGS
Contemporary Art Center, Boston
April 17 - April 25, 1954
The image is a newspaper clipping from the Boston Sunday Globe dated April 25, 1954. The article is titled "Hyman Bloom Exhibit's Shock Value Is Great" and is written by Edgar J. Driscoll Jr. The main focus of the article is an exhibit of the artist Hyman Bloom.
The article discusses Bloom's controversial art style, which often deals with shocking and provocative themes. Bloom's works are described as confronting the viewer with unsettling depictions of human subjects, such as his painting "Slaughtered Animal," which is noted for its stark realism and disturbing imagery. The exhibit was seen as a bold statement by Bloom, challenging traditional notions of art.
Additionally, the article includes a brief mention of a different news item, "Opdyke Will Succeed Deknatel as Chairman of Fine Arts Faculty," where it is announced that Professor John Opdyke will succeed Professor Leo Deknatel as the chairman of the Fine Arts faculty at a certain institution, presumably a college or university.
The clipping also features a small black-and-white photograph of Hyman Bloom's "Slaughtered Animal" painting. The photograph is accompanied by the caption "Hyman Bloom's 'Slaughtered Animal' was done in stand oil and damar varnish." The article includes various quotes and observations about the artwork and Bloom's artistic philosophy, emphasizing the boldness and impact of his works.
The image is a page from the Boston Sunday Globe newspaper dated April 25, 1954. The main feature of this page is an article titled "This Week in the Art World" with a headline "Hyman Bloom Exhibit's Shock Value Is Great."
The article discusses the exhibition of Hyman Bloom's work, which is described as having a significant impact due to its shocking nature. The author, Edgar J. Driscoll Jr., argues that Bloom's art is provocative and challenges the viewer, portraying scenes that are often disturbing and confrontational. The article mentions that Bloom's work, such as his painting "Slaughtered Animal," is controversial and has elicited strong reactions from viewers.
The article also includes a smaller news brief about the appointment of Opdyke as the chairman of the Fine Arts Faculty at Boston University. This brief mentions that Opdyke, who has been serving in the position since 1929, will continue as the Dean of the Fine Arts Department.
Additionally, there is an image of Hyman Bloom's "Slaughtered Animal," which is described as a stand oil and damar varnish painting, 17 inches high and 404 inches wide, created while Bloom was at the Bennington College School of Art. The painting is noted for its shocking and realistic depiction.
The page includes a section with smaller articles and notices related to art exhibitions and events, but the main focus is on the Hyman Bloom exhibit and Opdyke's appointment.
The image is a newspaper clipping from "The Boston Sunday Globe," dated April 25, 1954. The main article is titled "Hyman Bloom Exhibit's Shock Value Is Great" by Edgar J. Driscoll Jr. The article discusses a retrospective exhibit of Hyman Bloom's work at the Boston Museum of Fine Arts.
Key points from the article include:
Additionally, there is a smaller article titled "Opdycke Will Succeed Deknatel as Chairman of Fine Arts Faculty" which discusses the appointment of Professor Leonard Opdycke to succeed Professor William Dorsey as Chairman of the Fine Arts Faculty at the University of Massachusetts.
The clipping also includes a photo of one of Bloom's paintings titled "Slaughtered Animal," done in stand oil and damar varnish, measuring 70 inches high and 40 inches wide. The painting is described as having been done in 1935 and is part of the collection at the Boston Museum of Fine Arts.
The layout includes several other smaller articles and advertisements, providing context to the broader art scene of the time.
The image is a page from the April 25, 1954, edition of The Boston Sunday Globe, specifically from the arts section. The headline reads "Hyman Bloom Exhibit’s Shock Value Is Great," and the article is written by Edgar J. Driscoll Jr.
The article discusses the controversial nature of Hyman Bloom's artwork, particularly focusing on the visceral reactions it elicits. Driscoll explains that Bloom's paintings, often depicting cadavers and grotesque imagery, have sparked significant debate. He mentions that while some critics appreciate Bloom's technical skill and emotional depth, others are repulsed by the subject matter. The review highlights the intense and polarizing impact of Bloom's work on viewers, noting that it challenges conventional artistic boundaries.
This article announces that Professor Robert Odyke will become the head of the Fine Arts Department at Wellesley College, succeeding Professor Frederick B. Deknatel. Odyke, who has a distinguished background in Italian Renaissance art, will continue teaching and is expected to introduce new courses focusing on various art periods. The article details his academic career, his service in World War II, and his contributions to art history.
The image accompanying the main article is a photograph of Hyman Bloom’s painting titled "Slaughtered Animal." It is described as being done in a broad and dynamic style, measuring 70 inches high and 40 inches wide.
There is also a brief mention of an exhibition at the Grace Horne Galleries, featuring works by Marjory Mason and paintings by the New England Society of Contemporary Art, with a special note on the variety of styles and subjects presented by different artists.
Overall, the page provides a comprehensive look at the art scene in Boston during that time, focusing on significant exhibitions and academic changes.
This image shows a newspaper page from "The Boston Sunday Globe" dated April 25, 1954. The prominent headline "This Week in the Art World" is followed by a subheadline "Hyman Bloom Exhibit's Shock Value Is Great." The article discusses the impact and public reception of Hyman Bloom's work, possibly in reference to an exhibit of his at the time. There is mention of his painting's visceral subjects and the somewhat provocative response they elicited.
Below the main article, there's another headline "Opydyke Will Succeed Denkertal as Chairman Of Fine Arts Faculty," which seems to report on an administrative change within an educational arts faculty, mentioning names like Opydyke, Associate Professor Leonard Ochtman Jr., and Frederick W. Reid.
The page also contains snippets of other articles and information related to the art world at the time, but due to the angle and quality of the image, full readability of the text is limited.
There's some visual damage to the paper, such as fading and fraying edges, which is consistent with the age of the document. The newspaper has been folded down the middle, suggesting it has been stored or archived in this manner.
The image is a scanned page from The Boston Sunday Globe, dated April 25, 1954. The page features an article titled "Hyman Bloom Exhibit’s Shock Value Is Great", which discusses the work of the artist Hyman Bloom. The article highlights Bloom's unconventional and provocative art, describing his paintings as "shock art" that challenges traditional perceptions and evokes strong emotional responses.
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The image is a historical newspaper clipping from The Boston Sunday Globe that focuses on the controversial art of Hyman Bloom. The article emphasizes the "shock value" of Bloom's work, describing it as extreme and provocative, while also including a photograph of one of his pieces, "Slaughtered Animal," which exemplifies the unsettling nature of his art. The page also includes a secondary article about a leadership change in the Fine Arts Faculty, providing a glimpse into the broader art world context of 1954.
This image is of an open newspaper with two articles. The first article is titled "Hyman Bloom Exhibit's Shock Value Is Great." The article discusses the artist Hyman Bloom's exhibition and his artwork, which is described as shocking and controversial. The article also mentions Bloom's background and his experiences as a painter. The second article is titled "Opdyke Will Succeed Deknate as Chairman of Fine Arts Faculty." The article discusses the appointment of Opdyke as the new chairman of the Fine Arts Faculty at a university. It provides information about Opdyke's background and his role in the department.
The image is a photograph of an open newspaper, specifically the Boston Sunday Globe from April 25, 1954. The spread includes several articles and images, predominantly focused on the art world. The main headline at the top reads, "Hyman Bloom Exhibit's Shock Value Is Great." Below this headline, there is an article discussing Hyman Bloom's artwork, emphasizing its shock value and the impact it has on viewers. The article is written by Edgar J. Driscoll Jr.
To the right of the main article is a black-and-white photograph of one of Hyman Bloom's paintings, titled "Slaughtered Animal," which was done in 1941. The painting is described as being made of stand oil and dammar varnish.
Below the main article, there is another article with the headline "Odyekc Will Succeed Deknate as Chairman Of Fine Arts and Faculty." This article reports on the election of Leonard Odeycke as the new chairman of the Fine Arts and Faculty, succeeding William Deknate. It mentions that Odeycke has been serving as an associate professor and will continue his work as a professor of fine arts. The article also notes the addition of new faculty members, including an expert on Italian Renaissance art, and discusses the curriculum and courses offered by the Fine Arts department.
Further down the page, there are additional articles and announcements related to the art world, including exhibitions and events. These articles cover various artists and their works, providing details about upcoming shows and the artists' backgrounds.
The layout of the newspaper is typical of the mid-20th century, with columns of text and interspersed images. The paper appears aged, with some discoloration and wear, indicating its historical nature. The articles are written in a formal tone, reflecting the journalistic style of the time.