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This image shows a vintage newspaper clipping from the Sunday Telegram, Worcester, Massachusetts, dated circa 1948, pasted into what appears to be a scrapbook or album. The clipping features a long-form article celebrating Cape Cod artist Clare Leighton.

Headline:
The main headline, in large, bold red capital letters, reads:
“WORLD-FAMOUS WOOD ENGRAVER”

Above it, in smaller black text, it says:
“Cape Cod’s Clare Leighton Is”

Illustration:
Beneath the headline is a detailed, atmospheric black-and-white wood engraving by Clare Leighton herself, titled:
“WELLFLEET OYSTER HOUSES”

The artwork depicts a classic, rustic Cape Cod scene: weathered wooden buildings on stilts overlooking a calm body of water (likely a tidal estuary or marsh). The buildings appear to be oyster shacks or fishing huts, with wooden planks and barrels scattered around. Two small boats rest in the foreground — one partially capsized — and seagulls wheel dramatically across a dark, cloud-streaked sky, adding a sense of wind and motion.

Article Text:
The article, written by Frank Crotty (identified as “a critic of the Telegram and Gazette”), is laid out in three columns beneath the engraving. It is an interview-style profile that reveals personal details about Leighton, including:

• She is working on writing and illustrating a book about Cape Cod, which will contain around 30,000 words and 20–40 woodcuts.
• She lives in a small two-room cottage in Wellfleet, Cape Cod, which she rents from her neighbor, Mrs. Maud M. Arnold.
• She came to the Cape for the summer and ended up staying for years, captivated by its atmosphere.
• She describes her creative process (“I purposefully have a cottage that is small,” she said...) and the solitude that fuels her work.
• She fondly recalls the landscape, her neighbors, and a cherished memory of learning to swim at Clark University nine years earlier.

The article ends with the note “Continued on Next Page”, suggesting the full profile extended beyond this single clipping.

Physical Condition:
The newspaper itself shows signs of age: yellowed, slightly brittle paper, visible folds, and tape marks. In the upper left corner, a small printed label identifies the source:
“Sunday Telegram / WORCESTER, Mass. / Republican / Circ. 104,048”

This clipping preserves not only a journalistic profile of a celebrated artist but also serves as a historical artifact from mid-20th century American journalism and artistic life on Cape Cod. The combination of Leighton’s own evocative artwork and the intimate article paints a vivid portrait of both the artist and her beloved coastal environment.

The image appears to be a page from a newspaper or a magazine, dated November 1953, and it features an article about Clare Leighton, a world-famous wood engraver from Cape Cod. The headline in bold red letters reads, "Cape Cod's Clare Leighton Is WORLD-FAMOUS WOOD ENGRAVER."

The central illustration on the page is a detailed black and white woodcut print titled "Wellfleet Oyster Houses." The print depicts a coastal scene with wooden oyster houses on stilts by the water. Several people are shown engaging in various activities, such as working on the houses, fishing, and handling tools. Seagulls are flying above, and the background features a body of water and distant landforms.

Below the illustration, there is an article discussing Clare Leighton's work and her experiences on Cape Cod. The article is signed by Frank Crotty, a reporter from the Worcester Telegram and Gazette. The text provides insights into Leighton's life, her creative process, and her observations of Cape Cod. The article mentions that Leighton has created approximately 30 or 40 woodcuts and is currently working on a book about Cape Cod.

The paper itself shows signs of age, with noticeable wear and discoloration, indicating it is a vintage piece.

This image shows a vintage newspaper clipping from the "Sunday Telegram," a publication from Worcester, Massachusetts, with a circulation of 104,048. The article is headlined "Cape Cod's Clare Leighton Is WORLD-FAMOUS WOOD ENGRAVER," written by Frank Crotty. The article discusses Clare Leighton, a renowned wood engraver, and her work on a book about Cape Cod.

The centerpiece of the clipping is a detailed wood engraving by Clare Leighton titled "Wellfleet Oyster Houses." The engraving depicts a coastal scene with three waterfront buildings, likely oyster houses, situated on stilts over the water. The buildings are detailed with windows and doors, and there are various elements of the fishing industry visible, such as a pile of nets, a mackerel scoop, and a fishing net hanging on a rack. A small figure is seen working at a table, possibly engaged in the preparation of oysters. In the foreground, there are additional fishing-related items, including a fishing rod, a pair of boots, a hat, and a coffee cup.

The background of the engraving features a dynamic sky with flying seagulls, adding to the coastal atmosphere. The article mentions that Clare Leighton is currently working on a book about Cape Cod, and it includes some of her thoughts on her work and life on Cape Cod. The article is continued on the next page, as indicated at the bottom of the clipping.

The image appears to be a newspaper clipping or a magazine article. It is a black-and-white photograph of a woman named Clare Leighton, who is described as a world-famous wood engraver. The article highlights her work and her connection to Cape Cod. The photograph shows a house with a sign that reads "OYSTER HOUSES" and a woman working on a piece of wood. The article also mentions that Clare Leighton is currently working on a book about Cape Cod.

The image is of an open book, with a piece of paper taped to the back. The paper has the words "Sunday Telegram" and "Worcester, Mass." written on it. The book appears to be a newspaper clipping, with the headline "Cape Cod's Clare Leighton Is World Famous Wood Engraver" in red font. The image depicts a wood engraving of a house by the water, with birds flying in the sky. The text below the image reads "Wells: Oyster Houses, a wood engraving by Clare Leighton." The book is placed on a white surface, and the image is captured from a top-down perspective.

The image depicts a page from a newspaper or magazine article titled "Cape Cod's Clare Leighton Is WORLD-FAMOUS WOOD ENGRAVER". The page features a detailed black-and-white wood engraving illustration at the top, showcasing a coastal scene. The engraving portrays a rustic setting with wooden structures, including a house, a boathouse, and a pier extending into the water. Seagulls are depicted flying in the sky, and the scene includes various elements of a Cape Cod landscape, such as wooden planks, a small boat, and a serene waterfront.

Below the illustration, the article begins with a headline and introductory text. The text is written in a formal, journalistic style and discusses Clare Leighton, a renowned wood engraver, and her work on Cape Cod. The article includes quotes and commentary from Frank Crotty, who appears to have interviewed Leighton. The content highlights Leighton's artistic process, her dedication to her craft, and her connection to the Cape Cod environment. The page also includes a caption beneath the illustration, identifying it as a wood engraving by Clare Leighton and noting that she is currently working on a book about Cape Cod.

The layout and design suggest that this is a historical or archival piece, likely from an early 20th-century publication, given the style of typography and the subject matter. The page is part of a larger document, as indicated by the visible page number "5" in the top right corner and the mention of a continuation on the next page ("Continued on Next Page"). The overall tone and presentation convey a sense of admiration for Leighton’s artistic achievements and her deep connection to the Cape Cod landscape.

The image shows a clipping from a newspaper featuring a wood engraving by Clare Leighton, accompanied by an article. The headline reads "Cape Cod's Clare Leighton Is World Famous Wood Engraver". The visual centerpiece is a detailed and textured wood engraving showing a coastal scene with oyster houses on stilts at the water's edge, docks, small boats, and a person working near the water. Seagulls fly overhead, and the composition captures a rustic, maritime setting.

The text below the artwork discusses Clare Leighton, her work as a wood engraver, and her book project about Cape Cod. The margins and edges of the clipping show signs of age, with slightly darkened paper, creases, and a taped repair in the top-left corner labeled "Sunday Telegram, Worcester, Mass.".

This image shows an old newspaper clipping from the Sunday Telegram, Worcester, Massachusetts, featuring an article about Clare Leighton, described as "Cape Cod's Clare Leighton," who is a "World-Famous Wood Engraver." The main picture in the clipping is a detailed wood engraving titled "Wellfleet Oyster Houses" by Clare Leighton. It depicts several wooden structures on stilts by the water, with a few birds flying in the sky above. In the foreground, there is a figure sitting beside or working near a small boat or a container, surrounded by wooden planks and barrels.

The headline of the article is in large red letters, and the text begins with an introduction to Clare Leighton’s work and fame as a wood engraver. There is a note that she is currently working on a book about Cape Cod. The article continues with details about her experiences and impressions related to Cape Cod. The clipping shows signs of aging with creases, tears, and discoloration along the edges.

This image shows an aged newspaper article featuring a prominent wood engraving illustration. The engraving is done by Clare Leighton, as noted by the caption "Cape Cod's Clare Leighton Is WORLD FAMOUS WOOD ENGRAVER." The illustration depicts a coastal scene with rustic buildings, boats, and a person working. Seagulls are flying overhead, giving the picture a dynamic coastal atmosphere.

The page seems to be worn, with frayed edges, creases, and some tears, indicating it is quite old. The text accompanying the illustration discusses Clare Leighton's work and mentions that she's currently doing a book about Cape Cod.

The newspaper header "Sunday Telegram WORCESTER, Mass." is visible at the top, along with a possible date, though it's partially obscured. The circulation number suggests that it's from a time when newspaper circulation was significantly high. The article is by someone named Frank Crotti, as seen at the bottom left of the text block, where the writing begins. The text itself is a bit small and difficult to read without zooming in but appears to discuss Leighton's work, life, and the location of Cape Cod.

• A vintage newspaper clipping mounted in a scrapbook.
• The headline reads in large pink/red lettering: “WORLD-FAMOUS WOOD ENGRAVER,” with a smaller line above: “Cape Cod’s Clare Leighton Is.”
• Below the headline is a detailed black-and-white wood engraving of Cape Cod oyster houses built on stilts over the water, with pilings, scattered boards, and seagulls flying overhead.
• The page is aged and worn: yellowed/browned, creased, with frayed edges and a small note/tape at the top-left corner. The surrounding pages and text blocks are visible around the clipping.