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ARCH.2003.32, Rendition: 803946
This image displays page 7 of the Worcester Sunday Telegram, dated February 1, 1953. The page is from the “Feature Parade Section” and is dominated by a lengthy article titled:
“ARTIST Revives Hand Printing”
The article, by Ivan Sandrof, profiles Leonard and Esther Baskin, a young couple in their late 20s living in Worcester, Massachusetts. Leonard Baskin is a sculptor and woodcut artist who, along with his wife, is reviving the traditional craft of hand printing (letterpress). The piece details their lives, artistic philosophy, and their basement workshop on Castle Street in Worcester. It also includes a large black-and-white photograph captioned: “Leonard and Esther Baskin, artist and psychologist, at work in the basement of their home on Castle Street.” In the photo, they are shown working with a large printing press.
The article mentions their modest living conditions in a cold-water walk-up apartment, their devotion to their craft, and the unique atmosphere of their home — filled with dogs, cats, and art — which is nicknamed “The Dogs of Castle Street” by locals. It recounts Leonard Baskin’s background, education (including studies at the Art Students League, Yale, and in Europe), and his early career, including his service in World War II and his time as a printer and sculptor.
The text also highlights their ambitious project: producing a hand-printed edition of “The RENT PARTY,” a collection of poems by poet John Skelton. A small boxed advertisement at the bottom left of the page promotes this book: “Elynour Rummynge / John Skelton” published by The Gehenna Press, Worcester, 1952 — an imprint founded and run by Leonard Baskin himself. The book is described as containing a title page of poems set up experimentally by Baskin.
The article notes that the Baskins distributed their printed cards and pamphlets around New York and Worcester, and that they collected 3000 pounds of books and records to furnish their home, calling themselves “Book Rumpus” collectors. The piece concludes by mentioning that after three months of printing, they were left with barely enough margin to eat — a testament to their dedication to art over commerce.
A small label at the top left of the page reads: “New England Newspaper Agency, Inc. BOSTON NEWS CLUB” along with a date stamp. The page shows signs of age, with yellowed paper and slight wear, typical of newspapers from the early 1950s. The style of the article is journalistic yet intimate, offering a glimpse into the bohemian life of mid-century American artists.
In summary, the image is a vintage newspaper feature highlighting the revival of traditional hand printing by Leonard and Esther Baskin, with strong emphasis on their lifestyle, artistic dedication, and their publishing venture, The Gehenna Press.
This is a newspaper article from the "Worcester Sunday Telegram" dated February 1, 1953. The article is titled "Artist Revives Hand Printing" and features an image of two individuals working with a printing press. The text discusses a couple, Leonard and Esther Baskin, who are revitalizing an old Worcester craft of hand printing. It includes details about their background, their artistic endeavors, and the revival of the hand printing tradition. The article is written by Ivan Sandrof and appears on page 7 of the Feature Parade Section. At the bottom left, there is an advertisement for a poem titled "Elynour Rummynge" by John Skelton, published by The Gehenna Press, Worcester, 1952. The overall tone of the article seems to be informative and historical, focusing on the craftspeople and their work.
This image is a scanned page from the "Worcester Sunday Telegram," dated February 1, 1953. The article, titled "Artist Revives Hand Printing," is written by Ivan Sandrof and discusses Leonard and Esther Baskin, a couple who are reviving the old Worcester craft of hand printing.
The page features a black-and-white photograph of Leonard and Esther Baskin at work in their home on Castle Street. The photo shows them using a printing press, with Leonard operating the press and Esther standing beside him.
The article provides a detailed account of the Baskins' life and work, including their education, artistic endeavors, and the unique atmosphere of their neighborhood on Castle Street. It also mentions the historical significance of Castle Hill and the Oread Collegiate Institution.
Additionally, the page includes a decorative title page of a poem by John Skelton, set up experimentally by the Baskins. The title of the poem is "Elynour Rummynge," and it is published by The Gehenna Press in Worcester, 1952. The title page features an ornate border design and the initials "COP" at the bottom, along with an illustration of an apple.
The page also has a notice at the top indicating that it was clipped from the newspaper by the New England Newsclip Agency, Inc., and is labeled as being from the "Feature Parade Section." The page number is 7.
The image shows a newspaper clipping with a photograph of two men working on a printing press. The clipping is from the Worcester Sunday Telegram, dated February 1, 1953, and the article is titled "Artist Revives Hand Printing." The article is about Ivan Sandroff, an artist who revived the art of hand printing in Worcester, Massachusetts. The clipping also includes an advertisement for a book titled "Ellynor Rummynge" by John Skelton, published by The Gehenna Press in 1952.
The image is a page from the Worcester Sunday Telegram newspaper, dated February 1, 1953. The headline reads "Artist Revives Hand Printing," with a smaller subheading "By IVAN SANDROP." The main article discusses the revival of hand printing in Worcester by a 30-year-old artist named Leonard Baskin. The article includes a photograph of Baskin and his wife, Esther Basin, working on a hand printing project. The article also mentions that Baskin has a studio on Castle Street and has revived the ancient art of hand printing. The article also includes a smaller section with a photograph of a man and a woman working on a printing press.
The image is a scanned page from the Worcester Sunday Telegram, dated February 1, 1953. It is titled "ARTIST Revives Hand Printing" and features an article by Ivan Sandrof. The page is part of the Feature Parade Section and is labeled as Page 7.
"OLD ART of hand printing in Worcester is being revived by Leonard Baskin, artist, and psychologist, at work in the basement of their home on Castle Street."
The image is a historical newspaper page from February 1, 1953, featuring an article about Leonard Baskin, an artist and psychologist who is reviving the traditional art of hand printing in Worcester, Massachusetts. The page includes a photograph of Baskin working at his hand press, reinforcing the article's theme, and is part of the Worcester Sunday Telegram's Feature Parade Section. Additional content includes a sidebar titled "ELYNOUR RUMMYNGE" by John Skelton, adding depth to the page's cultural context.
This image shows an excerpt from a newspaper page featuring an article with the title "ARTIST Revives Hand Printing." The article includes a photo of a person engaging with a large hand-operated printing press. The accompanying text likely details the process of hand printing and the artist's efforts in reviving this craft. Below the article, there is an advertisement for a title named "ELYNOUR RUMMYNGE" by John Skelton, which appears to be a collection of poems available at The Gehenna Press in Worcester. At the bottom, we can see that this is the "FEATURE PARADE SECTION" of the Worcester Sunday Telegram, dated February 1, 1963, on page 7.
This image depicts a newspaper page from the Worcester Sunday Telegram, dated February 1, 1953. The article is titled "Artist Revives Hand Printing" and was written by Ivan Sandrof. The piece focuses on Leonard and Esther Baskin, a couple who are reviving the traditional art of hand printing.
On the right side of the page, there's a photograph of two individuals working at a printing press. Their faces are blurred, and they appear to be focused on the machinery. Below the image is a caption that provides details about the couple portrayed, describing them as artists.
The article discusses the Baskins' passion for hand printing, their use of the Dread Collegiate Institution on Castle Street in Worcester, Massachusetts, and their creative endeavors, including producing a poem by John Skelton titled Elynour Rummyinge. The text delves into the artistic work and personal story of Leonard and Esther Baskin, touching on topics like their inspirations, collaborative lifestyle, and dedication to reviving lost artistic techniques.
There is a decorative excerpt of the poem, featuring a black border and stylized text, marking it as published by The Gehenna Press of Worcester in 1952.
The image shows an old newspaper article titled "ARTIST Revives Hand Printing." The article is by Ivan Sandrof and was published in the Worcester Sunday Telegram on February 1, 1953, page 7.
The article discusses Leonard and Esther Baskin, a young couple who are reviving the craft of hand printing and woodcutting in Worcester, Massachusetts. Leonard Baskin is a 30-year-old sculptor and woodcut artist, and his wife Esther is also an artist involved in the same work. They are associated with the Worcester Art Museum.
The article includes a black-and-white photograph of Leonard and Esther Baskin working together on a hand printing project at their home on Castle Street. They appear to be operating a hand printing press.
Additionally, there is a small boxed section advertising a book titled "Elynour Rummyngge" by John Skelton, published by The Gehenna Press, Worcester, 1952.
A clipped portion at the top of the article identifies the source as the New England Newsclip Agency, Inc., Boston News-Clip, from the Sunday Telegram, Worcester, Massachusetts, Republican, with a circulation of 103,743.
The article goes into detail about the Baskins' backgrounds, their artistic philosophies, and their contributions to reviving traditional hand printing techniques in the region.