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The image is a newspaper article from the Worcester Sunday Telegram, dated February 1, 1953. The article is titled "Artist Revives Hand Printing" and focuses on the story of Ivan Sandrof and Leonard and Esther Baskin, who are reviving the art of hand printing at Gehenna Press in Worcester, Massachusetts.

Key points from the article include:

1. Ivan Sandrof:

   • A 30-year-old evangelist and woodcut artist.
   • Lives in an old Worcester house on Cedar Street with his wife and children.
   • Teaches at Clark University.
   • Studied at the University of Chicago and the Art Students League in New York.
   • Has a passion for hand printing and has a small printing press in his basement.

2. Leonard and Esther Baskin:

   • Leonard Baskin is a former student of Ivan Sandrof.
   • He and his wife Esther have revived Gehenna Press, which was originally founded by Sandrof.
   • They operate the press from the basement of their home on Cedar Street.
   • Leonard Baskin is described as a sculptor and printmaker.
   • Esther Baskin is noted for her skill in setting type.

3. Gehenna Press:

   • The press specializes in hand printing and has produced works such as "Elynour Rummynge" by John Skelton.
   • The press has a limited circulation and focuses on high-quality, handcrafted books.
   • The article mentions the intricate process of hand printing, including the use of a hand press and the careful setting of type.

4. Personal Anecdotes:

   • The article includes personal stories about Leonard Baskin, such as his time in New York and his experiences during World War II.
   • It also mentions his travels and his dedication to the craft of hand printing.

The article is accompanied by a photograph of Leonard and Esther Baskin working on a printing press, highlighting their hands-on approach to the craft. The text provides a detailed look into the revival of hand printing and the dedication of the individuals involved in this art form.

The image is of a newspaper article from the Worcester Sunday Telegram, dated February 1, 1953. The article, titled "Artist Revives Hand Printing," is by Ivan Sandrof and features a 30-year-old sculptor and woodcarver, Leonard Baskin. The piece details Baskin's work, including his hand printing press in Worcester, Massachusetts, and his creative process. It also mentions his studies at the Art Institute of Chicago and his work on the title page for a poetry book by John Skelton, printed by the Gehenna Press. An image of Baskin working at his printing press accompanies the article. Additionally, there is an advertisement for Elynour Rummynege, John Skelton, and a note on the Gehenna Press.

The image is a page from the Worcester Sunday Telegram, dated February 1, 1953. The headline of the article is "Artist Revives Hand Printing."

The article discusses the efforts of Ivan Sandrop, a 30-year-old sculptor and printmaker, to revive the art of hand printing in Worcester. Sandrop is noted for his dedication to the craft, which he learned from Leonard and Esther Baskin. The Baskins, who have lived in Worcester since 1935, have been involved in the art of printing since 1949, when they purchased an old building on Castile Street.

The article mentions the historical significance of Castile Street, where the Baskins have a studio that houses a collection of old printing presses. The Baskins' artistry is highlighted as being a revival of a lost art form, with a particular focus on their contributions to the local community and their dedication to preserving and promoting the craft.

Ivan Sandrop is described as a part of this revival, emphasizing the artistic integrity and craftsmanship he brings to the community. The article also mentions the Baskins' involvement in the arts, including their work with the Worcester Art Museum and their contributions to the field of art education.

There is an accompanying photo of the Baskins and their work area, illustrating their studio and the artworks they create. The photo captures the essence of their dedication and the historical setting of their work. The article is credited to John Skelton from The Gleaner Press, Worcester, 1953.

The image is a newspaper clipping from the Worcester Sunday Telegram, dated February 1, 1953. The article is titled "Artist Revives Hand Printing" and focuses on Leonard and Esther Baskin, who are reviving the art of hand printing.

The article, written by Ivan Sandrop, describes how the Baskins, an artist couple, are working to bring back the lost art of hand printing, which was once common in Worcester, Massachusetts. The Baskins are noted for their artistic integrity and faith in traditional methods.

The article mentions that the Baskins have been working on a project that includes etching and printing on old Worcester buildings and their surroundings. The Baskins' work is centered around the streets and buildings in their neighborhood, particularly the area around Castle Street. The article also notes their personal history and artistic achievements, including their move from New York to Worcester.

The Baskins' studio is on Castle Street, which was once the heart of the printing industry in Worcester. The Baskins' efforts to revive hand printing are seen as a tribute to the historical printing practices of the area.

The clipping includes a photograph of Leonard Baskin at work, illustrating the traditional hand printing process. The Baskins' work is also mentioned in relation to a poem by John Skelton, and there is a mention of a book titled "Elynour Rummynghe" by John Skelton, which was set up experimentally by Baskin.

The clipping also provides some background on the Baskins' background, mentioning their time in New York, their artistic influences, and their commitment to preserving and reviving traditional art forms.

The image is a newspaper clipping from the Worcester Sunday Telegram, dated February 1, 1953. The headline reads "Artist Revives Hand Printing" and the article is written by Ivan Sandrop.

The article features Leonard and Esther Baskin, who are described as a sculptor and painter, respectively. They are reviving the art of hand printing on old Worcester College buildings. The Baskins are engaged in a project to restore and print a poem titled "Elynour Rummynge" by John Skelton, using a 1922 press from the Chelsea Press.

Key points in the article include:

• The Baskins are renovating a brick building on Castle Street, which was once a printing facility.
• They have revived the old art of hand printing, which involves printing with woodblocks and letterpress.
• The Baskins are also restoring the historic art of woodcut printing.
• The article mentions the Baskins' artistic integrity and their dedication to preserving old techniques.
• It includes a brief history of the Baskins, mentioning their backgrounds in art and their connection to Worcester.

The article is illustrated with a photograph of the Baskins working on the printing project, and there is a small inset image of the title page of the poem "Elynour Rummynge" by John Skelton, printed by the Chelsea Press in 1922.

The feature is part of the "Feature Parade Section" of the Worcester Sunday Telegram.

The image is a page from the Worcester Sunday Telegram, dated February 1, 1963. The main article is titled "Artist Revives Hand Printing," written by Ivan Sandrof.

Summary of the Article:

The article discusses the revival of hand printing in Worcester, Massachusetts, by Leonard F. Bahr and Esther Bahr. They are noted for bringing back this traditional art form, which dates back to the 15th century.

Background:

• Leonard Bahr, a painter and muralist, and his wife, Esther, have set up a hand-printing press in their home on Castle Street.
• Castle Street, once known for its dilapidated state, is now home to a creative and artistic revival.
• The Bahrs’ initiative has attracted attention and admiration from the local community, including the Worcester Art Museum.

The Hand Printing Process:

• The Bahrs use old-fashioned methods for their hand printing, including typesetting and engraving.
• They have set up their press in the basement of their home.

Ivan Sandrof’s Personal Connection:

• Ivan Sandrof is a member of the Telegram Feature Parade Staff.
• He reflects on the transformation of Castle Street, which had a poor reputation in the past but is now associated with creativity and art.

Additional Features on the Page:

1. Advertisements and Artwork:

   • An advertisement for "Co-op" showcases Elywnour Rummynge by John Skelton, printed by The Quincenta Press in Worcester, 1962.

2. Poem Title Page:

   • The title page of a poem by John Skelton, printed by Leonard Bahr, is shown as an example of their work.

Other Details:

• The article mentions other local artists and their contributions to the cultural scene, including Maurice Glickman, who also resides on Castle Street.
• There are references to the historical context of hand printing and its significance in the world of art and literature.
• The Bahrs' efforts are part of a larger movement to preserve and celebrate traditional artistic methods.

This page captures both the historical and contemporary significance of hand printing, highlighting the Bahrs' dedication to reviving this age-old craft in Worcester.

This image shows an excerpt from a newspaper page featuring an article with the title "ARTIST Revives Hand Printing." The article includes a photo of a person engaging with a large hand-operated printing press. The accompanying text likely details the process of hand printing and the artist's efforts in reviving this craft. Below the article, there is an advertisement for a title named "ELYNOUR RUMMYNGE" by John Skelton, which appears to be a collection of poems available at The Gehenna Press in Worcester. At the bottom, we can see that this is the "FEATURE PARADE SECTION" of the Worcester Sunday Telegram, dated February 1, 1963, on page 7.

The image is a page from the Worcester Sunday Telegram newspaper, dated February 1, 1953. The headline reads "Artist Revives Hand Printing," with a smaller subheading "By IVAN SANDROP." The main article discusses the revival of hand printing in Worcester by a 30-year-old artist named Leonard Baskin. The article includes a photograph of Baskin and his wife, Esther Basin, working on a hand printing project. The article also mentions that Baskin has a studio on Castle Street and has revived the ancient art of hand printing. The article also includes a smaller section with a photograph of a man and a woman working on a printing press.

The image is a scanned page from the Worcester Sunday Telegram, dated February 1, 1953. It is titled "ARTIST Revives Hand Printing" and features an article by Ivan Sandrof. The page is part of the Feature Parade Section and is labeled as Page 7.

Key Elements of the Image:

Header and Layout:

• The top of the page includes the newspaper's header with the publication name, date, and issue details.
• The main headline, "ARTIST Revives Hand Printing," is prominently displayed in large, bold red text.
• The byline credits Ivan Sandrof as the author.

Main Article Content:

• The article discusses Leonard Baskin, an artist and psychologist, and his revival of traditional hand printing techniques.
• Baskin is described as a sculptor, etcher, and printer who has established a studio in the basement of his home on Castle Street in Worcester, Massachusetts.
• The article highlights Baskin's dedication to the art of hand printing, emphasizing his commitment to preserving traditional methods rather than relying on modern, mechanized processes.

Visual Elements:

• On the right side of the page, there is a black-and-white photograph of Baskin at work. He is shown operating a hand press, surrounded by printing equipment and materials. This visual reinforces the article's focus on the tactile, hands-on nature of hand printing.
• The photo is captioned:

  "OLD ART of hand printing in Worcester is being revived by Leonard Baskin, artist, and psychologist, at work in the basement of their home on Castle Street."

Additional Text:

• The article provides background on Baskin's life, including his early years, education, and artistic career. It mentions his work as a sculptor and his involvement with the Worcester Art Museum.
• There is a sidebar or smaller article titled "ELYNOUR RUMMYNGE" by John Skelton, which appears to be a separate piece of writing, possibly a poem or essay, unrelated to the main article. This sidebar includes a logo and the text "THE GEHENNA PRESS WORCESTER 1952."

Design and Typography:

• The page uses a classic newspaper layout with clear headings, subheadings, and body text.
• The typography is consistent with mid-20th-century newspaper design, featuring serif fonts for the main text and bold fonts for headlines.
• The overall aesthetic reflects the era, with a focus on readability and structured presentation of information.

Summary:

The image is a historical newspaper page from February 1, 1953, featuring an article about Leonard Baskin, an artist and psychologist who is reviving the traditional art of hand printing in Worcester, Massachusetts. The page includes a photograph of Baskin working at his hand press, reinforcing the article's theme, and is part of the Worcester Sunday Telegram's Feature Parade Section. Additional content includes a sidebar titled "ELYNOUR RUMMYNGE" by John Skelton, adding depth to the page's cultural context.

The image shows a newspaper clipping with a photograph of two men working on a printing press. The clipping is from the Worcester Sunday Telegram, dated February 1, 1953, and the article is titled "Artist Revives Hand Printing." The article is about Ivan Sandroff, an artist who revived the art of hand printing in Worcester, Massachusetts. The clipping also includes an advertisement for a book titled "Ellynor Rummynge" by John Skelton, published by The Gehenna Press in 1952.