Archives Scrapbooks

This image displays an open, aged, scrapbook-style album or bound newspaper clipping, showing two articles from the Harvard Crimson, dated Friday, May 9, 1952.

The pages are yellowed with age, and the content is presented as pasted-in clippings, indicating they were collected and preserved, possibly as memorabilia.

Left Article: “Out of the Fog”

• Headline: “Out of the Fog”
• Byline: HARVARD CRIMSON
• Content: This article humorously discusses the perennial problem of overcrowded exam rooms during Harvard’s finals period. It laments the cramped, poorly lit conditions in Fogg Large Room (nicknamed “the fog”) and the strain on students. The article highlights the relief brought by the recent opening of Burr Hall, which now provides two spacious lecture halls with capacities over 200, effectively solving the “fog” problem for large courses. The tone is lighthearted, poking fun at student suffering and bureaucratic inefficiencies.

Right Article: “The Music Club”

• Headline: “The Music Club”
• Subtitle: “At Fogg Courtyard”
• Handwritten Note: In the upper right corner, someone has written “Crimson” and “5/9/52,” confirming the date and source.
• Content: This is a music review of a concert presented by the Harvard-Radcliffe Music Clubs. The performance featured music from the Medieval to the Baroque periods.
  • It specifically mentions a “Missa” by Guillaume de Machaut and a new (at the time) edition of a 14th-century French composer’s work.
  • It praises the performance by the Music Club Chorus under Peter Westergaard and highlights the contributions of soloists Jean Lunn, Vincent Allison, violinist Helena Pappenheimer, and oboist Robert Freeman.
  • The reviewer (Alexander Geller) also notes the “novelty” of an encore: a group of four French chansons sung by Dorothy Barnhouse with instrumental accompaniment, which he describes as “excellent” and “effortless.”
• The review notes some performance flaws (“faulty intonation in the wind instruments”) but overall conveys appreciation for the ambitious programming and musical quality.

Overall Impression:

This is a nostalgic artifact documenting campus life at Harvard in 1952. The juxtaposition of a humorous piece about student struggles with a serious musical review offers a slice-of-life view of the university’s academic and cultural activities that particular week. The physical preservation in a scrapbook suggests these clippings held personal or historical value for the collector.

The image shows two pages from a book or a collection of articles, possibly from a magazine or a newspaper. The left page is titled "Out of the Fogg," and the right page is titled "The Music Club At Fogg Courtyard."

The article on the left discusses overcrowding in the Fogg Large Room during exam periods and the reasons for this, including the availability of the Fogg Large Room as a backup space and the need for more spacious locations like Burr Hall for exams.

The article on the right describes a music concert presented by the Harvard-Radcliffe Music Clubs in the Fogg Museum courtyard. It mentions the performance of a Mass by Guillaume de Machaut, a 14th-century French composer, and discusses the historical and musical significance of the piece. The article also mentions other performances at the concert, including chansons by Dorothy Barnhouse and a cantata by Buxtehude, performed by the Music Club Chorus under the direction of Peter Westergaard.

The pages are slightly aged, and the text appears to be typed or printed in a standard font. The pages are held together by a few clear plastic tabs, which might be used for bookmarking or organizing the pages.

This image shows two separate clippings from newspapers pasted onto a beige-colored page, likely from a scrapbook or a collection. The page is held open with clear plastic stands at the bottom corners.

1. Left Clipping:

   • Title: "Out of the Fogg"
   • Date: Friday, May 9, 1952
   • Source: Harvard Crimson
   • Content: The article discusses the challenges faced by students due to the lack of adequate testing rooms for exams on certain dates. It mentions the use of Fogg Large Room as an overflow facility and the discomfort associated with it. The article also talks about the opening of Burr Hall and its potential to alleviate the problem.

2. Right Clipping:

   • Title: "The Music Club"
   • Content: This article reviews a concert of music from the Medieval to the Baroque period presented by the Harvard-Radcliffe Music Clubs. It describes the performance of a Mass by Guillaume de Machaut and other works, highlighting the performers and the quality of the music. The article also mentions the contributions of various musicians and the overall success of the concert.

The clippings are neatly pasted on the page, and the text is legible, providing a glimpse into the activities and concerns of Harvard students and the music scene in 1952.

An open book with two pages on display is placed on a gray surface. The book has a brown cover and is opened to pages 3 and 4. The left page is titled "Out of the Fog," while the right page is titled "The Music Club." The pages have black text and are in good condition, with no visible damage or stains. The book appears to be a collection of articles or essays, with each page featuring a different topic.

The image is of an open book with two pages visible. The left page has a title "Out of the Fogg" and the date "FRIDAY, MAY 9, 1952" at the top. The text is written in black ink and appears to be an article discussing the issues with the Fogg Large Room in Harvard University. The right page has a title "The Music Club" and the date "FRIDAY, MAY 9, 1952" at the top. The text on this page is also written in black ink and appears to be an article about a music concert held at the Harvard-Radcliffe Music Club.

The image depicts an open book, showcasing two facing pages from a historical publication. The left page is titled "Out of the Fogg" and is dated Friday, May 9, 1952, attributed to Harvard Crimson. The text discusses the Harvard Art Museums' Fogg Art Museum, focusing on the challenges and improvements related to the Fogg Large Room. It mentions issues such as inadequate seating, the need for better lighting, and the development of a more comfortable seating arrangement. The article also touches on the logistical aspects of the room, including its use for lectures and exams, and the difficulties faced by students and faculty due to its current state.

The right page is titled "The Music Club" and appears to be a review or report of a musical performance at the Fogg Art Museum on Sunday, May 9, 1932. The performance featured works by composers such as Mahler, Bach, and others, performed by the Harvard-Radcliffe Music Club. The review highlights the historical and musical significance of the event, noting the performance of Mahler's Missa Solemnis and other pieces. It also comments on the quality of the performance, the skill of the musicians, and the audience's positive reception.

The book's pages are aged, with a slightly worn and yellowed appearance, suggesting it is an old or vintage publication. The text is typed in a classic serif font, consistent with mid-20th-century printing styles. The layout includes clear headings, subheadings, and paragraphs, typical of newspaper or magazine articles from that era. The overall condition of the book indicates it has been preserved, possibly as part of an archive or collection.

The image shows a page of a newspaper or magazine, most likely from a historical or archival source given the apparent age and the discoloration of the paper. This is suggested by the yellowing tone of the paper and the typeset typical of an older publication.

On the top, the date "FRIDAY, MAY 9, 1952" is printed, which indicates that the document is a publication from that day. There are two columns of text, separated by a vertical white line. The left column has a headline that reads "Out of the Fogg," and the right column has a headline that says "The Music Club Scores." Both articles are continuations from another part of the publication as indicated by the continuation headers which say "continued from page 1" and "continued from page 4" respectively.

The text in both articles is quite small and in a serif font, typical of newspaper print of the time. The article on the left appears to discuss something related to the Registrar's Office, exams, and a location called the Fogg Large Room, while the article on the right is about a music event reviewing performances and providing some critique.

The physical condition of the page shows signs of wear along the edges, with the top left corner being ripped off, and the page itself has a diagonal crease likely from being folded. The paper is affixed to a background that is similar in color but slightly darker, perhaps for preservation purposes.

This image shows a page from an old scrapbook or album with two newspaper clippings pasted on it. The clippings are from the Harvard Crimson, dated Friday, May 9, 1952.

The left clipping is titled "Out of the Fogg" and discusses issues related to overcrowding in the Fogg Large Room at Harvard University during examination times. It explains how students have to make do with cramped seating and poor lighting, and mentions the opening of Burr Hall as a relief for some large courses. It details some exam scheduling challenges and expectations for future exam arrangements.

The right clipping is titled "The Music Club" and describes a concert held at the Fogg Museum courtyard by the Harvard-Radcliffe Music Clubs. This concert featured music from various historical periods up to modern times, highlighting a Mass by Guillaume de Machaut and performances by several notable musicians. The article praises the music club's performance, the selection of the program, and the conductor's enthusiasm. Both clippings are glued to the aged, yellowed page of the book.

The image shows an open scrapbook page with two small newspaper clippings pasted onto a tan, aged sheet.

• Left clipping: titled “Out of the Fogg,” date Friday, May 9, 1952, from the Harvard Crimson. It contains a column of dense text.
• Right clipping: headlined “The Music Club,” with several paragraphs describing a concert and related details.
• The page is part of a bound book; you can see the spine on the left and corner clips/tape at the edges.
• The overall look is vintage and archival, with the clippings yellowed from age.

This image displays a page from an old book or scrapbook with two newspaper clippings pasted onto it. The clippings are yellowed with age and feature text printed in black. The one on the left is titled "Out of the Fogg" and discusses challenges with examination spaces and educational facilities at Harvard, mentioning venues like Fogg Large Room and Burr Hall. The clipping on the right is titled "The Music Club" and seems to be a review of a recital showcasing music from the Medieval to the Baroque period, including performances of pieces by composers such as Guillame de Machaut and Johann Sebastian Bach. A handwritten note reading "Crimson 5/9/52" appears above this article. The entire page has a vintage appearance and is securely attached to the album or book.