Archives Scrapbooks

The image shows a page from a newspaper or a publication dated Friday, May 9, 1952. The page contains two main articles:

1. Out of the Fogg

   • This article discusses the inconvenience of occasional exams being held in Fogg Large Room at Harvard University. The author describes the room as cramped, uncomfortable, and poorly illuminated, making it difficult for students to concentrate during long exams. The article also mentions the temptation for students to cheat in such a setting and the inadequate seating capacity of the room. It suggests that the University should consider using Burr Hall for exams, which is more spacious and comfortable, and notes that the Fogg Art Museum is not an ideal location for exams due to the distraction of artworks.

2. The Music Club

   • This article reviews a concert of medieval to the modern period music presented by the Harvard-Radcliffe Music Clubs at Fogg Courtyard. The concert featured works by composers such as Machaut, Ockeghem, and Monteverdi, among others. The performance included a variety of instruments and vocal styles. The review highlights the historical significance of the pieces and the skill of the performers, particularly noting the vocal talents of Dorothy Barlow and Anne Barbour. The article also mentions the conductor, Peter Westergaard, and the overall success of the program in blending historical and modern musical elements.

The page appears to be from a student or university publication, given the focus on academic and cultural events at Harvard.

The image shows a two-page spread from a newspaper dated Friday, May 9, 1992. The newspaper is titled "Harvard-DreSS."

Left Page (Out of the Fogg)

The main article, titled "Out of the Fogg," discusses the inconveniences caused by the relocation of several lecture courses due to the overcrowding and lack of adequate examination rooms at Harvard University's Fogg Art Museum.

Key Points:

1. Overcrowding and Relocation: Due to the overcrowding in Fogg’s exam spaces, courses have to be moved to other lecture halls.
2. Fogg Large Room Issues: The Fogg Large Room is described as cramped, with uncomfortable seating and poor lighting.
3. Examination Conditions: Students face difficulties such as harsh and unnecessary lighting, and the inability to find enough space for exams.
4. Alternative Locations: The Registrar’s Office has had to find other rooms, like the Burden Hall, which is not ideal due to its distance and size.
5. New Lecture Rooms: The new lecture rooms in the Fogg building are not included for exams, forcing students to trek to distant locations.
6. Future Plans: The University is planning to build new lecture halls to address these issues, though this will take time.

Right Page (The Music Club)

The right page features an article about a concert performed by the Harvard-Radcliffe Music Club at Paine Hall, focusing on the performance of French music.

Key Points:

1. Program Overview: The concert featured music from the Baroque period to the modern day, highlighting French composers.
2. Performances:
   • Dorothy Barnhouse: Played a piece by François Couperin.
   • Ensemble of Musicians: Performed works by Michel Pignolet de Montéclair and other composers, using instruments like the viola da gamba, recorder, and harpsichord.
   • Lizzie Jean and Others: Performed vocal pieces, including works by Jean-Philippe Rameau, Jean Loup Souprenet, Vincent Alison, and others.
3. Peter Westergaard: The article praises Westergaard's musical piece, which was performed with enthusiasm and depth.

Additional Information:

• Author: The concert review is written by Alexandra Greely.
• Miscellaneous: The right page also includes a section of classified ads or announcements.

Overall, the pages cover academic inconveniences due to overcrowding at the Fogg Museum and a detailed review of a classical music concert.

The image is a clipping from a Harvard Crimson newspaper dated Friday, May 9, 1952. It contains two articles:

1. Out of the Fog:

   • The article discusses the difficulties faced by students during exams due to the overflow of classes into the Foggy Large Room.
   • It mentions that the seating arrangements in this room are uncomfortable and poorly lit, making it difficult for students to concentrate.
   • The article notes that the overflow has been transferred to University Hall, which has more comfortable seating but is still crowded.
   • The new arrangement is expected to alleviate some of the discomfort, especially for students in courses like Humanities 1, which requires three-hour exams.
   • The article also highlights that the new Foggy Lecture Rooms are scheduled for use and will provide a more pleasant environment for students during exams.

2. The Music Club:

   • This article describes a concert held at the Foggy Museum courtyard, presented by the Harvard-Radcliffe Music Clubs.
   • The concert featured music from the medieval to the baroque period, including works by composers such as Guillaume de Machaut, Giovanni Pierluigi da Palestrina, and Heinrich Schütz.
   • The performance included pieces played on period instruments, such as the viols and the harpsichord, which were used in the time of the composers.
   • The article mentions the historical significance of the instruments and the effort to recreate the sounds of the past accurately.
   • The concert also included a performance by the Music Club Chorus, conducted by Peter Westergard, who performed a piece by Robert Freeman.
   • The article concludes by expressing the enthusiasm and understanding of the audience, who appreciated the historical and musical effort put into the concert.

The articles reflect the academic and cultural life at Harvard in 1952, highlighting both the challenges students faced and the rich musical events available to them.

The image shows a newspaper page from the Harvard Crimson, dated Friday, May 9, 1952. It contains two articles.

1. Left Column - "Out of the Fog":

   • This article discusses the issue of overcrowding in the Foggy Large Room, a lecture hall at Harvard University.
   • Due to occasional scheduling conflicts, students often find themselves crammed into the room, which is described as having uncomfortable chairs and poor lighting.
   • The author mentions the strain on students, especially those in courses like Humanities 1, which require long exams.
   • The article notes that the new building, University Hall, has lecture halls with better conditions but are not scheduled for use in the final exams period.
   • The author expresses hope that with the opening of Burr Hall and other new lecture rooms, the overcrowding issue will be alleviated.

2. Right Column - "The Music Club":

   • This article reviews a concert held by the Harvard-Radcliffe Music Club.
   • The concert was part of a series in the Foggy courtyard and included a variety of music from the medieval period.
   • The performance included music by Guillaume de Machaut, a 14th-century composer, and featured an ensemble of eight singers and four wind players.
   • The article highlights the excellent acoustics and the high quality of the performance, praising the musicians for their enthusiasm and understanding of the music.
   • The concert included a piece by Dorothy Burges, a contemporary composer, and featured the vocal talents of Miss Farnham, a soprano, and Jean Lunn, a baritone, among others.
   • The overall impression is that the concert was a success, with the music and performance being well-received by the audience.

The newspaper page is preserved on a yellowed paper, indicating its age.

The image shows a page from the Harvard Crimson newspaper, dated Friday, May 9, 1952. It consists of two articles.

1. Out of the Fog:

   • Headline: "Out of the Fog"
   • Content: This article discusses the issue of overcrowding in Foggy Bottom on Harvard's campus. The problem arises because of the limited seating in the large lecture halls, particularly in Foggy Large Room. Students often find themselves crammed into insufficient seating, leading to discomfort and strain. The article highlights the need for better seating arrangements and the inconvenience for students, particularly those in large courses like Humanities 1. It also mentions that the University Hall, which has two lecture halls, is not always available for large classes. Additionally, it notes the necessity for students to move to other locations, like Burr Hall, which has plush-backed chairs but lacks the necessary amenities like restrooms.

2. The Music Club:

   • Headline: "The Music Club"
   • Title of Event: A concert at Foggy Courtyard, presented by the Harvard-Radcliffe Music Club
   • Description: This article details a concert held during the Medieval to the Baroque period. The concert featured performances from the Harvard-Radcliffe Music Club, showcasing music from the medieval era up to the Baroque period. The event included performances by a group of musicians, including a choral group that sang and played instruments. The article describes the historical significance of the music, the concert's ambiance, and the variety of musical selections, ranging from sacred to secular, with a focus on the period's rich musical heritage.

The newspaper page also includes some additional text and notes at the bottom, including a small section of handwritten notes or corrections, which are not fully legible.

The image shows a newspaper page from Friday, May 9, 1952, with two articles. The first article, titled 'Out of the Fog,' discusses the challenges faced by students during examination periods at Harvard, particularly the cramped conditions in University Hall and the limited space in Foggy Large Room. It mentions that the new building, Burr Hall, is nearly ready and will provide much-needed space, including a lecture hall that can accommodate 200 students. The article suggests that some courses might be moved to this new location to alleviate overcrowding.

The second article, titled 'The Music Club,' reports on a concert presented by the Harvard-Radcliffe Music Clubs at Fogg Court. The program included works by Guillaume de Machaut, Otto Luening, and others. The article highlights the performance of Miss Barbara Thorne, who sang a 15th-century French song, and the Music Club Chorus, which performed a piece by Peter Westergard. The review praises the chorus's lovely tone and clear enunciation and commends the conductor, Alexander G. Kelley, for his enthusiasm and understanding.

The image shows a page of a newspaper or magazine, most likely from a historical or archival source given the apparent age and the discoloration of the paper. This is suggested by the yellowing tone of the paper and the typeset typical of an older publication.

On the top, the date "FRIDAY, MAY 9, 1952" is printed, which indicates that the document is a publication from that day. There are two columns of text, separated by a vertical white line. The left column has a headline that reads "Out of the Fogg," and the right column has a headline that says "The Music Club Scores." Both articles are continuations from another part of the publication as indicated by the continuation headers which say "continued from page 1" and "continued from page 4" respectively.

The text in both articles is quite small and in a serif font, typical of newspaper print of the time. The article on the left appears to discuss something related to the Registrar's Office, exams, and a location called the Fogg Large Room, while the article on the right is about a music event reviewing performances and providing some critique.

The physical condition of the page shows signs of wear along the edges, with the top left corner being ripped off, and the page itself has a diagonal crease likely from being folded. The paper is affixed to a background that is similar in color but slightly darker, perhaps for preservation purposes.

This image shows a page from an old scrapbook or album with two newspaper clippings pasted on it. The clippings are from the Harvard Crimson, dated Friday, May 9, 1952.

The left clipping is titled "Out of the Fogg" and discusses issues related to overcrowding in the Fogg Large Room at Harvard University during examination times. It explains how students have to make do with cramped seating and poor lighting, and mentions the opening of Burr Hall as a relief for some large courses. It details some exam scheduling challenges and expectations for future exam arrangements.

The right clipping is titled "The Music Club" and describes a concert held at the Fogg Museum courtyard by the Harvard-Radcliffe Music Clubs. This concert featured music from various historical periods up to modern times, highlighting a Mass by Guillaume de Machaut and performances by several notable musicians. The article praises the music club's performance, the selection of the program, and the conductor's enthusiasm. Both clippings are glued to the aged, yellowed page of the book.

The image is of an open book with two pages visible. The left page has a title "Out of the Fogg" and the date "FRIDAY, MAY 9, 1952" at the top. The text is written in black ink and appears to be an article discussing the issues with the Fogg Large Room in Harvard University. The right page has a title "The Music Club" and the date "FRIDAY, MAY 9, 1952" at the top. The text on this page is also written in black ink and appears to be an article about a music concert held at the Harvard-Radcliffe Music Club.

The image depicts an open book, showcasing two facing pages from a historical publication. The left page is titled "Out of the Fogg" and is dated Friday, May 9, 1952, attributed to Harvard Crimson. The text discusses the Harvard Art Museums' Fogg Art Museum, focusing on the challenges and improvements related to the Fogg Large Room. It mentions issues such as inadequate seating, the need for better lighting, and the development of a more comfortable seating arrangement. The article also touches on the logistical aspects of the room, including its use for lectures and exams, and the difficulties faced by students and faculty due to its current state.

The right page is titled "The Music Club" and appears to be a review or report of a musical performance at the Fogg Art Museum on Sunday, May 9, 1932. The performance featured works by composers such as Mahler, Bach, and others, performed by the Harvard-Radcliffe Music Club. The review highlights the historical and musical significance of the event, noting the performance of Mahler's Missa Solemnis and other pieces. It also comments on the quality of the performance, the skill of the musicians, and the audience's positive reception.

The book's pages are aged, with a slightly worn and yellowed appearance, suggesting it is an old or vintage publication. The text is typed in a classic serif font, consistent with mid-20th-century printing styles. The layout includes clear headings, subheadings, and paragraphs, typical of newspaper or magazine articles from that era. The overall condition of the book indicates it has been preserved, possibly as part of an archive or collection.