Archives Scrapbooks

This image displays an open book or catalog, likely from a museum, resting on a beige, textured mat or folder. The pages feature reproductions of two famous 19th-century artworks, each with descriptive captions below.

Left Page (Page 22):

• Image: A black-and-white reproduction of a formal portrait painting.
• Subject: The portrait depicts Emmanuel-Joseph Siéyès (1748–1836), shown seated, looking directly at the viewer. He is dressed in dark formal attire with a high white collar and holds a small, folded object (possibly a handkerchief or document) in his hands.
• Caption: Identifies the work as "Portrait of Emmanuel-Joseph Siéyès, 1748–1836" by the French artist Jacques Louis David (1748–1825), dated 1817. It is an oil painting, 37½" x 28½" in size. The caption notes it was acquired via a bequest from Grenville Lindall Winthrop, class of 1886.
• In-Page Identifier: 1943.229

Right Page (Page 23):

• Image: A black-and-white reproduction of a dynamic, expressive drawing (lithograph) showing a nude female figure bending over, viewed from behind, seemingly after bathing. Another figure, draped and reclining, is visible in the foreground with a dark shadow or mark on their back. The style is loose and sketchy.
• Caption: Identifies the work as "After the Bath" by the French artist Edgar Degas (1834–1917), dated 1890. It is a lithograph measuring 13" x 9½". The caption states it was acquired via the "Purchase, Gray Fund."
• In-Page Identifier: 1949.G.8830

Surrounding Elements:

• Top Left: A clipped newspaper article titled "Annual Meeting Of Museum Has Harvard Speaker," mentioning John Coolidge, director of the Fogg Art Museum at Harvard, and the deCordova and Dana Museum and Park.
• Top Right: A pink paper insert with typewritten text announcing events at "the Museum and the Busch-Reisinger Museum" and "Mr. Helmut Ruhemann of the National Gallery, London" on Tuesday, April 22, at 4 p.m. It also states, "Friends of the Fogg will receive individual notices concerning openings and lectures."
• Background: The pages appear to be part of a larger binder or portfolio with a worn, brownish cover visible on the right edge, suggesting an archival or exhibition record.

Overall, the image showcases a curated selection of artworks in a museum publication, contextualized by related ephemera, highlighting the institutional connection to Harvard’s Fogg Art Museum and its collection of European masterpieces.

The image showcases two pages from a book or catalog, each featuring a different artwork. The left page contains a black-and-white portrait of a man, identified as "Portrait of Emmanuel-Joseph Sieyès, 1748–1836," painted by Jacques-Louis David in 1817. The portrait is identified as an oil painting, measuring 37½" x 28½". Below the image, there is a note indicating it is from the "Bequest, Grenville Lindall Winthrop, class of 1886."

The right page displays a lithograph titled "After the Bath," created by Edgar Degas in 1890. The artwork is described as French, measuring 13" x 9½". The note at the bottom of the page indicates it was "Purchase, Gray Fund."

The book appears to be part of a collection or guide related to museum art, and there are additional papers and information attached to the top and side of the book, possibly providing context or related information about the artworks.

This image shows a scrapbook or catalog page with two artistic prints clipped to a beige paper background, accompanied by some other text-based elements.

1. Left Print:

   • Title: "Portrait of Emmanuel-Joseph Sièyes, 1748–1836"
   • Artist: Jacques Louis David (1748–1825)
   • Medium: Oil painting
   • Details: The subject is a man dressed in formal attire, seated and holding a small object in his hands. He appears to be middle-aged, and the painting conveys a serious, composed demeanor.
   • Provenance: Bequest from Grenville Lindall Winthrop (Class of 1886).

2. Right Print:

   • Title: "After the Bath"
   • Artist: Edgar Degas (1834–1917)
   • Medium: Lithograph
   • Details: This is a figure study of a nude woman seen from behind, seemingly drying off or adjusting her hair. The artwork has a sketch-like quality with expressive brushstrokes.
   • Provenance: Acquired through the Gray Fund.

3. Other Text:

   • A newspaper clipping on the left refers to an annual meeting at the deCordova and Dana Museum, with Harvard's John Coolidge as the speaker.
   • A pink slip at the top mentions an event at the National Gallery in London, dated April 22.

The overall theme suggests an art-related document, possibly from a museum or collection, with a focus on 19th-century art and its cataloging or acquisition.

The image shows a magazine or book open to a page featuring two black-and-white images. The left image is a portrait of a man, likely a historical figure, wearing a suit and holding an object in his hands. The right image depicts a woman and a man in a reclining position, possibly in a romantic or intimate setting. The book appears to be an art magazine or exhibition catalog, with the title and page number visible in the top left corner. The background is plain, likely a white or light-colored wall.

An open book with two pages is placed on top of a brown folder. On the left page, there is a black-and-white portrait of a man, probably a historical figure, with a description of his name and the year he lived. On the right page, there is a black-and-white image of a man and a woman, probably in the bathroom, with a description of the image. On top of the folder is a pink piece of paper.

The image shows an open book, likely an art catalog or exhibition guide, displaying two pages.

Left Page:

• Title: "Portrait of Emmanuel-Joseph Sieyes, 1748–1836"
• Artist: Jacques Louis David, 1748–1825 (French, 1817)
• Medium: Oil on canvas
• Dimensions: 57 3/8" x 38 1/8"
• Additional Information: Bequest of Grenville Lindall Winthrop, class of 1886.
• Image: A black-and-white photograph or reproduction of a portrait painting. The subject is a man in formal 19th-century attire, seated and looking directly at the viewer. He is dressed in a dark coat and cravat, with a serious expression.

Right Page:

• Title: "After the Bath"
• Artist: Edgar Degas, 1834–1917 (French, 1860)
• Medium: Lithograph
• Dimensions: 13 1/2" x 10 1/4"
• Additional Information: Purchase, Gray Fund.
• Image: A black-and-white illustration depicting a scene of women in a bath. The drawing shows two women in a relaxed pose, one partially draped in a towel or cloth, and the other more exposed. The setting appears to be a bathhouse or private bath, with a focus on the interaction and movement of the figures.

Additional Context:

• The book appears to be part of a museum collection, as indicated by the header mentioning the "Fogg Art Museum" and details about an annual meeting.
• The top of the page includes a header about an event: "Annual Meeting of Museum Has Harvard Speaker," mentioning John Coolidge, director of the Fogg Art Museum, who spoke at the meeting.
• The overall design and layout suggest this is a catalog or exhibition guide, possibly from the early to mid-20th century, given the style of the text and illustrations.

The pages provide a glimpse into historical art pieces, showcasing both a formal portrait and an intimate scene by a renowned artist, Degas.

The image shows an open book or catalog featuring reproductions of two artworks. On the left page is Jacques Louis David's portrait of Emmanuel-Joseph Sieyès, a French statesman, depicted in formal attire, dated 1817. The artwork is described as an oil painting measuring 37 5/8 x 28 1/8 inches and owned by the Bequest of Grenville Lindall Winthrop, class of 1886.

On the right page is a lithograph titled "After the Bath" by Edgar Degas from 1890, showcasing a nude female figure in an intimate setting. The lithograph measures 14 3/8 x 9 5/8 inches and was acquired through the Gray Fund.

The image shows pages from a publication or book, which features two artworks. On the left page is an artwork titled "Portrait of Emmanuel-Joseph Sieyès," created in 1817 by the French artist Jacques Louis David. It is an oil painting depicting a man seated, with information about the artist and the dimensions of the painting given below. On the right page is an artwork titled "After the Bath," created in 1890 by the French artist Edgar Degas. It is a lithograph showing a nude figure facing away, with some text below providing context about the artist and acquisition information. Above the book pages, part of a red piece of paper is visible, and to the left, there is a newspaper clipping announcing an annual meeting of a museum with a Harvard speaker.

The image shows an open book with two black-and-white artworks on the visible pages. The left page features a portrait titled "Portrait of Emmanuel-Joseph Sièyes, 1748-1836," painted by Jacques Louis David around 1817. It is an oil painting measuring 37 1/2 by 28 1/2 inches. The portrait depicts a seated man in dark clothing, holding an object in his hands.

The right page features a lithograph titled "After the Bath" by Edgar Degas from 1890. The artwork depicts a nude woman standing and bending forward, with another figure visible in the background, rendered in an impressionist style.

Above the book, on the surface it's resting on, there are some clippings and a rectangular piece of paper with printed text mentioning a meeting at the Fogg Art Museum and related events. The background surface is a plain tan or light brown color.

• A photograph of an open page from a scrapbook or art catalog mounted on a light brown binder.
• Left page: a dark oil-portrait reproduction of a seated man with the face obscured by a square blur. The caption identifies it as a portrait of Emmanuel-Joseph Sieyès (1748–1836) and attributes the work to Jacques-Louis David (French, 1817 is likely a date or era reference). The page is labeled with the number 22.
• Right page: a black-and-white reproduction of Edgar Degas’ lithograph After the Bath (a nude scene with figures by a bath). The caption lists the artist, dates (Degas, 1834–1917), medium (lithograph), and related collection or fund notes. The page is labeled with the number 23.
• The surrounding area shows bits of other clippings and a pink notice page above, giving the overall impression of a vintage, curated arts archive.