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ARCH.2003.32, Rendition: 803864
The image shows a typed document from the Fogg Art Museum at Harvard University, Cambridge, Massachusetts. The document is dated February 27, 1952, and lists various exhibitions and public lectures scheduled for the following months. Here are the details:
There are handwritten notes in some of the exhibition descriptions, with some marked as "Cancelled."
The document appears to be in a book or binder, as the pages are partially visible with the edges of the preceding page slightly shown. The overall appearance suggests it is an official announcement or schedule from the Fogg Art Museum.
This image shows a page from a document or catalog associated with the Fogg Art Museum at Harvard University, located in Cambridge, Massachusetts. The document is dated February 27, 1952, and details upcoming exhibitions and public lectures at the museum. The specific content includes:
Exhibitions:
Public Lectures:
Gallery Tours:
Scheduled for Saturdays at 2:30 PM, with specific leaders for each date mentioned.
There is some handwriting visible on the page, including the word "Cancelled" near the section for the French 19th Century exhibition. The document appears to be part of a bound folder or collection, as the edges of other papers are visible in the background.
This image shows a typed, mimeographed page of the Fogg Art Museum Bulletin from Harvard University, Cambridge 38, Mass., dated February 27, 1958. It is an announcement of current and upcoming exhibitions, public lectures, and gallery tours at the museum.
The page is visibly aged, printed on off-white paper, and rests within a worn, brown paper binder or scrapbook with the page’s right edge tucked slightly under another sheet.
The bulletin lists several exhibitions, with handwritten annotations adding context:
Handwritten annotation next to #6: “Head of the 17th Century. No. d. through April 19”
Monday, March 10, 4 P.M.
LYSIPPUS, THE DEVELOPMENT OF HIS STYLE
Professor Erik Sjöquist, of Princeton University.
Tuesday, April 22, 4 P.M.
METHODS OF OLD MASTERS: RUBENS and REMBRANDT
(Under the joint auspices of the Fogg Art Museum and the Busch-Reisinger Museum)
Mr. Helmut Ruhemann, of the National Gallery, London.
This artifact provides a snapshot of the museum’s educational programming and institutional activity in early 1958.
The image depicts an open book with a page that contains text. The book is open to a page that is titled "FOGG ART MUSEUM" at the top, with "HARVARD UNIVERSITY, CAMBRIDGE 38, MASS." below it. The page appears to be a schedule or program of events, with dates and descriptions of exhibitions and lectures. The text is neatly printed and organized in a list format, with headings and subheadings. The page is slightly creased and has some wear and tear, indicating that it has been handled and used. The book itself is made of paper and has a brown cover.
The image shows a close-up view of an open book or booklet. The pages are white, and the text is printed in black. The title of the booklet is "FOGG ART MUSEUM, HARVARD UNIVERSITY, CAMBRIDGE 38, MASS." The booklet appears to be a schedule or program for an art museum, with the date "February 27, 1953" mentioned at the top. The booklet lists several exhibitions and events that were scheduled to take place at the museum during that time period. The text is organized in a table format, with columns for the date, time, and description of each event. The booklet also includes information about gallery tours and lectures, as well as the names of the curators and lecturers involved.
The image depicts an open book or catalog, likely from the Fogg Art Museum at Harvard University, Cambridge, MA. The visible page is dated February 27, 1952, and appears to be a program or announcement detailing upcoming exhibitions, public lectures, and gallery tours.
The page lists several exhibitions with their dates:
"BAROQUE PORTRAITURE IN GRAPHIC ART"
"EARLY ITALIAN ENGRAVINGS"
"FRENCH XIX CENTURY SCULPTURE, PAINTINGS, DRAWINGS"
"TIME AND AGAIN: CLASSIC AND BAROQUE"
"COLOR-PRIMAVERING: CONTEMPORARY PROCESSES WITH AN HISTORICAL ANALYSIS"
"ASPECTS INCORPORATED: A 17TH-CENTURY FIREARM"
Monday, March 10, 4 P.M.:
Tuesday, April 22, 4 P.M.:
This document provides a glimpse into the cultural programming of the Fogg Art Museum in 1952, highlighting its commitment to diverse art forms and educational engagement.
This image shows a printed document from the Fogg Art Museum at Harvard University, located in Cambridge, Massachusetts. The document is dated February 27, 1952, and it lists several exhibitions and public lectures.
The exhibitions include:
Public lectures are also scheduled, presented by different individuals, with dates and times listed. Moreover, there are gallery tours on various dates in March, each led by a different person.
The document shows signs of wear and age, with discoloration and creases. There are handwritten annotations that appear to change dates and provide additional information or corrections to the printed text.
This image shows an old document or newsletter from the Fogg Art Museum at Harvard University, Cambridge, Massachusetts, dated February 27, 1952. The document lists information about upcoming exhibitions, public lectures, and gallery tours.
Exhibitions:
Public Lectures:
Gallery Tours at 2:30 P.M.:
There are a few handwritten annotations and corrections, including the cancellation note and a handwritten date note referring to the 18th century. The text is typed on a white sheet with the heading "FOGG ART MUSEUM" in large font at the top, followed by the address "HARVARD UNIVERSITY, CAMBRIDGE 38, MASS." The document is part of a book or binder with a tan-colored backing.
The image shows an old page from a document or bulletin issued by the Fogg Art Museum at Harvard University, Cambridge, Massachusetts, dated February 27, 1952. The text contains information about art exhibitions, public lectures, and gallery tours organized by the museum.
Some handwritten annotations and edits are visible on the page, crossing out and adding notes such as dates and corrections. The document appears to be part of a larger collection, bound alongside other materials, and shows age-related signs like discolored edges.