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The image is a newspaper clipping from the Boston Post, dated Thursday, November 23, 1950. The headline reads "Post Drama Critic Will Speak at Fogg Art Museum Tomorrow." The article announces that Elliot Norton, the Post's drama critic, will deliver a lecture at the Fogg Art Museum in Cambridge on the topic of "The Funeral of Ophelia."

The lecture is part of a series of talks related to an exhibition of settings and costumes for "Hamlet," designed by Lee Simonson and lent by The Century Lighting Co., Inc., of New York. The exhibition is part of the "Three Designers for the Contemporary Theatre" show at the Fogg Art Museum.

The article mentions that Norton's talk will take place at 4 o'clock in the large lecture hall of the museum. It also provides background on Norton, noting that he is a Harvard graduate and has been the drama critic for the Post since 1948. The article highlights Norton's extensive experience in theater, including his roles as an actor, stage manager, and playwright, as well as his involvement in the Harvard Dramatic Club and the Theatre Guild of New York.

The image includes a photograph of a stage setting for "The Funeral of Ophelia," featuring a somber, dark scene with a prominent gravestone and mourners gathered around it. The caption under the photo describes the setting as designed by Lee Simonson for a 1936 production of "Hamlet" at the Harvard Dramatic Club.

Overall, the article emphasizes Norton's expertise and the significance of the exhibition and lecture series at the Fogg Art Museum.

The image shows a newspaper clipping from The Boston Post, dated Thursday, November 23, 1950. The headline reads "Post Drama Critic Will Speak at Fogg Art Museum Tomorrow." The article announces that Elliot Norton, the Post drama critic, will give a free public lecture at 4 p.m. the following day in the large lecture hall of the Fogg Art Museum in Cambridge. His talk will be the last in a series of three lectures focused on the exhibition "Three Designers for the Contemporary Theatre," which features the work of Donald Oenslager, Jo Mielziner, and Lee Simonson. The article also includes a photograph titled "The Funeral of Ophelia," one of the settings for "Hamlet" designed by Lee Simonson, which is part of the exhibition. The clipping is attached to a small card from the Boston News Clip, located at 120 Tremont Street, Boston, Massachusetts.

The image is a newspaper clipping from the Boston Post dated November 23, 1950. The headline reads, "Post Drama Critic Will Speak at Fogg Art Museum Tomorrow."

Here are the main details from the article:

1. Event Details:

   • Elliot Norton, a drama critic for the Boston Post, will give a free public lecture tomorrow afternoon at 4 o'clock in the large lecture hall of the Fogg Art Museum in Cambridge.
   • This lecture is part of a series of talks associated with the exhibition "Three Designers for the Contemporary Theatre."

2. Exhibition Information:

   • The exhibition at the Fogg Art Museum features settings and costumes for contemporary plays.
   • One of the designs shown is Lee Simonsohn’s setting for "Hamlet," lent by The Century Lighting Co., Inc. of New York.
   • The exhibition also includes designs by Ronald Searle and Lee Simonsohn for "The Funeral of Ophelia," which contrasts with Hamlet’s setting.

3. About Lee Simonsohn:

   • Simonsohn is known for his stage designs, having worked with the Harvard Theatre Collection and other notable projects.
   • He is a graduate of Harvard, where he was a member of the Dramatic Club, and his notable works include designs for "Heartbreak House" and "Back to Methuselah."

The image also includes a photograph of the setting for "Hamlet," showing a stage design by Lee Simonsohn.

The image shows a newspaper clipping from the Boston Post, dated Thursday, November 23, 1950. The headline reads, "Post Drama Critic Will Speak at Fogg Art Museum Tomorrow."

The article details that Elliot Norton, a drama critic for the Boston Post, will give a free public lecture at 4 o'clock the following day in the large lecture hall of the Fogg Art Museum in Cambridge. This lecture is part of a series connected with the exhibition "Three Designers for the Contemporary Theatre," which is being held at the museum in cooperation with the Harvard Theatre Collection. The exhibition runs through Saturday, November 25, 1950.

The exhibition features settings and costumes from contemporary plays, including designs for "Hamlet" by Lee Simonson, who is noted for his work on notable productions like "The Funeral of Ophelia" and "Heartbreak House." The clipping also includes a small black-and-white photo of the set for "The Funeral of Ophelia" from "Hamlet."

The article provides some background on Mr. Simonson, describing him as a prominent stage designer known for his work with the Harvard Dramatic Club and his notable contributions to theater design. The clipping is marked with a "Boston News Clip" label, indicating its origin and purpose.

The image is a newspaper clipping from the Boston Post, dated November 23, 1950. The headline reads "Post Drama Critic Will Speak at Fogg Art Museum Tomorrow." The article announces that Elliot Norton, a drama critic for the Boston Post, will deliver a free public lecture at 4 o'clock the following day in the lecture hall of the Fogg Art Museum in Cambridge.

The lecture is part of a series of three talks related to the exhibition "Three Designers for the Contemporary Theatre." This exhibition features designs by Jo Mielziner, Donald Oenslager, and Lee Simonson, and it is presented in cooperation with the Harvard Theatre Collection.

The article highlights a specific design from the exhibition, "The Funeral of Ophelia" by Lee Simonson, which is lent by The Century Lighting Co., Inc. of New York. The clipping includes a black-and-white photograph of the set design for "Hamlet," showing a theatrical scene with a tomb-like structure and a dark, moody atmosphere.

The article also mentions that Lee Simonson's design for "The Funeral of Ophelia" contrasts strongly with the other settings in the exhibition, adding to the diversity and interest of the exhibit. Elliot Norton is noted for his interest in the exhibition, particularly in the designs for "Hamlet." The article provides context about Lee Simonson, mentioning his work as a principal stage designer for the Theatre Guild and his undergraduate days at Harvard, where he was a founder of the Harvard Dramatic Club. Simonson is known for his designs in notable plays such as "Heartbreak House" and "Candida."

The image is a newspaper clipping from the "Boston Post," dated Thursday, November 23, 1950. The main headline reads, "Post Drama Critic Will Speak at Fogg Art Museum Tomorrow."

Here are the details from the article:

1. Event Information:

   • Elliot Norton, the Post drama critic, will deliver a free public lecture the following day (Friday) at 4 o'clock in the large lecture hall of the Fogg Art Museum in Cambridge.
   • This lecture, titled "Theatre Today," is part of a series connected with an exhibition at the museum.

2. Exhibition Details:

   • The exhibition is titled "Three Designers for the Contemporary Theatre," held in cooperation with the Harvard Theatre Collection.
   • The exhibition continues through Saturday and features works by three prominent stage designers: Jo Mielziner, Oliver Smith, and Lee Simonson.
   • One of the settings on display is for "Hamlet," specifically the design for "The Funeral of Ophelia" by Lee Simonson, originally created for a production by The Century Lighting Co., Inc., of New York.

3. Background on Lee Simonson:

   • Lee Simonson is noted for his significant contributions to stage design.
   • He was one of the founders of the Harvard Dramatic Club and was instrumental in the early days of the organization.
   • He designed the sets for many plays performed by the group, including "Heartbreak House" and "Back to Methuselah."

4. Elliot Norton:

   • Elliot Norton is identified as a Harvard graduate with a special interest in the arts.

The image also includes a photograph of one of the stage settings, depicting a scene that appears to be from "The Funeral of Ophelia."

This image displays a newspaper clipping from the "Boston News Clip," dated November 23, 1950. The article is from the "Boston Post" and has a headline that reads, "Post Drama Critic Will Speak at Fogg Art Museum Tomorrow." Below the headline is a black and white reproduction of a scene titled "THE FUNERAL OF OPHELIA." This appears to be a visual element relating to an art or theater production.

The caption under the image provides additional context; it describes "THE FUNERAL OF OPHELIA" as one of the settings for "Hamlet," created by Lee Simonson for The Century Lighting Co., Inc., of New York, and notes that the art piece is part of an exhibition at the Fogg Art Museum.

The article details that Elliot Norton, a drama critic, is scheduled to deliver a public lecture tomorrow afternoon at the Fogg Art Museum in Cambridge, on "Theatre Today." It also mentions that this will be the last in a series of three talks given in connection with the exhibition, "Three Designers for the Contemporary Theatre," co-arranged with the Harvard Theatre Collection.

Information about Lee Simonson's design for "The Funeral of Ophelia" as well as his work as an important stage designer and one of the founders of the Harvard Dramatic Club is provided. The article highlights some of Simonson's well-known stage designs. There is also a mention of a special interest in the "Heartbreak House" and "Back to Methuselah" by George Bernard Shaw.

The top left corner of the clipping shows the address of the Boston News Clip agency and a stamp that features a date and location. There are signs of wear and aging on the paper, indicating the document's historical nature.

The image is a newspaper clipping from the Boston Post, dated Thursday, November 23, 1950, along with a smaller clipping from Boston News Clip dated November 23, 1950. The headline of the main article reads: "Post Drama Critic Will Speak at Fogg Art Museum Tomorrow."

Below the headline, there is a black and white image titled "THE FUNERAL OF OPHELIA." It shows a theatrical stage setting for the play "Hamlet," designed by Lee Simonson and lent by The Century Lighting Co., Inc., of New York to an exhibition called "Three Designers for the Contemporary Theatre" at the Fogg Art Museum.

The article announces that Elliot Norton, the Post drama critic, will give a free public lecture the next day at the Fogg Art Museum in Cambridge. The lecture is titled "The Theatre Today" and is the last in a series of three talks connected with the exhibition. The exhibition features the works of three designers: Robert E. Jones, Donald Oenslager, and Lee Simonson.

The article provides background on Mr. Norton, mentioning he is a Harvard graduate with a special interest in theatre settings and costumes of the twentieth century. It highlights Lee Simonson's design for "The Funeral of Ophelia," which contrasts Hamlet's black garb with a bright setting, and notes Simonson's reputation as a principal stage designer for the Theatre Guild and as a founder of the Harvard Dramatic Club. It also mentions some of Simonson's recognized work for plays such as "Heartbreak House" and "Back to Methuselah" by George Bernard Shaw.

This image is a clipping from the Boston Post newspaper dated November 23, 1950. It features an article about an upcoming lecture by Elliot Norton, a drama critic for the Boston Post, at the Fogg Art Museum. The article announces that Norton will speak about the exhibition "Three Designers for the Contemporary Theatre," which includes stage designs for Shakespeare's "Hamlet" by Lee Simonson. The clipping also includes a black-and-white photo of the exhibition's setting, "The Funeral of Ophelia," designed by Simonson. The article provides background information on Simonson and his notable works, highlighting his role as one of the founders of the Harvard Dramatic Club and his contributions to the Harvard Theatre Collection.

The image shows a scanned newspaper clipping from the Boston Post, dated Thursday, November 23, 1950. The headline prominently reads: "Post Drama Critic Will Speak at Fogg Art Museum Tomorrow."

Details from the Image:

Header Information:

• The clipping is from the Boston News Clip service, located at 120 Tremont Street, Boston, Mass.
• The postmark indicates it was mailed from Boston, Mass., on November 23, 1950.
• The newspaper issue is identified as 128 F, likely a reference to the page or section number.

Headline and Subheading:

• The main headline announces that Elliot Norton, the Post drama critic, will deliver a free public lecture at the Fogg Art Museum the following day (Friday, November 24, 1950) at 4 o'clock in the afternoon.
• The lecture is part of a series of talks given in connection with an exhibition titled "Three Designers for the Contemporary Theatre," which is being held at the Fogg Art Museum in cooperation with the Harvard Theatre Collection.

Visual Element:

• Below the headline, there is a black-and-white photograph depicting a dramatic stage setting. The caption identifies it as "The Funeral of Ophelia," a scene from Shakespeare's Hamlet, designed by Lee Simonson. The photograph is credited to The Century Lighting Co., Inc., of New York, and it is noted as being lent to the exhibition by the Fogg Art Museum.

Article Content:

• The article provides context about the exhibition, highlighting that it features settings and costumes for the theatre of the 20th century, designed by three principal stage designers: Lee Simonson, Robert Edmond Jones, and Donald Genut.
• It specifically mentions Simonson’s design for "The Funeral of Ophelia" from Hamlet, praising its black garb and strongly contrasting elements, which the author considers a notable piece of work.
• Simonson is described as a widely known designer, having been one of the founders of the Harvard Dramatic Club. The article also notes that he designed fine settings for plays such as "Heartbreak House" and "Back to Methuselah" by George Bernard Shaw.

Additional Information:

• Elliot Norton is identified as a Harvard graduate, adding credibility to his role as the Post drama critic.
• The article emphasizes the cooperation between the Fogg Art Museum and the Harvard Theatre Collection in organizing the exhibition and lecture series.

Overall Context:

The clipping captures a cultural event from the early 1950s, focusing on the intersection of theatre design, art, and education. It highlights the contributions of notable designers like Lee Simonson and the role of institutions such as the Fogg Art Museum and Harvard in promoting theatrical arts. The inclusion of a photograph of a dramatic stage setting adds a visual element that underscores the artistic and historical significance of the exhibition.