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This image shows a newspaper clipping titled "Three Theater Designers." The clipping is from the Boston News Clip dated November 22, 1950, and appears to be from the "Monitor" section. The content of the article discusses an exhibition at the Fogg Museum, which features the work of three designers for contemporary theater. These designers are graduates of Harvard University and their work is presented in the context of various artistic and architectural influences.

The article highlights the convergence of various arts at the Fogg Museum. It mentions that there is also an exhibition of architectural material related to the Graduate Center designed by Walter Gropius. The designers featured are Robert Edmond Jones, Donald Oenslager, and Lee Simonson, who are noted as being prominent figures in the American theater.

The article also describes the imaginative and diverse designs for sets and costumes that demonstrate a wide range of artistic expression. It emphasizes the connection between these designs and the fine arts principles taught in universities. The article notes the American stage's trends in realism, abstraction, symbolism, and fantasy, reflecting the artistic tendencies of the time.

The exhibition covers a broad range of theatrical works, including settings for ancient classics, plays by Shakespeare and other playwrights, operas, ballets, and musical plays. The piece concludes by highlighting the educational value of the exhibition, as it showcases the diverse and creative work of these Harvard graduates in various theatrical genres. The article is signed "D.A." at the bottom.

The image shows a clipping from a newspaper article titled "Three Theater Designers," published in the Monitor, Boston, Mass., on November 22, 1950. The clipping is labeled as a "BOSTON NEWS CLIP" with the address "120 Tremont Street Boston 8, Mass."

The article discusses an exhibition at the Fogg Museum featuring the work of three theater designers: Robert Edmond Jones, Donald Oenslager, and Lee Simonson. All three designers are graduates of Harvard University, and the exhibition was arranged by The Harvard Theater Collection in cooperation with the Fogg Museum.

The article highlights the convergence of various arts at the Fogg Museum during the autumn, with another exhibition of architectural material related to the recently constructed Graduate Center designed by Walter Gropius. It describes the designers' work as showing a wide compass of imagination, daring, and ingenuity, with much of the material related to principles of fine art taught in universities.

The article further mentions that the American stage has displayed trends corresponding to tendencies among artists to be realistic, abstract, symbolic, and fantastic. It emphasizes the liberal education reflected in the exhibition, as the three Harvard graduates have designed settings for a wide range of plays, including ancient classics, Shakespeare, George Bernard Shaw, Russian playwrights, Eugene O'Neill, and contemporary works. The exhibition also includes settings for opera, ballet, and musical plays.

The article is signed by "D. A." at the bottom. There is some handwritten text on the clipping, including the number "128F" and some red markings.

The image shows a piece of paper, which appears to be a newspaper clipping. The clipping is from the "Boston News Clip" and is dated November 22, 1950. The clipping is from the "Monitor" section of the newspaper and is located at 120 Tremont Street, Boston 8, Mass. The clipping is about an exhibition of three theater designers at the Fogg Museum. The three designers are graduates of Harvard University and are arranged by the Harvard Theater Collection in cooperation with the Fogg Museum. The exhibition showcases the designs of the three designers for sets and costumes for various plays, including ancient classics, Shakespeare, George Bernard Shaw, and many contemporaries. The exhibition is described as a liberal education for the designers, as they have designed settings for various media, including opera, ballet, and musical plays. The clipping is signed by D. A.

The image shows a newspaper clipping from the Boston News Clip, dated November 22, 1950. The clipping features an article about an exhibition of three theater designers at the Fogg Museum in Boston. The exhibition was arranged by the Harvard Theater Collection in collaboration with the Fogg Museum. The three designers, Robert Edmond Jones, Donald Oenslager, and Lee Simonson, were all graduates of Harvard University. The article discusses the wide range of imagination, daring, and ingenuity displayed in their designs for sets and costumes, showcasing various artistic trends and styles. The exhibition also included settings for plays by Shakespeare, ancient classics, and contemporary works, providing a liberal education in theater design.

The image depicts a news clipping from the Boston News Clip dated November 22, 1950, originating from Boston, Massachusetts. The clipping is titled "Three Theater Designers" and is published by Monitor Boston, Mass. The content focuses on an exhibition at the Fogg Museum showcasing the work of three contemporary theater designers who are graduates of Harvard University. The exhibition is described as diverse and is organized by the Harvard Theater Collection in cooperation with the Fogg Museum.

Key Details from the Clipping:

1. Exhibition Overview:

   • The exhibition features the work of three Harvard University graduates: Donald Oenslager, Edmond Jones, and Lee Simondon.
   • These designers are noted as "foremost figures in the American theater."

2. Design Themes:

   • The designs displayed demonstrate a wide range of creativity, including sets, costumes, dancing, and ingenuity.
   • The material reflects principles of fine art, often taught in universities, and is tailored for students of universities.

3. Trends in American Theater:

   • The exhibition highlights trends among American artists, which tend to be realistic, abstract, symbolic, and fantastic.
   • The objectives of the artists in various media correspond fundamentally to the profession of exhibition.

4. Settings and Productions:

   • The display includes liberal settings designed by the three Harvard graduates for a variety of productions:
     • Ancient classics, such as Shakespeare’s George Bernard Shaw.
     • Plays by playwrights of Russia, like Eugene O’Neill.
     • Contemporary works, including settings for opera, ballet, and musical plays.

5. Additional Context:

   • The article notes that the Fogg Museum is also hosting another exhibition related to the recently constructed Graduate Center designed by Walter Gropius.
   • The designs are praised for their wide compass of imagination, daring, and ingenuity.

Visual Elements:

• The clipping is printed on aged, slightly yellowed paper, suggesting its historical nature.
• The text is typewritten, with a formal tone typical of news articles from the mid-20th century.
• The headline and subheadings are clearly visible, emphasizing the focus on theater design and the collaboration between the Fogg Museum and the Harvard Theater Collection.

Conclusion:

The image is a historical news clipping that highlights an exhibition at the Fogg Museum celebrating the innovative work of three Harvard-trained theater designers. It underscores the diversity and creativity in American theater design during the 1950s, showcasing a blend of classical and contemporary influences.

The image depicts a newspaper clipping from the Boston News Clip, dated November 22, 1950. The article is titled "Three Theater Designers" and features a discussion about an exhibition at the Fogg Museum showcasing the work of three Harvard University graduates who are contemporary theater designers.

Key Points:

• Exhibition Details: The exhibition was arranged by The Harvard Theater Collection in cooperation with the Fogg Museum.
• Designers Featured: The article highlights the work of three designers: Robert Edmond Jones, Donald Oenslager, and Lee Simonson.
• Design Style: The designs for sets and costumes are described as having a wide compass of imagination, daring, and ingenuity.
• Influence of Fine Art: The article notes that much of the material seems related to principles of fine art, which are taught to students of universities.
• American Stage Trends: The American stage has displayed trends corresponding to tendencies among our artists to be realistic, abstract, symbolic, and fantastic.
• Objectives of Artists: The objectives of artists in various media correspond fundamentally.
• Profusion of Exhibits: The profusion of exhibits in this display is a liberal education, for these three Harvard graduates have designed settings for ancient classics, for Shakespeare, George Bernard Shaw, the playwrights of Russia, Eugene O'Neill, and many contemporaries.
• Settings for Opera, Ballet, and Musical Plays: There are also settings for opera, ballet, and musical plays.

Overall, the article provides an overview of the exhibition and highlights the innovative and imaginative designs of the three featured designers.

The image shows a newspaper clipping from the Boston News Clip, dated November 22, 1950. The clipping is titled "Three Theater Designers" and features an article about an exhibition of contemporary theater designers at the Fogg Museum. The article highlights the work of three Harvard University graduates: Robert Edmond Jones, Donald Oenslager, and Lee Simonson. It also mentions that the exhibition was arranged by The Harvard Theater Collection in cooperation with the Fogg Museum.

The clipping is from the Boston News Clip, which is located at 120 Tremont Street, Boston 8, Mass. The clipping is marked with a red stamp and has a handwritten note in the top-left corner that reads "lerina." The background of the image is a light gray color.

Overall, the image provides a glimpse into the world of theater design and the work of three notable designers who were part of the Harvard University community.

The image depicts a yellowed newspaper clipping from the Boston News Clip, dated November 22, 1950. The clipping is titled "Three Theater Designers" and features an article about an exhibition at the Fogg Museum showcasing the work of three Harvard University graduates: Robert Edmond Jones, Donald Oenslager, and Lee Simonson.

Key Details:

• Newspaper Clipping: Yellowed and aged, indicating its age.
• Date: November 22, 1950.
• Title: "Three Theater Designers".
• Exhibition: At the Fogg Museum, featuring the work of three Harvard University graduates.
• Designers: Robert Edmond Jones, Donald Oenslager, and Lee Simonson.
• Article Content: Discusses the exhibition and the designers' work, highlighting their contributions to the field of theater design.

Visual Elements:

• The clipping is placed on a gray background, which helps to highlight the yellowed color of the paper.
• A red stamp or marking is visible on the left side of the clipping, although its exact meaning is unclear.

Overall Impression:

The image presents a nostalgic and informative glimpse into the world of theater design in the mid-20th century. The clipping provides valuable information about the exhibition and the designers featured, while also showcasing the style and tone of newspaper articles from that era.

The image presents a vintage newspaper clipping from the Boston News Clip, dated November 22, 1950. The clipping is titled "Three Theater Designers" and features an article about an exhibition of three designers for contemporary theater at the Fogg Museum.

• Newspaper Clipping Header
  • The header reads "BOSTON NEWS CLIP" in bold black text.
  • Below this, the address "120 Tremont Street Boston 8, Mass." is written in smaller black text.
  • A thin black line separates the header from the rest of the clipping.
• Date and Publication Information
  • The date "NOV 22 1950" is printed in gray ink.
  • The publication name "Monitor Boston, Mass." is written below the date.
• Article Title and Content
  • The article title "Three Theater Designers" is displayed prominently.
  • The article discusses an exhibition of three designers for contemporary theater at the Fogg Museum.
  • The designers are Robert Edmond Jones, Donald Oenslager, and Lee Simonson.
  • The exhibition was arranged by The Harvard Theater Collection in cooperation with the Fogg Museum.
• Exhibition Details
  • The exhibition features designs for sets and costumes.
  • The designs show a wide compass of imagination, daring, and ingenuity.
  • Much of the material seems related to principles of fine art which are taught to students of universities.
• Trends in American Theater
  • The American stage has displayed trends corresponding to tendencies among artists to be realistic, abstract, symbolic, and fantastic.
  • The objectives of artists in various media correspond fundamentally.
• Designers' Work
  • The three Harvard graduates have designed settings for ancient classics, for Shakespeare, George Bernard Shaw, the playwrights of Russia, Eugene O'Neill, and many contemporaries.
  • There are also settings for opera, ballet, and musical plays.

In summary, the image showcases a vintage newspaper clipping discussing an exhibition of three theater designers at the Fogg Museum, highlighting their work in set and costume design, and its connection to trends in American theater.

The image is a newspaper clipping from "Monitor" in Boston, Massachusetts, dated November 22, 1950. The article is titled "Three Theater Designers" and discusses an exhibition at the Fogg Museum showcasing the works of three designers for the theater: Robert Edmond Jones, Donald Oenslager, and Lee Simonson. These designers are graduates of Harvard University.

The exhibition was arranged by The Harvard Theater Collection in cooperation with the Fogg Museum. It highlights the convergence of various arts at the Fogg Museum that autumn, with the current display featuring architectural materials related to the recently completed Brattle Theater Center, designed by Walter Gropius.

The article notes that the three designers have been prominent figures in the American theater, with their designs for stage costumes showcasing a wide range of inventiveness and ingenuity. The materials on display reflect principles of fine art taught in universities, indicating a trend in modern stage design towards realism, abstraction, symbolism, and fantasy.

The exhibit also includes settings designed by these Harvard graduates for ancient classics, Shakespeare, George Bernard Shaw, and contemporary plays by Eugene O'Neill and Thornton Wilder, among others. Additionally, there are settings for opera, ballet, and musical plays.

The article concludes with the initials "D.A." likely indicating the author's name.