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This image shows a vintage newspaper clipping, identified at the top as a “BOSTON NEWS CLIP” from 120 Tremont Street, Boston 8, Mass. It is dated NOV 22 1950 and appears to be sourced from the Monitor, a Boston, Mass. publication.

The main article is titled “Three Theater Designers” and discusses an exhibition held at the Fogg Museum. The exhibition showcased the work of three contemporary theater designers who were all graduates of Harvard University. It was arranged by The Harvard Theater Collection in cooperation with the Fogg Museum.

Key details from the article:

• The three featured designers are Robert Edmond Jones, Donald Oenslager, and Lee Simonson.
• They are described as “foremost figures in the American theater.”
• Their designs for sets and costumes are noted for their “imagination, daring, and ingenuity,” and are tied to principles of fine art taught to university students.
• The article observes broader trends in American stage design, including realism, abstraction, symbolism, and fantasy.
• The designers’ work includes settings for classics by Shakespeare, plays by George Bernard Shaw and Eugene O’Neill, as well as contemporary works, opera, ballet, and musical plays.

The clipping is on aged, beige paper and shows signs of its age, including some faint ink smudges or stamp marks. There is handwritten red ink on the clipping — the number “1261” is written near the top, and a red line is drawn along the bottom edge. The byline at the end of the article is “D. A.”.

Overall, the clipping provides a historical review of a significant mid-20th-century art exhibition celebrating influential American theater designers with deep Harvard ties.

This image shows a newspaper clipping titled "Three Theater Designers." The clipping is from the Boston News Clip dated November 22, 1950, and appears to be from the "Monitor" section. The content of the article discusses an exhibition at the Fogg Museum, which features the work of three designers for contemporary theater. These designers are graduates of Harvard University and their work is presented in the context of various artistic and architectural influences.

The article highlights the convergence of various arts at the Fogg Museum. It mentions that there is also an exhibition of architectural material related to the Graduate Center designed by Walter Gropius. The designers featured are Robert Edmond Jones, Donald Oenslager, and Lee Simonson, who are noted as being prominent figures in the American theater.

The article also describes the imaginative and diverse designs for sets and costumes that demonstrate a wide range of artistic expression. It emphasizes the connection between these designs and the fine arts principles taught in universities. The article notes the American stage's trends in realism, abstraction, symbolism, and fantasy, reflecting the artistic tendencies of the time.

The exhibition covers a broad range of theatrical works, including settings for ancient classics, plays by Shakespeare and other playwrights, operas, ballets, and musical plays. The piece concludes by highlighting the educational value of the exhibition, as it showcases the diverse and creative work of these Harvard graduates in various theatrical genres. The article is signed "D.A." at the bottom.

The image shows a clipping from a newspaper article titled "Three Theater Designers," published in the Monitor, Boston, Mass., on November 22, 1950. The clipping is labeled as a "BOSTON NEWS CLIP" with the address "120 Tremont Street Boston 8, Mass."

The article discusses an exhibition at the Fogg Museum featuring the work of three theater designers: Robert Edmond Jones, Donald Oenslager, and Lee Simonson. All three designers are graduates of Harvard University, and the exhibition was arranged by The Harvard Theater Collection in cooperation with the Fogg Museum.

The article highlights the convergence of various arts at the Fogg Museum during the autumn, with another exhibition of architectural material related to the recently constructed Graduate Center designed by Walter Gropius. It describes the designers' work as showing a wide compass of imagination, daring, and ingenuity, with much of the material related to principles of fine art taught in universities.

The article further mentions that the American stage has displayed trends corresponding to tendencies among artists to be realistic, abstract, symbolic, and fantastic. It emphasizes the liberal education reflected in the exhibition, as the three Harvard graduates have designed settings for a wide range of plays, including ancient classics, Shakespeare, George Bernard Shaw, Russian playwrights, Eugene O'Neill, and contemporary works. The exhibition also includes settings for opera, ballet, and musical plays.

The article is signed by "D. A." at the bottom. There is some handwritten text on the clipping, including the number "128F" and some red markings.

The image shows a piece of paper, which appears to be a newspaper clipping. The clipping is from the "Boston News Clip" and is dated November 22, 1950. The clipping is from the "Monitor" section of the newspaper and is located at 120 Tremont Street, Boston 8, Mass. The clipping is about an exhibition of three theater designers at the Fogg Museum. The three designers are graduates of Harvard University and are arranged by the Harvard Theater Collection in cooperation with the Fogg Museum. The exhibition showcases the designs of the three designers for sets and costumes for various plays, including ancient classics, Shakespeare, George Bernard Shaw, and many contemporaries. The exhibition is described as a liberal education for the designers, as they have designed settings for various media, including opera, ballet, and musical plays. The clipping is signed by D. A.

The image shows a newspaper clipping from the Boston News Clip, dated November 22, 1950. The clipping features an article about an exhibition of three theater designers at the Fogg Museum in Boston. The exhibition was arranged by the Harvard Theater Collection in collaboration with the Fogg Museum. The three designers, Robert Edmond Jones, Donald Oenslager, and Lee Simonson, were all graduates of Harvard University. The article discusses the wide range of imagination, daring, and ingenuity displayed in their designs for sets and costumes, showcasing various artistic trends and styles. The exhibition also included settings for plays by Shakespeare, ancient classics, and contemporary works, providing a liberal education in theater design.

The image depicts a news clipping from the Boston News Clip dated November 22, 1950, originating from Boston, Massachusetts. The clipping is titled "Three Theater Designers" and is published by Monitor Boston, Mass. The content focuses on an exhibition at the Fogg Museum showcasing the work of three contemporary theater designers who are graduates of Harvard University. The exhibition is described as diverse and is organized by the Harvard Theater Collection in cooperation with the Fogg Museum.

Key Details from the Clipping:

1. Exhibition Overview:

   • The exhibition features the work of three Harvard University graduates: Donald Oenslager, Edmond Jones, and Lee Simondon.
   • These designers are noted as "foremost figures in the American theater."

2. Design Themes:

   • The designs displayed demonstrate a wide range of creativity, including sets, costumes, dancing, and ingenuity.
   • The material reflects principles of fine art, often taught in universities, and is tailored for students of universities.

3. Trends in American Theater:

   • The exhibition highlights trends among American artists, which tend to be realistic, abstract, symbolic, and fantastic.
   • The objectives of the artists in various media correspond fundamentally to the profession of exhibition.

4. Settings and Productions:

   • The display includes liberal settings designed by the three Harvard graduates for a variety of productions:
     • Ancient classics, such as Shakespeare’s George Bernard Shaw.
     • Plays by playwrights of Russia, like Eugene O’Neill.
     • Contemporary works, including settings for opera, ballet, and musical plays.

5. Additional Context:

   • The article notes that the Fogg Museum is also hosting another exhibition related to the recently constructed Graduate Center designed by Walter Gropius.
   • The designs are praised for their wide compass of imagination, daring, and ingenuity.

Visual Elements:

• The clipping is printed on aged, slightly yellowed paper, suggesting its historical nature.
• The text is typewritten, with a formal tone typical of news articles from the mid-20th century.
• The headline and subheadings are clearly visible, emphasizing the focus on theater design and the collaboration between the Fogg Museum and the Harvard Theater Collection.

Conclusion:

The image is a historical news clipping that highlights an exhibition at the Fogg Museum celebrating the innovative work of three Harvard-trained theater designers. It underscores the diversity and creativity in American theater design during the 1950s, showcasing a blend of classical and contemporary influences.

This is a newspaper clipping titled "Three Theater Designers" dated November 22, 1950, from the Boston News Clip service located at 120 Tremont Street, Boston, Massachusetts. The article highlights an exhibition at the Fogg Museum, which showcases the works of three Harvard University graduates who contributed to contemporary theater. Their designs for sets and costumes demonstrate imagination, daring, and ingenuity.

The exhibition was organized by the Harvard Theater Collection in cooperation with the Fogg Museum. The article also mentions another architectural exhibition related to the Graduate Center designed by Walter Gropius happening concurrently.

The three featured theater designers are Robert Edmond Jones, Donald Oenslager, and Lee Simonson. Their work ranges from traditional settings for ancient and modern classics to innovative and abstract theater designs. The article emphasizes the breadth of American theater trends and their alignment with artistic principles taught at universities. It concludes by highlighting how the exhibit serves as an educational overview of design contributions to theater, opera, ballet, and musical productions.

This is an image of a newspaper clipping from the "Boston News Clip," dated November 22, 1950. At the top of the clipping, there is information about the publication's name and address in Boston, Massachusetts. Below that, the headline reads "Three Theater Designers."

The article discusses an exhibition at the Fogg Museum featuring the work of three theater designers who are all graduates of Harvard University. It is noted that the exhibition was arranged by The Harvard Theater Collection in cooperation with the Fogg Museum.

The text elaborates on how the exhibit showcases designs for sets and costumes, noting the imaginative and daring nature of the designs, as well as the architects' broad use of various media. The designers mentioned have created settings for classics, Shakespeare, George Bernard Shaw, Russian playwrights, Eugene O'Neill, and others, including operas, ballets, and musical plays.

There are some handwritten markings on the article, likely made by a previous reader, and the author's initials "D. A." appear at the end of the piece.

The image shows a news clipping from the "Boston News Clip" with the address "120 Tremont Street, Boston 8, Mass." and a stamp indicating it is from "Monitor Boston, Mass." dated November 22, 1950. The headline of the clipping reads "Three Theater Designers."

The article discusses an exhibition at the Fogg Museum featuring three designers for contemporary theater, all graduates of Harvard University. The exhibition was arranged by The Harvard Theater Collection in cooperation with the Fogg Museum. The article notes how various arts have converged at the Fogg Museum that autumn, mentioning another exhibition related to the Graduate Center designed by Walter Gropius.

It highlights Robert Edmond Jones, Donald Oenslager, and Lee Simonson as foremost figures in American theater, known for their imaginative, daring, and ingenious designs for sets and costumes. Much of their material relates to principles of fine art taught in universities. The American stage trends include realistic, abstract, symbolic, and fantastic styles, reflecting the diverse objectives of artists across media.

The article concludes that the exhibition offers a liberal education through the works of these Harvard graduates, who designed settings for classic and contemporary plays, including works by Shakespeare, George Bernard Shaw, Russian playwrights, Eugene O'Neill, and various operas, ballets, and musicals. The article is signed with the initials D. A.

The image shows a small archival clipping mounted on a light gray background. At the top is a cream-colored card reading “BOSTON NEWS CLIP” with the address “120 Tremont Street, Boston 8, Mass.” A thin line separates the header from the text, and there is a stamped date "NOV 22 1950." Below the header is a newspaper clipping titled “Three Theater Designers.” The article describes an exhibition at the Fogg Museum featuring three Harvard graduates: Robert Edmond Jones, Donald Oenslager, and Lee Simonson, and discusses the collaboration with the Harvard Theater Collection and the Fogg Museum. It also mentions other exhibitions and various arts in a liberal-education context, ending with the initials “D. A.” There are some red markings and handwriting on the clipping.