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ARCH.2003.31, Rendition: 804296
This image is a black-and-white newspaper clipping, likely from the Harvard Crimson, dated October 17, 1950. The article headline reads: “Fogg Shows Theatre Settings and Costumes.”
The article reports on an exhibition at the Fogg Museum showcasing more than 200 costume and set designs. These designs were created by three Harvard graduates who were active in theater:
The article notes that an accompanying lecture series will be held in Fogg’s Large Lecture Room on topics including stage design, music in theater, and contemporary theater. The first lecture is scheduled for October 20.
Robert Edmond Jones: His earliest work in the exhibit is a model for the 1915 production of “A Man Who Married a Dumb Wife,” which introduced a new concept of stagecraft to America. Other works include sets for “Hamlet” (1923) and Eugene O’Neill’s plays such as “Mourning Becomes Electra” and “Ah, Wilderness.” Two larger-than-life puppets designed for the Harvard Glee Club’s “Oedipus Rex” are also displayed — shown in the accompanying photograph.
Lee Simonson: A founder of the Theatre Guild, he designed for productions like “Back to Methuselah,” “Liliom,” “The Adding Machine,” and “Amphitryon 38.”
Donald Oenslager: Represented by designs for 34 productions, including models for “Life With Mother” and “Born Yesterday.”
The article also mentions that all three designers were members of the Harvard Dramatic Club — Jones as Faculty, Oenslager and Simonson as undergraduates. In conjunction with the exhibit, the Harvard Dramatic Club (H.D.C.) will present a reading of O’Neill’s one-act play, “Ile,” in Fogg Large Lecture Room on October 18 at 4 p.m.
Photograph: On the left, a black-and-white photo shows two tall, stylized figures resembling puppets or mannequins in theatrical costumes — likely the “Oedipus Rex” puppets mentioned in the text.
Weather Forecast: At the bottom right, under the heading “The Weather,” it reads: “Fair and slightly warmer today with highest temperatures in low 60s. Partly cloudy and slightly warmer tomorrow.”
Handwritten Note: The date “Oct. 17, 1950” is handwritten and underlined, along with what appears to be “Harvard Crimson” in cursive, possibly indicating the source or the person who clipped it.
The paper itself shows signs of age — yellowed with slight creases and a small red mark in the top right corner.
In summary, this clipping announces a significant theatrical design exhibition at Harvard’s Fogg Museum, honoring the influential work of three alumni in stage design, while also promoting related educational events.
The image is a newspaper clipping from the "Harvard Crimson" dated October 17, 1950. The headline reads "Fogg Shows Theatre Settings and Costumes." The article discusses an exhibition of more than 200 costume and set designs at the Fogg Museum by three Harvard graduates who are active in theater: Robert Edmond Jones '10, Donald Oenslager '23, and Lee Simonson '09.
The design models for the exhibit include a model of Jones' set for "A Man Who Married a Dumb Wife," which introduced a new concept of stagecraft to America in 1915, and sets for the John Barrymore "Hamlet" in 1923, and for several of Eugene O'Neill's plays, including "Mourning Becomes Electra" and "Ah, Wilderness."
The article also mentions that two larger-than-life puppets designed by Jones for the Harvard Glee Club's "Oedipus Rex" are also displayed. Additionally, there is a section on the weather, indicating fair and slightly warmer conditions with temperatures in the low 60s.
This image is a scanned or photographed page from a newspaper or magazine, dated October 17, 1950, from the "Harvard Crimson." The headline reads "Fogg Shows Theatre Settings and Costumes," indicating the article is about an exhibition of costume and set designs at the Fogg Museum.
The article details an exhibit featuring over 200 costume and set designs by three Harvard graduates who are active in the theatre: Robert Edmond Jones, Donald Oenslager, and Lee Simonson. The designs include work for various plays and productions, and the article mentions specific plays and designers' contributions.
There is also a photograph on the left side of the page showing two large-than-life puppets designed by Jones for the Harvard Glee Club's "Oedipus Rex." The puppets are dressed in elaborate costumes.
Additionally, the page includes a weather forecast at the bottom right corner, predicting fair and slightly warmer weather with temperatures in the low 60s and partly cloudy skies for the following day. The page shows signs of age, with some discoloration and a small tear in the upper right corner.
The image is a newspaper clipping with the title "Fogg Shows Theatre Settings and Costumes" on top. Below the title, there is a black-and-white photograph of two costumes, one on the left and one on the right. The costume on the left is a long dress with a shawl, while the costume on the right is a long dress with a headdress. The clipping is placed on a gray surface, and there is a red line on the right side of the clipping.
The image is a newspaper clipping from the Harvard Crimson dated October 17, 1950. The headline reads "Fogg Shows Theatre Settings and Costumes." The article discusses an exhibition at the Fogg Art Museum featuring more than 200 costume and set designs by three Harvard graduates: Robert Edmond Jones '10, Donald Oenslager '23, and Lee Simonson '09. The exhibition includes designs for plays such as "Methuselah and the Adding Machine," "Liliom," and "Amphitrion 38." The article also mentions a series of talks on stage design, music in the theatre, and other aspects of contemporary theatre. Additionally, the article includes a weather forecast for the day.
The image is a scanned page from a newspaper or magazine dated October 17, 1950, featuring an article titled "Fogg Shows Theatre Settings and Costumes." The layout includes a combination of text and an accompanying photograph.
The article discusses an exhibition of over 200 costume and set designs displayed at the Fogg Museum. The designs are the work of three Harvard graduates who have been active in the theatre:
The image captures a historical moment in theatre design, highlighting the contributions of notable designers associated with Harvard and their influence on American theatre. The accompanying photograph provides a visual representation of the elaborate costumes and settings that were part of the exhibition. The article also emphasizes the educational and cultural significance of the event, with planned lectures and a special reading of a play.
The image depicts a newspaper clipping featuring an article about theatre settings and costumes, with a black-and-white photograph of three people in long robes on the left side. The article is titled "Fogg Shows Theatre Settings and Costumes" and discusses the work of three Harvard graduates who have been active in the theatre, including Robert Edmond Jones, Donald Oenslager, and Lee Simonson. The article also mentions the first lecture of the series, which will be given on October 20, and the earliest work in the exhibit, a model of Jones' setting for "A Man Who Married a Dumb Wife," which introduced a new concept of stagecraft to America in 1915.
The article highlights the designs by Jones, including sets for the John Barrymore "Hamlet" in 1923 and for several of Eugene O'Neill's plays, including "Mourning Becomes Electra" and "Ah, Wilderness." It also mentions two larger-than-life puppets (left) designed by Jones for the Harvard Gloe Club's "Oedipus Rex."
On the right side of the clipping, there is a section titled "The Weather" that provides information about the weather on October 17, 1920, stating that it was fair and slightly warmer today with highest temperatures in low 60s. Partly cloudy and slightly warmer tomorrow.
Overall, the image appears to be a newspaper clipping from the early 20th century, showcasing an article about theatre settings and costumes, along with a weather report. The clipping is likely from a local newspaper or magazine, given its focus on Harvard graduates and the Fogg Museum.
The image is a newspaper clipping from an article titled "Fogg Shows Theatre Settings and Costumes" with a photo of two people in costumes. The article discusses an exhibit at the Fogg Museum featuring over 200 costume and set designs by Robert Edmond Jones, Donald Oenslager, and Lee Simonson. The exhibit includes designs for various productions, including "Life With Mother" and "Born Yesterday." The article also mentions that the earliest work in the exhibit is a model of Jones' setting for "A Man Who Married a Dumb Wife," which introduced a new concept of stagecraft to America in 1915.
The photo shows two people in costumes, with the person on the left wearing a long white robe and the person on the right wearing a shorter white robe. The background of the photo is dark, suggesting that it was taken in a theater or studio setting. Overall, the image provides a glimpse into the world of theater design and the work of these three designers, who were associated with the Harvard Dramatic Club and the Theatre Guild.
The image is a yellowed newspaper clipping featuring an article titled "Fogg Shows Theatre Settings and Costumes." The article is accompanied by a black-and-white photograph of two puppets on the left side.
The article discusses an exhibition at the Fogg Museum, showcasing over 200 costume and set designs created by three Harvard graduates: Robert Edmond Jones '10, Donald Oenslager '23, and Lee Simonson. The designs were on display in conjunction with a series of talks on stage design, music in the theatre, and other aspects of contemporary theatre.
The article highlights the significance of the exhibition, noting that it introduced a new concept of stagecraft to America in 1915. It also mentions that the designers were members of the Harvard Dramatic Club and that Jones was a member of the Faculty.
The article is dated October 17, 1950, and includes a handwritten note at the bottom with the name "Harold Crimmin" and the date "Oct. 17, 1950." The background of the image is a light gray color.
Overall, the image appears to be a historical document or archive piece, providing insight into the world of theatre and costume design in the mid-20th century.
The image presents a vintage newspaper clipping, featuring an article titled "Fogg Shows Theatre Settings and Costumes" in bold black text at the top. The article is accompanied by a black-and-white photograph of two individuals dressed in long robes.
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