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ARCH.2003.31, Rendition: 804295
This image displays a torn, yellowed clipping from the New York Times, dated Sunday, October 15, 1950. The clipping features a prominent black-and-white photograph and several news articles.
The central photograph, captioned "FOREIGN STUDENTS AT BARNARD," shows three young women in period attire standing outdoors on what appears to be a college campus, possibly near a building with a metal fence.
The caption beneath the photo identifies them as:
They are described as being on the Morningside Heights campus.
Below the main photo, there are two distinct news stories:
“HARVARD DISPLAYING THEATRICAL SCENERY”
This article, datelined Cambridge, Mass., Oct. 14, announces an exhibition at Harvard University. It details an exhibition featuring over 200 designs for settings and costumes for plays produced in the American theater since 1915. The exhibit, housed in the Harvard College Library, highlights the work of three Harvard graduates: Robert E. Jones, Donald Oenslager, and Lee Simonson.
“N. Y. U. to Do O’Neill Play”
This smaller article announces that Eugene O’Neill’s “Desire Under the Elms” will be presented at the New York University Hall of Fame for the 1950-51 academic year. It also mentions that performances of O’Neill’s tragedy “The Iceman Cometh” are scheduled for the coming Thursday, Friday, and Saturday evenings.
The newspaper clipping is visibly aged, with yellowed paper and frayed, torn edges, especially along the right side and bottom. Handwritten text, possibly the word “Shoes,” is faintly visible at the bottom left corner, likely added later.
Overall, the clipping provides a snapshot of cultural and academic life in the United States in 1950, focusing on international students at Barnard College and theatrical developments at Harvard and NYU.
The image shows a section of a newspaper clipping from The New York Times dated Sunday, October 15, 1950. The main headline reads "FOREIGN STUDENTS AT BARNARD," accompanied by a black-and-white photograph of three women. The caption below the photo identifies the women as "The Misses Choon Nan Lee of Seoul, Korea, left; Elizabeth Habsburg of Vienna, and Neera Karve of Poona, India, on the Morningside Heights campus."
Below the photograph, there is another article titled "HARVARD DISPLAYING THEATRICAL SCENERY." This article discusses an exhibition of theatrical scenery and costumes at Harvard University. It mentions the collection of designs from the Harvard College Library and includes information about the designs of Robert E. Jones, Donald Oenslager, and Lee Simonson, who are graduates of Harvard College.
The newspaper clipping appears to be aged and slightly torn, with some text and images cut off on the sides. The bottom right corner of the image shows a handwritten note that reads "Gloes." The overall tone of the article is historical, reflecting the cultural and educational context of the early 1950s.
The image is a scanned page from The New York Times, dated Sunday, October 15, 1950. The page includes a photograph and several articles.
"Foreign Students at Barnard":
"Harvard Displaying Theatrical Scenery":
Another Article (partially visible):
This page provides a glimpse into the academic and cultural activities of the time, particularly focusing on international students and theater arts.
The image shows a torn piece of an old newspaper, possibly from the 1950s, with a headline that reads "Foreign Students at Barnard." The photograph on the page features three people dressed in costumes that seem to be from a theatrical performance. The individuals are standing close to each other, and the person on the right is wearing a traditional sari, while the other two are dressed in Western-style clothing. The photograph is surrounded by text that provides information about the event or performance. The newspaper page is torn and appears to be old and worn, with some parts of the text and image missing.
The image shows a torn and aged newspaper clipping from the New York Times, dated Sunday, October 15, 1950. The clipping features an article titled "Harvard Displaying Theatrical Scenery" which includes a photograph of three individuals dressed in costumes, possibly actors or students, standing in front of a building. The article discusses Harvard University's theatrical productions and the exhibition of scenery from these productions. The photograph is accompanied by a brief description and the names of the individuals involved, including Misses Choun Nan Lee of Seoul, Korea, and Elizabeth Haberberger of Vienna and New York, along with Mr. John Barry. The clipping is placed on a glass surface, suggesting it is part of a collection or display.
The image is a scanned newspaper clipping from The New York Times, dated Sunday, October 15, 1950. The headline at the top reads "FOREIGN STUDENTS AT BARNARD", indicating that the article focuses on international students attending Barnard College.
The image captures a moment of cultural exchange and academic interest in the early 1950s, highlighting the presence of international students at Barnard College and showcasing Harvard University's commitment to preserving and displaying theatrical history through its exhibition of scenic designs. The photograph adds a personal touch, showing two individuals representing their respective countries.
The image is a newspaper clipping from The New York Times, dated Sunday, October 15, 1950. It features a black-and-white photograph of three students at Barnard College, with the caption "Foreign Students at Barnard." The article highlights the presence of foreign students at the college, including Misses Choon Nan Lee of Seoul, Korea, Elizabeth Halsburg of Vienna, and Neera Karve of Poona, India.
The clipping also includes a section titled "Harvard Displaying Theatrical Scenery," which mentions that Harvard University will place on exhibition tomorrow more than 500 designs for settings and costumes of plays produced in the American theatre since 1915.
Overall, the image provides a glimpse into the lives of foreign students at Barnard College in the 1950s, as well as the theatrical scene at Harvard University during the same period.
The image depicts a newspaper clipping from The New York Times, dated Sunday, October 15, 1950. The clipping features a black-and-white photograph of three women standing together, with the caption "Foreign Students at Barnard" above it. The women are dressed in formal attire, with one wearing a suit and tie, another in a dress, and the third in a sari.
Below the photograph, there is an article titled "Harvard Displaying Theatrical Scenery," which discusses the exhibition of theatrical scenery at Harvard University. The article mentions that the exhibition will feature over 200 designs for settings and costumes of plays produced in the American theatre since 1919. It also notes that the exhibition will run until November 25 and that the work of three designers for the contemporary theatre, all of whom are graduates of Harvard College, will be displayed.
The background of the image is a light gray color, with a subtle shadow effect around the edges of the clipping. Overall, the image appears to be a scanned or photographed version of the original newspaper clipping, with some minor tears and creases visible along the edges.
The image depicts a torn and aged newspaper clipping from The New York Times, dated Sunday, October 15, 1950.
Key Features:
Overall Impression:
The image appears to be a historical artifact, showcasing a fragment of a newspaper from the past. The torn and aged state of the clipping suggests that it has been handled or stored for an extended period, adding to its nostalgic value.
The image presents a vintage newspaper clipping from The New York Times, dated Sunday, October 15, 1950. The clipping features a black-and-white photograph of three women standing together, accompanied by an article titled "Foreign Students at Barnard."
In summary, the image is a nostalgic representation of a bygone era, showcasing a vintage newspaper clipping with a photograph and article about foreign students at Barnard College. The clipping's worn appearance and the formal tone of the article evoke a sense of nostalgia and historical significance.