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This image shows a vintage newspaper clipping from the Boston Sunday Herald, dated October 15, 1950. The clipping is from page 6, as indicated by the small “6” in the top right corner.

The main headline reads:

PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD

The article announces an exhibition at Harvard University featuring the work of three outstanding American theatre designers: Lee Simonson, Robert Edmond Jones, and Donald Oenslager. All three are noted as Harvard graduates.

Key details from the article:

• The exhibit will showcase more than 200 designs for stage settings and costumes from the past 35 years.
• It will be housed in Harvard’s Fogg Museum and also at the Widener and Lamont libraries.
• The exhibit opens tomorrow (i.e., October 16, 1950) and will run until November 25.
• The designs include notable productions such as:
  • Jones’s designs for "Hamlet" (for John Barrymore), "Mourning Becomes Electra", and "Ah, Wilderness!" (1923), which set a long-run record.
  • Jones's design for "Macbeth", which caused controversy due to the use of masks.
  • Simonson’s designs for "Life With Mother" and "Born Yesterday", plus his work for the Theatre Guild’s "Back to Methuselah", "Liliom", "Peer Gynt", "The Adding Machine", "Marco’s Millions", and "Amphitryon 38".
  • Oenslager’s work for over 150 productions is also represented.

The article mentions that in addition to the exhibit, there will be:

• Four lectures by theatre authorities on topics such as ton, drama, and criticism on November 24.
• A concert of theatre music during the exhibition, arranged by Boris Goldovsky, artistic director of the New England Opera, and featuring music from the plays represented.
• Lecturers include Robert O'Leary (Boston Museum of Fine Arts) and Frederick W. Sternfeld (professor of music at Dartmouth).

Handwritten in red ink in the top left corner of the clipping is the number “1284”, likely an archival or cataloging identifier.

The clipping is presented on aged, yellowed newsprint, typical of mid-20th-century newspapers, and is slightly faded but overall legible.

Summary: This is a cultural news article from 1950, promoting a major theatre design exhibition at Harvard featuring the groundbreaking work of three influential American scenic designers, accompanied by lectures and a musical concert celebrating the art of stage design.

The image appears to be a clipping from a newspaper, specifically the Boston Sunday Herald, dated October 15, 1950. The headline reads "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD." The article is about an exhibition featuring the work of three Harvard graduates who are outstanding designers for contemporary theater. The exhibition will showcase more than 200 designs for settings and costumes of plays by Lee Simonson, Robert Edmund Jones, and Donald Oenslager. The exhibit will be on display at Harvard's Fogg Museum of Art and at Widener and Lamont libraries, with 100 productions representing about 150 of Simonson's more than 150 productions.

The article mentions specific plays and their designers, including "Life With Mother" and "Born Yesterday" by Lee Simonson, and "Back to Methuselah," "Liliom," "Peer Gynt," "The Adding Machine," "Marco's Millions," and "Amphitryon 38" by Robert Edmund Jones. Donald Oenslager is represented by 34 of his designs.

Additionally, the article mentions that a controversy in the theatre by the use of masks flown above the stage was set by Oenslager's designs. The exhibition will include models for these plays.

The article also notes that four lectures by authorities on the stage and a concert of theatre music will be held during the exhibition. Lecturers will include Robert O'Hearn, Frederick W. Sternfeld, professor of music at Dartmouth, and William B. Van Lennep, curator of the Theatre Collection of the Harvard College Library. The concert will be at the Boston Museum of Fine Arts on November 24th.

This image shows a scanned clipping from a newspaper article dated October 15, 1950, from the "Boston Sunday Herald." The headline reads: "Play Design Exhibit to Be Held at Harvard." The article discusses a play design exhibition featuring the work of three Harvard graduates who are prominent figures in contemporary theater design. These designers are Lee Simonson, Robert Edmond Jones, and Donald Oenslager.

Key Details:

1. Exhibition Details:

   • The exhibition showcases over 200 designs for settings and costumes created by the three designers.
   • The works span more than 35 years of their careers.
   • The exhibit is held at Harvard's Fogg Museum of Art, Widener Library, and Lamont Library.
   • It is scheduled to run from October 16 to November 25, 1950.

2. Designers and Their Work:

   • Lee Simonson is noted for his innovative use of masks in "Hamlet."
   • Robert Edmond Jones is known for his designs for plays such as "Back to Methuselah," "Lilium," "Peer Gynt," "The Adding Machine," "Marco's Millions," and "Amphitryon 38."
   • Donald Oenslager is recognized for his designs for a controversial production of "Macbeth" and other plays.

3. Additional Events:

   • The article mentions supplementary events tied to the exhibition, including:
     • Four lectures by theater authorities, including drama critic William B. Van Lennep.
     • A concert of theater music arranged by Boris Goldovsky, the artistic director of the New England Opera.

The article emphasizes the significance of the designers' contributions to American theater and their connection to Harvard University. It highlights the innovative and controversial elements of their work, particularly the use of masks in "Hamlet," which caused a stir during its time.

The image is a clipping from a newspaper article titled "Play Design Exhibit to be Held at Harvard." The article is from the Boston Sunday Herald, dated October 15, 1950. The clipping is folded in half, with the top half containing the headline and the bottom half containing the body of the article.

The article discusses an upcoming exhibit at Harvard University showcasing the work of three prominent theater designers: Lee Simonson, Donald Oenslager, and Robert Edmond Jones. The exhibit will feature their designs for over 200 plays spanning the past 35 years, including costumes, masks, and stage settings.

The article highlights some of the notable designs on display, such as Simonson's costumes for "Hamlet" and "Mourning Becomes Electra," Jones' designs for "The Admirable Crichton" and "Peer Gynt," and Oenslager's set for "Macbeth." The exhibit will also include lectures by the designers and a concert of music from the Theatre Collection of the Harvard College Library.

The article notes that the exhibit will be held at the Harvard Fogg Museum of Art and the Widener and Lamont libraries, and it will run from November 10 to November 25. The article also mentions that the exhibit will feature approximately 100 productions, with Jones' designs representing about 34 of them.

Overall, the article provides information about an upcoming exhibit at Harvard University that will showcase the work of three prominent theater designers and their contributions to the world of theater design over the past 35 years.

This image shows a newspaper clipping with the headline "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD" dated October 15, 1950. The article discusses an upcoming exhibition at Harvard University that will showcase the work of three prominent play designers: Lee Simonson, Simon Jones, and Robert Edmond O'Neill. The exhibition will feature over 200 designs for settings and costumes from the past 35 years, including notable productions such as "Hamlet," "Macbeth," and "Peer Gynt."

The article also mentions additional events related to the exhibition, such as lectures by theater authorities, a concert featuring music from the designs, and a showing of the Theatre Museum of the Contemporary Theatre. The exhibition will be held at Harvard's Fogg Art Museum and will continue through November 25, with some designs also on display at the Widener and Lamont libraries.

The clipping is from the Boston Sunday Herald and is displayed on a gray background, with some red markings on the edges.

The image shows a scanned newspaper clipping from the Boston Sunday Herald dated October 15, 1950. The headline reads: "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD." The article discusses an upcoming exhibition featuring the work of three contemporary designers for the stage, to be held at Harvard's Fogg Art Museum and the Widener Library.

Key Details from the Article:

1. Exhibition Overview:

   • The exhibition will showcase the work of three outstanding designers for the contemporary theater.
   • It will feature more than 200 designs, including settings and costumes for plays spanning the past 35 years.
   • The designers highlighted are Tobias E. Jones, Donald Gensler, and John Barrymore.

2. Exhibition Dates and Locations:

   • The exhibition will open tomorrow (October 16, 1950) at Harvard's Fogg Art Museum and the Widener Library.
   • It will continue through November 28, 1950.

3. Featured Designs:

   • The article mentions specific designs by the designers:
     • Tobias E. Jones: Designs for productions such as The Lion’s Share (1929) and The Wild Duck (1928).
     • Donald Gensler: Designs for plays like John Barrymore’s “Ham” becomes O’Neill’s “Ah, Mourning Star” and “Peer Gynt’s Millions.”
     • John Barrymore: Designs for productions such as “The Adelphi” and “Macbeth.”

4. Additional Context:

   • The article notes that the exhibition will include 150 productions, with stage and costume designs.
   • It will also feature four lectures by authorities on the subject, including a drama critic.
   • The exhibition is part of a broader series of events, including a concert of theatre music and a lecture by William B. Van Lennep, curator of the Theatre Collection at the New York Public Library.
   • Other notable figures mentioned include Robert C. Freed, a scenic designer, and Enos Norkov, artistic director of the New England Opera.

5. Visual Elements:

   • The article includes a small, faint stamp or marking in the top-left corner that reads "D&P," likely indicating a departmental or archival marking.
   • The layout is typical of a newspaper article, with a clear headline, subheadings, and body text.

Summary:

The image depicts a historical newspaper article announcing an exhibition of theatrical design work at Harvard University in 1950. It highlights the contributions of three prominent designers and provides details about the exhibition’s scope, dates, and associated events. The article reflects the cultural and artistic focus of the time, emphasizing the importance of stage design in theatre.

The image shows a newspaper clipping from the "Boston Sunday Herald" dated October 15, 1950. The headline reads "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD." The article discusses an upcoming exhibition featuring the work of three outstanding designers for contemporary theater, all of whom are Harvard graduates. The exhibition is set to display more than 200 designs for settings and costumes of plays by Lee Simonson, Robert Edmond Jones, and Donald Oenslager. It mentions specific productions associated with the designers' work, such as Lee Simonson's designs for "Life With Father" and "Born Yesterday" and Jones' designs for the productions of "Hamlet" with John Barrymore and "MacBeth," which caused controversy due to the use of masks.

The exhibit is said to be shown at Harvard's Fogg Museum of Art as well as at the Widener and Lamont libraries, with a schedule that continues through November 25, 1950. Additionally, the article outlines related events including lectures by experts, a concert, and notes authorities on the subject who will be speaking at various dates, including William B. Van Lennep, curator of the Theatre Collection at the Harvard College Library.

At the top of the clipping, outside the main body of the text, there appear to be two handwritten notes: "n&p" and "G," possibly related to cataloging or personal notes from the individual who saved the clipping. The paper has yellowed with age, indicating the physical condition of the newspaper.

This is a newspaper clipping from Boston Sunday Herald, dated October 15, 1950. The headline reads "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD." It announces an exhibition of contemporary theatre designs at Harvard's Fogg Museum of Art, Widener Library, and Lamont Library. The exhibit highlights the work of three theater designers, all Harvard graduates — Lee Simonson, Robert Edmond Jones, and Donald Oenslager — featuring over 200 designs, including sets and costumes for notable productions.

The article mentions specific designs by Simonson, such as for "Life with Mother" and "Born Yesterday," and designs by Jones, including those for John Barrymore's "Hamlet" and Lionel Barrymore’s "Macbeth." It describes Oenslager's use of masks and designs for plays like Eugene O'Neill's "Mourning Becomes Electra".

Additional events during the exhibition are noted, including lectures and a concert by notable authorities on theater. One lecturer is cited as Robert O’Hearn on October 20, and other events are scheduled with Frederick Sternfeld, Eliot Norton, and William B. Van Lennep. The concert, slated for November 5 at the Boston Museum of Fine Arts, is organized by Boris Goldovsky, artistic director of the New England Opera.

This image shows a newspaper clipping from the Boston Sunday Herald dated October 15, 1950. The headline reads "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD."

The article talks about an exhibition featuring the work of three Harvard graduates who are outstanding designers for contemporary theater. The exhibition will open at Harvard's Fogg Museum of Art and also be shown at Widener and Lamont libraries. It will include more than 200 designs for settings and costumes of plays by Lee Simonson, Robert Edmond Jones, and Donald Oenslager, covering about 100 productions from the past 35 years in American theater.

It highlights some of Jones' designs for the John Barrymore "Hamlet," Lionel Barrymore "MacBeth," and mentions controversy in theater regarding the use of masks. Oenslager is noted for over 150 productions including models for "Life With Mother" and "Born Yesterday." Among Simonson's designs are pieces for the Theatre Guild and productions such as "Back to Methuselah," "Liliom," "Peer Gynt," and others.

The article also mentions related events accompanying the exhibition, including lectures, a concert of theater music, and a concert arranged by Boris Goldovsky to be held at the Boston Museum of Fine Arts.

Overall, the clipping is an announcement and overview of an important play design exhibition involving notable figures in American theater design.

A vintage newspaper clipping laid out as a long, narrow strip. The headline reads: "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD" in big bold letters. At the top it says “BOSTON SUNDAY HERALD, OCTOBER 15, 1950.” The piece is a multi-column article describing an exhibition of theatre-design work by Harvard graduates, featuring more than 200 designs for sets and costumes from the past 35 years. It mentions designers Lee Simonson, Robert Edmond Jones, and Donald Oenslager, and notes venues at Harvard’s Fogg Museum of Art as well as Widener and Lamont libraries. It references famous productions (e.g., Hamlet/Macbeth, Mourning Becomes Electra, Life With Mother, Born Yesterday) and discusses additional events like lectures and a concert. The clipping shows some creases and a small red mark in the left margin.