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ARCH.2003.31, Rendition: 804292
The image is a newspaper clipping from the Boston Sunday Herald, dated October 15, 1950. The headline reads "Play Design Exhibit to be Held at Harvard." The article discusses an upcoming exhibition at Harvard University that will showcase the work of three notable play designers: Jo Mielziner, Lemuel Ayers, and Boris Aronson.
Key points from the article include:
The article highlights the importance of these designers' contributions to contemporary theatre and the unique opportunity to view their work in this exhibition.
The image shows a newspaper clipping from the Boston Sunday Herald dated October 15, 1950. The headline reads "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD." The article discusses an exhibition featuring the work of three prominent designers: Donald Oenslager, Jo Mielziner, and Lee Simonson, all of whom are associated with Harvard. The exhibition includes over 200 designs for settings and costumes from contemporary plays, as well as some American classics. Notable designs mentioned include those for Arthur Miller's "Death of a Salesman" and Eugene O'Neill's "Mourning Becomes Electra." The exhibition is held at Harvard's Fogg Museum and also features lectures by the designers. The clipping is slightly yellowed and has some minor tears along the edges.
The image is a newspaper clipping from the Boston Sunday Herald dated October 15, 1950. The headline is "Play Design Exhibit to be Held at Harvard."
The article describes an exhibition showcasing the work of three prominent designers from the past 35 years. The exhibition includes 200 designs for settings and American theater. The designs are from contemporary designers, with a focus on the contemporary and historical significance of their work. The exhibit will include costumes of plays by notable figures such as Eugene O'Neill, John Barrymore, and others.
The exhibit is organized by the Theatre Collection at Harvard University, with a variety of renowned designers and artists contributing their work. Notable individuals mentioned include:
The exhibition will be held at Harvard’s Fogg Museum, and the dates are from October 21 to November 23, 1950. The event includes lectures and a concert by William B. Van Lennep, curator of the Theatre Collection.
Additionally, the article mentions the inclusion of models for "Life With Stage" and a concert by William B. Van Lennep, and it notes that the exhibit is open to the public, with specific dates and locations for viewing the models and the concert.
The image shows a newspaper clipping from the Boston Sunday Herald, dated October 15, 1950. The headline reads "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD."
The article discusses an upcoming exhibition at Harvard University featuring the work of three renowned designers: Lee Simonson, Jo Mielziner, and Donald Oenslager. The exhibition is set to display more than 200 designs from the past 35 years, including settings and costumes for plays from the American theatre.
The exhibition will showcase designs for notable plays such as "Hamlet" by John Barrymore, "Mourning Becomes Electra" by Eugene O'Neill, "Liliom" by Ferenc Molnar, "Peer Gynt" by Henrik Ibsen, and "Ah, Wilderness!" by Eugene O'Neill. The exhibition will continue through November 25, 1950, and will be held at the Fogg Art Museum and also at the Harvard Museum of Art.
The article mentions that the exhibition will include models for "Life Withstage" and a concert of theatre by William B. Van Leer. Additionally, there will be a series of lectures on the plays and their designs by various authorities, including Robert O'Hern from the Boston Museum of Fine Arts. The exhibition is part of the Theatre Collection of the Houghton Library at Harvard.
The clipping also notes that the exhibition will be arranged by Boris Goldovsky, and the exhibit will travel to other locations, such as Dartmouth College, in the following months.
The image is a black-and-white newspaper clipping from the Boston Sunday Herald dated October 15, 1950. The headline reads "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD."
The article announces an exhibition featuring the work of three outstanding designers in the field of theater over the past 35 years. The exhibition will showcase over 200 designs for settings and costumes from American theater, including designs by Lee Simonson, Jo Mielziner, and Donald Oenslager. These designers are renowned for their contributions to plays by prominent playwrights such as Eugene O'Neill, Tennessee Williams, and Arthur Miller.
The exhibition is planned to be held at Harvard's Fogg Museum, with four lectures by authorities on the drama scheduled for November 24. The lecture topics include "Theatre of the Absurd," "Hamlet," "Eugene O'Neill," and "Mourning Becomes Electra." The event will also feature a concert of theater music by William B. Van Lennep, curator of the Theatre Collection at Harvard, and other performances.
The exhibit will be open from November 1 to December 10, 1950, and will include models from more than 150 productions. The article mentions that the exhibit will be a comprehensive display of stage design evolution over several decades, with a specific focus on significant theatrical works and designers. The exhibition is curated by Boris Goldovsky, with contributions from various institutions and designers.
The image is a newspaper clipping from the Boston Sunday Herald, dated October 15, 1950. It features an article titled "Play Design Exhibit To Be Held At Harvard."
Here's a detailed summary:
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Additional Information:
This article highlights the significance of the exhibition in celebrating and reviewing the contributions of key set designers in American theatre over the past several decades.
The image shows a newspaper clipping from the "Boston Sunday Herald" dated October 15, 1950. The headline reads "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD." The article discusses an upcoming exhibition featuring the work of three outstanding designers for contemporary theater, all of whom are Harvard graduates. The exhibition is set to display more than 200 designs for settings and costumes of plays by Lee Simonson, Robert Edmond Jones, and Donald Oenslager. It mentions specific productions associated with the designers' work, such as Lee Simonson's designs for "Life With Father" and "Born Yesterday" and Jones' designs for the productions of "Hamlet" with John Barrymore and "MacBeth," which caused controversy due to the use of masks.
The exhibit is said to be shown at Harvard's Fogg Museum of Art as well as at the Widener and Lamont libraries, with a schedule that continues through November 25, 1950. Additionally, the article outlines related events including lectures by experts, a concert, and notes authorities on the subject who will be speaking at various dates, including William B. Van Lennep, curator of the Theatre Collection at the Harvard College Library.
At the top of the clipping, outside the main body of the text, there appear to be two handwritten notes: "n&p" and "G," possibly related to cataloging or personal notes from the individual who saved the clipping. The paper has yellowed with age, indicating the physical condition of the newspaper.
This image shows a newspaper clipping from the Boston Sunday Herald dated October 15, 1950. The headline reads "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD."
The article talks about an exhibition featuring the work of three Harvard graduates who are outstanding designers for contemporary theater. The exhibition will open at Harvard's Fogg Museum of Art and also be shown at Widener and Lamont libraries. It will include more than 200 designs for settings and costumes of plays by Lee Simonson, Robert Edmond Jones, and Donald Oenslager, covering about 100 productions from the past 35 years in American theater.
It highlights some of Jones' designs for the John Barrymore "Hamlet," Lionel Barrymore "MacBeth," and mentions controversy in theater regarding the use of masks. Oenslager is noted for over 150 productions including models for "Life With Mother" and "Born Yesterday." Among Simonson's designs are pieces for the Theatre Guild and productions such as "Back to Methuselah," "Liliom," "Peer Gynt," and others.
The article also mentions related events accompanying the exhibition, including lectures, a concert of theater music, and a concert arranged by Boris Goldovsky to be held at the Boston Museum of Fine Arts.
Overall, the clipping is an announcement and overview of an important play design exhibition involving notable figures in American theater design.
This image shows a newspaper clipping with the headline "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD" dated October 15, 1950. The article discusses an upcoming exhibition at Harvard University that will showcase the work of three prominent play designers: Lee Simonson, Simon Jones, and Robert Edmond O'Neill. The exhibition will feature over 200 designs for settings and costumes from the past 35 years, including notable productions such as "Hamlet," "Macbeth," and "Peer Gynt."
The article also mentions additional events related to the exhibition, such as lectures by theater authorities, a concert featuring music from the designs, and a showing of the Theatre Museum of the Contemporary Theatre. The exhibition will be held at Harvard's Fogg Art Museum and will continue through November 25, with some designs also on display at the Widener and Lamont libraries.
The clipping is from the Boston Sunday Herald and is displayed on a gray background, with some red markings on the edges.
The image shows a scanned newspaper clipping from the Boston Sunday Herald dated October 15, 1950. The headline reads: "PLAY DESIGN EXHIBIT TO BE HELD AT HARVARD." The article discusses an upcoming exhibition featuring the work of three contemporary designers for the stage, to be held at Harvard's Fogg Art Museum and the Widener Library.
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The image depicts a historical newspaper article announcing an exhibition of theatrical design work at Harvard University in 1950. It highlights the contributions of three prominent designers and provides details about the exhibition’s scope, dates, and associated events. The article reflects the cultural and artistic focus of the time, emphasizing the importance of stage design in theatre.