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ARCH.2003.31, Rendition: 804285
The image is a clipping from the Boston Post, dated Wednesday, October 11, 1950. The headline reads "Artist Heintzelman at Women's City Club." The article reports that Arthur William Heintzelman, an internationally known artist and gifted etcher, was the guest of honor at a luncheon held at the Women's City Club. The event included tributes to Heintzelman from various art critics and well-known artists. Heintzelman is noted as the keeper of the famous Wiggin prints at the Boston Public Library.
The luncheon was presided over by Alice Dixon Bond, who introduced several speakers praising Heintzelman's work. These speakers included:
The article highlights the recognition and esteem in which Heintzelman was held within the art community.
The image shows a clipped newspaper article from the Boston Post, dated Wednesday, October 11, 1950. The headline reads "ARTIST HEINTZELMAN AT WOMEN'S CITY CLUB." The article discusses Arthur William Heintzelman, an internationally known artist and gifted etcher, who was the guest of honor at a luncheon held by the Women's City Club. The event paid tribute to Heintzelman, with praise from various art critics and well-known artists. He is noted as the keeper of the famous Wiggin prints at the Boston Public Library.
Alice Dixon Bond presided over the event and introduced speakers who commended Heintzelman’s work. These speakers included Miss Ruth Magurn, assistant curator of prints at the Fogg Art Museum; Frederick H. Wight, associate director of the Institute of Contemporary Art; Alice Lawton, art critic of the Boston Post; Edgar J. Driscoll, art critic of the Boston Globe; and Lawrence Dame, art critic of the Boston Herald. The article is affixed to a piece of paper with the number "128-F" written at the top.
The image shows a newspaper clipping from the Boston Post dated Wednesday, October 11, 1950. The headline of the article is "Artist Heintzelman at Women's City Club."
The article describes Arthur William Heintzelman, an internationally known artist and gifted etcher, who was honored at a luncheon hosted by the Women's City Club. During the event, art critics and well-known artists paid tribute to him. Heintzelman is noted as the keeper of the famous Wiggin prints at the Boston Public Library.
Alice Dixon Bond, who presumably presided over the luncheon, introduced several speakers who praised Heintzelman’s work. The speakers included:
The clipping has been marked with a handwritten label at the top, reading "128-F."
The image shows a clipping from the Boston Post, dated Wednesday, October 11, 1950. The headline reads "Artist Heintzelman at Women's City Club." The article describes Arthur William Heintzelman, an internationally known artist and gifted etcher, as the guest of honor at a luncheon held at the Women's City Club. The event was organized to pay tribute to him, with speeches from art critics and well-known artists. Heintzelman is noted for his custodianship of the famous Wiggin prints at the Boston Public Library.
Alice Dixon Bond presided over the event and introduced several speakers who praised Heintzelman's work. These speakers included:
The clipping appears to be marked with a catalog number "128-F" in red ink.
The image shows a vintage newspaper clipping from the Boston Post, dated Wednesday, October 11, 1950. The headline reads "Artist Heintzelman at Women's City Club."
The article details that Arthur William Heintzelman, an internationally known artist and gifted etcher, was the guest of honor at a luncheon in the Women's City Club. He was honored with tribute by art critics and well-known artists. Heintzelman is noted for being the keeper of the famous Wiggin prints at the Boston Public Library.
Alice Dixon Bond presided over the event and introduced several speakers who praised Heintzelman's work. The speakers included:
The clipping has a handwritten note in the top right corner that reads "128-F."
The image is a scanned newspaper clipping from the "Boston Post," dated Wednesday, October 11, 1950. The headline reads, "Artist Heintzelman At Women's City Club."
The article details an event where Arthur William Heintzelman, an internationally renowned artist and etcher, was honored at a luncheon held at the Women's City Club. He serves as the keeper of the famous Wiggin prints at the Boston Public Library.
Alice Dixon Bond presided over the event and introduced several speakers who praised Heintzelman's work. The speakers included:
Each speaker paid tribute to Heintzelman’s contributions to the field of art.
This image shows a newspaper clipping from the Boston Post, dated Wednesday, October 11, 1950. The headline reads "ARTIST HEINTZELMAN AT WOMEN'S CITY CLUB." The article announces that Arthur William Heintzelman, an internationally known artist and gifted etcher, was the guest of honor at a luncheon at the Women's City Club. The event included tributes paid to him by art critics and well-known artists. He is noted as the keeper of the famous Wiggin prints at the Boston Public Library.
The article mentions that Alice Dixon Bond presided over the event and introduced speakers who praised Heintzelman's work. Among the speakers were Ruth Magurn, assistant curator of prints at the Fogg Art Museum; Frederick H. Wight, associate director of the Institute of Contemporary Art; Alice Lawton, art critic of the Boston Post; Edgar J. Driscoll of the Boston Globe; and Lawrence Dame of the Boston Herald.
There is a red handwritten note "128-F" at the top of the clipping.
This is an image of a newspaper clipping from "Boston Post, Wednesday, October 11, 1950". The headline of the article is "ARTIST HEINTZELMAN AT WOMEN'S CITY CLUB". The article discusses Arthur William Heintzelman, an internationally known artist and gifted etcher, who was honored at a luncheon at the Women’s City Club where his work and contributions were praised by art critics and well-known artists. It notes that Heintzelman is the keeper of the famous Wiggin prints at the Boston Public Library. The article also lists several individuals who spoke or were present, including Dixon Bond, Miss Ruth Magurn, Frederick H. Wright, Alice Lawton, and Edgar J. Driscoll, who are attributed as being associated with various institutions and publications like the Fogg Art Museum and Boston newspapers.
The top border of the clipping has a red marking or stamp that says "128-F", suggesting it may have been cataloged or organized in some fashion, possibly in an archival or library setting. The newspaper clipping has been torn carefully around the edges, likely to preserve the relevant article while discarding the rest of the page.
The image shows a newspaper clipping from the Boston Post, dated Wednesday, October 11, 1950. The article is titled "ARTIST HEINTZELMAN AT WOMEN'S CITY CLUB" and reports on an event where Arthur William Heintzelman, an internationally known artist and gifted etcher, was honored as the guest of honor at a luncheon hosted by the Women's City Club.
Key details from the article include:
The article highlights Heintzelman's recognition in the art community and his contributions to the field. The clipping is bordered by a thin red line, and the top of the image shows a handwritten notation: "128-F", likely an archival or cataloging reference. The overall presentation suggests this is a preserved historical document, possibly part of an archive or collection.
The image is a photograph of a newspaper clipping. The clipping is from the Boston Post, dated Wednesday, October 11, 1950. The clipping features a headline that reads "ARTIST HEINTZELMAN AT WOMEN'S CITY CLUB." The article appears to be about a luncheon held at the Women's City Club in Boston, where internationally known artist and gifted etcher Arthur William Heintzelman was the guest of honor. The article mentions that Heintzelman is the keeper of the famous Wiggin prints at the Boston Public Library. Alice Dixon Bond presided and introduced speakers who praised Heintzelman's work, including Miss Ruth Magurn, assistant curator of prints at the Fogg Art Museum; Frederick H. Wight, associate director, Institute of Contemporary Art; Alice Lawton, art critic of the Boston Post; Edgar J. Driscoll, Boston Globe; and Lawrence Dame, Boston Herald.