The image is a newspaper clipping from the "Boston News Clip" dated March 2, 1950. The article is titled "Fine Exhibit of Stagecraft Opens at Harvard Monday" and is written by John W. Riley.

The article discusses an exhibition of stagecraft that is set to open at Harvard University on Monday, March 6, 1950. The exhibition is described as a major event in the history of theater, showcasing the work of notable figures such as Norman Bel Geddes, Donald Oenslager, and others. The exhibit is part of a larger program at Harvard, which includes a series of lectures and a symposium on the theater.

Key points from the article include:

1. Historical Significance: The exhibition is noted for its historical importance, featuring work from some of the most influential theater designers and playwrights of the early 20th century.

2. Contributors: The article mentions several key figures in theater, including Norman Bel Geddes, Donald Oenslager, and Robert Edmond Jones, whose contributions to stagecraft are highlighted.

3. Exhibition Details: The exhibit includes a variety of items such as models, sketches, and photographs that illustrate the development of stagecraft over the years.

4. Symposium and Lectures: The exhibition is accompanied by a series of lectures and a symposium, featuring speakers like Dr. Van Meter Ames and George Pierce Baker, who will discuss various aspects of theater and stagecraft.

5. Public Access: The exhibition is open to the public and is expected to attract a wide audience, including theater enthusiasts, students, and professionals.

Overall, the article emphasizes the educational and cultural value of the exhibition, highlighting its role in preserving and promoting the history of theater and stagecraft.

The image is a newspaper clipping from the Boston News Slip, specifically the section edited by John W. Kulig. The article is titled "Fine Exhibit of Stagecraft Opens at Harvard Monday."

Here's a detailed summary:

Headline and Subheading:

• Theatre Talk
• Fine Exhibit of Stagecraft Opens at Harvard Monday

Author:

• By JOHN W. KULIG

Content:
The article discusses an upcoming exhibit at Harvard University showcasing theatrical stagecraft, specifically scenic and costume designs. The exhibit aims to celebrate the contributions of Harvard graduates to the theatrical arts.

1. Background and Purpose:

   • The exhibit was organized by Professor William John Lawrence Baker, who taught playwriting and lighting at Harvard from 1925 to 1955.
   • The idea for the exhibit came from Rebecca W. Woodworth, a graduate student who compiled a significant amount of data on Harvard's theatrical contributions.

2. Harvard Dramatic Club:

   • The article mentions the Harvard Dramatic Club, which was founded in 1908 and has been a significant force in American theater.
   • Many notable figures in theater, such as John Mason Brown and Dr. William Van Lennep, have been involved with the club.

3. Exhibit Content:

   • The exhibit includes designs from three Harvard graduates who served as designers for the university's productions.
   • Over 100 productions from 1910 to the present are represented, featuring original set designs, costume sketches, photographs, and other materials.
   • Productions include works from prominent designers like Donald Oenslager, Eldon Elder, and Lester Cohen.

4. Notable Designers and Their Contributions:

   • Donald Oenslager: Known for his designs for "Boris Godunov," "The Lady's Not for Burning," and other Broadway productions.
   • Eldon Elder: Recognized for his work on "The Madwoman of Chaillot" and "The Remarkable Mr. Pennypacker."
   • Lester Cohen: Contributed to the designs for "Peer Gynt" and other notable productions.
   • Other designers mentioned include Jo Mielziner, Robert Edmond Jones, Boris Aronson, and more.

5. Public Access:

   • The exhibit will be open to the public daily from 9 a.m. to 5 p.m. from October 26 to November 20.
   • Lectures and concerts related to the exhibit are scheduled, with notable speakers such as Professor Baker and Dr. Van Lennep.

Miscellaneous:

• The newspaper clipping itself is dated October 12, 1959.
• The article is part of the "Evening Globe" section and is copyrighted by John F. Duley Co.

The image is a black-and-white newspaper clipping from the Boston News Clip, dated October 2, 1930. The headline reads "Theatre Talk: Fine Exhibit of Stagecraft Opens at Harvard Monday" and is written by John Wm. Hill.

The article discusses an exhibit curated by Cornelius de Witt Baker, who taught playwriting and dramatics at Harvard. The exhibit, titled "The Baker Collection: A Memento," showcases the evolution of theatrical design at Harvard since the 1920s. It includes a variety of designs and drawings from notable figures in the field, such as Dr. Van Amburgh, Edward Gordon Craig, and Robert Edmond Jones.

The exhibit features the work of three designers: Edward Gordon Jones, Robert Edmond Jones, and Donald Simpson. It also includes original drawings and set models from various productions, such as "The Hasty Pudding," "The Merchant of Venice," "The Glass Menagerie," and others.

The exhibit runs from October 9 to November 5, with special lectures and concerts scheduled throughout the period. The events include a lecture by Robert Edmond Jones, a concert by the Harvard Glee Club, and a lecture by Frederick W. Sternfeld. The clipping also lists the times and dates for these events.

The exhibit aims to provide an insightful overview of the development of stagecraft at Harvard over the past decade, highlighting the contributions of various designers and their works.

The image is a clipping from the Boston News Clip, dated October 2, 1950. The article, titled "Theatre Talk: Fine Exhibit of Stagecraft Opens at Harvard Monday," was written by John Wm. Hill.

The article discusses the opening of an exhibit titled "Baker's 47 Workshop," which showcases the theatrical work of Granville Barker, a prominent figure in the history of drama at Harvard University. The exhibit includes the work of three designers: Robert Edmond Jones, Joseph Urban, and Leon Simonsohn. It highlights their contributions to the Harvard Dramatic Club's productions from 1925 to 1931, illustrating the evolution of theatrical design.

The exhibit is curated by Dr. William Van der Hart, who is also the director of the Fog Art Museum. It features original drawings, photographs, and samples of final productions for various plays such as "Born Yesterday," "The Green Hat," "Ah, Wilderness!" and "Amphitryon '38." The exhibit is open to the public from 9 a.m. to 5 p.m. daily, with a special opening on October 16 from 7 to 10 p.m. The exhibit will remain open until November 25.

The article also mentions related lectures and performances at the Fog Art Museum, including a lecture by Frederick W. Sternfeld on November 10, and a concert by the Boston Symphony Orchestra featuring music by Stravinsky, Holst, and Ravel on November 24.

The image shows a newspaper clipping from the Boston Globe, dated October 2, 1950. The article is titled "Theatre Talk: Fine Exhibit of Stagecraft Opens at Harvard on Monday."

Key details from the article include:

1. Introduction:

   • The article discusses the history of stagecraft and the contributions of various individuals to the field.
   • It mentions Professor Eugene O'Neill Baker, who taught playwriting at Harvard in 1925, and highlights his influence on the university's theatrical activities.

2. Baker's Workshops:

   • Baker's 47 workshops have trained many prominent theater professionals.
   • The article notes that Baker's work is significant in shaping the dramatic arts.

3. Exhibition Details:

   • The article describes a new exhibit titled "The Baker Collection," which is a collection of stagecraft related to the plays and productions at Harvard.
   • This exhibit includes original designs, playbills, and other materials from the plays of famous actors and directors.

4. Curators and Exhibit:

   • The exhibit is curated by Dr. Van De Vanne, who has been involved with the Page Art Museum and the Harvard Dramatic Club.
   • The collection features contributions from several designers including:
     • Robert Edmond Jones, known for his work on "The Plough and the Stars."
     • Donald Ogden Stewart and Leo Dion, for their designs on "The Skin of Our Teeth."
     • Robert Edmond Jones for "The Threepenny Opera."
     • Donald Ogden Stewart for "The Skin of Our Teeth" and other plays.
     • Harold Rosenbluth for "The Skin of Our Teeth."
     • Others like George Ozella and others who have contributed to various theatrical productions.

5. Schedule and Events:

   • The exhibit is open to the public daily from 9 a.m. to 5 p.m. from October 16 to November 25.
   • Lectures and a concert are scheduled at the Fogg Art Museum:
     • Dr. Robert Edmond Jones will give a lecture at 4 p.m. on October 16.
     • Frederick W. Sternfeld will present a program of music by Edward Elgar on November 10.
     • A concert by the New England Symphony Orchestra on November 24 at 4 p.m.
     • The Muir Lecture by Van Lennep on November 8 at 4 p.m.
     • A concert by the Boston Symphony Orchestra at 4 p.m. on November 30.

The article highlights the historical and artistic significance of the exhibit, celebrating the legacy of stagecraft and its influence on theater.

BOSTON NEWS CLIP

189 Tremont Street, Boston 11, Mass.

Evening Globe, Boston, Mass.

Oct. 12, 1950

Theatre Talk

Fine Exhibit of Stagecraft Opens at Harvard Monday

By JOHN W. RILEY

Ever since George Pierce Baker left the faculty of Harvard in 1925 to teach playwriting and stage direction at Yale, theatrical activity at the university has been on the wane. Baker's 47 Workshop was not only the inspiration for the present Yale School of Drama, but also for a number of the great men of the theatre of today. Playwrights, directors, and actors all studied with him. A roster of his students would make a Who's Who of the theatre today.

In 1925, the struggling activities of the Harvard Dramatic Club and the productions of the Hasty Pudding Club, whose farces have become a tradition, were the only theatrical activities at Harvard. The drama as literature has continued to be taught, but the theatre as an art has been almost non-existent.

The direction of Dr. William Van Loon, who was appointed to the Harvard faculty in 1930, has been a great impetus to the theatre at Harvard. His courses in the theatre, which are open to all students, have been a great success. The students who take them are given an opportunity to see the best plays produced in Boston.

The Van Loon Collection is a Mecca in the theatre for students of the theatre. For more than a year Dr. Van Loon has been working with the Fogg Art Museum to bring together an exhibit of stage designs. The exhibit, which is now open to the public, is the first of its kind at Harvard.

The exhibit, which is on the second floor of the Fogg, is divided into three sections. The first is devoted to the work of three great designers of the past: Robert Edmond Jones, Lee Simonson, and Jo Mielziner. The second is devoted to the work of three contemporary designers: Donald Oenslager, William and Jean Rosenthal. The third is devoted to the work of three young designers who are now teaching at Harvard: Stephen Parmelee, Ben Edwards, and Robert Edes.

The exhibit includes not only the designs but also the models, photographs, and samples of the final productions. The first production is a 1917 production of Granville Barker's "Waste," directed by Robert Edmond Jones. The second is a 1924 production of Eugene O'Neill's "Desire Under the Elms," directed by Robert Edmond Jones. The third is a 1925 production of George Kelly's "Craig's Wife," directed by Robert Edmond Jones.

The second section of the exhibit is devoted to the work of Donald Oenslager, who is now the resident designer at the New York City Center. His designs for "Born Yesterday" and "The Madwoman of Chaillot" are included. The work of William and Jean Rosenthal, who are now designing for the New York stage, is also included. Their designs for "The Skin of Our Teeth" and "The Glass Menagerie" are on display.

The third section of the exhibit is devoted to the work of the three young designers who are now teaching at Harvard. The designs of Stephen Parmelee, Ben Edwards, and Robert Edes are included. The exhibit will be open to the public daily from 9 a.m. to 5 p.m. from Oct. 16 to Nov. 25. In conjunction with the exhibit, there will be a series of lectures at Fogg. The lectures at Fogg will be held on Tuesdays at 4 p.m. The first lecture will be given by Robert Edmond Jones on Oct. 17. The second lecture will be given by Donald Oenslager on Oct. 24. The third lecture will be given by Jo Mielziner on Oct. 31. The final lecture will be given by Lee Simonson on Nov. 7.

The exhibit and the lectures should be of great interest to anyone who is interested in the theatre. The exhibit will be open to the public until Nov. 25. The lectures will be held at Fogg on Tuesdays at 4 p.m. The first lecture will be given by Robert Edmond Jones on Oct. 17. The second lecture will be given by Donald Oenslager on Oct. 24. The third lecture will be given by Jo Mielziner on Oct. 31. The final lecture will be given by Lee Simonson on Nov. 7.

This is a photograph of a newspaper clipping titled "BOSTON NEWS CLIP" from the "Evening Globe" dated October 12, 1950. The headline of the article reads "Theatre Talk - Fine Exhibit of Stagecraft Opens at Harvard Monday," and it is written by John Wm. Riley.

The article discusses a stagecraft exhibit at Harvard that showcases the work of George Pierce Baker and others involved in playwriting and the drama school at Yale and Harvard since 1925. It mentions the theatrical archives at Harvard and elaborates on the Harvard Theatre Collection curated by Dr. William Van Lennep. The collection includes photographs, pictures, theoretical studies, and plays available to those who want to inspect them or are in show business. The article points out that this collection is a significant attraction in Boston.

Additionally, it talks about the work of three designers, Robert Edmond Jones, Donald Oenslager, and Lee Simonson, who are all Harvard graduates and have contributed to modern theatre and stagecraft. Their work spans many productions and their designs are noted as an essential part of the exhibit.

The article provides information about public viewing times, lectures at the Fogg Art Museum, and other related events.

The physical state of the clipping is preserved, though it exhibits some discoloration and wear indicative of its age. It has been stamped with the library or archive reference number "1385" in red ink and has a red mark across the newspaper's name and date stamp.

This image is a newspaper clipping titled "Theatre Talk: Fine Exhibit of Stagecraft Opens at Harvard Monday," authored by John Wm. Riley. The clipping is from the Evening Globe, Boston, Massachusetts, dated October 12, 1950, and has a label at the top indicating it is a Boston news clip.

The article discusses a stagecraft exhibit opening at Harvard, highlighting the theatrical activities at Harvard, particularly the influence of George Pierce Baker, who left Harvard in 1925 to teach at Yale and founded a workshop that inspired many people in theatre. It notes the Harvard Dramatic Club's activities and mentions Dr. William Van Lennep, who oversees the Harvard Theatre Collection, a rich resource for theatre enthusiasts containing programs, props, photographs, designs, and theoretical studies.

The article further details a special exhibit in collaboration with the Fogg Art Museum, showcasing the work of three Harvard graduates and designers—Robert Edmond Jones, Donald Oenslager, and Lee Simonson—featuring more than 100 productions from 1915 to the present. It mentions specific notable productions and the designers' contributions to theatre.

The exhibit is open to the public daily from 9 a.m. to 5 p.m. at the Fogg Art Museum in Cambridge from October 16 to November 25. It also includes information about related lectures and a concert at the Museum of Fine Arts in Boston, with names and dates of the lecturers and performers.

There are some handwritten red marks, including "138 F" near the top and underlined sections, as well as a smudge or stain near the middle of the clipping.

The image features a newspaper clipping from the Boston Evening Globe, dated October 12, 1950. The clipping is titled "Theatre Talk" and is written by John W. Riley. The article discusses an exhibition of stagecraft at Harvard University, highlighting the work of George Pierce Baker, who played a significant role in shaping the drama school at Yale University. The article mentions that Baker, who passed away in 1935, left behind a legacy of inspiring and providing ground for many notable playwrights.

The clipping includes a red line that cuts through the text, possibly indicating a specific section of interest or highlighting an error in the original document. The article also mentions the involvement of Dr. William Van Lenep, who has been curating a collection of stagecraft materials at the Fogg Art Museum in Harvard for over a year. The collection includes original drawings, costumes, and samples of final productions from various designers and productions.

The clipping is part of a larger collection, as indicated by the presence of another clipping attached to it, although the content of this second clipping is not visible in the image. The clipping is displayed on a gray background, with a watermark in the upper right corner indicating the copyright of the Evening Globe.

The image is a scanned newspaper clipping from the Boston News Clip, dated October 23, 1950, and published by the Evening Globe of Boston, Massachusetts. The article is titled "Theatre Talk: Fine Exhibit of Stagecraft Opens at Harvard Monday" and is written by John W. Riley.

Key Details from the Article:

1. Headline and Context:

   • The article announces the opening of an exhibit titled "Fine Exhibit of Stagecraft" at Harvard University on Monday, October 24, 1950.
   • The exhibit is part of the university's centenary celebration of dramatic activity, which began in 1925 when George Pierce Baker left his position at Harvard to establish the school of dramatic art.

2. Exhibit Overview:

   • The exhibit is curated by Dr. William Van Devereux, who has been working on it for more than a year.
   • It is housed in the Fogg Art Museum, specifically in the Special Exhibition Room on the second floor.
   • The exhibit features a wide range of theatrical artifacts, including:
     • Original drawings and designs for sets and costumes.
     • Production photographs.
     • Programs of famous plays.
     • Biographies of notable actors.
     • Playbills.
     • Stage models.
     • Costumes.
     • Letters and manuscripts related to theater.

3. Notable Contributors and Works:

   • The exhibit includes works by several prominent figures in theater:
     • George Pierce Baker: A key figure in the early days of dramatic instruction at Harvard.
     • Robert Edmond Jones: A renowned set and costume designer.
     • Lee Simonson: Another notable designer.
     • Jones: A contributor whose work is highlighted.
     • William Gillette: Known for his Shakespearean productions.
     • John Barrymore: Represented by his work, including Hamlet.
     • Lionel Barrymore: Featured for his role in The Lion.
     • George S. Kaufman: Represented by Becomes Electra.
     • Maxwell Anderson: Featured for Winterset.
     • Robert E. Sherwood: Represented by Abe Lincoln in Illinois.
     • George S. Kaufman and Marc Connelly: Featured for Becomes Electra.
     • Maxwell Anderson: Featured for Winterset.
     • Robert E. Sherwood: Featured for Abe Lincoln in Illinois.
     • George S. Kaufman: Featured for Becomes Electra.
     • Maxwell Anderson: Featured for Winterset.
     • Robert E. Sherwood: Featured for Abe Lincoln in Illinois.

4. Exhibit Highlights:

   • The exhibit includes landmark designs, such as "Born Yesterday" by Jones, which is noted as a notable feature.
   • It also features original drawings for costumes and sets, production photographs, and programs of famous plays.
   • The exhibit showcases the evolution of stagecraft, from early 20th-century designs to more contemporary works.

5. Public Access and Events:

   • The exhibit is open to the public daily from 9 a.m. to 5 p.m..
   • A lecture by Robert Edmond Jones will be held at the Fogg Art Museum on Wednesday, November 1, at 4 p.m..
   • A musical program will also be presented, featuring performances by Frederick Dartmouth, professor of music at Harvard, and Van Lennep, among others.

6. Visual Layout:

   • The article is formatted in a classic newspaper style, with a clear headline, byline, and structured paragraphs.
   • The text is dense and informative, providing detailed descriptions of the exhibit's contents and significance.

Summary:

The article announces an exhibit of stagecraft at Harvard University, highlighting its historical and artistic importance. It features a diverse collection of theatrical artifacts, including designs, photographs, programs, and manuscripts, representing the work of notable playwrights, designers, and actors. The exhibit is part of Harvard's centenary celebration of dramatic activity and includes public access and special events, such as a lecture by Robert Edmond Jones and a musical program. The exhibit opens on Monday, October 24, 1950, and is located in the Fogg Art Museum.