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ARCH.2003.31, Rendition: 804283
The image shows a yellowed, aged piece of paper with a hole punch on the right side. At the top, there is a handwritten note that reads: "Oct. 16 - Nov. 25, 1950 / Three Perjurers at the Contemporary Theatre. / Robert Edmond Jones, Donald Oenslager, Lee Simonson." The paper appears to be a program or a ticket stub, possibly for a theatrical performance. The design includes an arch at the top and a small symbol resembling a pair of scissors or a similar figure in the center. The edges of the paper are slightly worn, and the overall condition suggests it is a historical document.
The image shows a beige-colored file folder with a transparent plastic window on its front cover. Inside the plastic window, there is a handwritten note that reads:
"Oct. 16 - Nov. 25, 1950
Three Persons of the Contemporary Theatre
Robert Edmond Jones, Donald Oenslager, Lee Simonson"
The folder has three punched holes on its right side, likely for placing it in a binder. There is also a small black symbol, resembling a key or a loop, printed near the center of the plastic window. The folder appears to be an archival or organizational item, possibly used to store documents or materials related to the individuals mentioned in the handwritten note.
This image displays a vintage, aged document, likely a program or program cover, mounted on a larger piece of tan, slightly textured paper or cardstock. The entire object shows signs of aging, with a uniform yellow-brown discoloration, slight creases, and minor edge wear.
At the top, a smaller, lighter tan paper strip is affixed, featuring handwritten text in cursive ink. The handwriting reads:
OCT. 16 - NOV. 25 1970
Three Programs of the Contemporary Theatre.
Robert Edmonstone, Donald Oenslager, Leo Sirota
This text identifies the event as a series of theatre programs at “the Contemporary Theatre” running from October 16 to November 25, 1970. It also lists three key figures associated with the theater: Robert Edmonstone (likely a director or playwright), Donald Oenslager (a noted scenic designer), and Leo Sirota (a renowned pianist and composer).
Below this title strip is the main body of the document, a rectangular piece of paper, which appears to be the actual program cover. Its surface is largely blank or faded, with faint vertical and horizontal lines suggesting a previous printed layout or design that has since been washed out or obscured over time. A small, black, stylized emblem resembling a pair of crossed symbols (possibly stylized scissors or abstracted tools) is centered near the top of this panel.
The entire assembly is mounted on a larger backing sheet. On the right-hand side of this backing, a vertical fold line is visible, suggesting it may have been part of a folder or binder. Three holes—two black and one white—pierce the right edge, indicating it was likely stored in a ring binder or file.
In summary, this is an archival item: an aged, mounted theatrical program cover from 1970 for “Three Programs of the Contemporary Theatre,” with handwritten identification and notable names from the arts world of that era. The blankness of the central panel and the handwritten overlay suggest the document is a preparatory or archival copy rather than a final printed program for public distribution.
The image depicts a beige-colored envelope with a rectangular shape. The envelope is folded in half, with the top flap folded down and secured with a small circular object, possibly a button or a sticker. The envelope has a handwritten note on the top flap, which reads "Oct. 16 - Nov. 25, 1950, Three performances of the Contemporary Theatre." The note is written in black ink and appears to be a record of the dates and events related to the envelope's contents.
The image displays a folded piece of paper with a brown background, suggesting it is a page from a book or document. The paper is creased and folded in half, with a small rectangular envelope attached to the center of the fold. The envelope is also brown and appears to be made of the same material as the paper. The paper has handwritten text on it, including the date range "Oct. 16 - Nov. 25, 1950," and the names "Robert Landon Scott, Donald O'Connor, and the Seeman." The text is written in black ink and appears to be a list or record of some kind.
The image depicts a brown, rectangular file folder or archival sleeve with a slightly worn appearance. The folder has a flap closure at the top, secured with a small metal clasp or tie. The flap is slightly open, revealing a transparent plastic sleeve inside, which appears to be empty or contains an item that is not visible.
On the front of the folder, handwritten text is visible. The text includes a date range ("Oct. 16 – Nov. 25, 1950") and a description: "Three Pamphlets of the Contemporary Press (Robert Duncan, Donald Auster, Lee Brown)." The handwriting is cursive and appears to be in black ink. The folder has a few visible staples or holes along its edges, suggesting it may have been part of a larger filing system or archive. The overall condition of the folder indicates it may be vintage or historical, likely used for storing documents or materials related to the specified pamphlets.
The image depicts a piece of paper with a yellowed, translucent envelope attached to it. The envelope is rectangular with rounded corners and has a small, black metal clip at the top center. It appears to be made of a thin, flexible material, possibly plastic or wax paper.
The envelope has handwritten text on it in black ink, which reads: "Oct. 16 - Nov. 25, 1920. Three Letters of the Canterbury Pilgrims. Robert [illegible] Hook, Donald [illegible] the Sieu [illegible]". The text is written in cursive and is difficult to read due to the faded ink.
The paper that the envelope is attached to is a light brown color and has a rough, textured appearance. It appears to be made of a thick, durable material, possibly cardboard or paperboard. There are two holes punched into the right side of the paper, suggesting that it may have been used as a binder or folder.
Overall, the image suggests that the envelope and paper were used for some kind of archival or historical purpose, possibly related to the Canterbury Pilgrims or the early 20th century. The faded ink and rough texture of the paper add to the sense of age and authenticity, making the image feel like a valuable historical artifact.
The image shows a piece of paper with a handwritten note and a small, rectangular cutout. The paper is yellowed and has a rough texture, suggesting it may be old or aged.
Key Features:
Overall Impression:
The image appears to be a document or record from the past, possibly related to a theatrical production or exhibition. The handwritten note and rectangular cutout suggest that it may have been used to display information or images related to the contemporary theatre.
The image depicts a yellowed, aged piece of paper with a transparent plastic sleeve affixed to it. The paper is rectangular in shape and features a light-brown hue, with visible signs of aging and wear.
Key Features:
Overall Impression:
The image appears to be a scanned or photographed document, possibly from an archive or historical collection. The aged appearance of the paper and the presence of handwritten notes suggest that the document may be of historical significance.
The image depicts a yellowed, aged piece of paper with a hole-punched envelope attached to it. The envelope is made of a lighter shade of yellow paper and features a black clip at the top center.
In summary, the image shows an aged piece of paper with a hole-punched envelope attached to it, featuring handwritten text that appears to be a note or label. The envelope is empty, and the larger piece of paper has a rough, aged appearance with three holes punched along the right edge.